Bøger udgivet af CV Publications

Nicholas James, editor Cv/Visual Arts Research, visits Yoko Ono exhibition at Tate Modern with film composer Isabella Summers. Recorded commentary on exhibits including Yoko Ono films, installations and documents. Part Two: Tate Modern In Construction Interview 06/08/1997 Project Manager Dawn Austwick on the Bankside site in development. Interview with curator Jeremy Lewison on exhibitions and presentations planned in the two London Tates. Part Three: Art Study Plan A combine painting 'Whirlwind' created by students on the Art Study Plan course, Richmond Community College 1988. As the project develops, monitored by tape recordings over a three month period, the students release controversial subject matter into the graffiti style mural, the 'Whirlwind' unleashing an unexpected dynamic from a communal imagination.

First published as Tracks: Plan of the Professions in 1997, the 15th revised and updated edition is published in 2017. It gives information for over150 professions, which include pathways in the banking and financial services, catering and hospitality, construction, education, health care, land and sea work, law, government and administration, leisure and tourism, manufacturing crafts, marketing, media, services, and sports and fitness. Qualifications are listed from GCSE and NVQ to degree level. There are work descriptions and pay scales with advice and starter tips from chartered institutes and professionals in each area.

First published as Tracks: Plan of the Professions in 1997, the 15th revised and updated edition is published in 2017. It gives information for over150 professions, which include pathways in the banking and financial services, catering and hospitality, construction, education, health care, land and sea work, law, government and administration, leisure and tourism, manufacturing crafts, marketing, media, services, and sports and fitness. Qualifications are listed from GCSE and NVQ to degree level. There are work descriptions and pay scales with advice and starter tips from chartered institutes and professionals in each area.Part Five explores athletics, sports and fitness, with professional advice and contacts for further development.

An essay by Edward Lucie-Smith explores the dynamic art of Titian, exhibited in a major collection of his key paintings at the National Gallery London and other studies of leading figures in the transcendent era of the High Italian Renaissance in painting, drawing, sculpture and architecture of the 15th and 16th centuies. 'The Titian show at the National Gallery here in London has just opened to the public again. It was available for just three days before the big lockdown. Now it is with us once more, though on rather different terms from what was the case previously. You have to book a time. You have to wearing a mask. You have to keep a distance between yourself and other visitors booked in for the same slot. Is it worth the hassle? Yes, of course it is. Titian is one of the greatest figures in the history of Western art.' ELS

A survey of career paths in the catering industry with a supplement studying the effect of artificial intelligence on avenues of supply and distribution. With national coverage of the first edition in 1997 Tracks found an eager audience, including many parents needing to inform their children's choices for the future. Over fifteen annual editions the title has been revised and updated. The new edition carries several work descriptions per page, listing pay scales and qualifications to degree level, with advice from professionals in the field, and chartered institutes. The contact pages cross-reference with web-linked files in Tracks DVD. The 2024 edition covers over one hundred and fifty career paths in fourteen sections from banking and financial services to sports and fitness. Tracks aims to provide a reliable source of information, that also gives an idea of the technical operation of each area. "I never knew there were so many opportunities," a school student enthused at a presentation of the guide; an excitement we hope to preserve in the continued development of Tracks.

A guide to career paths in law, central and local government and administration.First published as Tracks: Plan of the Professions in 1997, the revised updated edition is published in 2024. It gives information for over150 professions, which include pathways in the banking and financial services, catering and hospitality,construction, education, health care, land and sea work, law, government and administration, leisure and tourism, manufacturing crafts, marketing, media, services, and sports and fitness. Qualifications are listed from GCSE and NVQ to degree level. There are work descriptions and pay scales with advice and starter tips from chartered institutes and professionals in each area.

