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A striking reassessment of the Don Juan myth. A literary tour de force, this extraordinary novel is told in single-minded pursuit of double meanings, but it is serious play. Larva is a rollicking account of a masquerade party in an abandoned mansion in London. Milalias (disguised as Don Juan) searches for Babelle (as Sleeping Beauty) through a linguistic funhouse of puns and wordplay recalling Joyce's Finnegans Wake. A mock-scholarly commentary reveals the backgrounds of the masked revellers, while Rios' allusive language shows that words too wear masks, hiding an astonishing range of further meanings and implications. Larva revives a Hispanic tradition repressed for centuries by introducing the English tradition of puns, palindromes and acrostics (a word puzzle in which certain letters in each line form a word or words) and establishes Rios as the most accomplished successor (in any language) to Joyce.
A man and a woman meet in Lisbon and fall in love. City of Ulysses is their story, and the city's love story besides. It is a story that leads readers down multiple paths, through myth and history, reality and fantasy, literature and the visual arts, the past and the present, male and female relations, the crisis of civilisation and the need to reimagine the world.
Love, injury, deception, uncertainty, and self-sacrifice: debut author Nadja Spiegel is hardly the first person to write about these things, but the way she has written about them is incomparable. Constructing virtuoso depictions of life in a style that lets them get right under your skin, Spiegel's precise, brittle, seemingly straightforward prose paints a vibrant picture of human compromise and cooperation with both humor and restraint. Bittersweet, made up of just a few simple strokes, these stories herald the arrival of an important new voice in European literature.
Caterva (meaning "throng" or "horde") tells the story of seven erudite, homeless, and semi-incompetent radicals traveling from city to city in an attempt to foment a revolution: conspiring with striking workers, setting off bombs, and evading the local authorities. But this is no political thriller. Like his literary "descendant" Julio Cortazar--who mentions this book in Hopscotch--Filloy is far more concerned with his characters' occasionally farcical inner lives than with their radical machinations. With its encyclopedic feel, and its satirical look at both solidarity and nonconformity, Caterva is considered to be among Filloy's greatest achievements.
This novella recounts the imagination of a lonely old man who becomes obsessed by a beautiful young girl in his village. His every moment is filled with thoughts and fantasies about her. Eventually lines cross as this fantasy becomes a reality, paternal feeling and sexual urges combining as they become lovers. This is a brialliant, poetic account of the wanderings of an old man's mind
"Atavisms" is an original and unsettling portrait of Quebec, from the hinterland to the metropolis, from colonial times to the present, and beyond. These thirteen stories, though not linked in the traditional sense, abound in common threads. Like family traits passed down through the generations, the attitudes and actions of a rich cast of characters reverberate, quietly but deeply, over generations. Here is a group portrait of the individual lives that together shape a collective history. "Atavisms" has been shortlisted for the 2014 Jan Michalski Prize for Literature.
With Flann O'Brien now widely acknowledged as a subversive genius of early post-modernism, Flore Coulouma gives the "question of language" a central position in his literary identity. Tracing O'Brien's philosophy of language to the convoluted structure of his writing, Coulouma demonstrates how his bilingualism and ambiguous relation to language inspired his satirical fiction and chronicles, and develops a series of narrative oppositions: orality and literacy, truth and fiction, authority and legitimacy, native and national language(s). Using such dialectical oppositions to stage O'Brien's literary representation of the diglossic relationship of speakers to their native tongue, this book casts light on O'Brien's own intuitions about the failures and achievements of language, the logic of fiction, the relation between language and knowledge, and the impossibility of a nation cut off from its original tongue finding its linguistic identity.
"Addendum to a Photo Album" is the saga of the births, deaths, and disappearances within the eccentric Mandrykin family. Following patriarch Malach, a Cossack captain, his wife Annushka, and his many sons all born with sideburns, the novel details their fraught relationships, particularly when sitting for family photographs. Vladislav Otroshenko's flowing sentences and rich metaphorical language describe characters whose concerns embrace the heroic, the metaphysical, and the mundane, as they fulfill their duties as Cossack warriors and family members. Otroshenko draws on his upbringing in Novocherkassk, a city on the Don River, creating a world and a book inhabited with absurdity, filial love, and unusual facial hair.
Childhood play, scarlet fever, a first kiss, befriending a Nazi spy--the narrative of "Past Habitual" roams through experiences both commonplace and formative, all under the uneasy canopy of wartime Ireland. Moving with ease between the voices of a young child, a German immigrant, an I.R.A member, and colloquial chatter, MacLochlainn forms a web of interactions that expose a century's tensions. A combination of traditional prose, poetry, monologue, and music, "Past Habitual" is an engaging and fascinating depiction of an Ireland struggling through the effects of war--both distant and on her doorstep.
A dazzling collection of essays--on reading, writing, form, and thought--from one of America's master writers. Beginning with personal, both past and present, it emphasizes William H. Gass's lifelong attachment to books and then moves on to ponder the work of some of his favorite writers (among them Kafka, Nietzsche, Henry James, Gertrude Stein, and Proust). An essential addition to the Gassian canon, Life Sentences shows William H. Gass at his best.
At last available in English translation, "Soy Realidad" is Toma alamun's twenty-first collection of poetry, originally published in 1985. Showing a maturing poet at home as a citizen of the world, "Soy Realidad" ranges far from alamun's Slovenia, combining his native language with Latin, French, English, and Spanish, as well as evoking such places as Belize, the Sierra Nevada, and Mexico City. From sex to God, from landscape to literature, alamun's poetry is as ever a restless and witty inquisitor, peeling back the layers of the world.
