Bøger udgivet af FARRAR STRAUSS & GIROUX

To twelve-year-old Molly Nathans, perfect is:-The number four-The tip of a newly sharpened No. 2 pencil-A crisp white pad of paper -Her neatly aligned glass animal figurinesWhat's not perfect is Molly's mother leaving the family to take a faraway job with the promise to return in one year. Molly knows that promises are sometimes broken, so she hatches a plan to bring her mother home: Win the Lakeville Middle School Poetry Slam Contest. The winner is honored at a fancy banquet with white tablecloths. Molly is sure her mother would never miss that. Right...? But as time passes, writing and reciting slam poetry become harder. Actually, everything becomes harder as new habits appear, and counting, cleaning, and organizing are not enough to keep Molly's world from spinning out of control. In this fresh-voiced debut novel, one girl learns there is no such thing as perfect.

"A master of both distilled insight and utter nonsense" (The Believer), Ian Frazier is one of the most gifted chroniclers of contemporary America. Hogs Wild assembles a decade's worth of his finest essays and reportage, and demonstrates the irrepressible passions and artful digressions that distinguish his enduring body of work.Part muckraker, part adventurer, and part raconteur, Frazier beholds, captures, and occasionally reimagines the spirit of the American experience. He travels down South to examine feral hogs, and learns that their presence in any county is a strong indicator that it votes Republican. He introduces us to a man who, when his house is hit by a supposed meteorite, hopes to "leverage" the space object into opportunity for his family, and a New York City police detective who is fascinated with rap-music-related crimes. Alongside Frazier's delight in the absurdities of contemporary life is his sense of social responsibility: there's an echo of the great reform-minded writers in his pieces on a soup kitchen, opioid overdose deaths on Staten Island, and the rise in homelessness in New York City under Mayor Bloomberg.In each dizzying discovery, Hogs Wild unearths the joys of inquiry without agenda, curiosity without calculation. To read Frazier is to become a kind of social and political anthropologist--astute and deeply engaged.

A determined little spider named Walter is trying to make a sturdy web that will stand up to the blustery wind. The webs he makes at first are woven in special shapes--a triangle, a square, a circle--but they are still wibbly-wobbly. Can Walter make a web that is both wonderful and strong? This simple, vibrant adventure is a lively companion to our two previous Tim Hopgood "first books": Wow! Said the Owl, about colors; and Hooray for Hoppy!, about the five senses.

LONGLISTED FOR THE MAN BOOKER PRIZEAt the bitter end of the 1960s, after surviving multiple assassination attempts, President John F. Kennedy is entering his third term in office. The Vietnam War rages on, and the president has created a vast federal agency, the Psych Corps, dedicated to maintaining the nation's mental hygiene by any means necessary. Soldiers returning from the war have their battlefield traumas "enfolded"-wiped from their memories through drugs and therapy-while veterans too damaged to be enfolded roam at will in Michigan, evading the government and reenacting atrocities on civilians.This destabilized version of American history is the vision of twenty-two-year old Eugene Allen, who has returned from Vietnam to write the book-within-a-book at the center of Hystopia. In conversation with some of the greatest war narratives, from Homer's Iliad to the Rolling Stones' "Gimme Shelter," David Means channels the voice of Allen, the young veteran out to write a novel that can bring honor to those he fought with in Vietnam while also capturing the tragic history of his own family.The critic James Wood has written that Means's language "offers an exquisitely precise and sensuous register of an often crazy American reality." In Hystopia, his highly anticipated first novel, David Means brings his full talent to bear on the crazy reality of trauma, both national and personal. Outlandish and tender, funny and violent, timely and historical, Hystopia invites us to consider whether our traumas can ever be truly overcome. The answers it offers are wildly inventive, deeply rooted in its characters, and wrung from the author's own heart.

The amazing story of one town's real-world effort to build back better!In 2007, a tornado destroyed Greensburg, Kansas, and the residents were at a loss as to what to do next-they didn't want to rebuild if their small town would just be destroyed in another storm. So they decided they wouldn't just rebuild the same old thing; this time, they would build a town that could not only survive another storm, but one that was built in an environmentally sustainable way. Told from the point of view of a child whose family needed to rebuilt after the storm, this is the inspiring addition to the author's acclaimed series about actual everyday communities going green includes plenty of rebuilding scenes and details for construction lovers, too!

