Bøger udgivet af Fairleigh Dickinson University Press

Samuel Seabury (1729-96) and Charles Inglis (1734-1816) were the first bishops of the Anglican churches in the United States and Canada respectively. This study compares and contrasts the seminal episcopal ministries of both men. Areas investigated include the introduction of episcopal ministry into virgin territory respecting such matters as confirmation, ordination, and clerical discipline. Unlike Inglis, Seabury was forced to deal with wholesale liturgical revision. Seabury rejected the "Proposed Prayer Book of 1785" and the revision of 1789. While both editions were generally accepted for the sake of denominational unity, they were far from Seabury's ideal. As liturgical revision was intertwined with polity, ecclesiology is considered in detail in the concluding chapter. Through a consideration of the early Lambeth Conferences, the conclusion draws out the implications for the Anglican Communion of these two seminal episcopacies. It is argued that the polity and liturgy of each national church established in Seabury's and Inglis' era has had implications reaching far beyond their own times.

Though separated by only eleven years in age, Hemingway and Williams seem literary generations apart. Yet both authors bridged their modernist/postmodernist divide through mutual examinations of the polemics behind heteromasculinity, Hemingway in The Sun Also Rises and Williams in Cat on a Hot Tin Roof. This book explores the two works many sociopolitical, literary, and intertextual ties, in particular how the conclusion of one echoes that of the other, not just in its irony but also in its implication of the audiences participation in engendering the social rules responsible for the protagonists struggle to negotiate his sexual identity. Hemingway's Sun shares more with Williams' Cat than just a similar ending, however. Both works explore more broadly the construction of a queer masculinity, where the parameters that define masculinity and sexuality grow as unstable and irresolute as the frontier during a war or the line of scrimmage during a football game.

This book addresses the question of the legacies of Nietzsche's theories of tragedy as literary genre and of the tragic as ontological concept. Although The Birth of Tragedy was the most seminal in this sense, Nietzsche's followers also read, misread, and appropriated ideas on the tragic in his later works. Taking seriously the call for the rebirth of the tragic spirit in culture generally, dramatists, poets, novelists, philosophers, film makers, and theorists not always acknowledging a debt to Nietzsche incorporated the Dionysian and the Apollinian, as well as other aspects of Nietzsche's thinking on tragedy, into their own works. This volume gives a sampling of the multifaceted and widespread impact of this aspect of Nietzsche's thought in Eastern as well as in Western Europe and in the United States.

Considering the importance of Francis Rawdon-Hastings, 1st Marquess of Hastings and 2nd Earl of Moira, it is surprising that no full-length biography has been written about him. The only significant studies of his career have been analysis of his role as governor-general of India in the early nineteenth century. Paul David Nelson's study rectifies this situation by providing a well-crafted scholarly analysis of the life of Lord Hastings. He covers in depth all aspects of the man's multifaceted career as a professional soldier, peer in the House of Lords, and governor-general of India. He also provides a character study of this intelligent, affable man, pointing out his strengths as a father, husband, and friend. In the process, Nelson does not lose sight of Hastings's personal ineptitude. He shows how the marquess ran up debts of nearly 1,000,000 by the time of his death and left his family almost penniless.

Edmund Andros, a soldier, administrator, courtier, and diplomat, served a succession of Stuart monarchs in the Old and New Worlds. This study differs from most past assessments that portray him in a negative light; instead it concentrates on his role in protecting and defending EnglandOs New World colonies as governor of New York, the Dominion of New England, and Virginia.

This book is about Theodore Roosevelt as a politician not as a statesman/politician, just a politician. The parties, persons, decisions, and mistakes that made up Roosevelts political experience are discussed, and the book seeks to isolate Roosevelt's political motivation and his moves to enhance an appreciation of his political savvy.

