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Gentle Reader, It is customary to omit prefaces. I beg you to make an exception in my particular case; I have something I really want to say. I have an object in this book, more than the mere telling of a story, and you can always judge of a book better if you compare it with the author's object. My object is to interpret to the world the New England life and character in that particular time of its history which may be called the seminal period. I would endeavor to show you New England in its seed-bed, before the hot suns of modern progress had developed its sprouting germs into the great trees of today.- Harriet Beecher Stowe in the character of Horace Holyoke
This book was the basis of the 1938 movie Call of the Yukon.James Oliver Curwood lived most of his life in Owosso, Michigan, where he was born on June 12, 1878. His first novel was The Courage of Captain Plum (1908) and he published one or two novels each year thereafter, until his death on August 13, 1927. Owosso residents honor his name to this day, and Curwood Castle (built in 1922) is the town's main tourist attraction. During the 1920s Curwood became one of America's best selling and most highly paid authors. This was the decade of his lasting classics The Valley of Silent Men (1920) and The Flaming Forest (1921). He and his wife Ethel were outdoors fanatics and active conservationists.
A major objective of this study was to develop procedures by which a dog handler can control the direction of off-leash movement of his dog by remote means in an unrestricted environment. Several dogs were successfully conditioned to respond to a tone signal to change direction and to make excursions of one-half mile or more under the control of terrain stimuli and of tone signals transmitted by radio. Automated procedures to train dogs to change direction in response to a tone were developed; in these procedures the learning contingencies of reinforcement were arranged by a computer control system. The learning of other scout dog skills is described in terms of sub-programs consisting of small, easy-to-learn steps.
Whitman's 1870 collection of poems including not only Passage to India but many Civil war poems, main selections from Leaves of Grass, and other collections. This is Whitman's famous poem-sequence, now back in print after many years.This title is cited and recommended by Books for College Libraries.
A young boy with the voice of a skylark, joins a troupe of traveling minstrels. Spirited away from Stratford-on-Avon, he has many adventures, both frightening and triumphant, and finds love through one of the players.No other contemporary work has portrayed the life and times of Elizabethan England with such accuracy.
A fascinating and entertaining story set in seventeenth century Transylvania revolving around events taking place subsequent to the coronation of a somewhat reluctant Prince Michael Apafi, whom the Turks raised to power. "The story is absorbingly interesting and displays all the virility of Jokai's powers, his genius of description, his keenness of characterization, his subtlety of humor and his consummate art in the progression of the novel from one apparent climax to another." - Literary World, LondonMaurus Jokai (1825 - 1904) was a Hungarian novelist who took part as a journalist in the revolution of 1848. He wrote about 200 novels, including Timar's Two Worlds, Black Diamonds, and The Romance of the Coming Century.
A Small Town Called Hibiscus is one of the best Chinese novels to have appeared in 1981. Its author Gu Hua was brought up in the Wuling Mountains of south Hunan. He presents the ups and downs of some families in a small mountain town there during the hard years in the early sixties, the "cultural revolution," and after the downfall of the "gang of four." He shows the horrifying impact on decent, hard-working people of the gang's ultra-Left line, and retains a sense of humor in describing the most harrowing incidents. In the end wrongs are righted, and readers are left with a deepened understanding of this abnormal period in Chinese history and the sterling qualities of the Chinese people.
CONTENTSOur First SuccessAn Eventful NightThe Sinking of the TransportRich SpoilsThe Witch-KettleA Day of TerrorA Lively ChaseThe British Bull-dogHomeward Bound!
Originally published in 1885, this work covers details of classical ornamentation of precious and not so precious stones, including rings, signets, cylinder seals, brooches, and other objects in everyday, business and ceremonial use. The author is particularly concerned with the language and symbolism of the decoration. This erudite text covers the history of Western intaglio gems from antiquity to the Renaissance with emphasis on ancient Greek and Roman gems. The second half of the work includes an analysis of copper plate and woodcut engravings concerning ancient artists.
