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This book is a tribute by a leading contemporary graphic artist to his intaglio printer. While Rene Taze made the prints, Erik Desmazieres began to draw his surroundings, of which he was much inspired. Text in English and French.
This book is the study of the rituals performed by ethnic-Igbo Nigerians living in Italy. It takes us through the customs, rites, and ceremonies carried out in makeshift places of worship created by men and women who gather together on abandoned football pitches or in hangars.
On the plains of Emilia in Northern Italy, there still exist buildings that have no apparent architectural merit and don''t attract anyone''s attention: these derelict farmhouses lie dotted around the countryside, waiting only for someone to rediscover them. In an era when forgetting has become a habit, Giancarlo Pradelli invites us once again to enjoy the pleasures of silence and absence. He adopts the viewpoint of the observer who, in spite of the melancholy of a rural culture that has all but disappeared in the modern world, knows how to convey the dignity of objects created by man. Spare, direct black-and-white pictures that have nothing rhetorical about them. Using the play of the light and carefully balanced compositions, the skeletal shapes reveal buildings transformed by their dereliction, but which in the process have acquired an unwonted grace and elegance. Text in English, French, and Italian.
Mountains have been a central defining theme in Switzerland, as they have elsewhere in the world. This has fascinated artists and, since the earliest invention of the medium, photographers. This book features works by contemporary photographers who record mountains in their various and multiple states.
Placed on UNESCO's World Heritage list in 1979, Mont Tombe, as it was once called, was consecrated to the worship of the archangel Michael in 708 with the construction of a small oratory. This work captures the majesty of Mont-Saint-Michel, the 'Pyramid of the seas', in forty-five sublime black-and-white photographs.
Giving a biographical account of Jean-Auguste-Dominique Ingres' (1780-1867) life and discussing his work within the context of the art movements of the time, this is a monograph on the work of this influential artist.
Presenting a collection of photographs of the Aeolian Islands, this work is a personal visual journey rather than a detailed document of the islands. The photographer identifies with the essence of the locations, blending with them and expressing their changing moods. He also aims to encapsulate the essence of life on these small islands.
This publication draws on the distinction between artistic brothers Antonio and Piero del Pollaiolo.
This monographic study focuses upon the work of Jacques-Louis David, in particular, the theme of the connection he established between art and politics.
This title is a look at the study of paintings produced in France in the 15th century, which has led to the rediscovery of several forgotten personalities (such as Jean Hey, Antoine de Lonhy).
A lavishly illustrated catalogue on Asian textiles from the 1920s.
Exploring the masks of an African culture that were one of Picasso's primary influences.
A key reference book on Chinese monochrome ceramics. Two hundred masterpieces brought together for the first time.
This text is a fresh investigation of American collecting between 1900 and 1914 and of the impact of transatlantic displacements and mass media on the public perception of old master paintings.
Jean-Dominique Burton introduces us to the world of Voodoo through rare portraits of Voodoo priests and priestesses and their enigmatic altars.
French photographer Oliver Meriel (b. 1955) lives and works in France in the small seaside town of Saint Aubin-sur-Mer. His photographs perfectly capture the feeling of history this region is steeped in. Meriel's landscapes, while dark and moody, ultimately document his search for light.
A chronological survey of 17th-century Roman sculpture featuring masters such as Bernini alongside lesser-known important figures.
A tour de force of a carver's skill and craftsmanship, the Farnese Cup is the largest cameo hardstone cup to have survived from the ancient world. This book provides that close-up in a series of photographs and varying perspectives that pull back from the delicate infinitesimal cut to the magnificent, perfect whole.
This book presents a remarkable collection amassed by a knowledgeable and impassioned art lover that combines sensitivity with quality - a quality of forms meticulously selected among different African cultures.
Alexander Calder (1898-1976) was a radical inventor. This catalogue shows how Calder's work emerged from expectations of change in American popular culture.
This is the first book dedicated to Fernando Costa, an eclectic, self-taught artist, born in France to a family that arrived in the country on foot from Portugal while fleeing the dictatorship of Salazar in 1970.
The book brings together such relevant archaeological findings of Roman glass manufacturing in Tuscany, as the glass cameo from Torrita di Siena or the chrysography of Arezzo.
Accompanying the first exhibition devoted entirely to Grimm's work and held in the Kunstmuseum in Bern in 2014, this monograph restores Grimm to his rightful place in history of British painting.
An in-depth exploration of the significance of art in the culture of the Kota people of Gabon in equatorial Africa, focusing on form, function and meaning, as well as the interplay of verbal and visual imagery.
In this publication, through the perceptive lens of art photographer Luigi Spina, we discover nine of the most accomplished Hemba creations whose classical style has triggered comparisons with some kouroi sculptures of ancient Greece.
Mythical Diary is a visual journey through the classical sculpture of Museo Archeologico Nazionale di Napoli, engaging with the marble bodies of myth. Through his black and white photography, Luigi Spina disassembles the limbs of the sculptures, humanising them to establish a dialogue with the observer.
For some the body is the refuge of a complex intimacy, for others it is a prison from which to escape, and for still others a storehouse of energy that needs to be set free and transformed. The book contains a large number of drawings, paintings, photographs and sculptures, reflecting the manifold representations of the human body in Art Brut.
A new kind of figurative art appeared during the 1960s in Europe and the United States. This catalogue includes all its key works, with commentary and analysis by curators and art historians specialising in a movement that left an indelible mark on 1960s Europe.
This publication celebrates fifty years of collecting photographs at the National Gallery of Canada.
This book is dedicated to Godai, an installation by Japanese artist Tanabe Chikuunsai IV, who represents the fourth generation of a prestigious line of kagoshi (master wickerwork weavers) in Japan.
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