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For years, Teresa has passed from one job to the next, settling into long stretches of time, struggling to build her career in any field or unstick herself from an endless cycle of labor. The dreaded move from one gig to another is starting to feel unbearable. When a recruiter connects her with a contract position at AllOver, it appears to check all her prerequisites for a "good" job. It's a fintech corporation with progressive hiring policies and a social justice-minded mission statement. Their new service for premium members: a functional fleet of driverless cars. The future of transportation. As her new-hire orientation reveals, the distance between AllOver's claims and its actions is wide, but the lure of financial stability and a flexible schedule is enough to keep Teresa driving forward.Joanne McNeil, who often reports on how the human experience intersects with labor and technology brings blazing compassion and criticism to Wrong Way, examining the treacherous gaps between the working and middle classes wrought by the age of AI. Within these divides, McNeil turns the unsaid into the unignorable, and captures the existential perils imposed by a nonstop, full-service gig economy.
A brilliant and unsparing examination of America in the early twenty-first century, Claudia Rankine's Don't Let Me Be Lonely invents a new genre to confront the particular loneliness and rapacious assault on selfhood that our media have inflicted upon our lives. Fusing the lyric, the essay, and the visual, Rankine negotiates the enduring anxieties of medicated depression, race riots, divisive elections, terrorist attacks, and ongoing wars-doom scrolling through the daily news feeds that keep us glued to our screens and that have come to define our age.First published in 2004, Don't Let Me Be Lonely is a hauntingly prescient work, one that has secured a permanent place in American literature. This new edition is presented in full color with updated visuals and text, including a new introduction by the author, and matches the composition of Rankine's best-selling and award-winning Citizen and Just Us as the first book in her acclaimed American trilogy.Don't Let Me Be Lonely is a crucial guide to surviving a fractured and fracturing American consciousness-a book of rare and vital honesty, complexity, and presence.
Nicolson crafts a geography of the ancient world and a brilliant exploration of our connections to the past.What is the nature of things?What is justice? How can I be myself?How should we treat each other?Before the Greeks, the idea of the world was dominated by god-kings and their priests. Twenty-five hundred years ago, in a succession of small eastern Mediterranean harbor cities, a few heroic men and women decided to cast off mental subservience and apply their own thinking minds to the conundrums of life.These great innovators shaped the beginnings of western philosophy. Through the questioning voyager Odysseus, Homer explored how we might navigate our way through the world. Heraclitus, in Ephesus, was the first to consider the interrelatedness of things. Xenophanes of Colophon was the first champion of civility. On the Aegean island of Lesbos, the early lyric poets Sappho and Alcaeus asked themselves, "How can I be true to myself?" On Samos, Pythagoras imagined an everlasting soul and took his ideas to Italy, where they flowered again in surprising and radical forms.The award-winning writer Adam Nicolson travels with us through this transforming world and asks what light these ancient thinkers can throw on our deepest preconceptions. Enhanced with maps, photographs, and artwork, How to Be is an expedition into early ideas. Nicolson takes us to the dawn of investigative thought and makes the fundamental questions of the ancient philosophers new again. What are the principles of the physical world? How can we be good in it? And why do we continue to ask these questions? It is an enthralling, exhilarating journey.
A bold, provocative reckoning with our current political delusions and dysfunctions.Ever since its publication in 1651, Thomas Hobbes's Leviathan has unsettled and challenged how we understand the world. Condemned and vilified by each new generation, his cold political vision continues to see through any number of human political and ethical vanities.In his wonderfully stimulating book The New Leviathans, John Gray allows us to understand the world of the 2020s with all its contradictions, moral horrors, and disappointments. The collapse of the USSR ushered in an era of near apoplectic triumphalism in the West: a genuine belief that a rational, liberal, well-managed future now awaited humankind and that tyranny, nationalism, and unreason lay in the past. Since then, so many terrible events have occurred and so many poisonous ideas have flourished, and yet our liberal certainties treat them as aberrations that will somehow dissolve. Hobbes would not be so confident.Filled with fascinating and challenging observations, The New Leviathans is a powerful meditation on historical and current folly. As a species we always seem to be struggling to face the reality of base and delusive human instincts. Might a more self-aware, realistic, and disabused ethics help us?