This tale of the sea was written in 1847-48, and during the same year J. Fenimore Cooper was still occupied with the Naval Biographies, and also with The Crater. It was very seldom that he was actually engaged in writing two novels at the same time, but such was the case with The Crater and Jack Tier. The last, however, appeared as a monthly serial in "Graham's Magazine," and under the title of Rose Budd. When completed it was reprinted in a book form, and the name was changed to one much more appropriate. The date is the period of the Mexican War, when peace had only been proclaimed a few months earlier. The opening scenes occur at the wharves of New York and in Long Island Sound, where the Water-Witch had appeared nearly twenty years before. There is not the least similarity, however, between the plots or the incidents of the two books. It is indeed remarkable that after writing so large a number of tales of the sea, there should be still so much freshness and variety, in the latest of the series, both in the plot and in the details of the narrative. James Fenimore Cooper (1789-1851) was an American novelist, travel writer, and social critic, regarded as the first great American writer of fiction. He was famed for his action-packed plots and his vivid, if somewhat idealized, portrayal of American life in the forest and at sea.
This book was Henry Ford's personal attempt to thwart the public's growing love affair with cigarettes. It features a letter from Ford's friend, inventor Thomas Edison, which reads "Friend Ford, The injurious agent in cigarettes comes principally from the burning paper wrapper. The substance thereby formed, is called "Acrolein." It has a violent action on the nerve centers, producing degeneration of the cells of the brain, which is quite rapid among boys. Unlike most narcotics this degeneration is permanent and uncontrollable. I employ no person who smokes cigarettes. Yours, Thomas A. Edison." Ford also references his discussions regarding cigarettes with the eminent naturalist John Burroughs. The entire pamphlet focuses on discouraging smoking in childhood. Mr. Ford compiled various other testimonials from famous persons giving their opinions on the evils of cigarettes, as well as the rebuttals from Percival I. Hill, President of the American Tobacco Company.
CONTENTSHow the Devil Redeemed the Crust of BreadThe Repentant SinnerThe Kernel of the Size of a Hen's EggHow Much Land a Man NeedsThe GodsonThree SonsLabourer Emelyán and the Empty Drum
Originally published in 1886, this was one of Tolstoy's several religious and moral works in that period of his life.
The subject of imposture is always an interesting one, and impostors in one shape or another are likely to flourish as long as human nature remains what it is, and society shows itself ready to be gulled. The histories of famous cases of imposture in this book have been grouped together to show that the art has been practiced in many forms - impersonators, pretenders, swindlers, and humbugs of all kinds; those who have masqueraded in order to acquire wealth, position, or fame, and those who have done so merely for the love of the art. Bram Abraham Stoker (1847-1912) was born in Dublin, Ireland. Although best known for Dracula, Stoker wrote eighteen books. Stoker coined the term "undead," and his interpretation of vampire folklore has powerfully shaped depictions of the legendary monsters ever since.
Leonid Leonov (born 1899) belongs to the generation of Soviet writers who began their literary career during the revolution and the civil war and identified themselves with the new life which the revolution inaugurated. Leonov's first novel Badgers (1924) won unanimous appreciation among his contemporaries as a mature work of artistic merit. He became a writer of outstanding reputation in Soviet literature. Author of such popular novels as The Thief, Sot, Skutarevsky, and The Road to the Ocean, the short novel The Capture of Velikoshumsk and the plays An Ordinary Man, Invasion, and The Golden Carriage, Leonov was the first Soviet wrier to be awarded a Lenin Prize for his novel The Russian Forest, written in 1953. The Russian Forest embodies all the most characteristic features of its author's style and manner. In this novel, which reads like a kaleidoscope of the twentieth-century Russian scene, the author emerges with consummate versatility as artist, philosopher, and citizen.
When the Shabby Genteel Story was first reprinted with other stories and sketches by William Makepeace Thackeray, the following note was appended to it:"It was my intention to complete the little story, of which only the first part is here written. Perhaps novel-readers will understand, even from the above chapters, what was to ensue. Caroline was to be disowned and deserted by her wicked husband; that abandoned man was to marry somebody else; hence, bitter trials and grief, patience and virtue, for poor little Caroline, and a melancholy ending - as how should it have been gay? The tale was interrupted at a sad period of the writer's own life. The colors are long since dry; the artist's hand is changed. It is best to leave the sketch, as it was when first designed seventeen years ago. The memory of the past is renewed as he looks at it - die Bilder froher Tage Und manche liebe Schatten steigen auf." Mr. Brandon, a principal character in this story, figures prominently in The Adventures of Philip, under his real name of Brand Firmin; Mrs. Brandon, his deserted wife, and her father, Mr. Gann, are also introduced; thus The Adventures of Philip can be considered a sequel to A Shabby Genteel Story.
