Bøger udgivet af Farrar, Straus and Giroux

The Piano Player: British Classics presents 20 iconic pieces of British classical music, specially arranged for intermediate piano solo. The collection includes the theme from Enigma Variations by Edward Elgar and Vaughan Williams' Fantasia on a Theme by Thomas Tallis alongside music by Rachel Portman, Benjamin Britten, Howard Goodall and more, as well as traditional classics from across the British Isles.All the books in The Piano Player series feature a collectible pull-out print of the stunning cover artwork by the 20th century British painter Edward Bawden, alongside some of the greatest classical music ever written, specially arranged for the intermediate pianist.

"In this exuberantly strange story collection, Flores asks: Whose reality? What rules?" -Jean Chen Ho, author of The New York Times Book Review"These are marvelously unpredictable stories, anchored by Fernando A. Flores's deadpan prose and his surefooted navigation of those overlapping territories, the real and the fantastic, where so much of the best contemporary fiction now lives." -Kelly Link, author of Get in TroublePsychedelic, dazzling stories set in the cracks of the Texas-Mexico borderland, from an iconoclastic storyteller and the author of Tears of the Trufflepig.No one captures the border-its history and imagination, its danger, contradiction, and redemption-like Fernando A. Flores, whose stories reimagine and reinterpret the region's existence with peerless style. In his immersive, uncanny borderland, things are never what they seem: a world where the sun is both rising and setting, and where conniving possums efficiently take over an entire town and rewrite its history.The stories in Valleyesque dance between the fantastical and the hyperreal with dexterous, often hilarious flair. A dying Frédéric Chopin stumbles through Ciudad Juárez in the aftermath of his mother's death, attempting to recover his beloved piano that was seized at the border, while a muralist is taken on a psychedelic journey by an airbrushed Emiliano Zapata T-shirt. A woman is engulfed by a used-clothing warehouse with a life of its own, and a grieving mother breathlessly chronicles the demise of a town decimated by violence. In two separate stories, queso dip and musical rhythms are bottled up and sold for mass consumption. And in the final tale, Flores pieces together the adventures of a young Lee Harvey Oswald as he starts a music career in Texas.Swinging between satire and surrealism, grief and joy, Valleyesque is a boundary- and border-pushing collection from a one-of-a-kind stylist and voice. With the visceral imagination that made his debut novel, Tears of the Trufflepig, a cult classic, Flores brings his vision of the border to life-and beyond.

A multifaceted collection by Jeffrey Yang, whose poetry is "flexible, expansive, sonorously clever" (The Millions).In Jeffrey Yang's vision for this brilliant new collection, the essence of poetry can be broken down into line and light. Dispersed across these poems are luminous centers, points of a constellation tracing lines of energy through art, myth, and history. These interconnections create vast and dynamic reverberations. As Yang asks in one poem, "What vitality binds a universe?" One long series explores through shadow and play the ancient Malay kingdom of Langkasuka, a legendary nexus of creativity, commerce, and spiritual life, threatened over time by violence, climate, and environmental degradation. The title poem is a study of time, night turning to dawn, revealing the lines and lights of an art installation on an island in the Hudson River, flowing into another poem about Grand Central Terminal's atrium of stars, flowing upriver into a poem that describes a cemetery for a state prison. Another extended sequence is a collaboration investigating memory and loss, composed of Yang's poems, Japanese translations by Hiroaki Sato, and drawings made with ink derived from tea leaves by the artist Kazumi Tanaka. The collection ends with moving elegies for poets, translators, and artists whose works have informed this one. Altogether, Line and Light illuminates the ways that ancestry holds and makes possible the act of making art.

The acclaimed first novel by Alice Hoffman, a "marvelous writer with a painter's eye" (Washington Post Book World), Property Of is about a young girl fearlessly in love with a gang leader but afraid of losing herself in his world.When it was first published in 1977, Kirkus Reviews described Property Of as "that precious commodity, the first novel of great promise." In telling the story of a young outsider who is obsessed with her gang-leader lover but unwilling to commit to becoming one of "the Property of the Orphans"--the tough girls who belong to the boys on the avenue--Alice Hoffman explores hard truths about how difficult it is to love another, and yet how much more difficult it is to pull away.

The complete collection of short fiction from a literary stylist who captured the nuances of life in the American South of the early twentieth century, The Collected Stories of Caroline Gordon is firmly rooted in the traditions, the social habits, and the land itself. As Robert Penn Warren writes in his introduction, "Caroline Gordon's world lies in southeast Kentucky . . . [She displays] a disciplined style as unpretentious and clear as running water, but shot through with glints of wit, humor, pity, and poetry. [She had] the rare gift of the teller of the tale."

Robert Lowell, with Elizabeth Bishop, stands apart as the greatest American poet of the latter half of the twentieth century-and Life Studies and For the Union Dead stand as among his most important volumes. In Life Studies, which was first published in 1959, Lowell moved away from the formality of his earlier poems and started writing in a more confessional vein. The title poem of For the Union Dead concerns the death of the Civil War hero (and Lowell ancestor) Robert Gould Shaw, but it also largely centers on the contrast between Boston's idealistic past and its debased present at the time of its writing, in the early 1960's. Throughout, Lowell addresses contemporaneous subjects in a voice and style that themselves push beyond the accepted forms and constraints of the time.