Bøger udgivet af Free Press

Discover the fascinating, crucial, and often dangerous relationship between Michelangelo and the stone quarries of Carrara in this clear-eyed and well-researched exploration that “recounts the artist's large life and lasting works with care and reverence” (Booklist).No artist looms so large in Western consciousness and culture as Michelangelo Buonarroti, the most celebrated sculptor of all time. And no place on earth provides a stone so capable of simulating the warmth and vitality of human flesh and incarnating the genius of a Michelangelo as the statuario of Carrara, the storied marble mecca at Tuscany's northwest corner. It was there, where shadowy Etruscans and Roman slaves once toiled, that Michelangelo risked his life in dozens of harrowing expeditions to secure the precious stone for his Pietà, Moses, and other masterpieces. Many books have recounted Michelangelo’s achievements in Florence and Rome. Michelangelo’s Mountain goes beyond all of them, revealing his escapades and ordeals in the spectacular landscape that was the third pole of his tumultuous career and the third wellspring of his art. Eric Scigliano brings this haunting place and eternally fascinating artist to life in a sweeping tale peopled by popes and poets, mad dukes and mythic monsters, scheming courtiers and rough-hewn quarrymen. He recounts the saga of the David, the improbable masterpiece that Michelangelo created against all odds, of the twin Hercules that he tried to erect beside it, and of the Salieri-like nemesis who snatched away the commission, turning a sculptural testament to liberty into a bitter symbol of tyranny and giving Florence the colossus it loves to hate. In showing how the artist, land, and stone transformed one another, Scigliano brings fresh insight to Michelangelo's most cherished works and illuminates his struggles with the princes and potentates of Carrara, Rome, and Medici Florence, who raised intrigue to a high art.

From Simon & Schuster, Black Theatre USA is the revised and expanded edition of volume one which shares plays by African Americans from the early period, 1847-1938.Black Theatre USA traces the history of African American drama, gathers major plays by African American writers, and includes background information on each play and author.

Irving Janis, one of the world's leading authorities on decision making, presents a comprehensive analysis that shows corporate executives, government and organizational policymakers, and general managers how to avoid making critical errors and ensure quality in making vital decisions.Using cogent evidence and illustrations from studies of top-level policymakers in government, business, and public welfare organizations, Janis shows how the likelihood of failure is substantially reduced if sound procedures of information search, appraisal, and planning are used. He alerts executives to the preconditions, precipitating events, and catalysts that create situations where the most dangerous error of decision making?relying on simplistic decision rules?often occurs. By following the four essential steps outlined by Janis, policymakers can adopt ?vigilant problem solving,? the high-quality procedural strategy for arriving at policy decisions When policymakers utilize the vigilant problem solving approach, they are likely to take full account of the various constraints involved in a situation and may even seek out additional information about them. Consequently, the risk of failure, especially in critical situations, is substantially lowered. Janis' highly acclaimed decision making strategies give a powerful advantage to managers in all kinds of organizations, from the smallest family business to the largest corporation and government agency.

In 1953, William Golding was a provincial schoolteacher writing books on his breaks, lunch hours and holidays. His work had been rejected by every major publisher—until an editor at Faber and Faber pulled his manuscript off the rejection pile. This was to become Lord of the Flies, a book that would sell in the millions and bring Golding worldwide recognition. Golding went on to become one of the most popular and influential British authors to have emerged since World War II. He received the Booker Prize for the novel Rites of Passage in 1980, and the Nobel Prize for Literature in 1983. Stephen King has stated that the Castle Rock in Lord of the Flies continues to inspire him, so much so that he named his entertainment company after it and has placed the Golding novel prominently in his novels Hearts in Atlantis and Cujo. Golding has been called a British Vonnegut—disheveled and darkly humorous, perverse when it would have been easier to be bitter, bitter when it would have been easier to be lazy, sometimes more disturbing than he is palatable and above all fascinating beyond measure. Yet despite the fame and acclaim, the renowned author saw himself as a monster—a reclusive depressive ruled by his fears and a man who battled alcoholism throughout his life. In addition to being a schoolteacher, Golding was a scientist, a sailor and a poet before becoming a bestselling author, and his embitterment and alienation, his family, the women in his past, along with his experiences in the war, inform his work. This is the first book to unpack the life and character of a man whose entire oeuvre dealt with the conflict between light and dark in the human soul, tracing the defects of society back to the defects of human nature itself. Drawing almost entirely on materials that have never before been made public, John Carey sheds new light on Golding. Through his exclusive access to Golding’s family, Carey uses hundreds of letters, unpublished works and Golding’s intimate journals to draw a revelatory and definitive portrait. An acclaimed critic, Carey enriches crucially our appreciation of the literary work of Golding, bringing us, as the best literary biographies do, back to the books. And with equal parts lyricism and driving emotion, Carey brings to light a life that is extraordinary to the point of transcendent and a writer who trusted the imagination above all things.

A seasoned journalist exposes the truths and injustices that plague a small Kentucky town after it is ripped apart by a shocking crime. b&w photographs.

Originally published in hardcover in 2008.

