Bøger udgivet af Farrar, Strauss & Giroux-3pl

For John Freeman-literary critic, essayist, editor, poet, "one of the preeminent book people of our time" (Dave Eggers)-it is the rare moment when words are not enough. But in the wake of the election of 2016, words felt useless, even indulgent. Action was the only reasonable response. He took to the streets in protest, and the sense of community and collective conviction felt right. But the assaults continued-on citizens' rights and long-held compacts, on the core principles of our culture and civilization, and on our language itself. Words seemed to be losing the meanings they once had and Freeman was compelled to return to their defense. The result is his Dictionary of the Undoing.From A to Z, "Agitate" to "Zygote," Freeman assembled the words that felt most essential, most potent, and began to build a case for their renewed power and authority, each word building on the last. The message that emerged was not to retreat behind books, but to emphatically engage in the public sphere, to redefine what it means to be a literary citizen.With an afterword by Valeria Luiselli, Dictionary of the Undoing is a necessary, resounding cri de coeur in defense of language, meaning, and our ability to imagine, describe, and build a better world.

"Please reject absolutely the crazy . . . suggestion that playwrights don't have intentions . . . They do."In this intimate collection of writings by the author of Stuff Happens and Plenty, David Hare reveals a perspective as meticulously constructed as one of his dramas. In selections ranging from his beginnings as a politically charged upstart in the seventies through to his current position as one of the world's most respected playwrights, Hare skillfully expands upon the prevailing themes of his astounding body of work. With a serious eye on social issues-tempered by a distinct irreverence-Hare dissects the role of entertainment in contemporary society, mapping, in the process, a dynamic new trajectory for post-millennium theater.

Award-winning author Caryl Phillips presents a biographical novel of the life of Jean Rhys, the author of Wide Sargasso Sea, which she wrote as a prequel to Charlotte Brontë's Jane Eyre. Caryl Phillips's A View of the Empire at Sunset is the sweeping story of the life of the woman who became known to the world as Jean Rhys. Born Ella Gwendolyn Rees Williams in Dominica at the height of the British Empire, Rhys lived in the Caribbean for only sixteen years before going to England. A View of the Empire at Sunset is a look into her tempestuous and unsatisfactory life in Edwardian England, 1920s Paris, and then again in London. Her dream had always been to one day return home to Dominica. In 1936, a forty-five-year-old Rhys was finally able to make the journey back to the Caribbean. Six weeks later, she boarded a ship for England, filled with hostility for her home, never to return. Phillips's gripping new novel is equally a story about the beginning of the end of a system that had sustained Britain for two centuries but that wreaked havoc on the lives of all who lived in the shadow of the empire: both men and women, colonizer and colonized.A true literary feat, A View of the Empire at Sunset uncovers the mysteries of the past to illuminate the predicaments of the present, getting at the heart of alienation, exile, and family by offering a look into the life of one of the greatest storytellers of the twentieth century and retelling a profound story that is singularly its own.

A "What We're Reading This Summer" Pick by The AtlanticThe Draw is a "spellbinding, coming-of-age tour de force" (New York Times Book Review) about a boy striving to make his way up through society and out of a family that has been emotionally and psychologically devastated by economic misfortune. Lee Siegel's father, Monroe, a kind and decent man, accumulates a crushing debt to the company he works for, a real estate firm that has been paying him an advance, or "draw," against future commissions. "The more he depended on the Draw to live," Lee writes of his father, "the more it shrank his life." As the recession hits in the mid- 1970s, Monroe finds himself without commissions, and thus unable to pay back his employer. Fired from his job, he is pursued by the law, loses his wife to divorce, and eventually declares bankruptcy. Lee's mother, Lola, confronting a bleak and tenuous future, experiences a breakdown that transforms her into a seductive yet vindictive adversary of Lee, her older son.To escape his mother's bewildering manipulations and the shame and rage that his father's fate incites in him, Lee creates an alter ego elevated by literature, music, and art. As he stumbles through a series of menial jobs while trying to succeed as a writer, Lee dreams of the protected space of a great university where he can fulfill his destiny in his work. But in order to attend college, he has to take out loans, unwittingly repeating his father's trajectory. Propelled by riveting stories and unforgettable portraits, The Draw weaves a defiant stand against a society in which, as the author observes, the struggle with money can turn someone's innocent weakness into a weapon of self-destruction. As much a flesh-and-blood parable of economics as an intimate memoir brimming with harsh introspection, intellectual reverie, and surprising evocations of sexuality-the way you handle money and the way you have sex are often mutually illuminating, the author writes-Lee Siegel's youthful odyssey is for anyone who has tried to break through the barriers of family, class, and money to the freedom to choose his or her own path in life.

My Tokyo, Frederick Seidel's fourth collection, brings together twenty-seven new poems by one of our most arresting writers. In Seidel's work, a passionate, uncompromising sensibility confronts the intractable reality of a turbulent world, a world of seductive glamour, harsh splendor, and cruelty. The strong rhetoric of the poems juxtaposes intense lyricism with a remorseless, cold-eyed skepticism. The results are consistently challenging, disturbing, and fiercely beautiful. Robert Lowell once wrote about this remarkable poet: "When I read him, I have envious, delighted, jolted feelings, and suspect the possibilities of modern poetry have been changed. Here is power that strikes".

