Bøger udgivet af Fordham University Press

This book elaborates the political and intimate possibilities of going beyond the tendency toward destruction that Freud identified in human nature. Martinez argues that Eros is the force that can help us resist this destructive drive, and that resistance must take the form of unceasing ethical vigilance and political action.

Finalist, 2021 Bram Stoker Awards (Superior Achievement in Non-Fiction)The first collection of essays to address Satan¿s ubiquitous and popular appearances in filmLucifer and cinema have been intertwined since the origins of the medium. As humankind¿s greatest antagonist and the incarnation of pure evil, the cinematic devil embodies our own culturally specific anxieties and desires, reflecting moviegoers¿ collective conceptions of good and evil, right and wrong, sin and salvation. Giving the Devil His Due is the first book of its kind to examine the history and significance of Satan onscreen. This collection explores how the devil is not just one monster among many, nor is he the ¿prince of darkness¿ merely because he has repeatedly flickered across cinema screens in darkened rooms since the origins of the medium. Satan is instead a force active in our lives. Films featuring the devil, therefore, are not just flights of fancy but narratives, sometimes reinforcing, sometimes calling into question, a familiar belief system.From the inception of motion pictures in the 1890s and continuing into the twenty-first century, these essays examine what cinematic representations tell us about the art of filmmaking, the desires of the film-going public, what the cultural moments of the films reflect, and the reciprocal influence they exert. Loosely organized chronologically by film, though some chapters address more than one film, this collection studies such classic movies as Faust, Rosemary¿s Baby, The Omen, Angel Heart, The Witch, and The Last Temptation of Christ, as well as the appearance of the Devil in Disney animation.Guiding the contributions to this volume is the overarching idea that cinematic representations of Satan reflect not only the hypnotic powers of cinema to explore and depict the fantastic but also shifting social anxieties and desires that concern human morality and our place in the universe.Contributors: Simon Bacon, Katherine A. Fowkes, Regina Hansen, David Hauka, Russ Hunter, Barry C. Knowlton, Eloise R. Knowlton, Murray Leeder, Catherine O¿Brien, R. Barton Palmer, Carl H. Sederholm, David Sterritt, J. P. Telotte, Jeffrey Andrew Weinstock

Finalist, 2021 Bram Stoker Awards (Superior Achievement in Non-Fiction)The first collection of essays to address Satan¿s ubiquitous and popular appearances in filmLucifer and cinema have been intertwined since the origins of the medium. As humankind¿s greatest antagonist and the incarnation of pure evil, the cinematic devil embodies our own culturally specific anxieties and desires, reflecting moviegoers¿ collective conceptions of good and evil, right and wrong, sin and salvation. Giving the Devil His Due is the first book of its kind to examine the history and significance of Satan onscreen. This collection explores how the devil is not just one monster among many, nor is he the ¿prince of darkness¿ merely because he has repeatedly flickered across cinema screens in darkened rooms since the origins of the medium. Satan is instead a force active in our lives. Films featuring the devil, therefore, are not just flights of fancy but narratives, sometimes reinforcing, sometimes calling into question, a familiar belief system.From the inception of motion pictures in the 1890s and continuing into the twenty-first century, these essays examine what cinematic representations tell us about the art of filmmaking, the desires of the film-going public, what the cultural moments of the films reflect, and the reciprocal influence they exert. Loosely organized chronologically by film, though some chapters address more than one film, this collection studies such classic movies as Faust, Rosemary¿s Baby, The Omen, Angel Heart, The Witch, and The Last Temptation of Christ, as well as the appearance of the Devil in Disney animation.Guiding the contributions to this volume is the overarching idea that cinematic representations of Satan reflect not only the hypnotic powers of cinema to explore and depict the fantastic but also shifting social anxieties and desires that concern human morality and our place in the universe.Contributors: Simon Bacon, Katherine A. Fowkes, Regina Hansen, David Hauka, Russ Hunter, Barry C. Knowlton, Eloise R. Knowlton, Murray Leeder, Catherine O¿Brien, R. Barton Palmer, Carl H. Sederholm, David Sterritt, J. P. Telotte, Jeffrey Andrew Weinstock