The growth and diversity of careers and career pathways within medicine and health care can be confusing, yet it reflects the evolution of modern medicine which relies upon a myriad of different specialists each able to contribute their own particular skills to the care and well being of the patient or client. Careers within the NHS are many and varied, with opportunities to train not only as nurses and doctors but also as dieticians, occupational therapists, physiotherapists, and speech and language therapists. These are only a portion of the huge number of careers that are available to suit all tastes and abilities whether it is in medicine or support and technical staff there is something for everyone who is interested in health care. ¿¿First published as Tracks: Plan of the Professions in 1997, the revised and updated edition is published in 2024. It gives information for over150 professions, which include pathways in the banking and financial services, catering and hospitality, construction, education, health care, land and sea work, law, government and administration, leisure and tourism, manufacturing crafts, marketing, media, services, and sports and fitness. Qualifications are listed from GCSE and NVQ to degree level. There are work descriptions and pay scales with advice and starter tips from chartered institutes and professionals in each area.

With national coverage of the first edition in 1997 Tracks found an eager audience, including many parents needing to inform their children's choices for the future. Over fifteen annual editions the title has been revised and updated. The new edition carries several work descriptions per page, listing pay scales and qualifications to degree level, with advice from professionals in the field, and chartered institutes. The contact pages cross-reference with web-linked files in Tracks DVD. The 2012 edition Work Bank, covers over one hundred and fifty career paths in fourteen sections from banking and financial services to sports and fitness. Tracks aims to provide a reliable source of information, that also gives an idea of the technical operation of each area. "I never knew there were so many opportunities," a school student enthused at a presentation of the guide; an excitement we hope to preserve in the continued development of Track

Transcripts of recorded conversations with sculptors made between 1989 and 2010. Includes: Arman; Elspeth Barratt; Stuart Brisley; Anthony Caro; John Cobb; Phillip King; John Latham; David Nash; Gloria Ortega; Eduardo Paolozzi; Peter Randall-Page; Yinka Shonibare CBE; James Turrell; Rachel Whiteread; Alison Wilding; Richard Wilson. Cv/VAR 124 publishes an interview recorded in 2010 with Mat Collishaw, first published in Interviews-Artists Volume Three, explores the range of his work, from 'zoetropes', animated models exhibited at the Freud Museum and installed at the Victoria and Albert museum, to photo-works and projections, with the artist's original interventions in the natural world that fuse histories, desires and dreams. This edition includes studies of Nam June Paik abd other essays on contemporary art.

Studies made between 2010 and 2020 in group work and studio compositions, developing drawings and watercolours to small scale panel paintings, and the large composition of 2021, Gods and Goddesses: six canvases 54"x48" forming two triptychs of twelve feet span.1 Attending life classes each week studies of professional models, actresses and dancers, are made in watercolour, oil and charcoal pencil. About fifteen sketches are made each session, often in bound books. 300 studies feature models Adrian, Agnieszka, Alberto, Bethan, Caroline, Ella, Fatima, Gilda, Jess, Mairi, Marika, Magdalena, Maya, Mercy. Natasha, Serelyn, Erica, Sophie, Sol, Susannah, Sylvette, , Tiziana, Vanessa. The studies are made on canvas, panel or canvas board, small scale from 6x4" or 10"x14" to 60x48".2 A set of panel paintings on the theme of Gods and Goddesses, drawn from Greek classical mythology. Subjects include: Ariadne, Danae, Circe and Zeus.

Cv/VAR reviews Marina Abramovi¿ , Anselm Kiefer and John Latham, exploring the emergence of conceptual and performance works of the 1970s, new approaches to a dematerialised art art that moved beyond the consumer-based culture of previous decades. Marina Abramovic, a poweful voice in this arena, is represented in a major exhibition staged throughout the Royal Academy of Art London. Hr videos, sculptures and installations are experienced in a recorded visit. Anselm Kiefer's 'Superstrings' were shown at White Cube Bermondsey in 2019 ; pioneer of conceptual art John Latham recorded a conversation with Cv in 1991 in his studio- Flat Time House, around the Story of RIO (Reflective Intuitive Organism) and discusses Niddrie Woman; a sculpture project it Lothian supported by the Scottish Office..