Short stories about men and women, love and hate, sex and disappointment, cynicism and hope--perhaps unique in that none of the stories reveal the time or place in they occur: the world is too small now for it to matter. A disillusioned woman, the narrator doesn't mince words about the imperfection of her life, her relationships, her prospects; yet what might in other hands seem discouraging is presented with such humor the reader can't help but feel there may yet be hope... for most of us.
Deals with walking and on the literature of walking. This work leads the reader through Romantic, modern and contemporary literature to show readers the shared pleasures of reading, writing and walking.
"Gombrowicz is one of the most original and gifted writers of the twentieth century: he belongs at the very summit, at the side of his kindred spirits, Kafka and Celine." The Washington Post
Published posthumously in 1995, Mrs. Ted Bliss tells the story of an eighty-two-year-old widow starting life anew after the death of her husband. As Dorothy Bliss learns to cope with the mundane rituals of life in a Florida retirement community, she inadvertently becomes involved with a drug kingpin trying to use her as a front for his operations. Combining a comic plot with a deep concern for character, Elkin ends his career with a vivid portrait of a woman overcoming loss, a woman who is both recognizable and as unique as Elkin's other famous characters.
Written in an unadorned style, Kjell Askildsen's devastating stories convey in few words life and thought as they are actually experienced, balanced between despair and hope, memories and expectations. He is widely recognized as one of the greatest Norwegian writers of the twentieth century and among the greatest short-story authors of all time.
In France, Alain Robbe-Grillet's final novel was sold in shrink-wrap, labeled with a sticker warning readers that this perverse fairy tale might offend certain sensibilities. It tells the story of Gigi, also known as Djinn, who is being schooled by her father to be a perfect slave and mistress. Running the gamut of unacceptable subject matter from incest to torture, this book abounds with vignettes that explore taboos and their representation in fiction, from the Brothers Grimm to the Marquis de Sade. It is titillating and disgusting, the work of a dirty old man or brilliant agent provocateur--or both.
Man + Doctor is Nick Wadley s wordless story of encounters with doctors, from the patient s attempts to avoid the scalpel, to, once surgery becomes inevitable, watching himself learn to cope with days and weeks spent in hospital beds.
In the same spirit as his novels, O'Brien's plays are speculative, inventive, wickedly funny, and a delightful addition to his collected works-now available at last: this volume collects Flann O'Brien's dramatic work into a single volume, including Thirst, Faustus Kelly, and The Insect Play: A Rhapsody on Saint Stephen's Green. It also includes several plays and teleplays that have never before seen print, including The Dead Spit of Kelly (of which a film version is in production by Michael Garland), The Boy from Ballytearim, and An Scian (only recently discovered), as well as teleplays from the RTE series O'Dea's Your Man and Th' Oul Lad of Kilsalaher.
Oliver Rohe's first novel is a word-crazed monologue in the mind of a man named Selber flying back to his wartorn native country for the first time in years. Grappling with his fear of flying and increasingly possessed by reminiscences of his long-dead childhood friend Roman, the narrator begins to wonder if any of his thoughts, or the decisions he has made in his life, are truly his own. From meditations upon loss, violence, repetition, and individuality, to explicit homages to the works of Thomas Benhard, Without Origin is a remarkable and incisive debut.
Shocking, erudite, and affecting, these twenty-odd short stories, "e;micro-novels,"e; and vignettes span a vast territory, from Mexico City to Washington, D.C. to the late nineteenth-century Adriatic to the blood-soaked foothills of California's gold-rush country, introducing an array of bewildering characters: a professor of Latin American literature who survives a tornado and, possibly, an orgy; an electrician confronting the hardest wiring job of his career; a hapless garbage man who dreams of life as a pirate; and a prodigiously talented Polish baritone waging musical war against his church.Hypothermiaexplores the perilous limits of love, language, and personality, the brutal gravity of cultural misunderstandings, and the coldly smirking will to self-destruction hiding within our irredeemably carnal lives.
Nina, a drifter from southern Spain comes to London in search of experience, only to find that the strangest of stories is hiding in her father's loft in Almer?a...A playfully concocted, fast-paced novel committed to the irresistible pleasure of reading, both a celebration and a critique of our relationship to objects (from fetishes, to curios, to commodities, to objectum sexuality, to our becoming cyborgs through our addiction to technology), "Philosophical Toys" travels through different times, countries and experiences as chance leads Nina to encounter time and again the enigmatic nature of things, which end up transforming her into that most rare of species: a female philosopher.Witty and elegiac, "Philosophical Toys" takes the reader on a tour of fetishism, late capitalist culture, Bu?uels films, psychoanalysis, Alzheimer's disease, as well as the avatars of belonging to two cultures, an experience increasingly shared by a myriad of expatriates.
American Odysseys is an anthology of twenty-two novelists, poets, and short-story writers drawn from the shortlist for the 2011 Vilcek Prize for Creative Promise in Literature. Including Ethiopian-born Dinaw Mengestu, the recipient of the Prize; Yugoslavian-born Téa Obreht, the youngest author to receive the Orange Prize in Fiction; and Chinese-born Yiyun Li, a MacArthur Genius grantee, what these authors all have in common¿and share with US Poet Laureate Charles Simic, who has contributed a foreword¿is that they are immigrants to the United States, now excelling in their fields and dictating the terms by which future American writing will be judged by the world. Running the gamut from desperate realism to whimsical fantasy¿from Miho Nonakäs poetry, inspired by fourteenth-century Noh theater, to Ismet Prcic¿s wrenching stories set in the aftermath of the Bosnian war¿American Odysseys is proof, if any be needed, that the heterogeneity of American society is its greatest asset.
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