Bøger udgivet af Glagoslav Publications B.V.

This anthology reflects a search of the Ukrainian nation for its identity, the roots of which lie deep inside Ukrainian-language poetry. Some of the included poets are well-known locally and internationally; among them are Serhiy Zhadan, Halyna Kruk, Ostap Slyvynsky, Marianna Kijanowska, Oleh Kotsarev, Anna Bagriana and, of course, the living legend of Ukrainian poetry, Vasyl Holoborodko. The next Ukrainian poetic generation also features prominently in the collection. Such poets as Les Beley, Olena Herasymyuk, Myroslav Laiuk, Hanna Malihon, Taras Malkovych, Julia Musakovska, Julia Stahivska and Lyuba Yakimchuk are the ones Ukrainians like to read today, and each of them already has an excellent reputation abroad due to festival appearances and translations to European languages. The work collected here documents poetry in Ukraine responding to challenges of the time by forging a radical new poetic, reconsidering writing techniques and language itself.Edited and translated from the Ukrainian by Anatoly Kudryavitsky.A bilingual edition.

Ilget is the story of a frail foundling who loses his twin brother, then by the will of mysterious supernatural forces goes from being a thrall under his adoptive father to the leader of a whole tribe. He finds himself enslaved once more when the Mongols invade the banks of his native Yenisei River, but ultimately comes to realize a truth: the greatest of blessings is to live without fear.A Krasnoyarsk newspaper wrote of the novel, "The author works with myth like a skilled craftsman sculpting a dugout canoe from a cedar trunk: with powerful, deliberate movements he hollows out the wooden interior and decorates the structure that emerges with coarse writing in praise of nameless spirits. When you board this boat, first your curiosity will be sparked; then things might turn uncomfortable; and you begin to understand that you will either perish or make it to the far shore." Even more ethnographic and exotic than Grigorenko's first novel Mebet, Ilget is imbued with magical realism, based on Siberian folklore and mythology.

'Why do you whimper and wail, O Tatra streams and rivers, who carry your plaintive lament resounding to the sea?' asks the narrator toward the end of The Slovaks, in Ancient Days, and Now. They respond: 'Because our human compatriots do not join together in memory, as we our waters mix with our origin, and because their lives do not resound booming, but roll on unconsciously, like hidden streams, silently to the sea of the life of the nations, young man!' This quotation from the most famous prose work of ¿udovít ¿túr (1815 - 1856) might be set as a motto to the literary career of Slovakia's greatest Romantic poet, publicist, and political activist. For all of ¿túr's writings aim at one goal: the propagation of the national traditions of the Slovaks in an age when their nation was threatened with such repression from the Magyar majority in Hungary, that the complete extinction of the Slovak language and culture was a real possibility. Slavdom: A Selection of his Writings in Prose and Verse, presents the reader with a wide selection of the creative output of a great Slovak writer, and an important Pan-Slav thinker. Divided in three parts: 'Slovakia,' 'Pan-Slavism' and 'Russia,' it reflects the development of ¿túr's thought, from his insistence on the importance of the Slovak past and the quality of Slovak culture, through his attempts to find a modus vivendi within the Austro-Hungarian Empire by uniting all of the Slavic nations of Austria together in a federation under the Habsburg crown (Austro-Slavism) to his arguments for all Slavs to unite under the hegemony of Russia, when the events following the Spring of the Peoples in 1848 proved Austro-Slavism a dead alley. Slavdom offers a generous selection of ¿túr's writings, from Slavic apologetics such as The Contribution of the Slavs to European Civilisation though selections of his poetry, chiefly, the two great chansons de geste centring on the ancient Great Moravian Empire: Svatoboj and Matú¿ of Tren¿ín. A must read for anyone interested in Slovak literature, Pan-Slavism, and European Romanticism in general.This book was published with a financial support from SLOLIA, Centre for Information on Literature in Bratislava.

