Gør som tusindvis af andre bogelskere
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The collection contains fifty-one poems divided into five sections, each (except the truncated last) containing eleven poems. The first section, Ozark Dark, introduces the rocky landscape and heavy mud of the Ozarks, the coyotes, bobcats, and deep poverty with which farm families cope. In the second section, Marooned, Albin sketches moments in the lives of people born into Ozark ways--ways which they accept and sometimes celebrate. At a family reunion, for example, "work-worn men" who've spent an afternoon churning ice cream "lean marooned on porch steps," listening to their children play. Section three, Axe, Fire, Mule, features farmers determining what must be done, and doing it: hefting hay bales, moving stones, repairing an old fiddle, watching deer, dealing with flood and drought. ( In "Burn Ban" the speaker accepts a neighbor's defiance of the ban, because the proud old man has always done slash-and-burn farming.) The poems in section four, Rose of Sharon, are from a teacher's point of view; he sees Latino immigrants bravely learning English while local racists sneer; he watches downsized factory workers and Iraq veterans struggle to figure out where they belong. In the final section, Will and Testament, an octogenarian, "Cicero Jack" reflects on his Ozarks. Its riverlands, once home to the Osage, are now littered with drunken tourists, and prized by land developers. Though his grandkids think he's "a mule," and he knows change is inevitable, Cicero Jack wills his city-dwelling heirs something more free and valuable than "bass boats and bank accounts."Eight photographs done by the author's sister, Kelli Albin, enhance the visual impact of the poetry.
Nick Reynolds is a highly successful food company executive. He's also a bully, feared by his employees and estranged from his wife and children. After his latest blow-up at work, Nick's boss orders him to take the summer off and sort himself out. Angry and despondent, Nick sets off, alone, from his home in Chicago for Bar Harbor, Maine. This is the story of what Nick experiences, learns and chooses along the way. It is a colorful and moving portrait of a man who must rediscover who he is and decide whether he can go on.
An experimental anti-imperialist fever-dream work of fiction, Always the Wanderer tells thestories of three people, James, Patrick, and Elizabeth, whose lives are all in flux. They do notknow each other, but their stories are connected by their geographies, their emotions, and theuncertainties in their lives. Filled with beautiful and immersive prose, this work consists of threenarrative braids that intertwine to draw the reader into this novel's complicated world. All threestories, or braids, were written with one another in mind and the arrangement of the chapterswas intentional. Always the Wanderer occupies an ambiguous space that confronts readers withchallenging views of imperial politics, capitalism, morals, ethics, and inter-cultural exchange.James, Patrick, and Elizabeth are strangers to each other, and yet the reader can sense theircommonalities.
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