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Clinical psychologist Tony Hill has had a good run. He and police detective Carol Jordan have put away scores of dangerous criminals at a rate that colleagues envy. But there is one serial killer who has shaped and defined their careers, and whose evil surpasses all others: Jacko Vance, ex-celebrity and sociopath, whose brilliance and utter lack of remorse have never left Tony's mind in the ten years since they put him behind bars. With a twisted and cunning mind honed by long years of planning, Jacko has now pulled off the perfect escape and is determined to wreak revenge on Tony and Carol for the years he has spent in prison. They don't know when Jacko will strike, or where, or even who. All they know is that Jacko will cause them to feel fear like they've never known. A chilling, utterly gripping tour de force, "The Retribution" is an unforgettable read.
"First published in English in 2011 by Portobello Books, London, UK"--T.p. verso.
The perfect game is one of the rarest accomplishments in sports. No hits, no walks, no men reaching base. Twenty-seven up, twenty-seven down. In nearly four hundred thousand contests in more than 130 years of Major League Baseball, it has only happened twenty times. On June 2, 2010, Detroit Tigers pitcher Armando Galarraga threw baseball's twenty-first perfect game. Except that's not how it entered the record books. That's because Jim Joyce, a veteran umpire with more than twenty years of big league experience, missed the call on the final out at first base. "No, I did not get the call correct," Joyce said after seeing a replay. "I kicked the sh*t out of it." But rather than throw a tantrum, Galarraga simply turned and smiled, went back to the mound and took care of business. "Nobody's perfect," he said later in the locker room. In "Nobody's Perfect," Galarraga and Joyce come together to tell the personal story of a remarkable game that was will live forever in baseball lore, and to trace their fascinating lives in sports up until this pivotal moment.
Relates the history of the forced relocation of the Cherokee from Georgia, Tennessee, and North Carolina to Indian territory in Oklahoma and the struggle by their principle chief, John Ross, to prevent their removal from their ancestral lands.
Christopher Durang has been called "Jonathan Swift's nicer, younger brother" ("The New York Observer"). His plays are known for containing hilarity at every turn and revealing social commentary in every corner. Now collected in "Why Torture Is Wrong, and the People Who Love Them and Other Political Plays" are Durang's most revealing political and social satires. "Why Torture Is Wrong, and the People Who Love Them" tells the story of a young woman in crisis: Is her new husband, whom she married when drunk, a terrorist? Or just crazy? Or both? Is her father's hobby of butterfly collecting really a cover for his involvement in a shadow government? Does her mother go to the theater frequently to seek mental escape, or is she just insane? Add in a minister who directs porno, and a ladylike operative whose underwear just won't stay up, and this black comedy will make us laugh all the way to the waterboarding room. "[Durang's] funniest play in years. A play that equals his early hits." --John Simon, Bloomberg "Comedic napalm, something like a cross between The Marriage of Bette and Boo and Dr. Strangelove. Durang has now joined ranks with Dario Fo. Durang is getting a lot off his chest, and off ours. . . unnervingly true and cathartic." --Bob Verini, "Variety"
Put the country's big, fat political ass on a diet. Lose that drooping deficit. Slim those spreading entitlement programs. Firm up that flabby pair of butt cheeks which are the Senate and the House. Having had a lot of fun with what politicians do, P.J. O'Rourke now has a lot of fun with what we should think about those politicians. Nothing good, to be sure. Best-selling humorist P.J. O'Rourke is back with his latest political masterpiece, "Don't Vote--It Just Encourages The Bastards." Using his signature wit and keen observational skills, O'Rourke reflects on his forty year career as a political commentator, spanning his addlepated hippie youth to his current state of right-wing grouch maturity. "Don't Vote--It Just Encourages The Bastards" is a brilliant, disturbing, hilarious and sobering look at why politics and politicians are a necessary evil--but only just barely necessary. Read P.J. O'Rourke on the pathetic nature of politics and laugh through your tears or--what the hell--just laugh.
A novel set before, during, and after World War II follows the loosely parallel lives of an Austrian cellist, Meret Voytek, whose orchestra becomes part of the Hitler Youth, and Hungarian physist Karel Szabo, who's recruited by the Americans to help build the atomic bomb.
John Guare's new play is astonishing, raucous and panoramic. "A Free Man of Color" is set in boisterous New Orleans prior to the historic Louisiana Purchase. Before law and order took hold, and class, racial and political lines were drawn, New Orleans was a carnival of beautiful women, flowing wine and pleasure for the taking. At the center of this Dionysian world is the mulatto Jacques Cornet, who commands men, seduces women and preens like a peacock. But, it is 1801 and the map of New Orleans is about to be redrawn. The Louisiana Purchase brings American rule and racial segregation to the chaotic, colorful world of Jacques Cornet and all that he represents, turning the tables on freedom and liberty.
"United Nations: A History" begins with its creation in 1945. Although the organization was created to prevent war, many conflicts have arisen, ranging from The Korean War, to The Six Day War, to genocide in Bosnia and Rwanda. Stanley Meisler's in-depth research examines the crises and many key political leaders. In this second edition, Meisler brings his popular history up to date with accounts of the power struggles of the last fifteen years, specifically spotlighting the terms of secretaries-general Boutros Boutros-Ghali, Kofi Annan and Ban Ki-moon. This is an important, riveting, and impartial guide through the past and recent events of the sixty-five-year history of the United Nations.
When Gold Rush fever gripped the globe in 1849, thousands of Chinese came through San Francisco to seek fortune. In "The Poker Bride," Christopher Corbett uses a legend of one extraordinary woman as a lens into this experience. Before 1849, the Chinese in the United States were little more than curiosities. But as word spread of gold in California, San Francisco's labyrinthine Chinatown sprang up, a city-within-a-city full of exotic foods and strange smells where Chinese women were smuggled into the country. At this time Polly, a young Chinese concubine, was brought by her owner to a remote mining camp in the highlands of Idaho, where he lost her in a poker game. Polly and her new owner then settled at an isolated ranch on the banks of the Salmon River. As the Gold Rush receded, it took with it the Chinese miners, but left behind Polly, who would make headlines when -- as an old woman -- she emerged from the Idaho hills nearly half a century later to tell her astounding story. "The Poker Bride" reconstructs a tale of the real American West: a place where the first Chinese flooded the country and left their mark long after the craze for gold had vanished.
Catherine Millet's best-selling "The Sexual Life of Catherine M." was a landmark book -- a portrait of a sexual life lived without boundaries and without a safety net. Described as "eloquent, graphic -- and sometimes even poignant" by "Newsweek," and as "[perhaps] one of the most erotic books ever written" by "Playboy," it drew international attention for its audacity, and the apparently superhuman sangfroid required of Millet and her partner, Jacques Henric, with whom she had an extremely public and active open relationship. Now, Millet's follow-up answers the first book's implicit question: How did you avoid jealousy? "I had love at home," Millet explains, "I sought only pleasure in the world outside." But one day she discovered a letter in their apartment that made it clear that Jacques was seriously involved with someone else. "Jealousy" details the crisis provoked by this discovery, and Millet's attempts to reconcile her need for freedom and sexual liberation with the very real heartache that Jacques's infidelity caused. If "The Sexual Life of Catherine M." seemed to disregard emotion, "Jealousy" is its radical complement: the paradoxical confession of a libertine who discovers that love, in any of its forms, can have a dark side.
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