Bøger udgivet af Grove Atlantic

From one of the most famous of the Beat writers, Kerouac’s final novel of brotherhood and travel, now reissued in a standalone edition following his centenary celebrationPic—full name Pictorial Review Jackson—is a ten-year-old Black boy living in rural North Carolina with his grandfather in the 1940s. When Pic is forced to move in with his aunt after his grandfather’s passing, his older brother Slim appears to rescue him. Together, they hitch a ride to New York City, where Slim lives with his pregnant girlfriend, but the city’s poverty shocks young Pic. When Slim loses job after job, the brothers will pick up and head west, making their way to California across a country suffused with hardship, music, love, and danger. Kerouac’s last published novel, Pic is an endearing portrayal of brotherhood and the classic American road trip, seen through the adventurous eyes of a child.

"These eight stories move from the marshlands on the Gulf of Mexico to the sweeping plains of Colorado to prisons, saloons, and trailer parks across the South, weaving together love, friendship, violence, survival, and revenge. ... With his nuanced characters, lyrical prose, and ability to write shocking violence in the most evocative settings, James Lee Burke's ... skills are on display in this ... anthology. Harbor Lights unfolds in stories that crackle and reverberate as unexpected heroes emerge"--

From “China’s foremost literary satirist” (Financial Times) comes a captivating new novel set at a religious training center in Beijing, focusing on the unlikely love story of a Buddhist nun and a Daoist priestAt the Religious Training Center on the campus of Beijing’s National Politics University, disciples of China’s five main religions—Buddhism, Daoism, Protestantism, Catholicism, and Islam—gather for a year of intensive study and training. In this hallowed yet jovial atmosphere, the institute’s two youngest disciples—Yahui, a Buddhist jade nun, and Gu Mingzheng, a Daoist master—fall into a fast friendship that might bloom into something more.This year, however, the worldly Director Gong has an exciting new plan: he has organized tug-of-war competitions between the religions. The fervor of competition offers excitement for the disciples, as well as a lucrative source of fundraising, but Yahui looks on the games with distrust: her beloved mentor collapsed after witnessing one of these competitions. Gu Mingzheng, meanwhile, has his own mission at the institute, centering on his search for his unknown father. Soon it becomes clear that corruption is seeping ever more deeply into the foundation of the institute under Director Gong’s watch, and Yahui and Gu Mingzheng will be forced to ask themselves whether it is better to stay committed to an increasingly fraught faith or to return to secular life forever—and nothing less than the fate of the gods itself is at stake.Illustrated throughout with beautiful original papercuts, animated by Yan Lianke’s characteristically incisive sense of humor, Heart Sutra is a stunning and timely novel that highlights the best and worst in mankind and interrogates the costs of division.

"In Brendan Flaherty's debut novel, two estranged brothers must confront the violence of the past when they find out a pond where they played as children will be dredged, threatening to reveal a long-hidden secret. After some traumatic teenage years in rural Connecticut, Cale and Ambrose Casey had nothing left to say to each other. Cale ran off to Hawaii to sell luxury real estate. Ambrose stayed behind and built up his construction company. Neither thought they'd be in touch again and were glad for it-until they learned of a real estate developer's plan to drain and expand Gibbs Pond. Nearly thirty years before, the Casey brothers buried a secret in that pond, which fell somewhere between self-defense and family preservation. Lily Roy, the contractor in charge of the dredging, can also trace her roots-and her trauma-to the banks of Gibbs Pond. After a childhood that saw her and her brother yanked across the country by her abusive father, it was here where she finally stayed put, even if they didn't. But as ambitious as Lily is, and as much as she wants answers of her own, her family also has secrets to protect. Now, the haunted lives of Cale, Ambrose, and Lily collide once more as they reunite to unearth the devastation of the past"--

Featuring work from Tommy Orange, Rabih Alameddine, Rachel Kushner, Mai Der Vang, Reyna Grande, and more, the sixth Freeman's brilliantly showcases some of the world's best writers grappling with the myths and reality of California today.

From National Book Award winner Lily Tuck, a beguiling and subversive short novel of jealousy and desire that tells the story of a new marriage from its surprising inception through its disturbing conclusion

Originally published in 1998 by Houghton Mifflin.

Originally published in Great Britain in 2012 by Faber and Faber.

"A Storm in Flanders" is novelist and prizewinning historian Groom's gripping history of the four-year battle for Ypres in Belgian Flanders, the pivotal engagement of World War I that would forever change the way the world fought--and thought about--war. 16-pages of illustrations.

