Bøger udgivet af GOST Books

In his book Haiti, Bruce Gilden opens our eyes to this fascinating and ultimately tragic country.

A photographic archive of Dora, Alabama which offers a unique insight into life in rural Southern USA.

The over 140 images in the book-some rarely published or previously unseen-were edited by McCullin through the process of revisiting his archives and reassessing photographs made from the late 1950s until last year.

High Visibility (Blaze Orange) combines original images, performance, archival photographs and maps to show the impact of late capitalism and settler colonisation on the landscapes of the Western United States.

Over a period of two years Roo Lewis photographed the Welsh town of Port Talbot which, according to actor Michael Sheen, has an 'extremely high number of UFO sightings'. However, the resulting book Port Talbot UFO Investigation Club is not a study of UFO sightings but instead uses the phenomena as a starting point to explore and share the weird and wonderful stories of the town. During the course of his project, Lewis put up posters around the town to track down those who have spotted UFOS, chartered a small plane to fly over the town, commissioned UFO models based on sightings and was a guest of many of the town's residents.The photographs in the book range from portraits of Meyrick Sheen (father to Michael, who had a career as a Jack Nicholson lookalike), Captain Beany, and Miss Wales, to images the town's urban infrastructure and surrounding landscapes interrupted by man-made structures. The story behind each photograph is unique.

Tuck & Roll builds a queer community situated in the Midwest of America and examines what a utopia could look like in domestic and private landscapes through the lens of magical realism. Using the artist's close friends and trans siblings as stand-ins for biological family, Houston's images 'manifest a desire to have unconditional relationships' without losing the landscape they grew up in. The images are made up of materials fundamental to queer nightlife and include friends, family, partners, interiors, and landscapes addressing the multi-layered erasure queer communities have experienced.

In May 2021, Wong Chung-Wai left Hong Kong with his family to begin a new life in the UK. During the six months prior to their departure he had wandered the city alone using his camera to create an imprint of those things he could not take with him. The photographs in Hong Kong After Hong Kong are Chung-Wai's visual lament for the city. They show the city's contradictions--the co-existence of urban infrastructure and nature, the ancient and contemporary, and both the artificial and natural light of the city swathed by sea. Although one of the most densely populated cities in the world, Chung-Wai's photographs are devoid of crowds and often show solitary figures against cinematic backdrops. His images were made roaming on foot and alert to overlooked details, taking the viewer on a walk with him through the city he previously called home. 'These photos were initially intended to record the present moment, but now they seem more to depict the past, and tell the future.'

The Uncanny is a personal visual exploration of the Democratic Republic of Congo by Belgian photographer Léonard Pongo. Collaborating with friends and family in the country, Pongo became immersed in their vision. He let them decide what he should witness as he attempted to understand the region.

For 17 years Preston Gannaway has been photographing a boy called EJ following the death of his mother. Her new book, Remember Me is about becoming and the passage of time, while exploring themes of mortality, loss and masculinity. Gannaway was working as a young photojournalist at the Concord Monitor in New Hampshire when she was assigned in 2006 to work on a story focusing on a family--the St. Pierres--in which the mother, Carolynne, was dying of liver cancer. During afternoons when the kids were at school and Rich, the father was at work, it was Carolynne to whom Gannaway became closest. 'It came to me only later -- and I still have to remind myself of this in the frequent rush to get things done -- how crucial this time was. Time not making pictures is just as important as time making them. One depends on the other.' After Carolynne's passing, Gannaway stayed in touch with the family. EJ--Carolynne and Rich's youngest son who had been four-years old when Carolynne died --became the focus of the project.. EJ first appears as a small boy and is shown navigating his way to adulthood. Images of everyday details, landscapes and portraits collectively create a longitudinal essay on the impermanence of the human experience. The project is still ongoing.

Kiss it! is the result of a long-term collaboration between photographer Abbie Trayler-Smith and Shannon, a young woman living with obesity.

Over the course of 15-years, photographer Magnum photographer Ian Berry travelled the globe to document the inextricable links between landscape, life and water. This new book brings together a selection of the resulting images which collectively tell the story of man's complex relationship with water.

Twenty years ago, Moises Saman was working in Iraq as a photojournalist during the US-led invasion and occupation. Glad Tidings of Benevolence combines his photographs taken during this period and the following years with disparate documentation and texts.

From the Heads of the Hollers is a collection of images of the people and culture of the secluded mountain life of Appalachia.

Thatcher's Children, a long-term project by photographer Craig Easton, examines the intergenerational nature of poverty as experienced by three generations of the Williams family in the north of England. The passage of time shown in the book demonstrates how deprivation is connected to the social policy failures of successive governments. Thatcher's Children was born out of a series first made in 1992 focusing on two parents and six children living in a hostel for homeless families in Blackpool, England. The project was made in response to a speech by Peter Lilley, then Secretary of State for Social Security, in which he announced his determination to 'close down the something-for-nothing society.' French newspaper Libération dispatched a journalist to northern England to find out what this society looked like, and Easton was commissioned to take the accompanying photographs.

The Shipping Forecast, originally published in 1996, is Mark Power's illustration of the UK's Shipping Forecast, broadcast four times a day on BBC Radio 4. Beyond its useful and (at times life-saving)use to mariners it is also listened to by millions of people who tune in across the UK.

We DonâEUR(TM)t Say Goodbye is the result of a 10-year journey by Italian photographer Lorenzo Meloni across the Middle East and North Africa. Expecting to find and record the dawn of a new era of democratisation in the region, this journey turned into MeloniâEUR(TM)s first conflict reportage which lasted a decade.

Architecture + Beauty is the second monograph by John Balsom combining the artist's main interests of history, documentary, casting and in the photographer's words, 'graphicness.'

Hunter S. Thompson was an American journalist who became a legendary icon known for his counter culture lifestyle. Chloe Sells worked as a personal assistant for Hunter and this book combines Sells' photographs of Hunter's home -documenting the interior, his possessions and handwritten notes.

This long-term project, by South African photographer Alice Mann, explores the unique sport of drum majorettes. The images depict the aspirational subculture surrounding all-female teams of drum majorettes affectionately known as 'Drummies'.

Leave and Let Us Go presents a portrait of Iraq -a country often misunderstood and misrepresented. In this new book, Alexandra Rose Howland combines her own photographs with found images and written testimonies, her aim is to challenge and expand the ways that geopolitical events are communicated.