"In the summer of 2019, Jonathan Alexander had a minor stroke, what his doctors called an "eye stroke." A small bit of cholesterol came loose from a vein in his neck and instead of shooting into his brain and causing damage, it lodged itself in a branch artery of his retina, resulting in a permanent blindspot in his right eye. In Stroke Book, Alexander recounts both the immediate aftermath of his health crisis, which marked deeper health concerns, as well as his experiences as a queer person subject to medical intervention. A pressure that the queer ill contend with is feeling at fault for their condition, of having somehow chosen illness as punishment for their queerness, however subconsciously. Queer people often experience psychic and somatic pressures that not only decrease their overall quality of life, but that can also lead to shorter lifespans. Emerging out of a medical emergency and a need to think and feel that crisis through the author's sexuality, changing sense of dis/ability, and experience of time, Stroke Book invites readers on a personal journey of facing a health crisis while trying to understand how one's sexual identity impacts and is impacted by that crisis. Piecing and stitching together his experience in a queered diary form, Alexander's lyrical prose documents his ongoing, unfolding experience in the aftermath of the stroke. Through the fracturing of his text, which almost mirrors his fractured sight post-stroke, the author grapples with his shifted experience of time, weaving in and out, while he tracks the aftermath of what he comes to call his "incident" and meditates on how a history of homophobic encounters can manifest in embodied forms. The book situates itself within a larger queer tradition of writing, first, about the body, then about the body unbecoming, and then yet further, about the body ongoing, even in the shadow of death. Stroke Book also documents the complexities of critique and imagination while holding open a space for dreaming, pleasure, intimacy, and the unexpected"--

An interdisciplinary collaboration that explores what it means to live with concepts, rather than think of them as mere tools for analysis.

The incredible story of the man and legend who has come to symbolize the continuing pursuit of justice for Blacks in the United StatesThrough the 1980s, the mainstream press portrayed the Reverend Al Sharpton as a buffoon, a fake minister, a hustler, an opportunist, a demagogue, a race traitor, and an anti-Semite. Today, Sharpton occupies a throne that would have shocked the white newspaper reporters who covered him forty years ago. A mesmerizing story of astounding transformation, craftiness, and survival, King Al follows Reverend Sharpton's life trajectory, from his early life as a boy preacher to his present moment as the most popular Black American activist/minister/cable news host.In the 1980s, Rev. Al created controversies that would have doomed a lesser man to the dustbin of history. Among these controversies were his work with the FBI as the agency attempted to locate Black Liberation Army leader Assata Shakur; and his involvement in the 1987 Tawana Brawley episode. Regarding the Brawley matter, a white prosecutor sued Sharpton, successfully, for falsely accusing him of having raped the then-fifteen-year-old Brawley.It was the white press, in its glory days, that created the podium from which Sharpton became both famous and infamous. Those reporters would joke that the most dangerous place in New York was between Al Sharpton and a television camera. But it was those reporters who made Sharpton the media figure he is today.Today, as host of MSNBC's PoliticsNation news program, Sharpton has more news viewers than those reporters ever had readers.The Reverend Al's rise to respectability is a testament to an endurance and boldness steeped in Black American history. Born in Brooklyn to parents from the old slave-holding South, he transformed himself into one of the most respected and politically influential Blacks in the United States.In his in-depth coverage, author Ron Howell tells the stories of Sharpton's ascendance to the throne. He tells us about the glory years of American newspapers, when Sharpton began his rise. And he tells us about the politicians who intersected with Sharpton as he climbed the ladder.King Al is an engaging read about the late-twentieth-century history of New York City politics and race relations, as well as about the remarkable staying power of the colorful, politically skillful, and enigmatic Sharpton.

From the award-winning author of Crossing Ocean Parkway, a personal memoir about adjusting to loss through books, meditation, and the process of memory itselfMarianna De Marco Torgovnick experienced the rupture of two of her life¿s most intimate relations when her mother and brother died in close proximity. Mourning rocked her life, but it also led to the solace and insight offered by classic books and the practice of meditation. Her resulting journey into the past imagines a viable future and raises questions acute for Italian Americans but pertinent to everyone, about the nature of memory and the meanings of home at a time, like ours, marked by cultural disruption and wartime. Crossing Back: Books, Family, and Memory without Pain presents a personal perspective on death, mourning, loss, and renewal.A sequel to her award-winning and much-anthologized Crossing Ocean Parkway, Crossing Back is about close familial ties and personal loss, written after the death of her remaining birth family, who had always been there, and now were not. After their loss, she entered a spiritual and psychological state of ¿transcendental homelessness¿: the feeling of being truly at home nowhere, of being spiritually adrift. In a grand act of symbolic reenactment, she found herself moving apartments repeatedly, not realizing she did so subconsciously to keep busy, to stave off grief. By reading and studying great books, she opened up to mourning, a process she constitutionally resisted as somehow shameful. Over time, she discovered that a third death colored and prolonged her feelings of grief: her first child¿s death in infancy, which, in the course of a happier lifetime, had never been adequately acknowledged. Her new losses led her finally to take stock of her son¿s death too. Reading and meditating, followed by writing, became daily her healing rituals.A warm and intimate user¿s guide to books, family, and memory in the mourning process, the end-point being memory without pain, Crossing Back is a wide-ranging memoir about growing older and learning to ride the waves of change. Lively and conversational, Torgovnick is masterful at tracking the moment-to moment, day-to-day challenges of sudden or protracted grief and the ways in which the mind and the body seem to search for¿and sometimes find¿solutions.