Kenya's Independence Constitution: Constitution-Making and End of Empire, by Robert M. Maxon, is a narrative of the evolution of the constitution that was put into effect as Kenya's history as a colonial possession came to an end. It details the attempts of the colony's political elite and the British Colonial Office to find a constitutional means to move Kenya to the status of independent state. As this process moved forward, political ethnicity assumed central significance. This produced an environment in which demands for a federal constitution, popularly termed majimbo, came to dominate constitutional discourse. Deep disagreement among Kenya's political elite over this issue marked the remainder of the colonial period. That elite, now represented by the Kenya African National Union (KANU) and the Kenya African Democratic Union (KADU), advocated different constitutional paths to independence. KADU's demands for a majimbo constitution dominated discourse during 1962 and early 1963, but deep disagreement characterized the constitutional negotiations. This resulted in a constitution for self-government (introduced on June 1, 1963) that was regional in character but fell short of a federal system. Almost as soon as it came into existence, this constitution faced pressure for substantial change from KANU, the party that won the 1963 general election. As a result, the British government was forced to make alterations in what became the independence constitution. The latter proved a prelude to the destruction of majimbo a year later. Kenya's Independence Constitution provides the first in-depth description of the final stage of colonial Kenya's constitutional evolution. The book not only provides a detailed account of the process of constitution-making, including definitive treatments of the final two constitutional conferences of 1962 and 1963. Utilizing British and Kenya cabinet papers and secret intelligence reports never featured in earlier accounts, the narrative also destroys many of the myths that have long been associated with Kenya's decolonization, such as the alleged favoritism for federalism and support given by the colonial state and Colonial Office to KADU and the reasons for KANU's hostility to the self government constitution. It makes a particularly significant contribution by illuminating the genesis of KADU's majimbo policy and emphasizing the African agency involved. The book is most timely as the Kenya political elite struggles to find a new constitutional order to replace that which had its roots in the independence constitution.

This book focuses on the autobiographical poetry of early twentieth century author Antonia Pozzi and her lifelong friend and fellow poet, Vittorio Sereni. Antonia Pozzi, an author whose popularity in Italy has increased dramatically in the past few years, was a young girl during the First World War. She was born into a wealthy and influential family, and, after the rise of Fascism, her father was a prominent state official. In 1938 Pozzi committed suicide at the age of twenty-six. Her major collection of poems, Parole, was published posthumously. Pozzi's best friend, brother and most devoted confidant, Vittorio Sereni, is a more recognizable figure in Italian literary history. Born in 1913, a year after Pozzi, he served in the Italian Army during World War II, and was held in an allied prison camp in Algeria during the last years of the war. While Sereni is by far the better-known author, his response to the war experience and, particularly, to imprisonment recalls Pozzi's work on a number of levels. In the ';diaries' of both authors, autobiography functions as a means of constantly reasserting the self as a unique and separate individual against the totalizing forces of Fascist propaganda.

Louis Trezevant Wigfall was a violent, mercurial man. He participated in multiple duels, wounding one opponent and killing another. In an outburst on the floor of the U.S. Senate, Wigfall called upon a Brutus to assassinate Texas governor Sam Houston. During the bombardment of Fort Sumter in 1861, Wigfall rowed out to the fort and arranged its surrender. While still in the U.S. Senate, Wigfall committed treason by operating a station to recruit soldiers for the Confederacy by supplying arms to seceded states and by forwarding information on Union decisions and movements. Wigfall's oratorical skills convinced Southern ruling classes there was nothing to fear by seceding. He assured them that the North would not fight, that they could not blockade southern ports, that Europe needed Southern cotton, and that England would aid the Confederacy. Wigfall was able to convince Southern states to secede. In this succinct biography of Wigfall, Edward S. Cooper discusses how this violent and mercurial man contributed to the disintegration of the Union and why he was a primary factor in the collapse of the Confederacy.

