Bøger udgivet af Farrar, Straus and Giroux

The year is 2038, and the formerly bustling town of Three Rivers, Texas, is a surreal wasteland. Under the authoritarian thumb of its tech industrialist mayor, Pablo Henry Crick, the town has outlawed reading and forced most of the town's mothers to work as indentured laborers at the Big Tex Fish Cannery, which poisons the atmosphere and lines Crick's pockets.Scraping by in this godforsaken landscape are best friends Prosperina and Neftalí?the latter of whom, one of the town's last literate citizens, hides and reads the books of the mysterious renegade author Jazzmin Monelle Rivas, whose last novel, Brother Brontë, is finally in Neftalí's possession. But after a series of increasingly violent atrocities committed by Crick's forces, Neftalí and Prosperina, with the help of a wounded bengal tigress, three scheming triplets, and an underground network of rebel tías, rise up to reclaim their city?and in the process, unlock Rivas's connection to Three Rivers itself.An adventure that only the acclaimed Fernando A. Flores could dream up, Brother Brontë is a mordant, gonzo romp through a ruined world that, in its dysfunction, tyranny, and disparity, nonetheless feels uncannily like our own. With his most ambitious book yet, Flores once again bends what fiction can do, in the process crafting a moving and unforgettable story of perseverance.

Braiding together biography and criticism, Adam Plunkett challenges our understanding of Robert Frost's life and poetic legacy in a pathbreaking new work.By the middle of the twentieth century, Robert Frost was the best-loved poet in America. He was our nation's bard, simple and sincere, accompanying us on wooded roads and articulating our hopes and fears. After Frost's death, these cliches gave way to equally broad (though opposed) portraits sketched by his biographers, chief among them Lawrance Thompson. When the critic Helen Vendler reviewed Thompson's biography, she asked whether anyone could avoid the conclusion that Frost was a "monster."In Love and Need: The Life of Robert Frost's Poetry, Adam Plunkett blends biography and criticism to find the truth of Frost's life-one that lies between the two poles of perception. Plunkett reveals a new Frost through a careful look at the poems and people he knew best, showing how the stories of his most important relationships,heretofore partly told, mirror dominant themes of Frost's enduring poetry: withholding and disclosure, privacy and intimacy. Not least of these relationships is the fraught, intense friendship between Frost and Thompson, the major biographer whose record of Frost Plunkett seeks to set straight.Moving through Frost's most important work and closest relationships with the attention to detail necessary to see familiar things anew, Plunkett offers an original interpretation of Frost's poetry, tracing Frost's distinctive achievement to an engagement with poetic tradition far deeper and more extensive than he ever let on. Frost invited his readers into a conversation like the one he sustained with his literary forebears, intimate and profound, yet Frost kept his private self at a remove. Here, Plunkett brings the two together-the poet and the poetry-and draws us back into conversation with America's poet.

John Dryden called Virgil's Georgics, written between 37 and 30 B.C.E., "the best poem by the best poet." The poem, newly translated by the poet and translator David Ferry, is one of the great songs, maybe the greatest we have, of human accomplishment in difficult--and beautiful--circumstances, and in the context of all we share in nature. The Georgics celebrates the crops, trees, and animals, and, above all, the human beings who care for them. It takes the form of teaching about this care: the tilling of fields, the tending of vines, the raising of the cattle and the bees. There's joy in the detail of Virgil's descriptions of work well done, and ecstatic joy in his praise of the very life of things, and passionate commiseration too, because of the vulnerability of men and all other creatures, with all they have to contend with: storms, and plagues, and wars, and all mischance.

