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" I feel like Scott Ryan could have written this directly to me and others in our generation who have basically ' given up' on movies. It is at once tribute and eulogy, so bittersweet." - Screenwriter Helen Childress (Reality Bites) " The nineties are lucky to have Scott Ryan." - Actress Natasha Gregson Wagner (Two Girls and a Guy, Lost Highway) Ah, the nineties. Movies were something in those days. We're talking about a decade that began with GoodFellas and ended with Magnolia, with such films as Malcolm X, Before Sunrise, and Clueless arriving somewhere in between. Stories, characters, and writing were king; IP, franchise movies, and supersaturated superhero flicks were still years away. Or so says Scott Ryan, the iconoclastic author of The Last Days of Letterman and Moonlighting: An Oral History, who here turns his attention to The Last Decade of Cinema-- the prolific 1990s. Ryan, who watched just about every film released during the decade when he was a video store clerk in a small town in Ohio, identifies twenty-five unique and varied films from the decade, including Pretty Woman, Pulp Fiction, Menace II Society, and The Shawshank Redemption, focusing with his trademark humor and insight on what made them classics and why they could never be produced in today's film culture. The book also includes interviews with writers, directors, and actors from the era. Go back to the time of VCR' s, DVD rentals, and movies that mattered. Turn off your streaming services, put down your phones, delete your Twitter account, and take a look back at the nineties with your Eyes Wide Shut, a White Russian in your hand, and yell " Hasta la vista, baby" to today's meaningless entertainment. Revel in the risk-taking brilliance of Quentin Tarantino, Amy Heckerling, Spike Lee, Robert Altman, Paul Thomas Anderson, and others in Scott Ryan's magnum opus, The Last Decade of Cinema.

In the late eighties and early nineties, while other kids were playing softball, Emily was sporting a Pink Ladies jacket, perfecting Michelle Pfeiffer's " Cool Rider" choreography from Grease 2, and wearing out the VHS player. Comfort Sequels is a sneaky memoir, celebrating the campiness and nostalgia that these films evoke. Every chapter is a love letter to a specific movie sequel. As a licensed psychotherapist and psychology professor, Emily interprets characters, story arcs, and major themes in a unique voice from a unique perspective while sharing fun and random behind-the-scenes facts about each film. Comfort Sequels covers the following twelve comfort sequels; Grease 2, Gremlins 2: The New Batch, My Girl 2, Karate Kid: Part II, The Great Muppet Caper, Teenage Mutant Ninja Turtles 2: The Secret of the Ooze, Ghostbusters II, Batman Returns, Dream a Little Dream 2, Mannequin 2: On the Move, The Neverending Story II: The Next Chapter, and The Evening Star.

Put Down Your Pistol and Pick Up a Pen, The Story of a Teacher, a Tagger, and a 22-Year Prison Sentence is a co-authored memoir that follows the unusual friendship of John Rodriguez, a 17-year old tagger, and Dennis Danziger, his high school English teacher. When the teacher realizes that this tagger is a writing savant, he encourages him to pursue a college education. But that spring, John is involved in a bar fight that turns violent and is sentenced to a 22 years in prison. What follows is a story with echoes of Tuesdays with Morrie, with the teacher sending books and assignments to his once star student who finds redemption through his love of literature and literally writes his way out of prison to freedom.

On December 8, 1980, twenty-something rock journalist Laurie Kaye entered the legendary Dakota apartments in New York to interview her longtime idol John Lennon. It was the last interview Lennon would ever give-- just hours later, outside that same building, Lennon was shot dead by a twenty-five-year-old man (Kaye refuses to name him) whom Kaye herself had encountered after finishing the interview and stepping outside. Kaye has beaten herself up ever since over her failure to recognize that the assassin posed a danger and should have been reported. Here Kaye recounts not just her unfortunate brush with history, but also her turbulent early years growing up in LA and her fascinating, star-packed journey from radio intern to acclaimed writer/producer. Plus interviews with such titans of the music industry as Paul McCartney, George Harrison, Talking Heads, the Ramones, David Bowie, and Mick Jagger.

When the film Clue came out in 1985, audiences were baffled. A movie based on a board game, with three different endings, and you had to pick which one to go see? Bad reviews compounded the problem, and instead of choosing one ending, most people stayed away entirely. Clue, outgrossed at the box office by films that had been released months earlier, quickly faded away. When it unceremoniously premiered on Showtime a year after its theatrical debut, there was no sign it was destined for anything other than obscurity, another flop bound to be forgotten. Instead, Gen Xers and millennials, raised on pop culture and cable TV in an era long before the streaming wars, discovered this zany farce about a group of six strangers locked in a remote house with a killer. The movie appealed to kids. The creepy mansion and eerie music contrasted with slapstick gags and double entendres, deflating the tension. Today, almost forty years later, Clue is the epitome of a cult classic, with midnight screenings, script readings for charity, cosplaying fans, and a stage play. "What Do You Mean, Murder?" dives deep into the making of Clue and walks fans through the movie they know and love.

In September 1993, a TV show like no other appeared on our screens, asking us to consider the essence of truth and belief, to think about the nature and roles of science and humanity, and to question what we were told by those in power. Combining horror, science fiction, drama, crime, and comedy with cinematic filmmaking, The X-Files transported the paranoia of the sixties and seventies to the technologically savvy nineties as it followed two iconic characters, FBI Agents Fox Mulder and Dana Scully, in their labyrinthine pursuit of truth. Further, The X-Files reversed conventional television gender roles: Mulder was our believer in the paranormal, chasing down clues in search of his abducted sister; Scully was the skeptic, a scientist preaching rationality and objective truth. Now, thirty years later, the nature of conspiracy theories may have changed, but the anxiety surrounding them has not. In an era in which Watergate has been replaced by Gamergate and conspiracy theorists blindly embrace the myth of a stolen election and maintain that an all-powerful cabal of Satanic Democrats--defeatable by only one man--is preying on children, The X-Files remains as relevant as ever.