From the bestselling author of We the Animals, Blackouts mines lost histories-personal and collective.Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly, but who has haunted the edges of his life. Juan Gay-playful raconteur, child lost and found and lost, guardian of the institutionalized-has a project to pass along to this new narrator. It is inspired by a true artifact of a book, Sex Variants: A Study in Homosexual Patterns, which contains stories collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried. As Juan waits for his end, he and the narrator trade stories-moments of joy and oblivion-and resurrect lost loves, lives, mothers, fathers, minor heroes. The past is with us, beside us, ahead of us; what are we to create from its gaps and erasures?Inspired by Kiss of the Spider Woman, Pedro Páramo, Voodoo Macbeth, the book at its own center and the woman who created it, oral histories, and many more texts, images, and influences, Justin Torres's Blackouts is a work of fiction that sees through the inventions of history and narrative. An extraordinary work of creative imagination, it insists that we look long and steady at the world we have inherited and the world we have made-a world full of ghostly shadows and flashing moments of truth.
An epic history of the people and institutions that have built the global economy since the Great Depression.In this vivid landmark history, the distinguished economic historian Martin Daunton pulls back the curtain on the institutions and individuals who have created and managed the global economy over the last ninety years, revealing how and why one economic order breaks down and another is built. During the Great Depression, trade and currency warfare led to the rise of economic nationalism-a retreat from globalization that culminated in war. From the Second World War came a new, liberal economic order. Squarely reflecting the interests of the West in the Cold War, liberalism faced collapse in the 1970s and was succeeded by neoliberalism, financialization, and hyper-globalization.Now, as leading nations are tackling the fallout from COVID-19 and threats of inflation, food insecurity, and climate change, Daunton calls for a return to a more just and equitable form of globalization. Western imperial powers have overwhelmingly determined the structures of world economic government, often advancing their own self-interests and leading to ruinous resource extraction, debt, poverty, and political and social instability in the Global South. He argues that while our current economic system is built upon the politics of and between the world's biggest economies, a future of global recovery-and the reduction of economic inequality-requires the development of multilateral institutions.Dramatic and revelatory, The Economic Government of the World offers a powerful analysis of the origins of our current global crises and a path toward a fairer international order.
The first complete collection of the poetry of Delmore Schwartz, "the most underrated poet of the twentieth century" (John Berryman).When Delmore Schwartz published his first short story, "In Dreams Begin Responsibilities," in Partisan Review in 1937, he became an instant literary celebrity. After the appearance of his first book (by the same name), he was inundated with praise. The famed poet Allen Tate wrote to him, "Your poetic style is beyond any doubt the first real innovation that we've had since Eliot and Pound," and T. S. Eliot himself wrote Schwartz a letter asking him to compose more poetry. The brilliant start of his career is matched perhaps only by its tragic end, a lonely death after an extended period of alcoholism, depression, and derangement. Today, more than fifty years after his death in 1966, Schwartz is often remembered for the tragedy of his life rather than for the innovation and sad brilliance of his greatest work.This book brings together all of Schwartz's poetry for the very first time, from his groundbreaking debut collection to his unpublished late work, which he kept writing until his death. Accompanied by Ben Mazer's illustrative notes and introduction, The Collected Poems of Delmore Schwartz offers readers the long-awaited opportunity to rediscover one of the most influential and original poets of the twentieth century. As Mazer writes in his introduction, "It is the poems that count now. And it is the glory of the poems that survives here, awaiting new life."