"The Maxwell siblings return to their childhood home in the Dallas suburbs after the shocking news of their parents' death. They return to find the house, and the family itself, haunted by strange, inexplicable terrors"--

"The empowering, inspiring, patriarchy-smashing first book by the TikTok and Spotify star Drew Afualo"--

Robin Sloan expands the Penumbraverse to new reaches of time and space in a rollicking far-future adventure. It is eleven thousand years from now. A lot has happened, and yet a lot is still very familiar. Ariel is a boy in a remote village under a wizard's rule. Like many adventurers before him, Ariel is called to explore a world full of eye-popping discoveries and challenges: unknown enemies, a mission to rescue the world, a girl. Here, as they say, be dragons. But none of this happens before Ariel encounters an entity from an earlier civilization, a sentient, sensitive artificial intelligence with a special perspective on all of human history-who becomes both Ariel's greatest ally . . . and our narrator. Moonbound is an adventure into the richest depths of Story itself from the creator of the Penumbraverse, Robin Sloan. It is a deeply satisfying epic of ancient scale, blasted through the imaginative prism of one of our most forward-thinking writers. And this is only the beginning.

"The story of the groundbreaking trans athletes and Olympic bureaucrats who set the stage for today's culture wars"--

"A young gay man upends the lives of a powerful art-world couple in this steamy novel of self-discovery"--

"A lyrical meditation on healing--told through the lenses of justice, sex, love, family, and death--by journalist and podcaster Carvell Wallace"--

Alexander Solzhenitsyn's Warning to the West includes the texts of the Nobel Prize-winning author's three speeches in the United States in the summer of 1975, his first major public addresses since his expulsion from the Soviet Union in 1974: on June 30 and July 9 to trade-union leaders of the AFL-CIO in Washington, D.C., and in New York City, and on July 15 to the United States Congress; and also the texts of his BBC interview and radio speech, which sparked widespread public controversy when they were aired in London in March 1976. Solzhenitsyn's outspoken criticism of the West's growing weakness and complacency and his belief that Russia's growing strength will enable her to establish supremacy over the West without risk of a nucelar holocaust are expressed with the moral authority of a great novelist and historian. "Solzhenitsyn mounts a public indictment of the supine inattention of the West that rings like the blows of the hammer with which Luther nailed his manifesto to the doors at Wittenberg."--Times Literary Supplement

In this laugh-out-loud picture book perfect for fans of Lyle the Crocodile and Dragons Love Tacos, an alligator family runs into trouble when their son can't seem to curb his appetite for their new human neighbors.After Libby and Herbert Alligator's mom lands her dream job as a pastry chef, the family is moving on up out of the slimy swamp and into a bustling town filled with houses, restaurants, schools, and shops. Libby can't wait to meet the new neighbors. Herbert can't wait to eat them.And that's not okay with the people in the neighborhood, who most certainly do not want to become alligator food. Luckily, Herbert's mom and sister step in to help him find a way to make friends while staying true to himself.From author-illustrator Daniel J. Mahoney, We Don't Eat Our Neighbors is a witty, heartfelt story about family, fitting in, and finding happiness in a new community.

From teen activist and artistic prodigy Tyler Gordon comes a heartwarming picture book inspired by his own life about a boy with a speech difference who learns the power of self-expression through art.There once as a young boy had trouble with words. He paused and stuttered and stammered, which made school really tough. But with encouragement from his mom and a paintbrush in hand, he learns that finding your voice isn't about being perfect-it's about being true to yourself.For fans of I Talk Like a River and Amanda Gorman, The Boy Who Found His Voice is a joyful and empowering testament to art, empathy, and having self-confidence even in the face of doubt.

