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In True Believer, Jeff Kass intertwines fiction with reality as he delves into the origins of the Marvel superheroes, explores how the Marvel saga informed his own worldview, and implores us all to continue to believe in the forces of goodThrough lyric and narrative poems, formal and informal verse, and even a trio of limericks, Kass’s poems both retell classic comic book tales and recall his personal experiences being a True Believer—attending New York City Comic-Con with his childhood friends, wishing he could control the weather while coaching his son’s baseball team, and growing up reading about the Jewishness of The Thing, the Golem-like member of The Fantastic Four, which impacted Kass’s understanding of his own identity.An ode to what Stan Lee called his devoted readers, True Believer is a call to arms and an invitation to discover the heroic in ourselves. If we can’t be super-powered heroes, we can endeavor to be what those heroes embody: perseverance despite personal doubt, determination in the face of calamitous odds, and faith in the notion that humanity is worth saving.
A young man known as "the Australian" journeys between New York and Melbourne on a quest of self-discovery in this poignant exploration of loneliness, love, and fatherhood In her humorous and emotionally resonant debut, Emma Smith-Stevens follows the exploits and evolution of a young man--known only as "the Australian"--over the course of a dozen years, from his time posing for tourist photos as Superman to his life in New York, chasing fame and fortune. Married to a woman he barely knows and struggling to forge a relationship with his son, the Australian travels between the US and Melbourne, seeking to reconnect with his deceased parents through his father's Australian Outdoor Geographic magazines and the Dreaming Tracks, sacred landmarks his mother longed to explore. Through this quest for self-discovery, the Australian becomes both more and less enigma: "the idea of this guy you could find in any city, a hostel anywhere in the world, smiling, suntanned, hauling a backpack." A poignant and at times satirical meditation on masculinity, fatherhood, isolation, New York City, fame, and loss, The Australian examines the human tendency to fall in love with the idea of another person and the importance of knowing one's essential nature.
Completing his celebrated novels-in-stories triptych, begun with Good People and A Better Class of People, Robert Lopez delivers the third installment, The Best People, which follows a man who made the mistake of being born and is trying to make the best of that mistake.In an uncanny world where linear time is nonexistent and everyone he meets is either Esperanza, Sofia, or Manny, the unnamed narrator wrestles with his past lives, his abusive upbringing, his sexual proclivities, his obsession with cleanliness, and how to stop the world from breaking in.With his signature unconventional storytelling and beguiling prose, Robert Lopez delivers a no-holds-barred, whiplash-fast polyphonic novel for the ages.
Award-winning author Alan Michael Parker displays his love for playful narrative and breaking all the rules in Bingo Bango Boingo, a collection of flash fiction told through Bingo cardsFlip the page. Choose your game. Is it “Community Garden Bingo”? “High School Reunion Bingo”? “Don’t Hate Your Daddy Bingo”? Or are you finally ready for “Change Your Life Bingo”?Delightful, original, and tongue in cheek—they’re stories, they’re Bingo cards, they’re wild, you’ll like them.
Kidnapped girls trapped in a remote theater surrounded by mountains and jungle are forced into illegal performances, displayed in cabinets with curiosities, their delicate limbs bound by straps, and accompanied by dancing puppets fashioned of dead children's bones.
In a wide range of lyrically rich poems, award-winning poet Jonathan Fink interrogates the perpetual mysteries and resonances at the convergence of national identity, historical influence, and personal experience.In Don’t Do It—We Love You, My Heart, Jonathan Fink interweaves a welcome range of poetic styles including expansive, narrative poems, shorter, lyrical poems, and intricate one-sentence poems that are sustained over multiple pages to deliver his most intimate collection to date. Charting changing national and personal landscapes, Fink’s writing explores such diverse subjects as growing up in West Texas at the conclusion of the Cold War; ekphrastic poems about the paintings of Goya, Leonardo da Vinci, and the Isabella Stewart Gardner Museum art theft; the intuitive language he shares with his infant daughter on a quiet evening before she falls asleep; and the famous story of a suicide prevented on the George Washington Bridge—the jumper stayed by the man who tells him, “Don’t do it–we love you, my heart.” The imperative, urgent compassion conveyed in the stranger’s command thrums through all the poems in this collection, compelling the reader outward to deeper connections and lived empathy.