Sharatchandra Chattopadhyay has been the most popular writer of novels and short stories in his native Bengaland in India at large. Despite this, he remains unrecognized in the English speaking world. Narasingha P. Sil fills this void by presenting a historical critical assessment of his upbringing and the experiences that influenced his masterful and magnificent work. The Life of Sharatchandra Chattopadhyay rescues the authentic man, a caste-conscious and patriarchal Brahmin of colonial Bengal, from the cuckoo land of gratuitous praise and panegyric showered on the Aparajeya Kathasilpi, the ';invincible' wordsmith. The author exposes Sharatchandra's innate conservative worldview and his romantic platonic concept of human sexuality that inform all his love stories. In many respects Sharatchandra resembles his formidable European forbear, Jean Jacques Rousseau of Enlightenment France. The concluding chapter of Sil's biographical study introduces this pioneering comparison between the two mena veritable tour de force.

Noteworthy Francophone Women Directors: A Sequel is a comprehensive guide that acts as both a teaching tool and a directory for research. The book begins following films released after the publication of Pallister and Hottell's last volume, Francophone Women Film Directors in 2005 and stops after the Cannes film festival in 2010. Unique among guides dealing with film, both for its breadth and for its exclusive attention to Francophone women throughout the world, this work foregrounds the production by nearly three hundred Francophone women filmmakers from France, Belgium, Switzerland, Latin American, Quebec, even Thailand. The authors have researched film journals, followed web sites, attended film festivals and conferences, and traveled around the globe to conduct research in film libraries, and attend screenings and interviews with filmmakers. A list of film sources, an extensive bibliography, and an index of film directors and the titles of their films maximize this directory's usefulness.

Disenthralling Ourselves portrays contemporary Israel in a process of transition. Jewish-Israeli and Palestinian-Israeli communities share a nation-state divided by the separate truths of its conflicting fundamental narratives. This book considers ways of converting those separate and antagonistic narratives from fuel for conflict to seeds of change. Its purpose is to undo the convenient coherence of collective memory and master narratives through fostering a capacious moral imagination able to apprehend diverse, even contentious, stories and truths. Contemporary Israel functions as a case study in an in-depth and interdisciplinary exploration of conflict resolution, viewing Jewish-Israeli and Palestinian-Israeli documentary film, poetry, fiction, essays, memoir, peace initiatives, and other elements of collective narrative-building through a prism of three analogously themed Shakespearean plays. This comparative methodology is integrated with theoretical perspectives on reconciliation, resilience, critical reflection, and peace education in presenting concrete alternatives to the convenient comforts of the inimical master narratives that perpetuate what can now be seen as a hundred-year war. The readings offered in this book generate perspectives that can be adopted and adapted in relation to each other in the process of moving from a single static narrative of incessant warfare. The first section, 'Seeing in the Dark,' considers rhetoric and identity formation of cultures in transition. Its first half focuses on revenge cultures and reads Shakespeare's Merchant of Venice and Juliano Mer Khamis's documentary 'Arna's Children' in a fictive and documentary pairing of people stripped of all but revenge. Its second half considers rhetoric and Israeli identities in transition through the prism of Hamlet. Three genre-challenging authors represent Jewish-Israeli and Palestinian-Israeli narrative identity formation; Yaron Ezrahi, Emile Habiby,and Anton Shammas reflect a hybridity that emphasi

This study explores images of economic assistance to explain the importance of tailoring such assistance to the distinctive social needs of the targeted communities, and how third parties must consider and include local perspectives in their attempts to build a lasting peace. The book makes an important contribution to our understanding of how economic assistance impacts a divided society with a history of protracted violence.

A few short years after Peru had declared its independence from Spain, the attention of some people in Lima began to focus on a potential source of untold wealth that was to prove more precious than gold. This was guano, which, in its greatest concentration, was found on the diminutive Chincha Islands that lie just off the Peruvian coast, some seventy miles south of Callao. This book covers the story of this international guano trade. It outlines the fate of the unfortunates recruited to cut and load the guano. It also gives full details of the hardships endured by mariners employed in this trade. The story of those who grew rich on the proceeds of this trade is also outlined. Importantly, it explains just how the Peruvian government mismanaged the trade, to the extent that Peru became burdened with debts, rather than prospering on the proceeds of their vast new guano-based income.