"This book is brutal and brutally honest, but still perversely addictive because Brontez Purnell is a performer in the truest sense. Reading Ten Bridges I've Burnt, I felt tucked-in with him, along for the intimate ride, and paused only once to write down a part I'd been looking for my whole life." -Miranda JulyFrom the beloved author of 100 Boyfriends, a wrenching, sexy, and exhilaratingly energetic memoir in verse.In Ten Bridges I've Burnt, Brontez Purnell-the bard of the underloved and overlooked-turns his gaze inward. A storyteller with a musical eye for the absurdity of his own existence, he is peerless in his ability to find the levity within the stormiest of crises. Here, in his first collection of genre-defying verse, Purnell reflects on his peripatetic life, whose ups and downs have nothing on the turmoil within. "The most high-risk homosexual behavior I engage in," Purnell writes, "is simply existing."The thirty-eight autobiographical pieces pulsing in Ten Bridges I've Burnt find Purnell at his no-holds-barred best. He remembers a vicious brawl he participated in at a poetry conference and reckons with packaging his trauma for TV writers' rooms; wrestles with the curses, and gifts, passed down from generations of family members; and chronicles, with breathless verve, a list of hell-raising misadventures and sexcapades. Through it all, he muses on everything from love and loneliness to capitalism and Blackness to jogging and the ethics of art, always with unpredictable clarity and movement. With the same balance of wit and wisdom that made 100 Boyfriends a sensation, Purnell unleashes another collection of boundary-pushing writing with Ten Bridges I've Burnt, a book as original and thrilling as the author himself.

A career-spanning collection of inspiring, revelrous essays about art and artistsLike Love is a momentous, raucous collection of essays drawn from twenty years of Maggie Nelson's brilliant work. These profiles, reviews, remembrances, tributes, and critical essays, as well as several conversations with friends and idols, bring to life Nelson's passion for dialogue and dissent. The range of subjects is wide-from Prince to Carolee Schneemann to Matthew Barney to Lhasa de Sela to Kara Walker-but certain themes recur: intergenerational exchange; love and friendship; feminist and queer issues, especially as they shift over time; subversion, transgression, and perversity; the roles of the critic and of language in relation to visual and performance arts; forces that feed or impede certain bodies and creators; and the fruits and follies of a life spent devoted to making.Arranged chronologically, Like Love shows the writing, thinking, feeling, reading, looking, and conversing that occupied Nelson while writing iconic books such as Bluets and The Argonauts. As such, it is a portrait of a time, an anarchic party rich with wild guests, a window into Nelson's own development, and a testament to the profound sustenance offered by art and artists.

A novel that celebrates radical queer survival and gleefully takes a hammer to false notions of successThis is the story of Corey Fah, a writer who has hit the literary jackpot: their novel has just won the prize for the Fictionalization of Social Evils. But the actual trophy, and with it the funds, hovers peskily out of reach.Neon-beige, with UFO-like qualities, the elusive trophy leads Corey, with their partner Drew and eight-legged companion Bambi Pavok, on a spectacular quest through their childhood in the Forest and an unlikely stint on reality TV. Navigating those twin horrors, along with wormholes and time loops, Corey learns-the hard way-the difference between a prize and a gift.Following the Goldsmiths Prize-winning Sterling Karat Gold, Isabel Waidner's bold and buoyant new novel is about coming into one's own, the labor of love, the tendency of history to repeat itself, and what ensues when a large amount of cultural capital is suddenly deposited in a place it has never been before.

Disarmingly witty and poignant, Sloane Crosley's memoir explores multiple kinds of loss following the death of her closest friend.Grief Is for People is a deeply moving and surprisingly suspenseful portrait of friendship, and a book about loss packed with verve for life. Sloane Crosley is one of our most renowned observers of contemporary behavior, and now the pathos that has been ever present in her trademark wit is on full display. After the pain and confusion of losing her closest friend to suicide, Crosley looks for answers in friends, philosophy, and art, hoping for a framework more useful than the unavoidable stages of grief. For most of her adult life, Sloane and Russell worked together and played together as they navigated the corridors of office life, the literary world, and the dramatic cultural shifts in New York City. One day, while Russell is still alive, Sloane's apartment is broken into. Along with her most prized possessions, the thief makes off with her sense of security, leaving a mystery in its place. When Russell dies exactly one month later, his suicide propels her on a wild quest to right the unrightable, to explore what constitutes family and possession as the city itself faces the staggering toll brought on by the pandemic.Crosley's search for truth is frank, darkly funny, and gilded with a resounding empathy. Upending the "grief memoir," Grief Is for People is the category-defying story of the struggle to hold on to the past without being consumed by it. A modern elegy, it rises precisely to console and challenge our notions of mourning during these grief-stricken times.