Adam Kotsko makes the case for the continued relevance of Christian theology for contemporary intellectual life, demonstrating its vibrancy as a creative and constructive pursuit outside the church, rethinking its often rivalrous relationship with philosophy, and tracing the theological roots of modern models of governance and racial oppression.

The untold story behind one of America's greatest dramasIn early 1957, a low-budget black-and-white movie opened across the United States. Consisting of little more than a dozen men arguing in a dingy room, it was a failure at the box office and soon faded from view.Today, 12 Angry Men is acclaimed as a movie classic, revered by the critics, beloved by the public, and widely performed as a stage play, touching audiences around the world. It is also a favorite of the legal profession for its portrayal of ordinary citizens reaching a just verdict and widely taught for its depiction of group dynamics and human relations. Few twentieth-century American dramatic works have had the acclaim and impact of 12 Angry Men.Reginald Rose and the Journey of "e;12 Angry Men"e; tells two stories: the life of a great writer and the journey of his most famous work, one that ultimately outshined its author. More than any writer in the Golden Age of Television, Reginald Rose took up vital social issues of the day-from racial prejudice to juvenile delinquency to civil liberties-and made them accessible to a wide audience. His 1960s series, The Defenders, was the finest drama of its age and set the standard for legal dramas. This book brings Reginald Rose's long and successful career, its origins and accomplishments, into view at long last.By placing 12 Angry Men in its historical and social context-the rise of television, the blacklist, and the struggle for civil rights-author Phil Rosenzweig traces the story of this brilliant courtroom drama, beginning with the chance experience that inspired Rose, to its performance on CBS's Westinghouse Studio One in 1954, to the feature film with Henry Fonda. The book describes Sidney Lumet's casting, the sudden death of one actor, and the contribution of cinematographer Boris Kaufman. It explores the various drafts of the drama, with characters modified and scenes added and deleted, with Rose settling on the shattering climax only days before filming began.Drawing on extensive research and brimming with insight, this book casts new light on one of America's great dramas-and about its author, a man of immense talent and courage.Author royalties will be donated equally to the Feerick Center for Social Justice at Fordham Law School and the Justice John Paul Stevens Jury Center at Chicago-Kent College of Law.

This collection, marking the centenary of Avery Dulles¿s birth, makes an entirely distinctive contribution to contemporary theological discourse as we approach the second century of the cardinal¿s influence, and the twenty-first of Christian witness in the world. Moving beyond a festschrift, the volume offers both historical analyses of Dulles¿s contributions and applications of his insights and methodologies to current issues like immigration, exclusion, and digital culture. It includes essays by Dulles¿s students, colleagues, and peers, as well as by emerging scholars who have been and continue to be indebted to his theological vision and encyclopedic fluency in the ecclesiological developments of the post-conciliar Church. Though focused more on Catholic and ecumenical affairs than interreligious ones, the volume is intentionally outward-facing and strives to make clear the diverse and pluralistic contours of the cardinal¿s nearly unrivaled impact on the North American Church, which truly crossed ideological, denominational, and generational boundaries. While critically recognizing the limits and lacunae of his historical moment, it serves as one among a multitude of testaments to the notion that the ripples of Avery Dulles¿s influence continue to widen toward intellectually distant shores.