This study analyzes British wartime cinema, offering extended examination of a wide selection of feature films and documentaries made in Britain between 1939 and 1946, and using textual analyses of these films to explore the historical, social, and cultural context of social class in Britain within the overall situation of 'total war' and its concomitant propaganda imperative of 'The People's War.' Includes 20 photos.

The Carlyle Encyclopedia is the new standard, single-volume reference work on Thomas and Jane Welsh Carlyle. It offers concise, detailed accounts of central issues related to the Carlyles' lives and writings, and provides bibliographic citations that direct the reader's attention to a wide range of additional sources.

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LennoxOs novel, published in 1750, is the first novel of a well-respected author whose work demands significant critical attention. This volume reprints the first edition of the novel, along with an introduction and notes.

Long Knives and the Longhouse will appeal most to readers interested in the political history of Virginia's colonial era expansion. Politicians and land speculators figure prominently in the story, but so too do Iroquois diplomats and British officials who abetted the Old Dominion's imperialism. Matthew L. Rhoades focuses more on the intercultural diplomacy that drove Virginia's expansion rather than internal processes that have been detailed in many other excellent studies of the Old Dominion in the colonial period.

A Handful of Mischief: New Essays on Evelyn Waugh is a collection of essays based on presentations at the Evelyn Waugh Centenary Conference at Hertford College, Oxford, in 2003. There are twelve different essays by authors from various countries, including Australia, Canada, Russia, the United Kingdom, and the United States. The essays cover a wide range of material, from Waugh's early novel Black Mischief (1932) to his last travel book, A Tourist in Africa (1960). In addition to essays on well-known novels such as Scoop (1938), Brideshead Revisited (1945), and Helena (1950), the collection includes papers on Waugh's library, his changing conception of Oxford, his writing about religious conversion, and his role in the British evacuation of Crete in 1941. The authors approach Waugh and his work in various ways, and innovative essays explore sovereignty, post-colonialism, and adaptation for radio. Contributors: Baron Alder, Peter G. Christensen, Robert Murray Davis, Marcel DeCoste, Patrick Denman Flanery, Donat Gallagher, Irina Kabanova, Dan S. Kostopulos, Lewis MacLeod, John W. Mahon, Richard W. Oram, Ann Pasternak Slater, John Howard Wilson.

The Cultures of Italian Migration allows the adjective 'Italian' to qualify people's movements along diverse trajectories and temporal dimensions. Discussions on migrations to and from Italy meet in that discursive space where critical concepts like 'home,' 'identity,' 'subjectivity,' and 'otherness' eschew stereotyping. This volume demonstrates that interpretations of old migrations are necessary in order to talk about contemporary Italy. New migrations trace new non linear paths in the definition of a multicultural Italy whose roots are unmistakably present throughout the centuries. Some of these essays concentrate on topics that are historically long-term, such as emigration from Italy to the Americas and southern Pacific Ocean. Others focus on the more contemporary phenomena of immigration to Italy from other parts of the world, including Africa. This collection ultimately offers an invitation to seek out new and different modes of analyzing the migratory act.

It is hard to believe that there was a time, not long ago, when there was no right to obtain government information, no protection against hazards in children's toys and other consumer products, no federal safety standards for motor vehicles, and no insurance to protect an investors' money and securities in brokerage accounts. These and other consumer rights were created only after fierce political battles in the decade between 1966 and 1976. People's Warrior is the untold story of that era and one of its towering leaders, Congressman John Moss. Based on previously undisclosed materials and interviews with key players of the time People's Warrior tells the story of a stormy decade in America, one in which key laws, such as the Freedom of Information Act and the Consumer Product Safety Act were enacted by Congress, despite overwhelming political opposition. It is also the improbable story of one man's life and determination. Moss fought for twelve years, against three presidents and at times his own party, for a freedom of information law that has stood the test of time and been copied around the world. Although at first stymied by special interests, he won sweeping consumer protection reforms. He went on to challenge Wall Street in an intense battle to enact major new investor protection laws. What happened to Moss and his progressive agenda in later decades, and what the future may bring for that agenda, make up the final part of this compelling story of a man and an era.