In a set of essays entitled 'Doubles author, critic, curator and traveller, Marina Vaizey explores pairings of artists drawn from the canonical cycle of Western art. She considers themes of engagement such as the portrait or figure, treated as stories of wider implication for society, that draw on the artist's perception of the seen, combined with personal visions of dreams and imagination. It is the supreme ability of art, perhaps its highest purpose -acknowledged or not - to show and tell: to show us what we are, and in so doing to tell us. Art even at its most abstract is story telling. And what we like most is encapsulated in Alexander Pope's phrase from 1733, the proper study of mankind is man. Perhaps that explains that the artists who are among those most currently revered those exact contemporaries Rembrandt and Velazquez, Van Gogh and Munch, the appeal of the disruptive Francis Bacon and the joyful David Hockney are artists who in their own individual ways mare both disturbing and consoling.Marina Vaizey

Collection of essays on photographers by renowned American author and art historian Marina Vaizey.

The volume documents media studies in Cv/VAR Archive nade between 1976 and 2025. Newsprint extracts make vignettes of popular subjects; celebrities, business, sports, beauty, cartoon characters. Over 300 drawings were made between 1981 and 1986 with further studies in 2003 and 2005. The volume includes 'Viewing and Listening', journal 1978-2022; photo-composites and drawings made as carbon trace collages. 'I began collecting the daily news in the summer of 1976, photographing random streams of television from a small black and white monitor and laying out sequential issues the Evening News, Sun and Daily Mirror, the covers pasted up on 6'x4' panels. The next step was to break down the material in fragments of headlines,fitted in xerox composites. The overall effect resembled a great coarse flow of unmetered experience. To filter the dominance of grey and black, in 1979 I began to trace bits of newsprint, introducing colour paper collages with the advent of the Falklands War in 1982. The first phase concluded in 1986 when I turned to abstract constructions (Signals 1986-96). World Score Dream encapsulates the series with collages made 1979-2005. The tracings are light and elusive, reading slant-wise across the pattern of images, text and borders, in a form of blind drawing with unpredictable results.' NPJ

A recorded visit to an exhibition by Anish Kapoor at the Lisson Gallery London continued to 22nd June 2019. Includes descriptions of works and bio-dara of the artist. An addendum features a visit to the artist's studio in Camberwell 2011 where he demonstrates works in progress for the Olympic National Park and Leviathan to be installed at Monumenta Paris. 'In the rear ground floor space of the Lisson Ggallery a suite of new paintings, completed at the end of 2018. Each canvas is 274 cms tall by 213 cms wide. The colour range is restricted and highly pitched, a distinctly abstract expressionist handling with sweeping brush and hand work. An aggressive and confrontational approach infuses a violently striated surface. A basic pink shape, in some like sagging flesh or an upturned vessel is worked with smeared white strokes, then corrupted by slashed veins of blood red and pitch black, scarring the lower part of the canvases. The hand work introduces an element of unleashed energy on the white ground, in a scheme of unleashed emotion. It is violently expressive, chaotic and turbulent. ' N.P. James

Celebrated Irish born painter Francis Bacon (1909-92) is discussed in a seminar for the MA History of Art course at Kingston University in 1995. It considers varied aspects of his work, the circumstances of his social milieu, his painting subjects, comparing him with predecessors in Western art from Goya to Picasso as well as contemporaries such as Lucian Freud. A second part reviews works in an exhibition Francis Bacon and the Human Body held at the Hayward Gallery London 1998 and Francis Bacon: Man and Beast presented at the Royal Academy London in 2022.

This review considers the major Cézanne exhibition at the Tate Gallery London, staged from 8th February until 28th April 1995. Rather than focusing exclusively on the artist's work, the piece attempts to place the exhibition in context, exploring the institutional arena of presentation and the social and economic strata to which the retrospective is mainly addressed. To encompass these multiple levels of attention, the essay is based on a journey through the exhibition, seen at the press view on 6th February 1995. The record is intentionally discursive, entwining impressions both of the works and the audience, groups of media professionals moving from room to room in sequence around the show. Further attention is given to the formation of the catalogue, to gain a reasonably complete picture of the event. The mnograph includes further essays on Impressism and Post-Impressionism including studies of Gauguin and Pierre Bonnard exhibited at Tate Nodern. ________________________________________________