This marvelous book is the sequel to Bellamy's Looking Backward, his utopian novel of several years earlier, where a young man falls asleep in 1887 and wakes in a utopian year 2000, where all social ills are solved. This novel continues the thread of his utopian vision. Equality begins when Julian West returns to the year 2000 to continue his education. The book describes an ideal society in that year. Equality was published just before his death and was not received nearly as well as Looking Backward. Bellamy was born in 1850 in Chicopee Falls, Massachusetts. As a young man he studied law and entered the bar, but never practiced. He was a journalist and social theorist as well as a novelist. Bellamy's theory of public capitalism would greatly affect American political thought in the 20th century.
Sir Geoffrey Peveril, an old Cavalier, and Major Bridgenorth, a fanatical Puritan, are neighboring landowners in Derbyshire, and though of widely different opinions and modes of life, have been connected by ties of reciprocal kindness in the days of the Civil War. Julian, the son of Sir Geoffrey, and Alic, the daughter of Bridgenorth, are deeply in love. The recrudescence of bitter political feeling during the period of the 'Popish plot' brings the parents into acute conflict. The author draws elaborate portraits of Charles II and Buckingham, and gives glimpses of Titus Oates, Colonel Blood and Sir Geoffrey Hudson. This edition includes an introduction by the author. Sir Walter Scott (1771-1832), began his career writing narrative poetry, and later re-launched his career as a novelist. Deriving most of his material from his native Scotland, its history and its legends, Scott invented and mastered what we know today as the historical novel.
A Tour of the Moon was originally published in 1865 as the sequel to Verne's better known A Trip from the Earth to the Moon. As to the discoveries made by the explorers, it is noteworthy that here Verne has again restrained himself, instead of plunging blindly into inventions as a less conscientious romancer might easily have done. His picture of the moon is hard and cold, confined to just what astronomers actually know or closely surmise. He brings the views and visions of the scientist into a field usually abandoned to the fooleries of extravaganza.
In 1878 appeared Dick Sands, the epic of the slave trade. This picture of the wilds of Africa, its adventures and its dangers, the savage hunting both of beasts and men, has always been a favorite among Verne's readers. It contains no marvels, no inventions, but merely, amid stirring scenes and actions seeks to convey two truthful impressions. One is the traveler's teaching the geographical information, the picture of Africa as explorers, botanists, and zoologists have found it. The other is the moral lesson of the awful curse of slavery, its brutalizing, horrible influence upon all who come in touch with it, and the absolutely devastating effect it has had upon Africa itself.
In this book Verne struck again the bolder note of imagination and creation. Here the daring explorers are represented as actually attaining the pole; and the bold inventions of what they saw and did, rising to the startling climax of the volcano and the madman's climb, are led up to through such a well-managed, well-constructed and convincing story, that many critics have selected this in its turn as the most powerful of Verne's works. It is notable that, with the exception of the open sea and the volcano, the world which our author here penetrates in imagination, coincides closely with that which Peary has discovered to exist in reality. Here are the same barren lands, the same weary sledge journey, the same locations of land and sea, the "red snow," the open leads in the ice. Verne's predictions, wild as they sometimes seem, were all so carefully studied that they shoot most close to truth.
This volume includes all of Verne's earlier stories as he himself thought worth preserving. These he gathered in later years, and had some of them reissued by his Paris publishers. "A Drama in the Air," was, as Verne himself tells us, his first published story. It appeared soon after 1850 in a little-known local magazine called the "Musée des Families." The tale, though somewhat amateurish, is very characteristic of the master's later style. In it we can see, as it were, the germ of all that was to follow, the interest in the new advances of science, the dramatic story, the carefully collected knowledge of the past, the infusion of instruction amid the excitement of the tale. Similarly we find "A Winter in the Ice" to be a not unworthy predecessor of The Adventures of Captain Hatteras and all the author's other great books of adventure in the frozen world. Here, at the first attempt, a vigorous and impressive story introduces us to the northland, thoroughly understood, accurately described, vividly appreciated and pictured forth in its terror and its mystery. "The Pearl of Lima" opens the way to all those stories of later novelists wherein some ancient kingly race, some forgotten civilization of Africa or America, reasserts itself in the person of some spectacular descendant, tragically matching its obscure and half-demoniac powers against the might of the modern world. "The Mutineers" inaugurates our author's favorite geographical device. It describes a remarkable and little-known country by having the characters of the story travel over it on some anxious errand, tracing their progress step by step. Thus, of these five early tales, "The Watch's Soul" is the only one differing sharply from Verne's later work. It is allegorical, supernatural, depending not upon the scientific marvels of the material world, but upon the direct interposition of supernal powers.
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