Working toward an analysis of how photography has contributed to the construction of an Italian 'type' to serve the mandates of the new nation in the 1860s, this book engages writers and photographers who have attempted to address this in their works. From Giovanni Verga and Italo Calvino to the conceptual visual works of Tommaso Campanella in words and Luigi Ghirri in photographs; from the Arcadic gaze of Baron von Gloeden to the revolutionary vision of Tina Modotti, the works analyzed in this book have all been major contributors in the shaping of our contemporary visual education. While I am mostly concerned with Italy, the ideas that populated this work are globally applicable and relevant. Works on the photographic image that engage the specificity of representation related to specific groups, race, ethnicity or gender have found, in the isolation of images by thematic terms, an eloquent ground for specific visual formations. Looters, Photographers, and Thieves seeks to contribute to this fascinating discourse and the constantly evolving realm of figurative possibilities it opens up. This books is a locus for the collection and accumulation of images produced in the shaping of notions of citizenship and cultural relevance in nineteenth and twentieth century Italy. The arguments and images of each chapter thread through each other to propose ways by which to approach disparate subjects and forms in order to envision photographers as seers rather than gazers. Working beyond solidified terms of reference in both photography and literature toward more fluid and open spaces, I have chosen photographers that are quite unlike each other in their craft and ideologies: Tina Modotti, Giovanni Verga, Baron von Gloeden, Jacob Riis and Lewis Hine all are seen as contributors in shaping a particular vision of their world that remains relevant in ours.. Given the fact that much of the photography considered within the pages of this book is in dialogue with, or the product of, national or colonial programmatic agendas, it is only fair to ask what potential spaces for intervention upon them might remain if this is not done outside of established disciplinary bounds.

The Rise and Fall of the Femme Fatale: From Gothic Ghosts to Victorian Vamps explores the femme fatale's career in nineteenth-century British literature. It traces her evolutionand devolutionformally, historically, and ideologically through a selection of plays, poems, novels, and personal correspondence. Considering well-known fatal women alongside more obscure ones, The Rise and Fall of the Femme Fatale sheds new light on emerging notions of gender, sexuality, and power throughout the long nineteenth century. By placing the fatal woman in a still developing literary and cultural narrative, this study examines how the femme fatale adapts over time, reflecting popular tastes and socio-economic landscapes.

On August 26, 1861, one hundred volunteers met at Camp Wood and formed Company A. These men, for the most part, were well educated and left to us a series of letters to families and friends, diaries, letters to their local newspapers, official reports, and talks they gave after the war at reunions. Their correspondence differs from most others in that they do not simply record the temperature and what they had to eat. The story the correspondence of Company A tells allows the reader to know what it was really like to be a volunteer soldier. The men describe what they saw from their vantage points on the parts of the battlefield they could see. Their letters cover their discussions and arguments concerning slavery, the national draft, the right of ';citizen soldiers' to confiscate property, and the use of blacks in combat. On a very personal level they describe what it was like to be captured and spend time in Confederate prisons awaiting exchange, what they felt when they had to leave wounded or dead comrades on the field when they had to retreat, whether to reenlist, the punishments they had to endure, the witnessing of military executions, and whether to mutiny. There are marvellous descriptions of the unauthorized truces the men arranged with the Confederates to trade tobacco for coffee or to bathe in a stream separating them.