A selection from the last twenty years of C. K. Williams's career, plus new work-proof of his enduring powerC. K. Williams's long career has been a catalog of surprises, of inventions and reinventions, of honors. His one constant is a remarkable degree of flexibility, a thrilling ability to shape-shift that goes hand in hand with an essential, enduring honesty. This rare, heady mix has ensured that William's verses have remained, from book to book, as fresh and vibrant as they were when he first burst onto the scene. Selected Later Poems-a generous selection of the last two decades of Williams's poetry, capped by a gathering of new work-is a testament to that enduring vibrancy. Here are the passionate, searching, clear-eyed explorations of empathy in The Vigil; here is the candor and revelation of Repair; here is the agonizing morality of The Singing and Wait, and the unsparing reflections on aging of Writers Writing Dying; here are the poignant prose vignettes of All at Once. Williams's poetry is essential because its lyric beauty, precise and revealing images, and elegant digressions are coupled to a conscience both uneasy and unflinching. Selected Later Poems is at once a celebration of Williams's career, an affirmation of his continued position in the pantheon of American poets, and a kind of reckoning-a reminder of the ways in which art can serve both beauty and justice.

Tractor Mac is hard at work in the field one day when his engine starts to make a funny noise. It doesn't sound good, and it doesn't feel very good, either. Tractor Mac is scared that he has to take a trip to Dr. Lou at the tractor hospital, but with the help of his animal friends and some other machines who have stopped in for a tune-up, he learns that going to the doctor doesn't have to be scary at all.

Finalist for the National Book Critics Circle Award in PoetryOnly for you do the two mute girls on stagewho falter at first, erratic as staticin the synaptic gap between each image,imperceptibly jolt to life-grinning, tap-dancing, morphing into footage,their arms like immaculate pistons, their legs like knives . . .It lasts a minute, their having-been-written onto light.-from "The Mutoscope"Sinéad Morrissey is one of the most fascinating talents in international poetry. Recently appointed as Belfast's first poet laureate, she creates poems known for their combination of keen intelligence and whispered intimacy. In Parallax, which won the 2013 T. S. Eliot Prize, Morrissey explores what is captured, and what is lost, when houses and cityscapes, servants and saboteurs ("the different people who lived in sepia"), are arrested in time by photography (or poetry), subjected to the authority of a particular perspective. Assured and disquieting, Morrisey's poems explore the paradoxes that result when we attempt to freeze our passing experience through art.This edition of Parallax also includes Morrissey's own selection of her favorite poems from her previous collections, published for the first time in the United States. In their variety of subjects and styles they trace the evolution of a poet, showcasing the formal mastery and tenderness that define her work.

Winner of the Latner Writers' Trust Poetry PrizeA profound new collection from one of poetry's rising stars"Introducing Karen Solie, I would adapt what Joseph Brodsky said some thirty years ago of the great Les Murray: ' . . . He is, quite simply, the one by whom the language lives.' . . . And, yes, as we embark on the third millennium of our so-called Common Era, she is indeed the one by whom the language lives." -Michael Hofmann, London Review of BooksA sublime singer of existential bewilderment, Karen Solie is one of contemporary poetry's most direct and haunting voices. A poet of the in-between places-the purgatory of wayside motels and junkyards, the abandoned Calgary ski jump and the eternal noon of Walmart-her poems stake out startlingly new territory and are songs for our emerging world, an age of uncertainty and melting icebergs. In Solie's new collection, The Road In Is Not the Same Road Out, she restlessly excavates our civilization, the moments of tough luck, casual violence, naked desire, and inchoate menace, pursuing "Beauty and terror / in equal measure" and fixing on the "Intrigue of a boarded-up building. / We want to get in there and find out what's the matter with it." Amplifying the elegant recklessness of her Griffin Poetry Prize-winning collection Pigeon, these poems bear an uncanny poetic intelligence and unflinching vision.

