Bøger udgivet af FARRAR STRAUSS & GIROUX

Assorted Poems is a generous selection from the first four books by one of the most distinctive voices in contemporary poetry. In Bag 'o' Diamonds (1993), Smokes (1998), Source Codes (2001), and Ledger (2005), Susan Wheeler has established herself as a poet of rare gifts. Her work is allusive and searching, sweeping over time and place-from the art of the Northern Renaissance to corporate logos-observing and exploring everything with characteristic precision and intelligence. The poems are both rigorous and free, taking on our culture: its beauties and cruelties, its relationship to the past and its uncertain future. Assorted Poems is a vibrantly thoughtful and entertaining book, a must-read from a poet whom Harold Bloom has called "an exuberant, subtle, endlessly inventive original."

"You're not responsible for your ancestry, are you . . . But if that's so, why have marched under banned slogans, got yourself beaten up by the police, arrested a couple of times; plastered walls with subversive posters . . . The past is valid only in relation to whether the present recognizes it."In this collection of new stories, Beethoven Was One-Sixteenth Black, Nadine Gordimer crosses the frontiers of politics, memory, sexuality, and love with the fearless insight that is the hallmark of her writing. In the title story a middle-aged academic who had been an anti-apartheid activist embarks on an unadmitted pursuit of the possibilities for his own racial identity in his great-grandfather's fortune-hunting interlude of living rough on diamond diggings in South Africa, his young wife far away in London. "Dreaming of the Dead" conjures up a lunch in a New York Chinese restaurant where Susan Sontag and Edward Said return in surprising new avatars as guests in the dream of a loving friend. The historian in "History" is a parrot who confronts people with the scandalizing voice reproduction of quarrels and clandestine love-talk on which it has eavesdropped."Alternative Endings" considers the way writers make arbitrary choices in how to end stories-and offers three, each relating the same situation, but with a different resolution, arrived at by the three senses: sight, sound, and smell.

After the end of something, there comes another end,This one behind you, and far away.Only a lifetime can get you to it,and then just barely.Littlefoot, the eighteenth book from one of this country's most acclaimed poets, is an extended meditation on mortality, on the narrator's search of the skies for a road map and for last instructions on "the other side of my own death." Following the course of one year, the poet's seventieth, we witness the seasons change over his familiar postage stamps of soil, realizing that we are reflected in them, that the true affinity is between writer and subject, human and nature, one becoming the other, as the river is like our blood, "it powers on, / out of sight, out of mind." Seeded with lyrics of old love songs and spirituals, here we meet solitude, resignation, and a glad cry that while a return to the beloved earth is impossible, "all things come from splendor," and the urgent question that the poet can't help but ask: "Will you miss me when I'm gone?

The vanished way of life of Eastern European Jews in the early part of the twentieth century is the subject of this extraordinary novel. All the strata of this complex society were populated by powerfully individual personalities, and the whole community pulsated with life and vitality. The affairs of the patriarchal Meshulam Moskat and the unworldly Asa Heshel Bannet provide the center of the book, but its real focus is the civilization that was destroyed forever in the gas chambers of the Second World War.

Mr. and Mrs. O'Grady are so poor they have just one of everything to share - one potato a day, one chair, one blanket full of holes, and one gold coin for a rainy day. After digging up the last potato in their patch, Mr. O'Grady comes upon a big black object. It's a pot - no ordinary pot, for what they soon discover is that whatever goes into it comes out doubled! Suddenly the O'Gradys aren't destitute anymore. But what they really long for is one friend apiece. Can the magic pot give them that?This retelling of a Chinese folktale pays tribute to the author's Irish heritage, and to the joys of an old marriage, new friendships, and the impulse to share. Using pen and gouache, the artist shows the "simple" characters in all their winning complexity.One Potato, Two Potato is a 2007 Bank Street - Best Children's Book of the Year.