AN INSTANT NEW YORK TIMES BESTSELLER | A Washington Post and National Indie Bestseller | An Obama Summer Reading List Pick"Supple, penetrating, heartstring-pulling and compulsively readable . . . Eig's book is worthy of its subject." -Dwight Garner, The New York Times (Editors' Choice)"[King is] infused with the narrative energy of a thriller . . . The most compelling account of King's life in a generation." -Mark Whitaker, The Washington Post"No book could be more timely than Jonathan Eig's sweeping and majestic new King . . . Eig has created 2023's most vital tome." -Will Bunch, The Philadelphia InquirerHailed by The New York Times as "the new definitive biography," King mixes revelatory new research with accessible storytelling to offer an MLK for our times.Vividly written and exhaustively researched, Jonathan Eig's King: A Life is the first major biography in decades of the civil rights icon Martin Luther King Jr.-and the first to include recently declassified FBI files. In this revelatory new portrait of the preacher and activist who shook the world, the bestselling biographer gives us an intimate view of the courageous and often emotionally troubled human being who demanded peaceful protest for his movement but was rarely at peace with himself. He casts fresh light on the King family's origins as well as MLK's complex relationships with his wife, father, and fellow activists. King reveals a minister wrestling with his own human frailties and dark moods, a citizen hunted by his own government, and a man determined to fight for justice even if it proved to be a fight to the death. As he follows MLK from the classroom to the pulpit to the streets of Birmingham, Selma, and Memphis, Eig dramatically re-creates the journey of a man who recast American race relations and became our only modern-day founding father-as well as the nation's most mourned martyr.In this landmark biography, Eig gives us an MLK for our times: a deep thinker, a brilliant strategist, and a committed radical who led one of history's greatest movements, and whose demands for racial and economic justice remain as urgent today as they were in his lifetime.Includes 8 pages of black-and-white photographs
From the New York Times bestselling author of Annihilation, Jeff VanderMeer's first novel, Veniss Underground, takes readers on a journey to a labyrinthine city of tunnels, and the dangers lurking behind each turn. This special hardcover edition features five bonus stories from the Veniss universe, including the novella "Balzac's War."In a dark and decadent far future, the city of Veniss persists beside a dead ocean. Earth has become a desert wasteland ravaged by climate change. Veniss endures on the strength of its innovative tech of almost Boschian intensity, but at what cost? Where does the line between "made creature" and "person" lie?Against this backdrop, Veniss Underground spins the tale of Nicholas, an aspiring, struggling Artist; his twin sister, Nicola; and Shadrach, Nicola's former lover. A fateful trip by Nicholas to the maverick biotech Quin will have far-reaching consequences for all three-and for the fate of Veniss itself, as insurrection stirs and the oppressed begin to revolt.Veniss Underground is Jeff VanderMeer's first novel, a spectacular surreal foray into a world as influenced by Alejandro Jodorowsky as by Ursula K. Le Guin. Readers of VanderMeer's later work will be enchanted and horrified by the marvels within, including the author's signature fascination with the nonhuman and the environment. By turns beautiful and powerful, Veniss Underground explores the limits of love, memory, and obsession against a backdrop of betrayal and biological mutation.This reissue includes a new introduction by the National Book Award-winning author Charles Yu and five bonus stories from Jeff VanderMeer.
It's never too early to encourage good sight-reading in young players. The Primer Level book is designed to lay the foundations at the most fundamental level through the proven, systematic formula of the highly acclaimed Improve your sight-reading! series by renowned educationalist Paul Harris. Step by step a complete picture of each piece is built up, firstly through rhythmic and melodic exercises related to a specific technical issue, then through prepared pieces with associated questions, and finally 'going solo' with a series of meticulously graded sight-reading pieces. Also includes supporting audio available online for students to check their performances against.
A celebrated Danish writer explores the unsung histories and geographies of her beloved slice of the world. Me, my notebook and my love of the wild and desolate. I wanted to do the opposite of what was expected of me. It's a recurring pattern in my life. An instinct. Dorthe Nors's first nonfiction book chronicles a year she spent traveling along the North Sea coast-from Skagen at the northern tip of Denmark to the Frisian Islands in the Wadden Sea. In fourteen expansive essays, Nors traces the history, geography, and culture of the places she visits while reflecting on her childhood and her family and ancestors' ties to the region as well as her decision to move there from Copenhagen. She writes about the ritual burning of witch effigies on Midsummer's Eve; the environmental activist who opposed a chemical factory in the 1950s; the quiet fishing villages that surfers transformed into an area known as Cold Hawaii starting in the 1970s. She connects wind turbines to Viking ships, thirteenth-century church frescoes to her mother's unrealized dreams. She describes strong waves, sand drifts, storm surges, shipwrecks, and other instances of nature asserting its power over human attempts to ignore or control it. Through a deep, personal engagement with this singular landscape, A Line in the World accesses the universal. Its ultimate subjects are civilization, belonging, and change: changes within one person's life, changes occurring in various communities today, and change as the only constant of life on Earth.