"This book rewired my brain; it's a bonafide knockout." -Kristen Arnett, author of With Teeth "You can try bracing yourself for the ride this story takes you on, but it's best to just surrender. Your wig is going to fall off no matter what you do." -Saeed Jones, author of How We Fight for Our LivesA gut-busting and heartbreaking descent into one woman's fraying connection to reality, from a soon-to-be superstar.Coral is the first person to discover her brother Jay's dead body in the wake of his suicide. There's no note, only a drably furnished bachelor pad in Long Beach, California, and a cell phone with a handful of numbers in it. Coral pockets the phone. And then she starts responding to texts as her dead brother.Over the course of one week, Coral, the successful yet lonely author of a hit dystopian novel, Wildfire, becomes increasingly untethered from reality. Blindsided by grief and operating with reckless determination, she doubles -and triples-down on posing as her brother, risking not only her own sanity but her relationship with her precocious niece, Khadijah. As Coral's swirl of lies slowly closes in on her, the quirky and mysterious alien world of Wildfire becomes enmeshed in her own reality, in the process pushing long-buried memories, traumas, and secrets dangerously into the present.A form-shifting and soul-crunching chronicle of grief and crisis, Venita Blackburn's debut novel, Dead in Long Beach, California, is a fleet-footed marvel of self-discovery and storytelling that explores the depths of humankind's capacity for harm and healing. With the daring, often hilarious imagination that made her an acclaimed short-fiction innovator, Blackburn crafts a layered, page-turning reckoning with what it means to be alive, dead, and somewhere in between.

A riveting account of the decades-long effort by reactionary white conservatives to undermine democracy and entrench their power-and the movement to stop them.The mob that stormed the Capitol on January 6, 2021, represented an extreme form of the central danger facing American democracy today: a blatant disregard for the will of the majority. But this crisis didn't begin or end with Donald Trump's attempt to overturn the 2020 election. Through voter suppression, election subversion, gerrymandering, dark money, the takeover of the courts, and the whitewashing of history, reactionary white conservatives have strategically entrenched power in the face of a massive demographic and political shift. Ari Berman charts these efforts with sweeping historical research and incisive on-the-ground reporting, chronicling how a wide range of antidemocratic tactics interact with profound structural inequalities in institutions like the Electoral College, the Senate, and the Supreme Court to threaten the survival of representative government in America."The will of the people," wrote Thomas Jefferson in 1801, "is the only legitimate foundation of any government." But that foundation is crumbling. Some counter-majoritarian measures were deliberately built into the Constitution, which was designed in part to benefit a small propertied upper class, but they have metastasized to a degree that the Founding Fathers could never have anticipated, undermining the very notion of "a government of the people, by the people, and for the people." Chilling and revelatory, Minority Rule exposes the long history of the conflict between white supremacy and multiracial democracy that has reached a fever pitch today-while also telling the inspiring story of resistance to these regressive efforts.

One of our greatest novelists and thinkers presents a radiant, thrilling interpretation of the book of Genesis.For generations, the book of Genesis has been treated by scholars as a collection of documents, by various hands, expressing different factional interests, with borrowings from other ancient literatures that mark the text as derivative. In other words, academic interpretation of Genesis has centered on the question of its basic coherency, just as fundamentalist interpretation has centered on the question of the appropriateness of reading it as literally true. Both of these approaches preclude an appreciation of its greatness as literature, its rich articulation and exploration of themes that resonate through the whole of Scripture. Marilynne Robinson's Reading Genesis, which includes the original text, is a powerful consideration of the profound meanings and promise of God's enduring covenant with man. This magisterial book radiates gratitude for the constancy and benevolence of God's abiding faith in Creation.