"A rich and riveting debut marrying centuries-old folklore to twenty-first-century queer literary fiction, City of Laughter spans four generations of Jewish women bound by blood, half-hidden secrets, and the fantastical visitation of a shapeshifting stranger over the course of 100 years. Ropshitz, Poland, was once known as the City of Laughter. As this story opens, an eighteenth century badchan, a holy jester whose job is to bring laughter to the celebrants at a Jewish wedding, receives a visitation from a mysterious stranger, triggering a sequence of events that will reverberate across the coming century. In the present day, Shiva Margolin, recovering from the heartbreak of her first queer love and grieving the death of her father, struggles to connect with her guarded mother, who spends most of her spare time at the local funeral home. A student of Jewish folklore, Shiva seizes an opportunity to visit Poland, hoping her family's mysteries will make more sense if she walks in the footsteps of her great-grandmother Mira, about whom no one speaks. What she finds in Poland will make her question not only her past and her future, but also her present, a life shaped by ancestral forces that originated long before she was born. Electric and sharply intimate, City of Laughter tangles beautifully with queerness and spirituality, zigzagging between our universe and a tapestry of real and invented Jewish folklore, asking how far we can travel from the stories that have raised us without leaving them behind"--

"The story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture. "They're not going to catch us," Dan Aykroyd, as Elwood Blues, tells his brother Jake, played by John Belushi. "We're on a mission from God." So opens the musical action comedy The Blues Brothers, which hit theaters on June 20, 1980. Their scripted mission was to save a local Chicago orphanage. But Aykroyd, who conceived and wrote much of the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists-Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles-made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to outraged reviews. However, in the 44 years since, it has been acknowledged a classic: it has been inducted into the National Film Registry for its cultural significance, even declared a "Catholic classic" by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the 20th century. The story behind any classic is rich; the saga behind The Blues Brothers, as Daniel de Visâe reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard's Lampoon and Chicago's Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, The Blues Brothers illuminates an American masterpiece while vividly portraying the creative geniuses behind modern comeedy"--

"The latest pulse-pounding thriller from Edgar and Barry Award finalist Mike Lawson starring his beloved Washington DC "troubleshooter" Joe DeMarco. Carson Newman doesn't wear tracksuits. He doesn't have a consigliere or operate out of the back room of a restaurant. And as evidenced by his ever-growing Boston empire, he doesn't get his hands dirty. Usually. Joe DeMarco, on the other hand, is paid to get his hands dirty. So, when John Mahoney, the former Speaker of the House, calls, DeMarco knows it's time to get to work. Brian Lewis, an intern for Mahoney, has been found dead, seemingly from a drug overdose. But Brian didn't seem like a drug user, and even more concerning, he seemed to be on the cusp of releasing a report that identified a group of politicians who had taken bribes in helping dismantle a recent bill. Brian's mom is convinced that Brian was murdered because of what he'd learned, and it doesn't take long for DeMarco to come to a similar conclusion. In a city full of shadowy agreements and duplicitous deals, DeMarco will soon learn that to get to the bottom of Brian's death, he'll have to look at people perched the very top of the world"--

"From internationally bestselling author and journalist Andrew Smith, an immersive, alarming, sharp-eyed journey into the bizarre world of computer code, told through his sometimes painful, often amusing attempt to become a coder himself. Throughout history, technological revolutions have been driven by the invention of machines. But today, the power of the technology transforming our world lies in an intangible and impenetrable cosmos of software: algorithmic code. So symbiotic has our relationship with this code become that we barely notice it anymore. We can't see it, are not even sure how to think about it, and yet we do almost nothing that doesn't depend on it. In a world increasingly governed by technologies that so few can comprehend, who-or what-controls the future? Devil in the Stack follows Andrew Smith on his immersive trip into the world of coding, passing through the stories of logic, machine-learning, and early computing, from Ada Lovelace to Alan Turing and up to the present moment, behind the scenes into the lives-and minds-of the new frontierspeople of the twenty-first century: those who write code. Smith embarks on a quest to understand this sect in what he believes to be the only way possible: by learning to code himself. Expansive and effervescent, Devil in the Stack delivers a portrait of code as both a vivid culture and an impending threat. How do we control a technology that most people can't understand? And are we programming ourselves out of existence? Perhaps most terrifying of all: Is there something about the way we compute-the way code works-that is innately at odds with the way humans have evolved? By turns revelatory, unsettling, and joyously funny, Devil in the Stack is an essential book for our times, of vital interest to anyone hoping to participate in the future-defining technological debates to come"--]cProvided by publisher.

"Featuring new work from Rebecca Makkai, Aleksandar Hemon, Rachel Khong, Louise Erdrich, and more, the tenth and final installment of the boundary-pushing literary journal Freeman's, which explores all the ways of coming to an end. Over the course of ten years, Freeman's has introduced the English-speaking world to countless writers of international import and acclaim, from Olga Tokarczuk to Valeria Luiselli, while also spotlighting brilliant writers working in English, from Tommy Orange to Tess Gunty. Now, in its last issue, this unique literary project ponders all the ways of reaching a fitting conclusion. For Sayaka Murata, keeping up with the comings and goings of fashion and its changing emotional landscapes can mean being left behind, and in her poem "Amenorrhea," Julia Alvarez experiences the end of the line as menopause takes hold. Yet sometimes an end is merely a beginning, as Barry Lopez meditates while walking through the snowy Oregonian landscapes. While Chinelo Okparanta's story "Fatu" confronts the end of a relationship under the specter of new life, other writers look towards aging as an opportunity for rebirth, such as Honorâee Fanonne Jeffers, who takes on the role of being her own elder, comforting herself in the ways that her grandmother used to. Finally, in his comic story "Everyone at Dinner Has a Max von Sydow Story," Dave Eggers suggests that sometimes stories don't have neat or clean endings--that sometimes the middle is enough. With new writing from Sandra Cisneros, Colum McCann, Omar El Akkad, and Mieko Kawakami, Freeman's: Conclusions is a testament to the startling power of literature to conclude in a state of beauty, fear, and promise"--