WINNER OF THE 2023 PEN/JEAN STEIN BOOK AWARDA sly, madcap novel about supervillains and nothing, really, from an American novelist whose star keeps rising The protagonist of Percival Everett's puckish new novel is a brilliant professor of mathematics who goes by Wala Kitu. (Wala, he explains, means "nothing" in Tagalog, and Kitu is Swahili for "nothing.") He is an expert on nothing. That is to say, he is an expert, and his area of study is nothing, and he does nothing about it. This makes him the perfect partner for the aspiring villain John Sill, who wants to break into Fort Knox to steal, well, not gold bars but a shoebox containing nothing. Once he controls nothing he'll proceed with a dastardly plan to turn a Massachusetts town into nothing. Or so he thinks.With the help of the brainy and brainwashed astrophysicist-turned-henchwoman Eigen Vector, our professor tries to foil the villain while remaining in his employ. In the process, Wala Kitu learns that Sill's desire to become a literal Bond villain originated in some real all-American villainy related to the murder of Martin Luther King Jr. As Sill says, "Professor, think of it this way. This country has never given anything to us and it never will. We have given everything to it. I think it's time we gave nothing back."Dr. No is a caper with teeth, a wildly mischievous novel from one of our most inventive, provocative, and productive writers. That it is about nothing isn't to say that it's not about anything. In fact, it's about villains. Bond villains. And that's not nothing.
A previously unpublished novel of the reflections of a deeply scarred and reclusive woman, from the cult icon Katherine Dunn, the author of Geek Love.Sally Gunnar has withdrawn from the world. She spends her days alone at home, reading drugstore mysteries, polishing the doorknobs, waxing the floors. Her only companions are a vase of goldfish, a garden toad, and the door-to-door salesman who sells her cleaning supplies once a month. She broods over her deepest regrets: her blighted romances with self-important men, her lifelong struggle to feel at home in her own body, and her wayward early twenties, when she was a fish out of water among a group of eccentric, privileged young people at a liberal arts college. There was Sam, an unabashed collector of other people's stories; Carlotta, a troubled free spirit; and Rennel, a self-obsessed philosophy student. Self-deprecating and sardonic, Sally recounts their misadventures, up to the tragedy that tore them apart.Colorful, crass, and profound, Toad is Katherine Dunn's ode to her time as a student at Reed College in the late 1960s. It is filled with the same mordant observations about the darkest aspects of human nature that made Geek Love a cult classic and Dunn a misfit hero. Daring and bizarre, Toad demonstrates her genius for black humor and her ecstatic celebration of the grotesque. Fifty-some years after it was written, Toad is a timely story about the ravages of womanhood and a powerful addition to the canon of feminist fiction.
WINNER OF THE SWEDISH ACADEMY'S NORDIC PRIZE 2023A timely and provocative novel about a mysterious Icelandic neo-Nazi and the enduring global allure of fascism.In England in 1962, an Icelandic man is found dead on a train bound for Cheltenham Spa. In his possession, policemen find a map on which a swastika has been drawn with a red pen. Who was he, and where was he going?In a novel that reads as both biography and mystery, the internationally celebrated novelist Sjón tells the story of Gunnar Kampen, the founder of Iceland's antisemitic nationalist party, with ties to a burgeoning network of neo-Nazi groups across the globe. Told in a series of scenes and letters spanning Kampen's lifetime-from his childhood in Reykjavík during the Second World War, in a household strongly opposed to Hitler and his views, through his education, political radicalization, and final clandestine mission to England-Red Milk urges readers to confront the international legacy of twentieth-century fascism and the often unknowable forces that drive some people to extremism.Based on one of the ringleaders of a little-known neo-Nazi group that operated in Reykjavík in the late 1950s and early 1960s, this taut and potent novel explores what shapes a young man and the enduring, disturbing allure of Nazi ideology.
"Jessica Hopper's criticism is a trenchant and necessary counterpoint not just on music, but on our culture at large." -Annie Clark, St. VincentAn acclaimed, career-spanning collection from a fiercely feminist and revered contemporary rock critic, reissued with new materialThroughout her career, spanning more than two decades, Jessica Hopper, a revered and pioneering music critic, has examined women recording and producing music, in all genres, through an intersectional feminist lens. The First Collection of Criticism by a Living Female Rock Critic features oral histories of bands like Hole and Sleater Kinney, interviews with the women editors of 1970s-era Rolling Stone, and intimate conversations with iconic musicians such as Björk, Robyn, and Lido Pimienta. Hopper journeys through the truths of Riot Grrrl's empowering insurgence; decamps to Gary, Indiana, on the eve of Michael Jackson's death; explodes the grunge-era mythologies of Nirvana and Courtney Love; and examines the rise of emo. The collection also includes profiles and reviews of some of the most-loved, and most-loathed, women artists making music today: Fiona Apple, Kacey Musgraves, M.I.A., Miley Cyrus, Lana Del Rey. In order for the music industry to change, Hopper writes, we need "the continual presence of radicalized women . . . being encouraged and given reasons to stay, rather than diminished by the music which glues our communities together." The First Collection of Criticism by a Living Female Rock Critic-published to acclaim in 2015, and reissued now with new material and an introduction by Samantha Irby-is a rallying cry for women-centered history and storytelling, and a groundbreaking, obsessive, razor-sharp panorama of music writing crafted by one of the most influential critics of her generation.