A poignant and powerful first novel following the breakup of a Pakistani family in the face of climate disaster, and their indefatigable search for stability, love, and belonging.In the rural town in Pakistan where Baadal grows up, children are named like talismans to sustain life and ward off unhappiness. At seventeen, Baadal has come to understand why his parents gave him that name, with hopes that their Big River will one day flow wide again, and their thirst will be quenched after years of drought. But in the final year of his schooling, abundance seems impossibly far away. As his parents’ marriage—full of rage, despair, and often violence—reaches a breaking point, the only comfort Baadal can afford is a budding kinship with Meena, a divorced older woman he meets on the banks of the drying river.Meena has only just escaped her abusive husband, but her resistance to remarry soon gives way to the promise of stability and companionship that Baadal offers. Together, they leave the Town in search of greater fortunes in the City. But even strong-willed, independent Meena finds herself bowed by the strain of Badaal’s punishing work schedule, her struggling beauty parlor, and the tension with Baadal’s mother, Raheela, who fights for control of her son as she seeks to leave behind a life of disappointments and discover a freedom she’s never known.Told in rotating perspectives spanning from 1966 to 1998, THE RIVER, THE TOWN is an intimate portrait of a family unraveling in the throes of indigence, and a tribute to the wounded love that keeps them tethered to each other. With stark and candid prose, Farah Ali traces one family’s fortunes to illuminate the relentless cycle of inequity, juxtaposing the tragic and grueling realities of poverty with the enduring struggle for compassion and humanity.
Drawing upon a long-suppressed episode in American history, when thousands of German immigrants were rounded up and interned following the attack on Pearl Harbor, In Our Midst tells the story of one family's fight to cling to the ideals of freedom and opportunity that brought them to America.Nina and Otto Aust, along with their teenage sons, feel the foundation of their American lives crumbling when, in the middle of the annual St. Nikolas Day celebration in the Aust Family Restaurant, their most loyal customers, one after another, turn their faces away and leave without a word. The next morning, two FBI agents seize Nina by order of the president, and the restaurant is ransacked in a search for evidence of German collusion.Ripped from their sons and from each other, Nina and Otto are forced to weigh increasingly bitter choices to stay together and stay alive. Recalling a forgotten chapter in history, In Our Midst illuminates a nation gripped by suspicion, fear, and hatred strong enough to threaten all bonds of love--for friends, family, community, and country.
"... selection of stories from the past fourteen years of her flash fiction career, tackling themes of belonging, obsession, messy love and loneliness with her trademark, unconventional storytelling."--Provided by publisher.
At once an ode to birds, an elegy to space, and a journey into the most haunted and uncanny corners of the human mind, The Avian Hourglass showcases Lindsey Drager’s signature brilliance in a stunning, surrealist novel for fans of Jesse Ball, Helen Oyeyemi, Yoko Ogawa, and Shirley JacksonThe birds have disappeared. The stars are no longer visible. The Crisis is growing worse. In a town as isolated as a snowglobe, a woman who dreams of becoming a radio astronomer struggles to raise the triplets she gave birth to as a gestational surrogate, whose parents were killed in a car accident. Surrounded by characters who wear wings, memorize etymologies, and build gigantic bird nests, and bound to this town in which young adults must decide between two binary worldviews—either YES or NO—the woman is haunted by the old fable of the Girl in Glass Vessel, a cautionary tale about prying back the façade of one’s world.When events begin to unfold that suggest a local legend about the town being the whole of the universe might be true, the woman finds her understanding of her own life–and her reality–slipping through her fingers. A reflection on mental health, the climate emergency, political polarization, and the growing reliance on technology, The Avian Hourglass asks readers to reframe how they conceive of a series of concentric understandings of home: the globe, one’s country, one’s town, one’s family, and one’s own body.
Set against the backdrop of 1970s Nigeria teetering between post-colonial dependency and self-rule, Before the Mango Ripens examines the enduring themes of faith, disillusionment, and the search for belonging. Both epic and intimate, Afabwaje Kurian's debut announces a brilliant new talent for readers of Imbolo Mbue and Chimamanda Ngozi Adichie. In Rabata, everyone has secrets--especially since the arrival of the white American missionaries. Twenty-year-old Jummai is a beautiful and unassuming house girl whose dreams of escaping her home life are disrupted when an unexpected pregnancy forces her to hide her lover's identity. Tebeya, an ambitious Dublin-educated doctor, has left prestigious opportunities abroad to return to the small town of her birth, and discovers a painful betrayal when she strives to take control of the mission clinic. Zanya is a young translator, enticed by promises of progress, who comes to Rabata to escape a bitter past and finds himself embroiled in a fight against the American reverend for the heart of the church and town. United by their yearning for change, all three must make difficult decisions that threaten the fragile relationships of the Rabata they know. As tensions mount and hypocrisies are unveiled, the people of Rabata are faced with a question that will transform their town forever: Let the Americans stay, or make them go?
