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Kenneth Goldsmith's Recent Works on Paper is devoted to the acclaimed conceptual poet, pedagoge, and provocateur, Kenneth Goldsmith, and his published work in the wake of his controversial reading of a poem based on the Michael Brown autopsy report at Brown University in March 2015.
Sexuality, Human Rights, and Public Policy engages with public policy and its intersection with contemporary discourse on sexuality and rights, and by extension the inclusion or exclusion of groups of individuals in mainstream sociocultural groups in societies.
Betraying Dignity claims that contemporary distress causes individuals and nations around the world to abandon the dignity-based culture of human rights, and embrace new manifestations of honor-based cultures, like extreme nationalism, Jihad, and shaming. This book distinguishes dignity as a way of fortifying the culture of human rights.
This collection of essays charts the shifting representation of World War II in Italian literature and film from 1943 to the present. The essays examine film genre, cultural history, gender, the Holocaust, emotion studies, shame theory, and environmental studies.
The volume situates My Antonia as a novel that stands the test of time by including in its pages an extraordinarily wide range of historical, cultural, literary, psychological, thematic, perceptual, and stylistic issues. The volume provides an analysis and assessment of complexities in the novel as well as its reception and legacy.
Long before the word "interdisciplinary" entered the landscape of higher education, William Morris embodied that ideal. Teaching William Morris offers a wide array of perspectives on the challenges and the rewards of teaching this Victorian polymath whose ideas and creations remain so powerful today.
The Yearbook of Transnational History is dedicated to disseminating pioneering research in the field of transnational history. This inaugural volume provides readers with articles on topics such as soccer, travel, music, and social policy. These articles highlight the movement of ideas, people, policies, and practices across various cultures and societies and explore the relations and connections, and spaces created by these movements. These articles make clear that historical phenomena from travel to music cannot be contained and explained within just one national setting. The volume offers, further, a number of theoretical and methodological articles that provide insights into the concept of transnational history and the approach of intercultural transfer studies. Last but not least, the volume also includes a number of review articles. These review articles provide an examination of books central to teaching transnational history as well as a historiographical exploration of the impact of transnational history on the field of sports history.
This book introduces the framework of aesthetic ecology to communication studies as well as the study of communication ethics underlining the importance of the interplay between our sensuous and interpretive engagements in/with the world.
Surveying the entirety of McNally's works, including the most important of McNally's still unpublished works, this book positions McNally at the forefront of contemporary American writers-in particular, gay writers-treating the issues of suffering, loss, spiritual renewal, and forgiveness.
This book provides readers with a critical study of the challenges that confronted Namibian activists who tried to sue Germany for genocidal acts that were committed during the German South West Africa (GSWA) years.
Discourse of Reciprocity reveals patterns of press behavior in the US-Canada alliance at points where the nature of the alliance itself was under stress. Drawing on journalism studies, discourse analysis, political communication, and international relations, the book explores examples of international policymaking in national security, agriculture, and energy issues. Drawing on coverage in The New York Times and The Globe and Mail, the book articulates concepts of news as providing positive symbolic presence, exhibiting forbearance, and exhibiting cooperation. This trio of press behaviorsevident in the structure of the news coverage itselfmatches the definition of reciprocity used in fields such as international relations and game theory.The book gives equal consideration to the coverage in The New York Times and The Globe and Mail, articulating country-specific examples of how press coverage enacts reciprocity. Five cases cover the period from 1980 to the present, including the Keystone pipeline proposal and the discovery of mad cow disease in North America. The cases include Liberal and Conservative governments in Canada and Republican and Democratic administrations in the United States. This binational study sheds light on an understudied dynamic contributing to the reciprocity that sustains the alliance.The book adds to the relatively limited literature on news coverage of alliances. The book also illustrates how to implement discourse analysis in news framing research in a much more extensive way than previous political communication or international relations literature.
Cosmopolitanism and the Development of the International Criminal Court examines a set of prominent discourses and events that emerged in the context of the development and establishment of the International Criminal Court (ICC). The analysis shows state and nonstate actors' competing commitments to cosmopolitanism and national identity.
Worlds of Common Prayer exposes the surprisingly radical potential of nineteenth- and twentieth-century book-length liturgical poetry. Major authors as dissimilar as Christina Rossetti and T.S. Eliot used the Anglican liturgical calendar as a weapon to break the order of clock time and destabilize the secular world order.
This collection examines a wide variety of literature-travel, memoir, and fiction-and explores the ways travel and ideas of "culture" have evolved since the heyday of the Grand Tour. The sites of the Grand Tour remain a powerful cultural draw, and they continue to define ideas of taste and learning for those who visit them.