Sun is ready to leave his village in China for America, theplace known as Gum Saan, Gold Mountain. His father warnshim, though, that passage will not be easy. Because of the 1882Chinese Exclusion Act, new immigrants like Sun are detainedat Angel Island until they are called to take a difficult oralexam before they can "land" - leave Angel Island and goashore. On the boat, Sun had studied maps of his village andmemorized facts about his ancestors. But as the weeks pass indetainment, the map's compass points swirl in his memory, andSun worries that he will lose his direction and be turned away.The oil paintings are rich with historical details in this vividrecounting, based on the author's father-in-law's experiences, ofa disturbing chapter in Chinese American history.

All the poems of a great 20th-century poet.From the astonishing debut Hawk in the Rain (1957) to Birthday Letters (1998), Ted Hughes was one of postwar literature's truly prodigious poets. This remarkable volume gathers all of his work, from his earliest poems (published only in journals) through the ground-breaking volumes Crow (1970), Gaudete(1977), and Tales from Ovid (1997). It includes poems Hughes composed for fine-press printers, poems he wrote as England's Poet Laureate, and those children's poems that he meant for adults as well. This omnium-gatherum of Hughes's work is animated throughout by a voice that, as Seamus Heaney remarked, was simply "longer and deeper and rougher" than those of his contemporaries.

But then, from way off, with crankingcomes my night, and when it arrivesI go to it like a callboy to a c-note.--"My Interior""Jeff Clark's poems . . . marry the stoned reveries of our postmodern era with the symbolist bliss of a previous one . . . In meticulously crafted verse and prose poems, The Little Door Slides Back offers the reader glimpses of a shadow world, seen by a visionary who has a clear strategy for depicting them." --*Ruth Andrews, Rain Taxi"A 120-page spell . . . This is a beautiful work whose accuracy edges on the uncanny. Within, among, and around it all is presence, an almost hallucinogenic immediacy in which everything is seen and is in turn seeing." --Cole Swenson, American Letters & Commentary"Clark integrates fin-de-siècle richness, hallucinatory vision, and a gothicism extracted from the bleak cul-de-sacs of postmodern life . . . constructing a flaneur who is both terrified and bemused by the world he enters as 'the little door slides back.'"--John Yau, Boston Review

Becoming a writer the hard wayIn the summer of 1971, Jack Gantos was an aspiring writer looking for adventure, cash for college tuition, and a way out of a dead-end job. For ten thousand dollars, he recklessly agreed to help sail a sixty-foot yacht loaded with a ton of hashish from the Virgin Islands to New York City, where he and his partners sold the drug until federal agents caught up with them. For his part in the conspiracy, Gantos was sentenced to serve up to six years in prison.In Hole in My Life, this prizewinning author of over thirty books for young people confronts the period of struggle and confinement that marked the end of his own youth. On the surface, the narrative tumbles from one crazed moment to the next as Gantos pieces together the story of his restless final year of high school, his short-lived career as a criminal, and his time in prison. But running just beneath the action is the story of how Gantos - once he was locked up in a small, yellow-walled cell - moved from wanting to be a writer to writing, and how dedicating himself more fully to the thing he most wanted to do helped him endure and ultimately overcome the worst experience of his life. This title has Common Core connections.Hole in My Life is a 2003 Bank Street - Best Children's Book of the Year.

This is the fascinating story of the dream of a completely new aircraft, a hybrid of the plane and the rigid airship - huge, wingless, moving slowly through the lower sky. John McPhee chronicles the perhaps unfathomable perseverance of the aircraft's sucessive progenitors.

In this classic study, Reich provides insight into the phenomenon of fascism, which continues to ravage the international community in ways great and small.Drawing on his medical expereinces with men and women of various classes, races, nations, and religious beliefs, Reich refutes the still generally held notion that fascism is a specific characteristic of certain nationalities or a political party ideology that is imposed on innocent people by means of force or political manneuvers. "Fascism on only the organized political expression of the structure of the average man's character. It is the basic emotional civilization and its mechanistic-mystical conception of life."-Wilhelm ReichResponsibility for the elimination of fascism thus results with the masses of average people who might otherwise support and champion it.