The central Christian belief in salvation through the suffering, death, and resurrection of Jesus Christ remains one of the most intractable mysteries of Christian faith. Throughout history, it has given rise to various theories of atonement, many of which have been subject to critique as they no longer speak to contemporary notions of evil and sin or to current conceptions of justice. One of the important challenges for contemporary Christian theology thus involves exploring new ways of understanding the salvific meaning of the cross.In Atonement and Comparative Theology, Christian theologians with expertise in Judaism, Islam, Hinduism, Buddhism, Daoism, and African Religions reflect on how engagement with these traditions sheds new light on the Christian understanding of atonement by pointing to analogous structures of sin and salvation, drawing attention to the scandal of the cross as seen by the religious other, and re-interpreting aspects of the Christian understanding of atonement. Together, they illustrate the possibilities for comparative theology to deepen and enrich Christian theological reflection.

Cold War Reckonings shows how the Cold War shaped culture and political power in the decolonizing world and gave rise, paradoxically, to authoritarian regimes of the so-called free world.

In the third bloody year of Civil War, the North imposes a military draft that sparks the most destructive riot in American history. Peter Quinn's characters are drawn from across New York City's classes and races. Their fates coalesce in the cataclysm of the Draft Riots.

Failures to listen or mishearings can be a matter of life and death. Shattering Biopolitics elaborates the intimate and complex relation between life and sound in philosophy, political theory, and sound-art.

Material Mystery analyzes three anthropomorphic figures from religious myths: the bodies of Adam and Christ and the resurrected or "glorious" body. Using Jewish and Christian Wisdom traditions, the book argues that these myths help us to understand the interaction, interdependence, and divine character of all matter.

The Form of Love explores what poetry can articulate about love that philosophy cannot. Reading seven poems, this book shows how figures ranging from Donne to Dickinson use poetic form to transform philosophy's concern to convey truth about love into the concern to create a virtual experience of love.

A first-hand account of providing mental health support on the front line of the migrant crisis across Europe and Central America in the last 5 years, combined with direct testimony from child migrants sharing their life stories, hopes and dreams.

Mr. Larry's Aid Memoir follows the experiences of Larry Hollingworth, head of UNHCR efforts in Bosnia during the Bosnian conflict of the early to mid 90's. Mr. Hollingworth develops a narrative that traces humanitarian attempts to deliver food and aid to besieged, isolated, and desperate communities throughout the Balkans, including Sarajevo, Banja Luka, and Srebrenica.

