Bøger udgivet af Fordham University Press

Infectious Liberty traces the origins of our contemporary concerns about public health, world population, climate change, global trade, and government regulation to a series of Romantic-era debates and their literary consequences.

This engrossing ethnography of one of South Asia's third gendered or trans populationsreveals not a group of marginalized others but a way of life composed of laughter, struggles, and desires. The book shows how hijras trouble how we read queerness, kinship, and the psyche.

Radical Hospitality addresses a timely and challenging subject for contemporary philosophy: the ethical responsibility of opening borders, psychic and physical, to the stranger. The book engages urgent moral conversations concerning identity, nationality, immigration, peace, and justice for the work of living together.

An interdisciplinary collaboration that explores what it means to live with concepts, rather than think of them as mere tools for analysis.

Mixing Medicines is an ethnography of Russian medicine's attempts to recuperate indigenous therapeutic traditions associated with the state's ethnic and religious minorities. Based in Buryatia, a traditionally Buddhist region in southeastern Siberia, the book traces the uneven terrains of encounter between indigenous healing, the state, and transnational medical flows.

Sexistence develops a new philosophical account of sexuality that troubles our conceptions of existence.

An important new volume showcasing a wide range of faith-based responses to one of today¿s most pressing social issues, challenging us to expand our ways of understanding. Land of Stark Contrasts brings together the work of social scientists, ethicists, and theologians exploring the profound role of religion in understanding and responding to homelessness and housing insecurity in all corners of the United States¿from Seattle, San Francisco, and Silicon Valley to Dallas and San Antonio to Washington, D.C., and Boston.Together, the essays of Land of Stark Contrasts chart intriguing ways forward for future initiatives to address the root causes of homelessness. In this way they are essential reading for practical theologians, congregational leaders, and faith-based nonprofit organizers exploring how to combine spiritual and material care for homeless individuals and other vulnerable populations. Social workers, nonprofit managers, and policy specialists seeking to understand how to partner better with faith-based organizations will also find the chapters in this volume an invaluable resource.Contributors include James V. Spickard, Manuel Mejido Costoya and Margaret Breen, Michael R. Fisher Jr., Laura Stivers, Lauren Valk Lawson, Bruce Granville Miller, Nancy A. Khalil, John A. Coleman, S.J., Jeremy Phillip Brown, Paul Houston Blankenship, María Teresa Dávila, Roberto Mata, and Sathianathan Clarke.Co-published with Seattle University¿s Center for Religious Wisdom and World Affairs

A profound and affecting meditation on art and revolution

The first detailed study of "e;Neo-Antique"e; architecture applies an archaeological lens to the study of New York City's structuresSince the city's inception, New Yorkers have deliberately and purposefully engaged with ancient architecture to design and erect many of its most iconic buildings and monuments, including Grand Central Terminal and the Soldiers' and Sailors' Memorial Arch in Brooklyn, as well as forgotten gems such as Snug Harbor on Staten Island and the Gould Memorial Library in the Bronx. Antiquity in Gotham interprets the various ways ancient architecture was re-conceived in New York City from the eighteenth century to the early twenty-first century. Contextualizing New York's Neo-Antique architecture within larger American architectural trends, author Elizabeth Macaulay-Lewis applies an archaeological lens to the study of the New York buildings that incorporated these various models in their design, bringing together these diverse sources of inspiration into a single continuum. Antiquity in Gotham explores how ancient architecture communicated the political ideals of the new republic through the adaptation of Greek and Roman architecture, how Egyptian temples conveyed the city's new technological achievements, and how the ancient Near East served many artistic masters, decorating the interiors of glitzy Gilded Age restaurants and the tops of skyscrapers. Rather than classifying neo-classical (and Greek Revival), Egyptianizing, and architecture inspired by the ancient Near East into distinct categories, Macaulay-Lewis applies the Neo-Antique framework that considers the similarities and differences-intellectually, conceptually, and chronologically-among the reception of these different architectural traditions. This fundamentally interdisciplinary project draws upon all available evidence and archival materials-such as the letters and memos of architects and their patrons, and the commentary in contemporary newspapers and magazines-to provide a lively multi-dimensional analysis that examines not only the city's ancient buildings and rooms themselves but also how New Yorkers envisaged them, lived in them, talked about them, and reacted to them. Antiquity offered New Yorkers architecture with flexible aesthetic, functional, cultural, and intellectual resonances-whether it be the democratic ideals of Periclean Athens, the technological might of Pharaonic Egypt, or the majesty of Imperial Rome. The result of these dialogues with ancient architectural forms was the creation of innovative architecture that has defined New York City's skyline throughout its history.