Geistliche Lieder und Psalmen, 1567, was compiled and published by Johann Leisentrit, a Roman Catholic priest who from 1559 to the time of his death in 1586, was Dean at the Cathedral of St. Peter's in Bautzen, a town in southeastern Germany. His hymnbook appeared in three complete editions (1567, 1573, 1584), and in abridged editions in 1575, 1576, and 1589. By adapting the vernacular hymn, a genre created by Protestant reformers, Leisentrit hoped to bring back to the ';true church' (wahrglaubiger Christlicher Kirchen) those who had defected to Lutheranism. This was a formidable ambition because his diocese was located adjacent to the Moravian-Bohemian regions where the Protestant movement was born and remained vital. Containing approximately 260 texts set to 175 notated melodies, many borrowed from Protestant sources and adapted to serve Roman Catholic objectives, Leisentrit's book was the second Catholic hymnbook to be published in the sixteenth century. It surpassed its Protestant and Catholic precursors in scope and provided a model for the profusion of hymnbooks of numerous confessions that appeared in Germany in the seventeenth and eighteenth centuries .Wetzel and Heitmeyer present their study in two parts: The first comprises six contextual chapters that survey earlier German achievements in hymnody, provide analyses of the texts and music in Leisentrit's book, and assess his achievement within the volatile environment of the Counter Reformation. The second gives the melodies in modern notation along with the first stanzas of the texts; provides detailed concordances and references to sources that identify textual and musical provenances; and concludes with six appendixes to facilitate scholarly cross-references. Fourteen of the seventy wood engravings from Leisentrit's book, many of which are visual representations of the prevailing confessional conflicts, are given in enlarged reproductions.The authors provide the only comprehensive study in English of a unique religious figure and his efforts to achieve confessional reconciliation in the decades following the Council of Trent. They add to a more accurate interpretation of the relationship between Lutherans and Catholics in the sixteenth century and support the hypothesis that some Lutherans remained more liturgically formal than their Catholic contemporaries.

This book on cultural studies aims to identify the status of the field in Italian cultural studies. It contains articles that will interest a variety of undergraduate and graduate classes and it is an invaluable resource for scholars of Italian studies.

This book examines the post-1990s African American novels, namely the ';neo-urban novel,' and develops a new urban discourse for the twenty-first century on how the city, as a social formation, impacts black characters through everyday discursive practices of whiteness. The critique of everyday life in a racial context is important in considering diverse forms of the lived reality of black everyday life in the novelistic representations of the white dominant urban order. African American fictional representations of the city have political significance in that the ';neo-urban novel' explores the nature of the American society at large. This book explores the need to understand how whiteness works, what it forecloses, and what it occasionally opens up in everyday life in American society.

Empiricism, one of Raymond William's keywords, circulates in much contemporary thought and criticism solely as a term of censure, a synonym for spurious objectivity or positivism. Yet rarely, if ever, has it had this philosophical implication. Dr Johnson, it should be recalled, kicked the stone precisely to expose empiricism's baroque falsifications of common sense. In an effort to restore historical depth to the term, this book examines epistemology in the narrative prose of five writers, John Ruskin, Alexander Bain, G. H. Lewes, Herbert Spencer, and George Eliot, developing the view that the flourishing of nineteenth-century scientific culture occurred at a time when empiricism itself was critically dismantling any such naive representationalism.Dr. Garratt argues that by the 1860s empiricism was both a dominant cultural language and a reflexive epistemic theory, producing a model of contingent self hood conceived simultaneously as the route towards knowledge and its obstacle. For this reason, Victorian empiricism predicated its search for knowledge on a profound instability, one embodied within the textual language through which it sought its articulation. By examining familiar works, such as Ruskin's Modern Painters and George Eliot's fiction, alongside the voluminous psychological and philosophical prose of Bain, Lewes, and Spencer, he illustrates, using detailed examples, how the imperatives of empiricist thought shaped the aesthetic of realism, as well as nineteenth-century views towards perception, human embodiment, and relativism. In all cases, their works give shape to empiricism's skeptical impulse. In Ruskin, for example, the narrative journey into knowledge is one of haphazard progress and fraught autobiographical engagement; in Bain's psychology it forms a story of precarious accumulation; in Lewes and Spencer, sprawling form expresses the proliferating potential of knowledge itself.

Durrell and the City commemorates the fiftieth anniversary of the publication of The Alexandria Quartet with a collection of fourteen new essays by a group of international scholars and critics. The collection provides a critical consideration of Durrells urban landscapes, from the London of his early novels to Avignon during World War II in his last great series, while focusing on the place that made him famousthe city of Alexandriain order to provide a reassessment of his career and achievement.