Bøger udgivet af Footnote Press

The extraordinary story of a group of forgotten radicals who found themselves drawn to communist Moscow’s hotbed of international revolutionary activity: the Hotel Lux.Hotel Lux follows Irish radical May O’Callaghan and her friends, three revolutionary families brought together by their vision for a communist future and their time spent in the Comintern’s Moscow living quarters, the Hotel Lux. Historian Maurice Casey reveals the connections and disconnections of a group of forgotten communist activists whose lives collided in 1920s Moscow: a brilliant Irish translator, a maverick author, the rebel daughters of an East London Jewish family, and a family of determined German anti-fascists. The dramatic and interlocking histories of the O’Flahertys, Cohens and Leonhards offer an intimate insight into the legacies of the Russian Revolution from its earliest idealism through to the brutal Stalinist purges and beyond. Hotel Lux uncovers a world of forgotten radicals who saw their hopes and dreams crash against reality yet retained their faith in a beautiful future for all. Culminating in a queer love story that saw the daughters of the Cohens and Leonhards create an enduring partnership even as their parents’ political visions crumbled, this is a multi-generational rebel odyssey and a history of international communism, one which looks as much to the future as it does to the past.

Joe Mulhall uncovers how music has shaped resistance movements across the globe, from Irish protest songs to Apartheid South Africa to the artists in Ukraine today.While the global history of the dictatorships, oppression, racism and state violence over the last century is well known – the role that music played in people’s lives during these times is less understood. This book is a collection of stories and hidden histories about how music provided light in the darkest of times over the past century. How it steeled souls and inspired resistance to oppression. Rebel Sounds will explore the horror of the Nazi regime, the Soviet Union’s oppression behind the Berlin Wall, authoritarian dictatorships in Brazil and Nigeria, institutionalised racism and police violence in America and South Africa, street violence in Britain, ethnic cleansing in the Balkans and musical resistance in war-torn Ukraine. This is a social history of the twentieth century but one that takes in the human impulse to create, share and enjoy the one thing that connects cultures and spans generations: music.