Named a Fall Pick by Boston Globe, ELLE, Library Journal and MyDomainAn eerie debut collection featuring missing parents, unrequited love, and other uncomfortable momentsA man hangs from the ceiling of an art gallery. A woman spells out messages to her sister using her own hair. Children deemed "bad" are stolen from their homes. In Hardly Children, Laura Adamczyk's rich and eccentric debut collection, familiar worlds-bars, hotel rooms, cities that could very well be our own-hum with uncanny dread. The characters in Hardly Children are keyed up, on the verge, full of desire. They're lost, they're in love with someone they shouldn't be, they're denying uncomfortable truths using sex or humor. They are children waking up to the threats of adulthood, and adults living with childlike abandon.With command, caution, and subtle terror, Adamczyk shapes a world where death and the possibility of loss always emerge. Yet the shape of this loss is never fully revealed. Instead, it looms in the periphery of these stories, like an uncomfortable scene viewed out of the corner of one's eye.

"[Peter Cole's] poetry is perhaps most remarkable for its combination of intellectual rigor with delight in surface, for how its prosody returns each abstraction to the body, linking thought and breath, metaphysics and musicality. Religious, erotic, elegiac, pissed off-the affective range is wide and the forms restless." -Ben Lerner, BOMBHymns & Qualms brings together MacArthur Fellow Peter Cole's acclaimed poetry and translations, weaving them into a helical whole. Praised for his "prosodic mastery" and "keen moral intelligence" (American Poets), and for the "rigor, vigor, joy, and wit" of his poetry (The Paris Review), Cole has created a vital, unclassifiable body of work that plumbs centuries of wisdom while paying sharp attention to the textures and tensions of the present. He is, Harold Bloom writes, "a matchless translator and one of the handful of authentic poets in his own American generation. Hymns & Qualms is a majestic work, a chronicle of the imaginative life of a profoundly spiritual consciousness."Cole is a maker-of poems and worlds. From his earliest registrations of the Jerusalem landscape's stark power to electric renderings of mystical medieval Hebrew hymns; from his kabbalistically inspired recent poems to sensuous versions of masterworks of Muslim Spain; and from his provocative presentation of contemporary poetry from Palestine and Israel to his own dazzling reckonings with politics, beauty, and the double-edged dynamic of influence, Cole offers a ramifying vision of connectedness. In the process, he defies traditional distinctions between new and old, familiar and foreign, translation and original-"as though," in his own words, "living itself were an endless translation."

Set in North Africa and Sicily at the end of World War II, In the Wolf's Mouth follows the Allies' botched liberation attempts as they chase the Nazis north toward the Italian mainland. Focusing on the experiences of two young soldiers--Will Walker, an English field security officer, ambitious to master and shape events; and Ray Marfione, a wide-eyed Italian-American infantryman--the novel contains some of the best battle writing of the past fifty years. Eloquent on the brutish, blundering inaccuracy of war, the immediacy of Adam Foulds's prose is uncanny and unforgettable.The book also explores the continuity of organized crime in Sicily through the eyes of two men--Angilù, a young shepherd; and Ciró Albanese, a local mafioso. These men appear in the prologue and in the book's terrifying final chapters, making it evident that the Mafia were there before and are there still, the slaughter of war only a temporary distraction.In the Wolf's Mouth has achieved an extraordinary resurrection, returning humanity to the lives lost in the writing of history.

In her debut story collection Heartbreaker, Maryse Meijer peels back the crust of normalcy and convention, unmasking the fury and violence we are willing to inflict in the name of love and loneliness. Her characters are a strange ensemble-a feral child, a girl raised from the dead, a possible pedophile-who share in vulnerability and heartache, but maintain an unremitting will to survive. Meijer deals in desire and sex, femininity and masculinity, family and girlhood, crafting a landscape of appetites threatening to self-destruct. In beautifully restrained and exacting prose, she sets the marginalized free to roam her pages and burn our assumptions to the ground.

"The Pickle Index is full of life and everything else-it's rowdy and sweaty and heartbreaking, and by heartbreaking I mean funny, and by funny I mean laugh-until-you're-exhausted-and-leaking-and-hungry." -Miranda JulyZloty Kornblatt is the hapless ringmaster of an even more hapless circus troupe. But one fateful night, Zloty makes a mistake: he accidentally makes his audience laugh. Here on the outskirts of Burford-where both the cuisine and the economy, such as they are, are highly dependent on pickled vegetables-laughter is a rare occasion. It draws the immediate attention of the local bureaucracy, and by morning Zloty has been branded an instigator, conspirator, and fomentor sentenced to death or worse.His only hope lies with his dysfunctional troupe-a morose contortionist, a strongman who'd rather be miming, a lion tamer paired with an elderly dog-a ragged band of misfits and failures who must somehow spring Zloty from his cell at the top of the Confinement Needle. Their arcane skills become strangely useful, and unlikely success follows unlikely success. Until, suddenly, the successes end-leaving only Flora Bialy, Zloty's understudy and our shy narrator, to save the day.Punctuated with evocative woodcuts by Ian Huebert, Eli Horowitz's The Pickle Index is a fast-moving fable, full of deadpan humor and absurd twists-and an innovative, exhilarating storytelling experience.