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These poems composed in an impressive spontaneous style reveal profundity of thoughts. Due to so much diversity and variety, this poetry collection is without monotony.
This is a book of what I call miniatures. They are short form poetry. They are anywhere from two to twenty lines long, although the longer pieces generally consist of several shorter sections. Most of these poems are only a few lines long. The vast majority of poems I write are longer than those found in this book. These poems began, about thirty years ago, as an attempt to achieve as much compression as I could in a poem.
The great significance of these poems for all readers is due to neat phrasing and verbal condensation. We find here an immense diversity of poetic thought that will surely attract readers.
Michael L. Newell shows his skill and craftsmanship in his latest collection of poetry, a rich journey into the mind and words of the poet. Newell's work has the rare ability to allow readers to enter the poem and experience place and sensations for themselves. Showing us the natural world, he expresses wonder and sorrow, joy and grief, willing to allow the world to be observed and lived in to the fullest. BIOMichael L. Newell was born in Florida in 1945. In addition to living in thirteen states, he has lived in Japan, The Philippine Islands, Thailand, The United Arab Emirates, Jordan, Kuwait, Uzbekistan, Mexico, Egypt, Estonia, Saudi Arabia, Bolivia, and Rwanda. He currently lives in a small town on the Florida coast.Newell studied writing with Benjamin Saltman and Ann Stanford. His poems have appeared in a number of periodicals including Aethlon: The Journal of Sport Literature; Bellowing Ark; College English; Current; English Journal; First Class; The Iconoclast; Issa's Untidy Hut; Jerry Jazz Musician; Lilliput Review; Poetry Depth Quarterly; Rattle; Shemom; Ship of Fools; Tulane Review; and Verse-Virtual.Some of his previous books include A Stranger to the Land; Seeking Shelter; A Long Time Traveling; Traveling without Compass or Map; and Meditation of an Old Man Standing on a Bridge.
O segundo capítulo deste livro trata da Palavra como símbolo dos movimentos do pensamento. Esta abordagem tem origem na trilogia intitulada "A Doutrina da Palavra", "emanando" do primeiro volume ("Construção") daquele conjunto de livros editados em 2013. O capítulo primeiro daquele primeiro volume dedicado à construção da Palavra é denominado de "Dos Oito Movimentos Metáfora de Uma das Origens da Construção da Palavra" e explora a construção da Palavra em oito conceitos perspectivas como "movimentos metáfora de uma das origens da construção da palavra".
Le deuxième chapitre de ce livre porte sur le Mot en tant que symbole des mouvements de la pensée. La trilogie de La Doctrine du Mot est à l'origine de cette approche, à savoir le premier volume ( Construction ) de cet ensemble de livres publié en 2013. Le premier chapitre de ce premier volume consacré à la construction du Mot s'intitule Des Huit Mouvements Métaphore d'Une des Origines de la Construction du Mot, et explore la construction du Mot en huit concepts perspectives comme mouvements métaphore d'une des origines de la construction du mot .
Sarah Crabtree has been writing on and off for over twenty years with varying success. She had a novel longlisted in a fantasy competition a number of years ago. Real life got in the way of any literary dreams, but recently she seems to have got her writing mojo back. Q: What is the first book you remember reading, or being read to as a child?>Q: Do you have a favourite quote?>Q: Is there a book that you keep going back to and how many times have you read it?>Q: Who is your person of inspiration?A: Many people have inspired me. However, it was my grandmother who passed on a love for reading, and I think consequently my desire to write.
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