Bøger udgivet af Farrar, Straus and Giroux

A celebrated Danish writer explores the unsung histories and geographies of her beloved slice of the world. Me, my notebook and my love of the wild and desolate. I wanted to do the opposite of what was expected of me. It's a recurring pattern in my life. An instinct. Dorthe Nors's first nonfiction book chronicles a year she spent traveling along the North Sea coast-from Skagen at the northern tip of Denmark to the Frisian Islands in the Wadden Sea. In fourteen expansive essays, Nors traces the history, geography, and culture of the places she visits while reflecting on her childhood and her family and ancestors' ties to the region as well as her decision to move there from Copenhagen. She writes about the ritual burning of witch effigies on Midsummer's Eve; the environmental activist who opposed a chemical factory in the 1950s; the quiet fishing villages that surfers transformed into an area known as Cold Hawaii starting in the 1970s. She connects wind turbines to Viking ships, thirteenth-century church frescoes to her mother's unrealized dreams. She describes strong waves, sand drifts, storm surges, shipwrecks, and other instances of nature asserting its power over human attempts to ignore or control it. Through a deep, personal engagement with this singular landscape, A Line in the World accesses the universal. Its ultimate subjects are civilization, belonging, and change: changes within one person's life, changes occurring in various communities today, and change as the only constant of life on Earth.

WINNER OF THE 2023 PEN/JEAN STEIN BOOK AWARDA sly, madcap novel about supervillains and nothing, really, from an American novelist whose star keeps rising The protagonist of Percival Everett's puckish new novel is a brilliant professor of mathematics who goes by Wala Kitu. (Wala, he explains, means "nothing" in Tagalog, and Kitu is Swahili for "nothing.") He is an expert on nothing. That is to say, he is an expert, and his area of study is nothing, and he does nothing about it. This makes him the perfect partner for the aspiring villain John Sill, who wants to break into Fort Knox to steal, well, not gold bars but a shoebox containing nothing. Once he controls nothing he'll proceed with a dastardly plan to turn a Massachusetts town into nothing. Or so he thinks.With the help of the brainy and brainwashed astrophysicist-turned-henchwoman Eigen Vector, our professor tries to foil the villain while remaining in his employ. In the process, Wala Kitu learns that Sill's desire to become a literal Bond villain originated in some real all-American villainy related to the murder of Martin Luther King Jr. As Sill says, "Professor, think of it this way. This country has never given anything to us and it never will. We have given everything to it. I think it's time we gave nothing back."Dr. No is a caper with teeth, a wildly mischievous novel from one of our most inventive, provocative, and productive writers. That it is about nothing isn't to say that it's not about anything. In fact, it's about villains. Bond villains. And that's not nothing.

"Jessica Hopper's criticism is a trenchant and necessary counterpoint not just on music, but on our culture at large." -Annie Clark, St. VincentAn acclaimed, career-spanning collection from a fiercely feminist and revered contemporary rock critic, reissued with new materialThroughout her career, spanning more than two decades, Jessica Hopper, a revered and pioneering music critic, has examined women recording and producing music, in all genres, through an intersectional feminist lens. The First Collection of Criticism by a Living Female Rock Critic features oral histories of bands like Hole and Sleater Kinney, interviews with the women editors of 1970s-era Rolling Stone, and intimate conversations with iconic musicians such as Björk, Robyn, and Lido Pimienta. Hopper journeys through the truths of Riot Grrrl's empowering insurgence; decamps to Gary, Indiana, on the eve of Michael Jackson's death; explodes the grunge-era mythologies of Nirvana and Courtney Love; and examines the rise of emo. The collection also includes profiles and reviews of some of the most-loved, and most-loathed, women artists making music today: Fiona Apple, Kacey Musgraves, M.I.A., Miley Cyrus, Lana Del Rey. In order for the music industry to change, Hopper writes, we need "the continual presence of radicalized women . . . being encouraged and given reasons to stay, rather than diminished by the music which glues our communities together." The First Collection of Criticism by a Living Female Rock Critic-published to acclaim in 2015, and reissued now with new material and an introduction by Samantha Irby-is a rallying cry for women-centered history and storytelling, and a groundbreaking, obsessive, razor-sharp panorama of music writing crafted by one of the most influential critics of her generation.

Five classic jazz standards superbly arranged in a vocal jazz style for upper voices and piano by Gwyn Arch. This is a must-have collection for any choir hoping to extend their repertoire beyond the traditional. The lively, fun to sing arrangements will please both choirs and audiences time and again.