The year is 1871. Prince von Ahrensburg, Austria's military attaché to St. Petersburg, has been killed in his own bed. The murder threatens diplomatic consequences for Russia so dire that they could alter the course of history. Leading the investigation into the high-ranking diplomat's death is Chief Inspector Ivan Putilin, but the Tsar has also called in the notorious Third Department - the much-feared secret police - on the suspicion that the murder is politically motivated. As the clues accumulate, the list of suspects grows longer; there are even rumors of a werewolf at large in the capital.Suspicion falls on the diplomat's lover and her cuckolded husband, as well as Russian, Polish and Italian revolutionaries, not to mention Turkish spies. True to his maxim that "coincidence and passion are the real conspirators," Putilin seeks answers inside the diplomatic circus as well, which leads him to struggles with criminals and with the secret police itself. When the mystery is solved, the only person who saw it coming was Putilin.

Lee Mandel's historical novel Moryak revolves around the story of Lieutenant Stephen Morrison, a naval officer sent by President Theodore Roosevelt on a top-secret mission in 1905. Morrison's assignment is to work with British agent Sidney Reilly to kidnap Tsar Nicholas II and remove him from Russia before he can sabotage the upcoming Portsmouth Peace conference.The mission goes awry and Morrison is captured and sentenced to death. Through a quirk of fate, he is instead sent to the infamous Russian prison on Solovetsky Island. There, his increasingly violent nature eventually allows him to dominate the camp as "Moryak" (Russian for Sailor). He soon catches the attention of the Bolshevik prisoners and their growing interactions come to have devastating effects on the evolving revolution in Russia, as well as the Allied war effort as the world descends into the chaos of World War I.As events unfold and secrets are unveiled in an uncanny political intrigue, Moryak in fact tells the life story of one man's struggle for acceptance, him finding his place and finding himself.

He is young, intelligent, well educated, with patriotic sentiments. But certain misunderstandings oblige him to flee from Ukraine. For some reason, everything in his life builds up to a certain Russian scenario. So to what extent should one burden Ukrainians with the outcome of this Russian Story? Finding himself involuntarily identified with Pushkin's Eugene Onegin, the hero of the novel, Eugene Samarsky, becomes a 'superfluous man' in Ukraine. This novel by Eugenia Kononenko deals with love and the quest for one's own identity, with the vaguely remembered circumstances rendering life nonsensical in Ukraine during the last years of the empire and the early years of independence. It considers the possibility of a mid-Atlantic meeting in today's globalised world.

'Somewhere in the cosmos there are happier places,' muses Martin Vrána, the hero of Jan Balabán's novel Where was the Angel Going?. 'People are transported to the planet Earth for punishment. Part of the punishment is their ignorance of the fact. We've forgotten that we've forgotten.' Yet, as this very reflection implies, in Martin's case, part of his 'punishment' is his ever-present memory of an Eden from which he had been expelled. The prototypical outsider, a member of a minority community within a minority community (a Protestant in the overwhelmingly agnostic Czech Republic), Martin, like the survivor of a shipwreck, strives to shore up his vital resources amidst the billows of an inimical world, which constantly advance and threaten to wash away everything he holds dear. Where was the Angel Going? is a novel made up of forty-six linked stories. As always, Balabán's prose is so vivid that the reader can practically taste the 'honey and dust,' which are the characteristic flavours of Ostrava. And yet, in its lyrical message of love and friendship as basic human needs no less critical than air and water, Where was the Angel Going is nonetheless an eminently universal novel. Everyone will find him or herself in these pages, as we are all of us descended from that first pair of exiles, Adam and Eve. Translation of this book was supported by the Ministry of Culture of the Czech Republic. Publishers Maxim Hodak & Max Mendor.

Moscow, during the collapse of the Soviet system: In a hospital, young people awaiting heart operations and possible death, live just for today with mischief-making and even love affairs, under the stringent gaze of the old matron, Baba Nastya. Here one of the patients, a young Turkmen, meets a Greek Comsomol boy, a Russian Stalinist with a 'robotic' heart, and the lovely but tragic Mary. To whom does the future belong - to the soulless robots or the poetical souls?