What does it mean to love a character in a book? Many of us do. Many of us always have. These loves are not the subject of late-night phone conversations with friends or entries in our secret diaries. Yet, as Anne Roiphe reveals in her stunning new book, the characters we know only in fiction live forever in our hearts and our minds. We are what we read. In For Rabbit, with Love and Squalor, Roiphe takes us on a glorious tour of the relationships she has had with the great male characters of American fiction: Holden Caulfield, Robert Jordan, Dick Diver, Rabbit, Nathan Zuckerman, Frank Bascombe, and Max and Mickey. In her literary love life Roiphe is a serial monogamist. When she is involved with one character, she is exclusively his until another comes along. She is an audience, an imaginary lover, and a critic, too -- but a critic only in the way a relative carps or chides at the escapades of a dear one. Though a woman, she identifies with her male heroes; as a woman, she feels love, awe, worry, and tenderness toward them at the same time. Never have the great male creations of Fitzgerald and Hemingway, Salinger, Roth and Updike, Ford and Sendak come alive so vibrantly through the critical imagination of a fellow novelist. What we discover on the printed page often carries over to our real-life encounters with the opposite sex, and so Roiphe weaves fragments of her own life story throughout the book. At different times in her life, men like Holden, Rabbit, Nathan, and Frank taught her much of what she knows about how men feel, how they experience love and loss, how they are like and yet unlike her. Piece by piece, Roiphe uncovers a portrait of the male soul, in all its rage and glory. A personal odyssey as well as a celebration of the joys of reading, For Rabbit, with Love and Squalor is a winning blend of self-discovery, criticism, and autobiography that will inspire everyone in love with the written word.

What do you wear to meet your father for the first time? In 2004, Hannah Pool knew more about next season's lipstick colors than she did about Africa: a beauty editor for The Guardian newspaper, she juggled lattes and cocktails, handbags and hangouts through her twenties just like any other beautiful, independent Londoner. Her white, English adoptive relatives were beloved to her and were all the family she needed. Okay, if I treat it as a first date, then I'm on home turf. What image do I want to put across?...Classic, rather than trendy, and if my G-string doesn't pop out, I should be able to carry the whole thing off. Contacted by relatives she didn't know she had, she decided to visit Eritrea, the war-torn African country of her birth, and answer for herself the daunting questions every adopted child asks. Imagine what it's like to never have seen another woman or man from your own family. To spend your life looking for clues in the faces of strangers...We all need to know why we were given up. What Hannah Pool learned on her journey forms a narrative of insight, wisdom, wit, and warmth beyond all expectations. When I stepped off the plane in Asmara, I had no idea what lay ahead, or how those events would change me, and if I'd thought about it too hard I probably wouldn't have gotten farther than the baggage claim. A story that will "send shivers down [your] spine," (The Bookseller), My Fathers' Daughter follows Hannah Pool's brave and heartbreaking return to Africa to meet the family she lost -- and the father she thought was dead.

Judith Viorst is known and loved by readers of all ages, for children’s books such as Alexander and the Terrible, Horrible, No Good, Very Bad Day; nonfiction titles, including the bestseller Necessary Losses; and her collections of humorous poetry, which make perfect gifts for birthdays, Mother’s Day, graduation, Christmas, Chanukah, or at any time of year.Whatever became of Alexander after that famously bad day? And did you know that Judith Viorst is his mother? And what happens to her passion for household neatness and orderliness, her deep devotion to schedules, her compulsive yearning to offer helpful advice when Alexander— now grown up, married, and the father of three—moves his family into his parents’ house? What happens is controlled, and sometimes not so controlled, chaos, as lives and routines are turned upside down and the house is overrun with scattered toys, pacifiers, baby bottles, sippy cups, pink-sequined flip-flops, jigsaw puzzles, and fishy crackers. With her characteristic sparkle and wit, Viorst relates her efforts to (graciously) share space, to become (if only a little bit) more flexible, to (sort of) keep her opinions to herself, and even to eventually figure out how to unlock the safety locks of the baby's (expletives deleted) bouncy seat. She describes how she and her husband, while sometimes longing for the former peace and tranquility of unravished rooms and quiet dinners for two unaccompanied by cries of “Oh, yuck!” survived and relished the extended visit of the Alexander Five. She also opens our eyes to the joys of multigenerational family living and to the unexpected opportunities to grow that life presents—even under the most unlikely circumstances. Several generations of readers surely will relate to this funny and loving book, enhanced throughout by Laura Gibson’s delightful two-color drawings.

“This powerful first in a new thriller series from Swedish sisters Grebe and Träff introduces a delightfully flawed heroine…The action moves swiftly to a surprising climax” (Publishers Weekly, starred review, Pick of the Week).SOMEONE IS WATCHING SIRI BERGMAN. A thirty-four-year-old psychologist with a troubled past, Siri Bergman works in central Stockholm and lives alone in an isolated cottage outside the city. Terrified of the dark, she leaves all the lights on when she goes to bed—after having a few glasses of wine to calm her nerves—but she can’t shake the feeling that someone is spying on her through the blackened windows. When the lifeless body of Sara Matteus—a young patient of Siri’s with a history of drug addiction and sexual abuse—is found floating in the water near the cottage, Siri can no longer deny that someone is out there, watching her and waiting. With the help of Markus, the young policeman investigating Sara’s death; Vijay, an old friend and psychology professor; and Aina, her best friend, Siri sets out to catch the murderer and finally put her past to rest. But as their investigation unfolds, virtually everyone Siri trusts will become a potential suspect.