Bøger udgivet af Crescent Moon Publishing

THE CINEMA OF HAYAO MIYAZAKI Born on January 5, 1941 in Tokyo, Hayao Miyazaki is known as the 'Japanese Disney', a filmmaker as revered - and as popular - as Walt Disney or Steven Spielberg. Miyazaki, in short, is a true phenomenon in contemporary animation and in world cinema. Miyazaki's movies include Princess Mononoke, Spirited Away, Howl's Moving Castle, Laputa: Castle In the Sky and My Neighbor Totoro. Hayao Miyazaki may be the most talented fantasy filmmaker of his generation: not even the finest filmmakers of Hollywood can rival his films when it comes to creating fantasy worlds, and fantastical characters and events. Miyazaki has millions of fans around the world, not least among fellow animators and filmmakers, for whom he is a genius. What Hayao Miyazaki's films do is to bring you completely into a fantasy world that is instantly recognizable and familiar. It's as if these fantasy realms have always existed - very much like J.R.R. Tolkien's Middle-earth or Ursula Le Guin's Earthsea (both influences on Miyazaki). The visionary and magical elements are fused with the domestic and familial and social elements, so that it seems completely ordinary and believable that, say, flying machines soar overhead which have flapping wings like an insect, or that little white creatures pop up out of trees and make strange clicking noises. To write one hit animation movie is amazing, to write eleven is remarkable. To write and direct one spectacular animated picture is very impressive, to write and direct eleven features is unheard-of in the world of contemporary commercial animation. This new study considers all of his films and TV shows (and his manga work). It also includes chapters on Studio Ghibli ¿ on fellow director Isao Takahata ¿ Miyazaki's influences ¿ his contemporaries and colleagues ¿ his characters ¿ his movies' relation to Western animation (including the Walt Disney Company) ¿ his unmade films ¿ and his themes and motifs. Japanese animation, its production and style, some classics of anime, and digital animation are also explored. Includes quotes by Miyazaki; fans on Miyazaki; and resources. The second edition has been completely updated and revised. Fully illustrated. With filmography, bibliography and notes. 520 pages. ISBN 9781861713902. www.crmoon.comAUTHOR'S NOTE: I hope this book offers readers some new insights into the films of the incredible filmmaker Hayao Miyazaki, so they can go back and enjoy them all over again. I have looked at all of the key research for this book, which was begun years ago. I have focussed mainly on the movies themselves, exploring each one in detail. The book also includes technical info on animation, a chapter on the animation industry in Japan, and comparisons between Miyazaki's films and those in the West, including Walt Disney's work. There are chapters on the output of Studio Ghibli, and also Isao Takahata, Miyazaki's colleague.

THE CRESCENT MOON BOOK OF METAPHYSICAL POETRYEdited and introduced by Charlotte Greene. With a new picture gallery, and additional poems for this edition. GIFT BOOK (Pocket Size = 6 x 4 inches)All of the major and many of the minor Metaphysical poets are featured in this anthology, including: John Donne, Lady Mary Wroth, Robert Herrick, George Herbert, Sir William Davenant, the Countess of Sidney Godolphin, Richard Crashaw, John Cleveland, Abraham Cowley, Richard Lovelace, Andrew Marvell, Henry Vaughan, and Thomas Stanley. The Metaphysical poetic style is witty, learned, subjective, sensual, intellectual, reflective, philosophical, baroque, intense, and sometimes ecstatic. Metaphysical poetry was passion and emotion modified by intellect/ ('passionate ratiocination' Herbert Grierson called it), while T.S. Eliot described John Donne's poetry as experience modified by (his) sensibility. Helen Gardener said that Metaphysical verse was 'an expanded epigram', and Margaret Willy called it 'feeling thought'. Metaphysical poetry used satire and irony, as well as the new science (biology, mathematics, cosmology and microcosmic emphasis). It is a poetry concerned with living for the present, with philosophical and religious subjects - with, in short, the soul. It is a dramatic poetry, essentially lyrical, often rough at the edges, with a love of individualized verse forms and writing poems as long as needed to be. After the adherence to traditional stanzas of Elizabethan poetry (the sonnet being the most obvious type), the Metaphysical poets employed a wide variety of forms and metrical patterns. Thomas Traherne for example, wrote in a new verse form each time he composed a poem. Poets such as Vaughan, Traherne and Marvell give the impression of writing until they've finished what they wanted to say. Their poetic forms were open - a short line here, an extended stanza there, as the subject required. Metaphysical poetry was partly 'Classical', partly 'Christian' and partly 'religious'; it was partly humanist, partly Cavalier and partly Elizabethan. John Donne, for example, was just as much Elizabethan, post-Petrarchan, Renaissance and 'Classical' as 'Metaphysical'. Some critics separate the Metaphysical poets' love poems from their religious ones. The distinction may be useful, but it is not how poets write. The boundaries between profane/ sacred, love/ religion, secular/ divine is not that clearly marked by the poets themselves. The 'religious' poems of the Metaphysical poets are often their most erotic. They write of God, the beloved, and their relationship to him, in erotic terms. In poems such as 'The World', for example, Henry Vaughan narrates the old notion of the soul mystically married to the Bridegroom (God). With an introduction and bibliography. The text has been revised for this edition, with new poems added. Includes a new picture gallery. A small, pocket size edition, ideal for gifts. Also available in an E-book edition. www.crmoon.com.

A selection of poetry from the golden age of British poetry, the Elizabethan era. All of the major Elizabethan poets are featured in this book, as well as many lesser-known poets.

An anthology of great nature poems, including the Elizabethan pastorals of Edmund Spenser, William Shakespeare, Sir Walter Raleigh and Michael Drayton.