Fly Me To The Moon and other jazz classics contains five classic jazz standards (Fly Me To The Moon; Misty; Caravan; Moonglow; All The Things You Are) superbly arranged in a vocal jazz style for mixed voices and piano by Gwyn Arch. This is a must-have collection for any choir hoping to extend their repertoire beyond the traditional. The lively, fun to sing arrangements will please both choirs and audiences time and again. The Choral Programme Series is now a well-established programming tool for many choirs as it offers a wealth of fresh material from many eras and in many styles. Also offering great value for money as each volume in the series provides up to forty minutes of music.
The essential primer on the most influential American documents between 1831 and 1900The Great American Documents series, written by the graphic-book author Ruth Ashby and illustrated by the renowned Ernie Colón, tells the history of America through the major speeches, laws, proclamations, court decisions, and essays that shaped it.The second volume begins where the first left off. Uncle Sam returns to take us through numerous major documents, ranging from the Texas Declaration of Independence from Mexico in 1836 to Jacob Riis's seminal exposé of slum life in New York City, How the Other Half Lives, published in 1900. Each document gets its own chapter, in which Uncle Sam explains not only its key passages but its origins, how it came to be written, and its impact. In the chapter "The Compromise of 1850" we learn how westward expansion forced the federal government to confront the expansion of slavery. "The Emancipation Proclamation" places Abraham Lincoln's famous decree within the context of the ongoing Civil War. And "The Chinese Exclusion Act" depicts the unique discrimination faced by Chinese immigrants and shows how that 1882 law presaged the restrictive policies and quotas established in the early twentieth century. As Ashby shows, the growth and expansion of the United States through the nineteenth century forced the nation to reckon with and confront many of its original injustices, plunging the country into the Civil War and emerging into new challenges as it rose to become a world power. A handy and elegantly concise guide, this masterfully illustrated volume is the perfect book for students of American history, young and old.
"Combines the otherworldliness of Jeff VanderMeer's "Annihilation," the menacing irony of Shirley Jackson and the cold feminist fury of Margaret Atwood" --The New York Times Book ReviewNamed a Fall Read by The Boston Globe and the Chicago TribuneThe mundane becomes sinister in a disquieting story collection from the author of The Grip of ItIn Jac Jemc's dislocating second story collection, False Bingo, we watch as sinister forces-some supernatural, some of this earth, some real and some not-work their ways into the mundanity of everyday life.In "Strange Loop," an outcast attempting to escape an unnamed mistake spends his days taxiderming animals, while in "Delivery," a family watches as their dementia-addled, basement-dwelling father succumbs to an online shopping addiction. "Don't Let's" finds a woman, recently freed from an abusive relationship, living in an isolated vacation home in the South that might be haunted by breath-stealing ghosts.Fueled by paranoia and visceral suspense, and crafted with masterful restraint, these seventeen stories explore what happens when our fears cross over into the real, if only for a fleeting moment. Identities are stolen, alternate universes are revealed, and innocence is lost as the consequences of minor, seemingly harmless decisions erupt to sabotage a false sense of stability. "This is not a morality tale about the goodness of one character triumphing over the bad of another," the sadistic narrator of "Pastoral" announces. Rather, False Bingo is a collection of realist fables exploring how conflicting moralities can coexist: the good, the bad, the indecipherable.
Tess Gallagher's new poems are suspended between contradiction and beautyIs, Is Not upends our notions of linear time, evokes the spirit and sanctity of place, and hovers daringly at the threshold of what language can nearly deliver while offering alternative corollaries as gifts of its failures. Tess Gallagher's poems reverberate with the inward clarity of a bell struck on a mountaintop. Guided by humor, grace, and a deep inquiry into the natural world, every poem nudges us toward moments of awe. How else except by delight and velocity would we discover the miracle within the ordinary?Gallagher claims many Wests-the Northwest of America, the Northwest of Ireland, and a West even further to the edge, beyond the physical. These landscapes are charged with invisible energies and inhabited by the people, living and dead, who shape Gallagher's poems and life. Restorative in every sense, Is, Is Not is the kind of book that takes a lifetime to write-a book of the spirit made manifest by the poet's unrelenting gaze and her intimate engagement with the mysteries that keep us reaching.
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