May you braid back the hair of the girl who asks you to; may your lips brush other lips in an almost-kiss; when the chickens are gone, may you sow the coop in arugula; may the fogged-in mountain roads thread through your apocalyptic dreams and the cornbread and beans round your belly; may you always give away the thing you love most, like the dollar-store bracelet, or a picture of the sea.In this stunning collection of braided essays, Yoke & Feather invites the reader into an exploration of the everyday sacred: blessings for the demolition derby and the public-school lice check, a canoe trip through Boquillas Canyon along the Rio Grande, and a visit to the kitchen of the biblical sisters, Mary and Martha, as they welcome their improbable foster daughter.Rooted in a rural mountain childhood and threaded with Renaissance painting, Egyptian hieroglyphics, and midlife longing for a partner and child, these essays—both playful and deeply felt—reimagine familiar biblical narratives and chart the connections between ancient myth and contemporary life.
"A young couple ponders their opposing religions after one of them finds a cow's tongue left on their porch. A widow helps her neighbor mourn the death of his wife by burying the woman's belongings in the backyard. A mother forces her daughter to undergo various rituals to lighten her skin to find a good match. And when a man needs a son as his heir, he brings his new, much younger wife to live with his current wife and daughter, changing his daughter's life in ways she couldn't have imagined."--
Winner of the Dzanc Prize for Fiction. Urabâa, Colombia, 1990: A violent strike at plantations across the banana zone leads to crops in flames, managers murdered, and the local economy teetering on the brink. In retaliation, the banana producers finance right-wing paramilitaries to cleanse the zone of guerrillas and their supposed collaborators. Through the intertwined lives of four characters--a banana worker making a play for power in the guerrillas, a decadent Colombian banana planter who runs his business from the safety of Medelíln, a widow in Urabâa struggling to stay on the right side of the local paramilitaries, and an American banana executive wading ever deeper into troubled waters--The Banana Wars charts the struggle to survive in impossible conditions, in a place where no one is to be trusted and one false move can lead to death. Starkly drawn from the true history of Uraáb and this period of conflict, including the unseen role of US corporate interests, celebrated author Alan Grostephan's latest is an incandescent historical novel for fans of Jesmyn Ward, Roberto Bolaäno, and Fernanda Melchor.
With Lance Olsen’s signature flair, Absolute Away is an innovative narrative triptych, a story of one life reimagined. The first movement tells the story of Edie Metzger, a little Jewish girl who bit Hermann Göring’s lip so hard it bled at a Nazi book-burning rally in 1933. In the second, in 1956, grown Edie is the passenger clinging to the backseat of the Oldsmobile 88 convertible driven by Jackson Pollock, moments before it plunges off the road. In the third, the narrative embarks into an ever-unspooling universe of Edies that might have lived—Edie’s gender, past, and consciousness flying forever farther apart.Absolute Away is a novel about travel in its largest sense—about the self, the past, the future, aging, ideas, relationships, our own mortal being(s) as transitive verbs, and how what and who we are connects to everything else.
In prose that is both unflinching and lyrical, Suzi Ehtesham-Zadeh presents Zan, a collection of stories that provide a deep and nuanced view of contemporary Iranian women as they navigate a crucial moment in their nation's history.
With the lyrical joy and lighthearted wordplay that have won him critical acclaim, celebrated Jewish author Curt Leviant delivers a charming literary love story against the backdrop of the lush Italian countryside. In this enticing email romanza, Leviant delivers a breathless confessional with two beginnings and two endings, leaving it up to the reader to decipher what s real.
"With the signature charm and insight that have made him a beloved poet for nearly fifty years, Taylor dives into the wilderness of his life, in canoe and on foot. Across the decades, he reflects on what it means to be a painter, a writer, an observer of life's ordinary beauties; on encountering a bear in the Michigan woods; on the evolution of hitchhiking and the lives of saints; on his transfixion with Doreen dancing at his grade school's show-and-tell; and on the deep and abiding love of a long marriage. A triumphant celebration of growing up and the life that comes after, this is a collection not to be missed by fans of American poetry and all who wander in the wilderness"--Amazon.com.
