Bøger udgivet af Feminist Press at The City University of New York

A bestseller for decades, this contemporary classic gets a substantial new introduction by the authors.

Lit by the hormonal neon glow of Miami, this heady, multilingual debut novel follows a Colombian teenager's coming-of-age and coming out as she plunges headfirst into lust and evangelism.

"QUEER THEN AND NOW: THE DAVID R. KESSLER LECTURES, 2002-2020 includes seventeen lectures, reflections, and two scholarly roundtables by prominent queer and trans scholars, activists, and artists-including Adrienne Rich, Amber Hollibaugh, Cathy J. Cohen, Cheryl Clarke, Dean Spade, Douglas Crimp, Gayle Rubin, Isaac Julien, Jasbir K. Puar, Jonathan Ned Katz, Martin Duberman, Richard Fung, Roderick A. Ferguson, Sara Ahmed, Sarah Schulman, Susan Stryker, and Urvashi Vaid-on the past, present, and future of queer studies"--

In this disarming and candid memoir, cultural critic Clarkisha Kent unpacks the kind of compounded problems you face when you’re a fat, Black, queer woman in a society obsessed with heteronormativity.There was no easy way for Kent to navigate personal discovery and self-love. As a dark-skinned, first-generation American facing a myriad of mental health issues and intergenerational trauma, at times Kent’s body felt like a cosmic punishment. In the face of body dysmorphia, homophobia, anti-Blackness, and respectability politics, the pursuit of “high self-esteem” seemed oxymoronic. Fat Off, Fat On: A Big Bitch Manifesto is a humorous, at times tragic, memoir that follows Kent on her journey to realizing that her body is a gift to be grown into, that sometimes family doesn’t always mean home, and how even ill-fated bisexual romances could free her from gender essentialism. Perfect for readers of Keah Brown’s The Pretty One, Alida Nugent’s You Don’t Have to Like Me, and Stephanie Yeboah’s Fattily Ever After, Kent’s debut explores her own lived experiences to illuminate how fatphobia intertwines with other oppressions. It stresses the importance of addressing the violence scored upon our minds and our bodies, and how we might begin the difficult—but joyful—work of setting ourselves free.

Through the lens of horror—from Halloween to Hereditary—queer and trans writers consider the films that deepened, amplified, and illuminated their own experiences.Horror movies hold a complicated space in the hearts of the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. Common tropes—such as the circumspect and resilient “final girl,” body possession, costumed villains, secret identities, and things that lurk in the closet—spark moments of eerie familiarity and affective connection. Still, viewers often remain tasked with reading themselves into beloved films, seeking out characters and set pieces that speak to, mirror, and parallel the unique ways queerness encounters the world.It Came from the Closet features twenty-five essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on Jennifer’s Body, Jude Ellison S. Doyle on In My Skin, Addie Tsai on Dead Ringers, and many more, these conversations convey the rich reciprocity between queerness and horror.

By one of Southeast Asia’s most exciting writers, The Age of Goodbyes is a wildly inventive account of family history, political turmoil, and the redemptive grace of storytelling.In 1969, in the wake of Malaysia's deadliest race riots, a woman named Du Li An secures her place in society by marrying a gangster. In a parallel narrative, a critic known only as The Fourth Person explores the work of a writer also named Du Li An. And a third storyline is in the second person; “you” are reading a novel titled The Age of Goodbyes. Floundering in the wake of “your” mother’s death, “you” are trying to unpack the secrets surrounding “your” lineage.The Age of Goodbyes—which begins on page 513, a reference to the riots of May 13, 1969—is the acclaimed debut by Li Zi Shu. The winner of multiple awards and a Taiwanese bestseller, this dazzling novel is a profound exploration of what happens to personal memory when official accounts of history distort and render it taboo.

The eleven stories in Sweetlust interweave feminist critique, intertextuality, and science fiction tropes in an irreverent portrait of our past, present, and future.In a dystopian world with no men, women are “rehabilitated” at an erotic amusement park. Climate change has caused massive flooding and warming in the Balkans, where one programmer builds a time machine. And a devious reimagining of The Sorrows of Young Werther refocuses to center a sexually adventurous Charlotte.Asja Bakić deploys the speculative and weird to playfully interrogate conversations around artificial intelligence, gender fluidity, and environmental degradation. As she did in her acclaimed debut Mars, Bakić once again upends her characters’ convictions and identities—and infuses each disorienting universe with sly humor and off-kilter eroticism. Visceral and otherworldly, Sweetlust takes apart human desire and fragility, repeatedly framing pleasure as both inviting and perilous.