The seriously, seriously funny roller-coaster ride of sex and violence that Aleksandar Hemon has long promisedScript idea #142: Aliens undercover as cabbies abduct the fiancée of the main character, who has to find a way to a remote planet to save her. Title: Love Trek.Script idea #185: Teenager discovers his girlfriend's beloved grandfather was a guard in a Nazi death camp. The boy's grandparents are survivors, but he's tantalizingly close to achieving deflowerment, so when a Nazi hunter arrives in town in pursuit of Grandpa, he has to distract him long enough to get laid. A riotous Holocaust comedy. Title: The Righteous Love.Script idea #196: Rock star high out of his mind freaks out during a show, runs offstage, and is lost in streets crowded with his hallucinations. The teenage fan who finds him keeps the rock star for himself for the night. Mishaps and adventures follow. This one could be a musical: Singin' in the Brain.Josh Levin is an aspiring screenwriter teaching ESL classes in Chicago. His laptop is full of ideas, but the only one to really take root is Zombie Wars. When Josh comes home to discover his landlord, an unhinged army vet, rifling through his dirty laundry, he decides to move in with his girlfriend, Kimmy. It's domestic bliss for a moment, but Josh becomes entangled with a student, a Bosnian woman named Ana, whose husband is jealous and violent. Disaster ensues, and as Josh's choices move from silly to profoundly absurd, The Making of Zombie Wars takes on real consequence.

A powerfully moving meditation on life and the beyond, from one of our finest American poetsCharles Wright's truth-the truth of nature, of man's yearning for the divine, of aging-is at the heart of the renowned poet's latest collection, Caribou. This is an elegy to transient beauty, a song for the "stepchild hour, / belonging to neither the light nor dark, / The hour of disappearing things," and an expression of Wright's restless questing for a reality beyond the one before our eyes ("We are all going into a world of dark . . . It's okay. That's where the secrets are, / The big ones, the ones too tall to tell"). Caribou's strength is in its quiet, wry profundity. "It's good to be here," Wright tells us. "It's good to be where the world's quiescent, and reminiscent." And to be here-in the pages of this stirring collection-is more than good; Caribou is another remarkable gift from the poet around whose influence "the whole world seems to orbit in a kind of meditative, slow circle" (Poetry).

A gripping novel about the assassination of Leon Trotsky in Mexico City in 1940In The Man Who Loved Dogs, Leonardo Padura brings a noir sensibility to one of the most fascinating and complex political narratives of the past hundred years: the assassination of Leon Trotsky by Ramón Mercader.The story revolves around Iván Cárdenas Maturell, who in his youth was the great hope of modern Cuban literature-until he dared to write a story that was deemed counterrevolutionary. When we meet him years later in Havana, Iván is a loser: a humbled and defeated man with a quiet, unremarkable life who earns his modest living as a proofreader at a veterinary magazine. One afternoon, he meets a mysterious foreigner in the company of two Russian wolfhounds. This is "the man who loved dogs," and as the pair grow closer, Iván begins to understand that his new friend is hiding a terrible secret. Moving seamlessly between Iván's life in Cuba, Ramón's early years in Spain and France, and Trotsky's long years of exile, The Man Who Loved Dogs is Padura's most ambitious and brilliantly executed novel yet. This is a story about political ideals tested and characters broken, a multilayered epic that effortlessly weaves together three different plot threads- Trotsky in exile, Ramón in pursuit, Iván in frustrated stasis-to bring emotional truth to historical fact. A novel whose reach is matched only by its astonishing successes on the page, The Man Who Loved Dogs lays bare the human cost of abstract ideals and the insidious, corrosive effects of life under a repressive political regime.

WINNER OF THE NOBEL PRIZE IN LITERATUREA provocative essay collection that finds the Nobel laureate taking on the decline of intellectual lifeIn the past, culture was a kind of vital consciousness that constantly rejuvenated and revivified everyday reality. Now it is largely a mechanism of distraction and entertainment. Notes on the Death of Culture is an examination and indictment of this transformation-penned by none other than Mario Vargas Llosa, who is not only one of our finest novelists but one of the keenest social critics at work today. Taking his cues from T. S. Eliot-whose essay "Notes Toward a Definition of Culture" is a touchstone precisely because the culture Eliot aimed to describe has since vanished-Vargas Llosa traces a decline whose ill effects have only just begun to be felt. He mourns, in particular, the figure of the intellectual: for most of the twentieth century, men and women of letters drove political, aesthetic, and moral conversations; today they have all but disappeared from public debate. But Vargas Llosa stubbornly refuses to fade into the background. He is not content to merely sign a petition; he will not bite his tongue. A necessary gadfly, the Nobel laureate Vargas Llosa, here vividly translated by John King, provides a tough but essential critique of our time and culture.