Bøger udgivet af Goldsmiths, University of London

In this particular new LEA book the issue of art as interference and the strategies that it should adopt have been reframed within the structures of contemporary technology as well as within the frameworks of interactions between art, science and media. What sort of interference should be chosen, if one at all, remains a personal choice for each artist, curator, critic and historian. Edited by Lanfranco Aceti and Paul Thomas. Editorial Manager: Caglar Cetin. Writings by: Lanfranco Aceti, Paul Thomas, Mark Guglielmetti, Mark Cypher, David Eastwood, Darren Tofts and Lisa Gye, Leon Marvell, Oliver Grau, Adam Nash, Edward Colless, Brogan Bunt, Susan Ballard, Mark Titmarsh and Anna Munster.

A unique exploration of the history of the bicycle in cinema, from Hollywood blockbusters and slapstick comedies to documentaries, realist dramas, and experimental films.

An illustrated history of the evolution of British women's cycle wear.