Informed by the author’s experience in and between genders, this debut story collection blurs fantasy and reality, excavating new meanings from our varied dysphorias. Misfit mothers, prodigal "undaughters," con artists, and middle-aged runaways populate these ten short stories that blur the lives we wish for with the ones we actually lead. A tornado survivor grapples with a new identity, a trans teen psychic can read only indecisive minds, and a woman informs her family of her plans to upload her consciousness and abandon her body. Luke Dani Blue invites the reader into a world of outlier lives made central and magical thinking made real. Surreal, darkly humorous, and always deeply felt, Pretend It’s My Body is bound together by the act of searching—for a spark of recognition and a story of one's own.

A collection of life stories so funny, moving that “you don’t have to be a Jewish feminist mama to love this book . . . but it wouldn’t hurt” (Tablet Magazine).Here are the collected autobiographical writings of memoirist, poet, and professor Faye Moskowitz. Known for both her sense of humor—even in the bleakest of circumstances—and her insight into the relationships that define who we are, where we come from, and where we hope to be going, Moskowitz shares her own life stories in “a book that will make you stand up and cheer” (The Detroit News).From her childhood in Detroit during the Great Depression to the time when her mother abandoning the family to pursue her own dreams; from helping a dying friend simply get through another day to a hilarious account of binge eating at a wedding; from finding love and leaving home to building her own family and legacy, these recounted experiences give us “her piercingly tender observations about unlikely friendships, transgressive love, disappointing plants, and sacred Jewish rituals of the kitchen” (Lilith Magazine).

Sexy, beautiful, but frustrated… a neglected housewife finds the delights and degradations of forbidden love.

This crucial expansion on social justice discourse surrounding reproductive rights explores the practical applications for activist thought migrating from the community into the academy.

In the sequel to the feminist classic Native Tongue, a covert female agent is sent to infiltrate the resistance.

An honest portrait of how masculine norms—seldom discussed, but often blindly consumed—affect boys in conjunction with rape culture.

A riveting, true-to-life play that examines rape and bullying culture, offering critical insight for survivors and bystanders.

In this prize-winning, provocative novel set in contemporary Iran, a spoiled and foul-mouthed young woman looks to get high while her family and city fall to pieces.

Detouring from the traditional timeline of marriage-kids-house, twenty-six-year-old Vikki Warner skips straight to homeownership. She buys a downtrodden three-story house in Providence, Rhode Island, and suddenly finds herself responsible for a rotating cast of colourful tenants. Adulthood comes with unforeseen challenges: backed-up sewage, gentrification, global economic downturn. A candid portrait of how sharing space profoundly reshapes our lives, and forces us to grow into ourselves.

Introduced by Renée Watson, these stories stand as a testament to how strong girls are part of everyone’s cultural heritage.

Each bilingual volume in "The Defiant Muse" series includes 60 to 80 poems by both well-known and rediscovered poets, selected on the basis of their individual merit and as illustrations of the evolution of feminist thought and feeling. Reflecting their own cultural milieus as well as enduring themes, the poets write of love and friendship, revolution and peace, religion, nature, isolation, work, and family. The Dutch, French, German, and Italian volumes represent their respective countries; the Hispanic volume includes poems from the many Spanish-speaking nations; and the Hebrew volume encompasses writing in Hebrew from around the world. The poems are presented in their original languages alongside English translations. Each volume includes an introduction, placing the poetry in historical and aesthetic perspective, and full biographical and bibliographical notes on the poets.

Arlene Avakian’s memoir evokes the quarrels, ambition, prejudice, and courage that shaped her coming of age in a family that immigrated to the United States to escape genocide in Turkey. Inspired by her passionate feminism and strengthened within a loving lesbian relationship, Avakian records and re-examines her personal history, discovering the story of her grandmother, which brings with it a legacy of radical politics and a powerful affirmation of ethnic identity.

Sapphic suburban housewife Frances seeks fulfillment and love from the odd girls and twilight lovers of small-town America's queer demi-monde.

A twelve-year-old Cubanita finds refuge in punk music in this illustrated tour de force.

An arabophone cult classic traces the impact of power, abuse, and illness on the body, by Morocco’s foremost writer of life on the margins.

In the midst of the coronavirus pandemic, a queer disabled woman bikes through a locked-down New York City for the ex-girlfriend who broke her heart.

We hear of Iran in the world news, but these deeply personal, literary tales show a hidden way of life.

An interdisciplinary exploration of Asian diasporas as gendered spaces that host uneven movements of bodies, identities, histories, and hegemonies.