The word 'avant-garde', so much used in connection with the various manifestations of contemporary art, is starting to have a strange, ironic ring to it. One might even claim that it is starting to signify what is behind the times, rather than in front of them. Like all such terms, it is in fact a metaphor, rather than a direct description. Borrowed from old-fashioned military terminology, it seeks to describe a situation where social norms are being perpetually challenged by artists. In the military sphere, where it originated, it is long out of use. Armies no longer marshal themselves in regular formations of the battlefield. There is now no recognized grammar of warfare - any more than (come to think of it) there is a recognized grammar of art. The mantra now is: 'It's art because I say it's art!' In these circumstances, it is increasingly difficult to define what is positioned ahead of what - who is at the head of the column and who is near he tail end of it. ELS

Interview with British artist Stuart Brislay (born 1933) recorded in 1989 for Cv Journal, explores his sculptural installations and performance events.

Cv publishes a collection of essays and reviews by the eminent art historian and writer, Edward Lucie-Smith. The articles cover the broad span, of classical to 20th/21st century art and its progression by pathways of postmodernism to contemporary art. With the experience of his landmark publications on modern art, several of which remain in print; the author introduces the reader to aspects of cultural mechanics, from the outset of creative experiment and intervention, absorbed by an intricate arena of curatorship and collection, with luminous insights to flaws in its hierarchy and prospects for the future. In 'The Art of the Dealer' Edward Lucie-Smith considers the history and development of the art market, from the practices of Northern Renaissance artists such as Albrecht Durer to the 18th century painter Jean-Antoine Watteau. He notes the Impressionist dealer DurandRuel and 20th century figures Ambroise Vollard and Paul Gillaume; the dominant American culture carried through by major operators such as Larry Gagosian into the 21st century.

The collection of essays and reviews published between 1990 and 2020 celebrates the life work of Britain's pre-eminent artist David Hockney (born Bradford 1937). The compendium ranges from a study of his printmaking by author Marina Vaizey, first published in the quarterly review, Cv Journal of Art and Crafts 3/2 June 1990, to a major exhibition 'A Bigger Picture' on the theme of the East Yorkshire Landscape staged at the Royal Academy in 2012. Renowned author, poet and art historian Edward Lucie-Smith considers the artist's presentation of 'Eighty Two portraits and One Still Life', exhibited at the Royal Academ in 2016, while Cv editor Nicholas James reviews 'Drawn From Life', a survey Hockney drawings exhibited at at the National Portrait Gallery London 2020.

Transcripts of recorded conversations with sculptors made between 1989 and 2010. Includes: Arman; Elspeth Barratt; Stuart Brisley; Anthony Caro; John Cobb; Phillip King; John Latham; David Nash; Gloria Ortega; Eduardo Paolozzi; Peter Randall-Page; Yinka Shonibare CBE; James Turrell; Rachel Whiteread; Alison Wilding; Richard Wilson. Cv/VAR 47 documents an interview with the the celebrated sculptor Arman (1928-2005), exploring his early connections with Yves Klein, Rosicrucianism, and the development of auto-formed sculptures of collected objects. Contents include Van Gogh, Iris Clert, Yves Klein, Claud Pascal, Jackson Pollock, Poliakoff, De Stäel, Werkmann, garbage works, welded pieces, the orchestral series, gods and goddesses, and biographical data.

Interviews-Artists Transcripts of recorded conversations with sculptors made between 1989 and 2010. Includes: Arman; Elspeth Barratt; Stuart Brisley; Anthony Caro; John Cobb; Phillip King; John Latham; David Nash; Gloria Ortega; Eduardo Paolozzi; Peter Randall-Page; Yinka Shonibare CBE; James Turrell; Rachel Whiteread; Alison Wilding; Richard Wilson. Cv/VAR 50 publishes an interview with the artist Helen Chadwick (1953-96), recorded at her Beck Road studio in 1989. It explores the body-action-photographic works distilled in installations such as Ego Geometria Sum and Of Mutability, and the cromalin prints of 1989: Viral Landscapes, prepared for exhibition at the Museum of Modern Art Oxford in 1990.