The central character in the gripping, psychological novel Duel is the Ukrainian intellectual Kost Horobenko. Set in the first years of the new Soviet Ukrainian state, the period of militant Communism, Horobenko, is forever duelling with his alter ego, the Ukrainian nationalist.This novel is one of a number of early works from the 1920s by Borys Antonenko-Davydovych, in which the writer tries to analyse the fate of intellectuals during the revolution in the Russian Empire, in particular the fate of those who were initially active in the Ukrainian national revival, and later, because of changed circumstances, were forced to switch to cooperating with the Soviet authorities. Of Antonenko-Davydovych's works devoted to this question, it is the largest and most profound, according to the literary critic Hryhoriy Kostiuk, and is psychologically complex and multifaceted. The works by Antonenko-Davydovych were welcomed for his rather sharp, satirical view of life.The novel was first published in the magazine Zhyttia i revoliutsiia in 1927 (iss. 10-12). It was subsequently published in this English translation by Lastivka Press in 1986, with a print run of 2000 copies, and it has been out of print for many years.

Rusland rond 1500. Grote plagen kondigen het einde van de wereld aan, terwijl grensoverschrijdende ontdekkingen Europa ongedachte perspectieven bieden.Een kruidendokter ervaart zijn eigen machteloosheid en gaat zwerven. Hij wordt een ander mens, meermalen zelfs: als heilige dwaas, pelgrim, monnik en ten slotte kluizenaar voelt hij zijn helende krachten groeien. Zijn naam verandert mee. Gaandeweg beginnen herinneringen, avonturen en visioenen, verleden, heden en toekomst in elkaar over te lopen. Taal en tijd worden vloeibaar. Tot de cirkel zich opent.Taal- en geschiedwetenschapper Jevgeni Vodolazkin speelt in deze "ahistorische roman" een literair spel vol humor en met een vleugje magie.

Enorme kudden vee zijn onder leiding van de hond Rex in opstand gekomen tegen de heerszuchtige mens. Onafzienbare massa's trekken richting het oosten, de opkomende zon tegemoet, naar een paradijselijk land van vrijheid en geluk, waar geen mens ooit een voet heeft gezet. Onderweg worden ze geconfronteerd met dieren uit de wildernis en overvallen door de meest extreme natuurverschijnselen en weersomstandigheden. Met wreed geweld en mooie beloften wordt het vee door honden en wolven almaar voortgedreven, terwijl de gelederen voortdurend worden uitgedund. Totdat er binnen de opstand een nieuwe opstand uitbreekt.

International brigades of mice and rats join forces to defend the rodents of Poland, threatened with extermination at the paws of cats favoured by the ancient ruler King Popiel, a sybaritic, cowardly ruler… The Hag of Discord incites a vicious rivalry between monastic orders, which only the good monks' common devotion to… fortified spirits… is able to allay… The present translation of the mock epics of Poland's greatest figure of the Enlightenment, Ignacy Krasicki, brings together the Mouseiad, the Monachomachia, and the Anti-monachomachia - a tongue-in-cheek 'retraction' of the former work by the author, criticised for so roundly (and effectively) satirising the faults of the Church, of which he himself was a prince. Krasicki towers over all forms of eighteenth-century literature in Poland like Voltaire, Swift, Pope, and LaFontaine all rolled into one. While his fables constitute his most well-known works of poetry, in the words of American comparatist Harold Segel, 'the good bishop's mock-epic poems […] are the most impressive examples of his literary gifts.' This English translation by Charles S. Kraszewski is rounded off by one of Krasicki's lesser-known works, The Chocim War, the poet's only foray into the genre of the serious, Vergilian epic.

A Burglar of the Better Sort offers, in the English translation of Charles S. Kraszewski, the entirety of Czy¿ewski's surviving literary output, from surrealistic plays like Donkey and Sun in Metamorphosis and his inimitable 'formistic poems' through the playful Christmas 'pastorals' - which so delighted Czes¿aw Mi¿osz - to his theoretical writings, which form the basis for his radically individual, shamanistic approach to literary creation. A truly global talent, Czy¿ewski belongs to the world, a world which, beyond Poland, finally has the opportunity to get to know him.