Bøger udgivet af GIBBS SMITH PUB

This would be a great time in the world for some man to come along that knew something. Villains are getting as thick as college degrees and sometimes on the same fellow. The Quotable Will Rogers Great artists say that the most beautiful thing in the world is a baby. Well, the next is an old lady, for every wrinkle is a picture. You can't have the picnic unless the party carrying the basket comes. If you live life right, death is a joke as far as fear is concerned. They want peace. But they want a gun to get it with. With a Foreword by Larry Gatlin The more you know, the more you think somebody owes you a living. Every guy looks in his pocket and then votes. When a fellow don't have much mind it don't take him long to make it up. You don't climb out of anything as quick as you fall in. I am kind of like a politician. The less I know about anything the more I can say about it.

Living in modern society, we have become increasingly disassociated from the earth, from the essence of ourselves, and the need is awakened in us to return to the wilderness--physically and emotionally. We long to feel a sense of connection with our ancient roots. This urge is what has prompted man's fascination with primitive skills: producing objects from natural materials using methods similar to prehistoric cultures. Primitive Technology: A Book of Earth Skills is a sharing of ideas--the philosophies, the history, and the personal stories by the authorities on primitive technology from teh pages of The Bulletin of Primitive Technology. Included are instructions for creating fire and tools of wood, stone, and bone, as well as fiber adhesives, projectiles, art, and music. Practicing these primitive methods will lead the seeker towards a tangible, raw connection with the ancient past, with nature's resources and, ultimately, with the creative forces that constructed the foundation of man's survival on the planet.

6 3/4 X 9 3/4 In, 256 Pp, 2 Color Illustrations, 128 Black & White Photos, 65 Line Drawings Originally Published In 1916 When The Arts and Crafts Movement Was In Its Heyday, This Is A Virtual Textbook of Materials, Color, Techniques and Designs. Arts & Crafts Design Is A Practical Guide To The Creation of High-Quality, High-Style Furnishings Through The Industrial Arts.

A poem is a moral and mythic construct. Each decision the writer makes concerning the subject matter, form, diction, and tone reveals something about his or her vision of the world. Nowhere is that vision more on display than in an ars poetica, which is where a poet takes stock, writing down his or her articles of faith. An ars poetica is also a barometer for the cultural climate of one's times, and what the "readings" contained in this book suggest about post-Cold War America is that there are countless ways to interpret and transform our experiences. In the new world order the theater has changed yet again: the rise of ethnic conflict, neofascism, nationalism, and religious fundamentalism; the depletion of the earth's resources and devastation of innumberable ecosystems; continuing economic problems in both the developed and developing parts of the world; overpoplulation, the spread of AIDS and other communicable diseases;--these are dangers everyone faces. And poets are finding, in small ways and large, what will suffice for the next act. --Christopher Merrill

Samuel Hall Young, a Presbyterian clergyman, met John Muir when the great naturalist's steamboat docked at Fort Wrangell, in southeastern Alaska, where Young was a missionary to the Stickeen Indians. In "Alaska Days With John Muir" he describes this 1879 meeting: "A hearty grip of the hand and we seemed to coalesce in a friendship which, to me at least, has been one of the very best things in a life full of blessings." This book, first published in 1915, describes two journeys of discovery taken in company with Muir in 1879 and 1880. Despite the pleas of his missionary colleagues that he not risk life and limb with "that wild Muir", Young accompanied Muir in the exploration of Glacier Bay. Upon Muir's return to Alaska in 1880, they traveled together and mapped the inside route to Sitka. Young describes Muir's ability to "slide" up glaciers, the broad Scotch he used when he was enjoying himself, and his natural affinity for Indian wisdom and theistic religion. From the gripping account of their near-disastrous ascent of Glenora Peak to Young's perspective on Muir's famous dog story "Stickeen", Alaska Days is an engaging record of a friendship grounded in the shared wonders of Alaska's wild landscapes. This series celebrates the tradition of literary naturalists-- writers who embrace the natural world as the setting for some of our most euphoric and serious experiences. Their literary terrain maps the intimate connections between the human and the natural world, a subject defined by Mary Austin in 1920 as "a third thing... the sum of what passed between me and the Land." Literary naturalists transcend political boundaries, social concerns and historical milieus; they speak for what Henry Beston called the "other nations" of the planet. Their message acquires more weight and urgency as wild places become increasingly scarce. This series then, celebrates both a wonderful body of work, and a fundamental truth: that nature counts as a model, a guide to how we can live in the world.