Records a visit to the Palace of Knossos and the story of the lost ring of Minos, with reference to Minoan culture and mythology.

Artist Index 1 The Renaissance to Impressionism Artist Index provides a glossary of individual creators 14th to 21st centuries, with bio-data linked to sources for further reading. It is part of the series Painted Histories released September 2022 to May2023.

A personal view of Picasso and Paper, a major exhibition at the Royal Academy. The collection of over three hundred works covers drawings, collages and prints with key paintings including precocious and magneti examples from the artist's childhood in Malàga, academic drawings, early works in Paris, Horta del Ebro and Gosol, introducing the Blue and Rose perods, leading to the revolutionary development of Cubism; the iconoclastic masterpiece Les Demoiselles d'Avignon, his designs for Parade 1917 by Eric Satie, the Neo-Classical period of the 1920s, and works of resistance during the War years of 1939-45. The post-war move to the South of France show an unceasing prolific invention, exploring themes of Life, Love and Memory, culminating the stark self portrait in his last days. The whole body of work constitutes a consistent and critical statement of pictorial fact

Parts two of Cv's continuing series: Painted Histories, documents leading figures in the fields of classic and contemporary literature . The miscellany is fully illustrated with author portraits, biographical data and links for further reading, amd includes excerpts of selected titles.. Cv began in November 1988 publishing a quarterly review Cv Journal of Art and Crafts, published to 1991. In 1995 material was gathered launching Cv/Visual Arts Research, as ebooks, monographs, books and DVDs documenting artists ranging from James Turrell and Anthony Caro to Rachel Whiteread and Yinka Shonibare CBE. There are presently 540 active titles in the Cv catalogue.

Eminent childrens' book illustrator Fritz Wegner, born Vienna 15th September 1924, died London 15th March 2015. His early assignments included work in the 1940s for Lilliput Magazine, Dorothy L. Sayers and Enid Blyton, with book covers for Raymond Chandler The Long Goodbye' and the first UK edition of Catcher in the Rye by J.D. Salinger.In the late 1950s he moved away from advertising and commercial work to focus on childrens' literature. Renowned titles include The Hamish Hamilton books of Princes and Princesses, 1963/64, The Marvellous Travels and Adventures of Baron Munchausen 1967, Fattypuffs and Thinigers by Andre Maurois.In the 1980s and '90s he illustrated books by Allan Ahlberg, Michael Rosen and Brian Alderson.He also created over forty stamps for the Royal Mail. The Fritz Wegner Archive documents phases of his art from the 1950sto the 2000s It includes comprehensive images scanned from originals in the collection of over 3,500 graphic works. The publication is authorised by executors of the estate of the artist

In this study 'Art, Poetry and WW1, by Edward Lucue-Smith of writing, poetry and painting In the Centenary Year of the outbreak of the First World War the author considers the historical impact on the general psyche of the calamitous events, reflected in the expression of poets and visual artists. The volume includes Eric Kennington, CRW Nevinson, John Singer Sargent, William Orpen, Stanley Spencer and Paul Nash; and writers Siegfried Sassoon, Isaac Rosenberg, Wilfred Owen, Edward Thomas and T.S. Eliot. In Europe the painters: Otto Dix, Max Beckman, Franz Marc, Gino Severini, Ernst Ludwig Kirchner, Ludwig Meidner. He establishes a continuity to the theme with reference to works by Velázquez, Watteau, Goya and others, in their treatment of the spectacle of battle and the horrors of war and human conflict.

Part one of the continuing series entitled Painted Histories indexes leading figures in two significant phases of poetic expression in English literature: the Elizabethans, including William Shakespeare, John Webster and Sir Philip Sidney to the Romantic movement of the earli 19th century: Lord Byron, John Keats, Percy Bysshe Shelley and Samuel Taylor Coleridge. The volume includes bio-data and links for further research.