Bøger udgivet af Editio Musica Budapest ZenemA±kiadA³

Roughly half of this selection of transcriptions of Baroque vocal and instrumental works consists of well-known pieces by the greatest composers of the period (Purcell: Dido and Aeneas, Rameau: Pieces de clavecin, Haendel: Water Music, Music for the Royal Fireworks, J.S. Bach: B major partita, C major orchestral suite), but works by composers less well known nowadays (for example, G. Boehm and J. C. F. Fischer) are also included, together with unusual items such as Polish, German and Hungarian dances from 17th- and 18th-century Hungarian manuscripts: the Kajoni and Vietorisz codexes, and Eleonora Lanyi's music book.CONTENTS: Menuet (Music for the Royal Fireworks, HWV 351) (Haendel); Bourree (Water Music, Suite II, No. 15, HWV 349) (Haendel); Three Polish Dances (Manuscript Eleonora Lanyi, 1729) (Ismeretlen); Three German Dances (Codex Kajoni) (Ismeretlen); Leaping Dance (Codex Vietorisz) (Ismeretlen); Chorus ("Fear no danger", Dido and Aeneas, Act I) (Purcell); Echo-chorus ("In our deep vaulted cell", Dido and Aeneas, Act I) (Purcell); Rigaudon (Boehm); Choral ("Freut euch, ihr lieben Christenz, Cantional, No. 17) (Schein); Musette en Rondeau (Pieces de Clavecin, 1724 & 1731) (Rameau); Menuet (Ouverture C-Dur, TWV 55: C3, No. 8) (Telemann); Song (Prinner) Rigaudon (Fischer); Song (zMaria, fons aquae vivae", Harmonia caelestis, 1711) (Esterhazy); Menuet (Partita B-Dur, BWV 825) (Bach); Gavotte (Ouvertuere C-dur, BWV 1066) (Bach); Choral ("Freu dich sehr, o meine Seelez, Kantate "Liebster Jesu, mein verlangenz, BWV 32) (Bach); Gigue (Pachelbel); Menuet (Rathgeber)..This volume, previously available in the Leggiero series, is now, in a new guise, part of the series Treasury for String Ensembles.Treasury for String Ensembles provides carefully selected original compositions and arrangements from the Renaissance to the twentieth century, compiled in volumes according to level of difficulty, from beginner's level to professional. Elementary (all in first position): typically for three violins and cello or children's string orchestra. Intermediate: typically for three violins and cello or string quartet or youth string orchestra. Advanced: typically for string quartet or string quintet (with double bass) or string orchestra.The volumes are published in both printed and digital form. The printed edition contains the score and one copy of each part. Further copies can be ordered for the purposes of orchestral performance. The digital edition can be viewed on screen, and the parts can also be downloaded as A4-sized PDF files.

Bela Bartok composed the series of forty-four violin duos in 1931, prompted by the German violin teacher Erich Doflein. With the exception of numbers 35 and 36, all the pieces are based on original folk melodies, and the majority were collected by the composer himself during his numerous field trips in the Carpathian Basin. The melody for no. 42 was collected by Bartok in Algeria. Universal Edition (Vienna) published the violin duos in 1933 in four volumes, arranged in order of difficulty.The present transcription faithfully follows the original; fingerings are by the editor.CONTENTS: Matchmaking song; Maypole Dance; Menuetto; Midsummer Night Song; Slovak Song (1); Hungarian Song (1); Walachian Song; Slovak Song (2); Play Song; Ruthenian Song; Cradle Song; Hay-gathering Song; Wedding Song; Pillow Dance; Soldiers' Song; Burlesque; Hungarian March (1); Hungarian March (2); A Fairy Tale; Alternating Song; New Year's Greeting (1); Mosquito Dance; Farewell to the Bride; Jeering Song; Hungarian Song (2); Teasing Song; Limping Dance; Sorrow; New Year's Greeting (2); New Year's Greeting (3); New Year's Greeting (4); Dance from Maramaros; Harvest Song; Enumerating Song; Ruthenian Kolomeika; Bagpipes, Variation of no. 36; Prelude and Canon; Rumanian Whirling Dance (Invartita batranilor); Serbian Dance (Zaplet); Walachian Dance; Scherzo; Arabian Song; Pizzicato; Transylvanian Dance (Ardeleana).

The varied contents of this volume enable young orchestral players to become acquainted with compositions written by Mozart in his childhood and youth: the earliest of the pieces, a contredanse (K15e) originally written for piano, was composed in London in 1764 (when Mozart was just eight years old), the latest was composed in Paris in 1778. The selection also includes a movement from the Gallimathias musicum, the song 'An die Freude', early minuets and ballet music, other contredanses, German hymns, and even a movement from a symphony.Treasury for String Ensembles provides carefully selected original compositions and arrangements from the Renaissance to the twentieth century, compiled in volumes according to level of difficulty, from beginner's level to professional.CONTENTS: German religious song (Zwei deutsche Kirchenlieder, K 336c [343], No. 1); German religious song (Zwei deutsche Kirchenlieder, K 336c [343], No. 2); [Neun Stuecke, K Anh. C 27.06 (Anh. 207), No. 4]; [Neun Stuecke, K Anh. C 27.06 (Anh. 207), No. 8]; Arietta (Neun Variationen fuer Klavier ueber ein Thema von Nicolas Dezede "Lison dormait", K 315d [264]; [Kontretanz] (Londoner Skizzenbuch, 1764, K 15e); To Joy (Lied fuer eine Singstimme mit Klavierbegleitung KV 47e [53]); Marcia (Gallimathias musicum, K 32, No. 6); Menuett (Sechs Menuette, K 130a [164], No. 3); Menuett (Sieben Menuette, K 61b [65a], No. 3); Menuett (Sieben Menuette, K 61b [65a], No. 6); Menuetto (Sinfonie, K 111b [96]); Kontretanz (Vier Konretaenze, K 271c [267], No. 3); Kontretanz (Vier Konretaenze, K 271c [267], No. 4); Kontretanz (Kontretaenze, K 250a [101], No. 2); Menuett (Sechs Menuette, K 61h, No. 2) Elementary (all in first position): typically for three violins and cello or children's string orchestra. Intermediate: typically for three violins and cello or string quartet or youth string orchestra. Advanced: typically for string quartet or string quintet (with double bass) or string orchestra.The volumes are published in both printed and digital form. The printed edition contains the score and one copy of each part. Further copies can be ordered for the purposes of orchestral performance. The digital edition can be viewed on screen, and the parts can also be downloaded as A4-sized PDF files.