An American Art Colony studies three generations of a New Jersey art colony, setting a new model for the analysis of artistic biography and broadening the social context of artistic production. Its contribution rests on the historical value of colony changes over time from informal gatherings to self-conscious purposeful assemblages.
Lawrence Durrell's Poetry offers an in-depth analysis of Lawrence Durrell's entire poetic opus, from his early collections in the 1940s up to his last one published in 1973. Thirty years of Durrellian poetry are brought together in order to unveil the genesis of Durrell's writing, both poetic and fictional.
Shakespeare in the Light convenes an accomplished group of scholars, actors, and teachers to celebrate the legacy of American Shakespeare Center's founder, Ralph Alan Cohen. Each essay pivots off a production at the ASC's Blackfriars Playhouse to explore the performance of Shakespeare's plays under their original theatrical conditions.
Utopia and Dystopia in the Age of Trump focuses on utopias and dystopias that either prefigure or suggest alternatives to the rise of individuals such as Donald J. Trump and the changing conditions of America we now see around us. These topical studies provide compelling reading for both the general reader and the specialist.
Illyria in Shakespeare's England studies the eastern Adriatic region known as "Illyria" in five plays by Shakespeare and other early modern English writing. It examines the origins and features of past discourses on the area, expanding our knowledge of the ways in which England and other polities negotiated their position in the early modern world.
Italian Women at War explores Italian women's participation in war and conflict throughout Italy's modern history, beginning with the Unification and ending with the twentieth century. The essays in this volume, help to further the discussion on women's participation in violence, warfare, and political protest throughout Italy.
This book explores the oneiric in Italian cinema from filmic representations and visualizations of dreams, nightmares, hallucinations, and dream-like and hypnotic states, to dreams as cinematic allegories and metaphors and the theoretical frameworks applied to the investigation of this relationship.
New Approaches to Religion and the Enlightenment examines religious belief and practice during the age of Enlightenment from a range of disciplinary perspectives, including theology, the natural sciences, politics, the law, art, philosophy, and literature.
Carl Theodor Dreyer was a visionary director whose films were based less on his screenplays than on his preconceptions, his complete formal, aesthetic cinematic projections of the films he deputized actors, cinematographers, and crew to produce. Cinematography of Carl Theodor Dreyer examines the life and work of a brilliant director and visionary.
This volume of essays and speeches by noted international higher education leaders from the 50th Annual Meeting of IAUP, and explores the critical role of higher education both as an active part of global civil society and as a foundation for the realization of a just, peaceful, and prosperous global future.
In Italy and the Cultural Politics of World War I, well-known scholars of history, political science, film, literature, and cultural studies explore the impact that the Great War had on twentieth-century culture and the enduring legacy of the cultural products that it engendered.
Enter the Undead Author explores the points of tension between the idea of authorship and the realities of theatrical production and other performance practices from the 1960s to the present with special focus on those moments when authorship helps to reappropriate revolutionary practices into traditional modes of production.
The book is a handbook of cultural discourse analysis, a theory developed by Donal Carbaugh, and celebration of his work. The book features an explanation of the theory and sixteen chapters using the theory to examine communication issues across the globe
Expressivity in Modern Poetry examines the radical address to reality in twentieth-century modernism. This legacy is foundational for contemporary poetry. New constructions of subjectivity and a turn toward language now characterize both poetic composition and critical theory.
Mormonism and the Emotions: An Analysis of LDS Scriptural Texts is an introductory Latterday Saint (LDS) theology of emotion that is both canonically based and scientifically informed. It highlights three widely accepted characteristics of emotion that emerge from scientific perspectivesnamely, the necessity of cognition for its emergence, the personal responsibility attached to its manifestations, and its instrumentality in facilitating various processes of human development and experience. In analyzing the basic theological structure of Mormonism and its unique canonical texts the objective is to determine the extent to which LDS theology is compatible with this three-fold definition of emotion. At this basic level of explanation, the conclusion is that science and Mormon theology undoubtedly share a common perspective. The textual investigation focuses on unique Mormon scriptures and on their descriptions of six common emotions: hope, fear, joy, sorrow, love, and hate. For each of these emotional phenomena the extensive report of textual references consistently confirms an implied presence of the outlined three-fold model of emotion. Thus, the evidence points to the presence of an underlying folk model of emotion in the text that broadly matches scientific definitions. Additionally, the theological examination is enlarged with a particular focus on the Mormon theology of atonement, which is shown to play a significant role in LDS understandings of emotions. A broad exploration of such areas as epistemology, cosmology, soteriology, and the theological anthropology of Mormonism further contextualizes the analysis and roots it in the LDS theological worldview.
This collection of essays by both theater scholars and practitioners examines the political and aesthetic consequences of the marriage of Shakespearean text and realist performance style, considering productions ranging from the early twentieth century to 2016.
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