Perfect for gift giving, the complete three-volume boxed set of In Your Eyes I See My Words gives readers an extraordinary opportunity to understand the vision of Pope Francis Volume 1 (1999¿2004)Pope Francis is a first in many ways: the first pope from the Americas, the first Jesuit, the first Francis, the first child of immigrants from the Old World, nurtured and transformed by the New World and returned to lead the whole world. His eloquent homilies and speeches have inspired the faithful of Argentina for decades, largely through his gift of oratory, tracing back to his time as a bishop, archbishop, and cardinal in his home country. Published in English for the first time in their entirety and with contextual annotations, In Your Eyes I See My Words, Volume 1 collects his homilies and speeches from 1999 to 2004.This illuminating collection presents an extraordinary opportunity to understand the vision of a great pastor. His words bear witness to the deep experience of faith among God¿s people while also showcasing his own extraordinary ability to connect with communities of faith. Through these homilies and speeches, Pope Francis humbly displays his abilities as a wordsmith, a patient and attentive teacher, an inspired and faithful theologian, and a sensitive pastor uniquely attuned to his people, offering ready guidance for their journeys but also journeying with them.The first of a three-volume translation of Pope Francis¿s theological, pastoral, anthropological, and educational thought provides rich insights into the mind and theological unfolding of a spiritual leader who has become beloved across the globe. Within it we see Archbishop Jorge Mario Bergoglio¿later Pope Francis¿ministering to the needs of the people while also engaging with the political, technological, and societal forces affecting their daily lives. Here is an ecclesial voice not afraid to challenge the politicians, the culture-makers, and media moguls¿even his own ordained and lay church ministers¿to live a life of faithfulness marked by justice, equality, and concern for the needs of everyone, urging all to rely on the ¿vitality of memory¿ and the ¿recovery of hope.¿ In Your Eyes I See My Words also provides a glimpse into the political, social, and religious environment of Argentina and Latin America, providing a unique perspective on the issues confronting the faithful and how those issues motivated and nurtured Pope Francis¿s understanding of the Church¿s mission to all segments of society¿particularly to those underrepresented and on the margins of history.Volume 2 (2005¿2008)In Your Eyes I See My Words, Volume 2 contains Pope Francis¿s homilies and speeches from 2005 to 2008. Continuing what began in the first volume of this three-volume publication, Volume 2 shows Archbishop Bergoglio¿s growth as a pastor and a theologian/scholar in the midst of his people. At the same time, it shows him emerging as an international voice calling for changes in the way the Church carries out its ministry and its educational task on behalf of children, youth, adults, and Church ministers. In his homilies from Christmas, Easter, and especially in his response to the tragic fire and deaths of 194 people at the nightclub Republica Cromañon, we see Bergoglio speak passionately to his parishioners, challenging them with equal portions of tenderness and righteous anger. Perhaps uniquely, we also watch as his audiences, prominence, and influence grow globally, foreshadowing who he will become in 2013 when he is elected Pope.On the larger national and international scale, Bergoglio addresses various conferences, such as the Argentina Press Association and the Episcopal Conference of Argentina of which he was elected President in 2005 and served the maximum possible term of six years. We see and read as his work takes him outside his country to Rome (2007) at the Pontifical Commission for Latin America; to Brazil (2007), where his presentation on the Crisis of Civilization and Culture at the Fifth CELAM Conference ends up shaping much of the Aparecida Conclusions; and, finally, to Quebec (2008) as he speaks at the FortyNinth International Eucharistic Congress. All told, In Your Eyes I See My Words, Volume 2 is a glimpse into a period of time in which Archbishop Bergoglio grows immensely in thought, reflection, and action, laying the groundwork for the mature, thoughtful, and beloved Pope Francis he has come to be known as around the world.Volume 3 (2009¿2013)In Your Eyes I See My Words, Volume 3 brings together the homilies and speeches of Archbishop Cardinal Jorge Mario Bergoglio from 2009 through his election as Pope Francis on March 13, 2013. Taken together, all three volumes present with remarkable clarity his theological, educational, and pastoral vision for the Church that was shaped far from Europe and North America and in the tumultuous years of Argentinäs political and economic struggles. These writings provide an intimate glimpse into the theological, philosophical, scientific, and cultural-educational currents that forged the steady, loving, and nurturing hands with which Bergoglio guided the Church in Buenos Aires. Those very same hands have now done the same for the Church from Rome, a Church rocked by financial and moral scandals, and a world shaken by the first global pandemic in a century.No Pope in modern times has compiled such a rich variety of writings in as many fields as Bergoglio has done for us in the years prior to his election to the papacy, especially during his time as Archbishop/Cardinal of Buenos Aires. These writings were kneaded¿a word he uses when talking about the work of molding the souls and character of youth and seminarians¿in the relationships he formed in his bus rides to work and in his intense contact with all segments of the population. Because of that careful and prayerful process of kneading, they have found their full development in Bergoglio¿s writing as Pope Francis, especially in Evangelii gaudium (November 2013); Gaudete et exsultate, On the call to sanctity (March 2018); and his encyclical Laudato si¿ (May 2015). In this final volume of Bergoglio¿s homilies and papers we meet European theologians and thinkers such as Hans Urs von Balthasar, Henri de Lubac, and Bergoglio¿s Uruguayan philosopher and friend Methol Ferré, the literary figure Miguel Ángel Asturias, and Enrique Santos Discépolo, a singer and composer of tangos that decry corruption.In Your Eyes I See My Words, Volume 3 concludes with a homily Bergoglio prepared before leaving for Rome to attend the conclave that elected him to the papacy. It was for the Chrism Mass on Holy Thursday, to be delivered to his priests in Buenos Aires. Instead, it was his homily from Rome to the priests of the world, reminding them, ¿The precious oil that anoints Aaron¿s beard not only perfumes his person but spreads and reaches the margins. The Lord will say it clearly: his anointing is for the poor, the prisoners, the sick, those who are sad and alone.¿ Here, as Cardinal Jorge Mario Bergoglio became Pope Francis, he spoke words of deep tenderness, reminding all of us that the Lord¿s anointing is meant precisely for those who are floundering¿those who are sick, who are sad or alone, who are in need of care. In short, the Lord¿s anointing is meant for the world we live in today, at this exact moment of crisis. In a prophetic conclusion, the last homily of this volume is an outline of the road map Pope Francis has followed throughout his papacy: one defined by ongoing love and care for God¿s people and that seeks to spread God¿s anointing to those living on the margins of life.