2022 PROSE Awards Category Winner - Biography & AutobiographyThe fascinating biography of Eunice Hunton Carter, a social justice and civil rights trailblazer and the only woman prosecutor on the Luciano trial Eunice Hunton Carter rose to public prominence in 1936 as both the only woman and the only person of color on Thomas Dewey's famous gangbuster team that prosecuted mobster Lucky Luciano. But her life before and after the trial remains relatively unknown. In this definitive biography on this trailblazing social justice activist, authors Marilyn S. Greenwald and Yun Li tell the story of this unknown but critical pioneer in the struggle for racial and gender equality in the twentieth century.Carter worked harder than most men because of her race and gender, and Greenwald and Li reflect on her lifelong commitment to her adopted home of Harlem, where she was viewed as a role model, arts patron, community organizer, and, later, as a legal advisor to the United Nations, the National Council of Negro Women, and several other national and global organizations.Carter was both a witness to and a participant in many pivotal events of the early and mid- twentieth century, including the Harlem riot of 1935 and the social scene during the Harlem Renaissance.Using transcripts, letters, and other primary and secondary sources from several archives in the United States and Canada, the authors paint a colorful portrait of how Eunice continued the legacy of the Carter family, which valued education, perseverance, and hard work: a grandfather who was a slave who bought his freedom and became a successful businessman in a small colony of former slaves in Ontario, Canada; a father who nearly single-handedly integrated the nation's YMCAs in the Jim Crow South; and a mother who provided aid to Black soldiers in France during World War I and who became a leader in several global and domestic racial equality causes.Carter's inspirational multi-decade career working in an environment of bias, segregation, and patriarchy in Depression-era America helped pave the way for those who came after her.

An indispensable resource for scholars and students of James Joyce, Joyce Studies Annual gathers essays by foremost scholars and emerging voices in the field

A vivid, imaginative response to the sensual and erotic in postwar American photography, with attention to the beauty of the nude, both male and femaleWhen photographer Coda Gray befriends a family with a special interest in a young boy, the motivation behind his special attention is difficult to grasp, ¿like water slipping through our fingers.¿ Can a man innocently love a boy who is not his own?Using fiction to reveal the truths about families, communities, art objects, love, and mourning, Like a Lake tells the story of ten-year-old Nico, who lives with his father (an Italian- American architect) and his mother (a Japanese-American sculptor who learned how to draw while interned during World War II). Set in the 1960s, this is a story of aesthetic perfection waiting to be broken. Nico¿s midcentury modern house, with its Italian pottery jars along the outside and its interior lit by Japanese lanterns. The elephant-hide gray, fiberglass reinforced plastic 1951 Eames rocking chair, with metal legs and birch runners. Clam consommé with kombu, giant kelp, yuzu rind, and a little fennel¿in each bowl, two clams opened like a pair of butterflies, symbols of the happy couple. Nico¿s boyish delight in developing photographs under the red safety light of Codäs ¿Floating Zendo¿¿ the darkroom boat that he keeps on Lake Tahoe.The lives of Nico, his parents, and Coda embody northern Californiäs postwar landscape, giving way to fissures of alternative lifestyles and poetic visions. Author Carol Mavor addresses the sensuality and complexity of a son¿s love for his mother and that mother¿s own erotic response to it. The relationship between the mother and son is paralleled by what it means for a boy to be a model for a male photographer and to be his muse. Just as water can freeze into snow and ice, melt back into water, and steam, love takes on new forms with shifts of atmosphere. Like a Lake¿s haunting images and sensations stay with the reader.