Award-winning author Peter Markus delivers an uplifting and imaginative chronicle of teaching writing to elementary students in Detroit public schools
"The poignant and powerful first novel following the breakup of a Pakistani family in the face of climate disaster, and their indefatigable search for stability, love, and belongings"--
"A restaurant owner runs into trouble when his wife starts a well-intentioned rooster rescue. A boy navigates his parents' split between a stretched phone cord and a flooded septic tank. A drunk sequestered in the middle of nowhere wakes up to find a tractor parked in his driveway. And in a big Cadillac, a grandfather and a grandson anda wayward dog his the road, searching for a life not downloadable, nor measured in bandwith"--
"A middle-aged Black woman exacts revenge on the aggressively average men she meets on dating sites. A girl buries pieces of herself in a hole beneath an apple tree, hoping to escape her mother's life of struggle and servitude. A group of teenage girls compete for the title of "Worst Girl in America." A young woman in Taiwan becomes infatuated with a female scam caller, a fleeting ghost of a love that blossoms from strangeness. And a wealthy woman goes to unconventional, and perhaps not entirely ethical, lengths to find her dream man. In these sixteen stories, we see women at their most monstrous--as con artists and murderers, cutthroats and scalpers, ruled by ambition and grief and spite. Characters for those tired of being told to play nice. Dressed to the nines in morally gray, the stories in this anthology comprise an envelope full of teeth: each one distinct, unsettling, and sharp enough to rip out a throat. List of contributors: Alice Ash, Alicia Elliott, Alison Rumfitt, Aliya Whiteley, Amanda Leduc, Chana Porter, Chantal V. Johnson, Chaya Bhuvaneswar, Deesha Philyaw, K-Ming Chang, Lauren Groff, Maisy Card, Megan Giddings, Sarah Rose Etter, Vanessa Chan, Yah Yah Scholfield" --
Beginning in childbirth and entered like a multiple dwelling in motion, Women and Men embraces and anatomizes the 1970s in New York - from experiments in the chaotic relations between the sexes to the flux of the city itself. Yet through an intricate overlay of scenes, voices, fact, and myth, this expanding fiction finds its way also across continents and into earlier and future times and indeed the Earth, to reveal connections between the most disparate lives and systems of feeling and power. At its breathing heart, it plots the fuguelike and fieldlike densities of late-twentieth-century life.McElroy rests a global vision on two people, apartment-house neighbors who never quite meet. Except, that is, in the population of others whose histories cross theirs believers and skeptics; lovers, friends, and hermits; children, parents, grandparents, avatars, and, apparently, angels. For Women and Men shows how the families through which we pass let one person's experience belong to that of many, so that we throw light on each other as if these kinships were refracted lives so real as to be reincarnate.A mirror of manners, the book is also a meditation on the languages, rich, ludicrous, exact, and also American, in which we try to grasp the world we're in. Along the kindred axes of separation and intimacy Women and Men extends the great line of twentieth-century innovative fiction.
"A graphic novel told in the form of a sentence diagram. A single 6732-word sentence, diagrammed in full. Set in a parallel-universe United States in which the government has recently been overthrown by a military coup, the story is narrated by a lonely young grammar professor, Riley, who is suddenly branded a traitor by the new regime. Bewildered by the charges, and fearing a death sentence, Riley manages to flee to an anarchist commune in the wilderness. After a lifetime of feeling alienated, of desperately longing for friendship, Riley is astonished to be accepted and loved by the anarchists -- to come to love the anarchists in return. But when the anarchists reveal a plot to assassinate the authoritarian dictator of the country, Riley is forced to choose whether to support the plot -- to return to the capital and help the anarchists bomb the headquarters -- or to lose their newfound family forever. "--Publisher's description
"There are so many ways to bury the dead. In an autobiographical series of essays, The Loved Ones explores the deaths of four family members across three generations: an inexplicable double murder, a fatal car accident, a long illness, and a conscripted solider killed in action. Piece by piece, each essay explores the death a loved one in a collage of vignettes: the loss, the aftermath, the funerals, and the rituals used to say goodbye to the body. As the investigation deepens, Davis lines up other forms of death--capital punishment and murder; medically-assisted suicide and "natural" death from disease; military conscription and "freak accident"--to see what comes to the surface. The Loved Ones is about the intricate reality of grief, the instability of time and memory in the face of loss, and the feeling of being left behind still living. It asks, what does it mean to bury our loved ones when our only desire is to never let them go?"--
"Tulsi Gurung arrives in Pennsylvania on a day so impossibly damp and gray he wonders if he's landed on the underside of the world. He is sixteen and brimming with wonder and fear. Born and raised in Refugee Camp Goldhap, Tulsi is technically a refugee from Bhutan, a land he's never set eyes on. Reunited with his grandfather, Tulsi struggles to navigate his new life, his new country, and a raw separation from his beloved sister, Susmita, the one person who truly tethers him to the world. Haunted by the uncertainty of her fate, Tulsi attempts to move on, forging relationships with the unfamiliar characters he encounters: a youth pastor's wife suffering a crisis of faith, a guarded transfer student with a mysterious past, a single mother with whom Tulsi glimpses a future brighter than he'd ever imagined. But the past will not rest, and Tulsi finds he must heal the wound of Susmita's loss and track down the sister he left behind"--
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