Omaha, 1930. When ex-cop-turned-PI Jim Beely murders the man who assaulted his fourteen-year-old daughter, the last person he wants to see is local crooked cop Frank Tvrdik. Luckily, Frank isn't interested in the lifeless body in Jim's car. Frank has a proposition: he'll make the dead man disappear if Jim helps take down Elmer Kobb, who is vying for city commissioner and willing to backstab anyone who gets in his way.Soon, Jim and Frank are sucked into a seedy world of crime and corruption, where no one is safe and nothing is what it seems. Then Jim is violently attacked and one of his operatives turns up dead within the span of twelve hours, and his search for the truth yields a web of lies and a mounting death toll. As he and Frank are pulled deeper into the city's dark underbelly and its absurd political machinations, Jim begins to question everything he knows about Omaha and his place in it.In her moody, ferocious, and darkly funny follow-up to PIckard County Atlas, a novel Tana French called a "slow-burning beauty of a book," the native Nebraskan Chris Harding Thornton mines Omaha's sordid past, melding fact and fiction into an unforgettable tale of danger and deceit. Little Underworld asks: What does it mean to be good, and what is left for those of us who aren't?

A profound, startling new understanding of Jewish life, illuminating the forgotten heart of Jewish theology and practice: love.A dramatic misinterpretation of the Jewish tradition has shaped the history of the West: Christianity is the religion of love, and Judaism the religion of law. In the face of centuries of this widespread misrepresentation, Rabbi Shai Held-one of the most important Jewish thinkers in America today-recovers the heart of the Jewish tradition, offering the radical and moving argument that love belongs as much to Judaism as it does to Christianity. Blending intellectual rigor, a respect for tradition and the practices of a living Judaism, and a commitment to the full equality of all people, Held seeks to reclaim Judaism as it authentically is. He shows that love is foundational and constitutive of true Jewish faith, animating the singular Jewish perspective on injustice and protest, grace, family life, responsibilities to our neighbors and even our enemies, and chosenness.Ambitious and revelatory, Judaism Is About Love illuminates the true essence of Judaism-an act of restoration from within.

One of the few indisputable geniuses of pop music, Sly Stone is a trailblazer and a legend. He created a new kind of music, mixing Black and white, male and female, funk and rock. As a songwriter, he penned some of the most iconic anthems of the 1960s and '70s, from "Everyday People" to "Family Affair." As a performer, he electrified audiences with a persona and stage presence that set a lasting standard for pop-culture performance.Yet his life has also been a cautionary tale, known as much for how he dropped out of the spotlight as for what put him there in the first place. People know the music, but the man remains a mystery. In Thank You (Falettinme Be Mice Elf Agin), his much-anticipated memoir, he's finally ready to share his story-a story that many thought he'd never have the chance to tell.Written with Ben Greenman, who has written memoirs with George Clinton and Brian Wilson, among others, and created in collaboration with Sly Stone's manager, Arlene Hirschkowitz, Thank You (Falettinme Be Mice Elf Agin) includes a foreword by Questlove.

The eagerly anticipated final volume in Jonathan Sumption'sprize-winning history of the Hundred Years War, "one of the great historicalundertakings of our age." ― Dan Jones, Sunday Times Triumph and Illusion is thefinal volume of Jonathan Sumption's epic history of the Hundred Years War. Ittells the story of the collapse of the English dream of conquest from theopening years of the reign of Henry VI, when the battles of Cravant andVerneuil consolidated their control of most of northern France, until the loss>Thissudden reversal of fortune was a seminal event in the history of the twoprincipal nation-states of western Europe. It brought an end to four centuriesof the English dynasty's presence in France, separating two countries whosefortunes had once been closely intertwined. It created a new sense of nationalidentity in both countries. The legacy of these events would influence their>Behind the clash of arms stood someof the most remarkable personalities of the age: the Duke of Bedford, theEnglish Regent who ruled much of France from Paris and Rouen; Charles VII ofFrance, underrated in both countries, who patiently rebuilt his kingdom afterthe disasters of his early years; the captains who populate the pages ofShakespeare - Fastolf, Montagu, Talbot, Dunois and, above all, theextraordinary figure of Joan of Arc who changed the course of the war in a fewweeks at the age of seventeen.