The essential primer on the most influential American documents between 1831 and 1900The Great American Documents series, written by the graphic-book author Ruth Ashby and illustrated by the renowned Ernie Colón, tells the history of America through the major speeches, laws, proclamations, court decisions, and essays that shaped it.The second volume begins where the first left off. Uncle Sam returns to take us through numerous major documents, ranging from the Texas Declaration of Independence from Mexico in 1836 to Jacob Riis's seminal exposé of slum life in New York City, How the Other Half Lives, published in 1900. Each document gets its own chapter, in which Uncle Sam explains not only its key passages but its origins, how it came to be written, and its impact. In the chapter "The Compromise of 1850" we learn how westward expansion forced the federal government to confront the expansion of slavery. "The Emancipation Proclamation" places Abraham Lincoln's famous decree within the context of the ongoing Civil War. And "The Chinese Exclusion Act" depicts the unique discrimination faced by Chinese immigrants and shows how that 1882 law presaged the restrictive policies and quotas established in the early twentieth century. As Ashby shows, the growth and expansion of the United States through the nineteenth century forced the nation to reckon with and confront many of its original injustices, plunging the country into the Civil War and emerging into new challenges as it rose to become a world power. A handy and elegantly concise guide, this masterfully illustrated volume is the perfect book for students of American history, young and old.

This successful swinging series from Faber Music is guaranteed to jazz up any musician. This great book features full backing tracks, demonstration tracks, chord symbols in concert pitch, and wonderful arrangements. An essential tool in jazz education, this text is a must have for all swing lovers! Titles include: Chattanooga Choo Choo * Choo Choo Ch'Boogie * I've Got a Gal in Kalamazoo * In the Mood * It Don't Mean a Thing (If It Ain't Got That Swing) * Jersey Bounce * Pennsylvania 6-5000 * A String of Pearls.

"Combines the otherworldliness of Jeff VanderMeer's "Annihilation," the menacing irony of Shirley Jackson and the cold feminist fury of Margaret Atwood" --The New York Times Book ReviewNamed a Fall Read by The Boston Globe and the Chicago TribuneThe mundane becomes sinister in a disquieting story collection from the author of The Grip of ItIn Jac Jemc's dislocating second story collection, False Bingo, we watch as sinister forces-some supernatural, some of this earth, some real and some not-work their ways into the mundanity of everyday life.In "Strange Loop," an outcast attempting to escape an unnamed mistake spends his days taxiderming animals, while in "Delivery," a family watches as their dementia-addled, basement-dwelling father succumbs to an online shopping addiction. "Don't Let's" finds a woman, recently freed from an abusive relationship, living in an isolated vacation home in the South that might be haunted by breath-stealing ghosts.Fueled by paranoia and visceral suspense, and crafted with masterful restraint, these seventeen stories explore what happens when our fears cross over into the real, if only for a fleeting moment. Identities are stolen, alternate universes are revealed, and innocence is lost as the consequences of minor, seemingly harmless decisions erupt to sabotage a false sense of stability. "This is not a morality tale about the goodness of one character triumphing over the bad of another," the sadistic narrator of "Pastoral" announces. Rather, False Bingo is a collection of realist fables exploring how conflicting moralities can coexist: the good, the bad, the indecipherable.

Tess Gallagher's new poems are suspended between contradiction and beautyIs, Is Not upends our notions of linear time, evokes the spirit and sanctity of place, and hovers daringly at the threshold of what language can nearly deliver while offering alternative corollaries as gifts of its failures. Tess Gallagher's poems reverberate with the inward clarity of a bell struck on a mountaintop. Guided by humor, grace, and a deep inquiry into the natural world, every poem nudges us toward moments of awe. How else except by delight and velocity would we discover the miracle within the ordinary?Gallagher claims many Wests-the Northwest of America, the Northwest of Ireland, and a West even further to the edge, beyond the physical. These landscapes are charged with invisible energies and inhabited by the people, living and dead, who shape Gallagher's poems and life. Restorative in every sense, Is, Is Not is the kind of book that takes a lifetime to write-a book of the spirit made manifest by the poet's unrelenting gaze and her intimate engagement with the mysteries that keep us reaching.

This setting of a seasonal text by Mary Wilson is for unaccompanied mixed chorus. It would be an attractive addition to a Christmas choral concert.

The fascinating story of a young Russian filmmaker's attempts to portray Catherine the Great, before and after the collapse of the Soviet UnionCatherine the Great's life seems to have been made for the cinema-her rise to power; her reportedly countless love affairs and wild sexual escapades; the episodes of betrayal, revenge, and even murder-there's no shortage of historical drama. But Oleg Erdmann, a young Russian filmmaker, seeks to discover and portray Catherine's essential, emotional truth, her real life beyond the rumors and façade. His first screenplay just barely makes it past the Soviet film board and is assigned to a talented director, but the resulting film fails to avoid the usual clichés. After the dissolution of the Soviet Union, as he struggles to find a place for himself in the new order, Oleg agrees to work with an old friend on a television series that becomes a quick success-as well as increasingly lurid, a far cry from his original vision. He continues to seek the real Catherine elsewhere. With A Woman Loved, Andreï Makine delivers a sweeping novel about the uses of art, the absurdity of history, and the overriding power of human love, if only it can be uncovered and allowed to flourish.