In Your Eyes I See My Words, Volume 3 brings together the homilies and speeches of Archbishop Cardinal Jorge Mario Bergoglio from 2009 through his election as Pope Francis on March 13, 2013. These writings provide an intimate glimpse into the theological, philosophical, scientific, and cultural-educational currents that forged the steady, loving, and nurturing leadership style with which Bergoglio guided the Church in Buenos Aires. That style has now done the same for the Church from Rome, a Church rocked by financial and moral scandals, and a world shaken by the first global pandemic in a century.These writings were kneaded¿a word he uses when talking about the work of molding the souls and character of youth and seminarians¿in the relationships he formed in his bus rides to work and in his intense contact with all segments of the population. Because of that careful and prayerful process of kneading they have found their full development in Bergogliös writing as Pope Francis, especially in Evangelii gaudium (November 2013); Gaudete et exsultate, On the call to sanctity (March 2018); and his encyclical Laudato si¿ (May 2015). In this final volume of Bergogliös homilies and papers we meet European theologians and thinkers such as Hans Urs von Balthasar, Henri de Lubac, and Bergogliös Uruguayan philosopher and friend, Methol Ferré, the literary figure Miguel Ángel Asturias, and Enrique Santos Discépolo, a singer and composer of tangos that decry corruption.In a prophetic conclusion, the last homily of this volume is an outline of the roadmap Pope Francis has followed throughout his papacy: one defined by ongoing love and care for God¿s people and that seeks to spread God¿s merciful anointing to those living on the margins of life.

The National Frame rethinks the politics of art by focusing on the role of art in state governance. It argues that artistic practices, arts patronage and sponsorship, collecting and curating art, and the modalities of censorship, continue to be refracted through the conceptual lens of the nation-state, despite the globalization of the arts.

Against traditional approaches that view German Idealism as a secularizing movement, this volume revisits it as the first fundamentally philosophical articulation of the political-theological problematic in the aftermath of the Enlightenment and the advent of secularity.

Against traditional approaches that view German Idealism as a secularizing movement, this volume revisits it as the first fundamentally philosophical articulation of the political-theological problematic in the aftermath of the Enlightenment and the advent of secularity.

Winner, 2022 Association of University Presses Book, Jacket, and Journal Show in the Scholarly Illustrated CategoryA significant contribution on the development and aftermath of post¿World War II Concretism in BrazilForm and Feeling features a collection of essays by noted scholars exploring the sensorial, experience-based, and participatory practices pioneered in the 1950s by artists and poets such as Flávio de Carvalho, Ivan Serpa, Hélio Oiticica, Haroldo de Campos, Mary Vieira, Lygia Pape, Anna Maria Maiolino, Lygia Clark, Waly Salomão, and Emil Forman, among many others. Fourteen thought-provoking essays examine how many of their strategies constituted a pertinent critique of the country¿s wide-ranging embrace of Eurocentric modernity while anticipating a number of practices prevalent among contemporary artists today¿namely, the rise of art as social practice, the embrace of pedagogical concerns by artists, and relational aesthetics.The fourteen essays collected in this volume consider the ramifications of modernist abstraction in the second half of the twentieth century and contribute to a growing academic field in postwar Brazilian and Latin American art history. Contributions to this anthology examine the development of modernist ideas that flourished in Brazil during a controversial period interspersed by dictatorial regimes. The global aspect of Brazilian art is especially evident in these studies, presenting the relational complexity of their subjects as transcultural, transnational actors while simultaneously contributing to a growing, increasingly nuanced understanding of visual and material culture, performance, and criticism in Brazil.Form and Feeling continues the important process of re-analyzing the intersections of Concretism and Neo concretism, arguing for greater affinities between the primary and lesser-known cast of characters while equally redistributing the strict geographical divisions of São Paulo and Rio de Janeiro. This anthology broadly situates this extraordinary period of artistic experimentation in direct relationship to contemporary factors, such as psychoanalysis, educational systems, poetry, politics, and feminism. It crafts innovative relationships about the constructive hierarchies of form and space, poetry and painting, and mathematics and philosophy, thus engendering new positions for a deeply ensconced period in Brazilian history.