As a child Aminatta Forna witnessed the upheavals of postcolonial Africa, danger, flight, the bitterness of exile in Britain, and the terrible consequences of her dissident father's stand against tyranny. Mohamed Forna was a man of unimpeachable integrity and enchanting charisma. As Sierra Leone faced its future as a fledgling democracy, he was a new star in the political firmament, a man who had been one of the first black students to come to Britain after the war. He stole the heart of Aminatta's mother and returned with her to Sierra Leone. But as Aminatta Forna shows with compelling clarity, the old Africa was torn apart by new ways of Western parliamentary democracy, which gave birth only to dictatorships and corruption of hitherto undreamed-of magnitude. It was not long before Mohamed languished in jail as a prisoner of conscience, and worse was to follow. Aminatta's search for the truth that shaped both her childhood and the nation's destiny began among the country's elite and took her into the heart of rebel territory. The Devil that Danced on the Water is a book of pain and anger and sorrow, written with tremendous dignity and beautiful precision.

From the renowned Beat writer, Kerouac’s colorful and meandering search for his family history, now reissued following his centenary celebrationSatori in Paris is the semi-autobiographical tale of Jack Kerouac’s trip to France in search of his heritage. Beginning in Paris and moving west to Brittany, Kerouac traces the paths of his ancestors and explores his own understanding of the Buddhism that came to define his beliefs. From his familiar milieu of strangers and all-night conversations in seedy bars, to a pivotal cab ride in which he experiences Buddhism’s satori—a feeling of sudden understanding—Kerouac’s affecting and revolutionary writing transports the reader. Published at the height of his fame and showcasing his mature talent, Satori in Paris is a lyrical, rollicking tale of philosophy, identity, and the power and strangeness of travel.

"Vintage Stoppard in itsintelligence and wit." -VarietyIt is1936, and A. E. Housman is being ferried across the river Styx, glad to be deadat last-yet his memories are dramatically alive. Confronting his younger selffrom the vantage of death, Housman thinks back to the man he loved, who couldnot return his feelings, and considers the Oxford of his youth, suffused withthe flamboyant influence of the Wildean Aesthetic movement and the restrictionsof High Victorian morality. Winner of the Evening Standard's Best PlayAward, The Invention of Love inhabits Housman's imagination as if adream, illuminating both the pain of hopeless love and the passion displacedinto poetry.

"Paul Auster's brilliant eighteenth novel opens with a scorched pot of water, which Sy Baumgartner-phenomenologist, noted author, and soon-to-be retired philosophy professor-has just forgotten on the stove. Baumgartner's life had been defined by his deep, abiding love for his wife, Anna, who was killed in a swimming accident nine years earlier. Now 71, Baumgartner continues to struggle to live in her absence as the novel sinuously unfolds into spirals of memory and reminiscence, delineated in episodes spanning from 1968, when Sy and Anna meet as broke students working and writing in New York, through their passionate relationship over the next forty years, and back to Baumgartner's youth in Newark and his Polish-born father's life as a dress-shop owner and failed revolutionary. Rich with compassion, wit, and Auster's keen eye for beauty in the smallest, most transient details of ordinary life, Baumgartner asks: Why do we remember certain moments, and forget others?"--

"Jackie Newsome's best friend is dead, and everyone knows who killed her. Jackie is an ex-emotional eater and mother of four, who has finally lost the weight she long yearned to be free of. But leaving her old self behind proves harder than she ever imagined. She believes she should be happier, but misery still chases her, and motherhood threatens to consume her. Her only salve is Theresa, her best friend whose life she desperately covets. Their bond is tight, but it doesn't stop Jackie from having an affair with Theresa's husband, Adam. And when Theresa catches Jackie in the act, the consequences ripple far beyond the ruins of their friendship. Hot Springs Drive is a dark, heart-pounding exploration of one woman's deepest desires, and the lives she will destroy to satisfy them."--

NEW AND EXPANDED EDITION, NOW WITH 58 SONGSFollowing his 2016 smash hit Anatomy of a Song, acclaimed musicjournalist Marc Myers collects fifty-five new oral histories oficonic songs from his popular Wall Street Journal column Songs that sell the most copies become hits, but some of those hits becomesomething more—iconic recordings that not only inspire a generation but alsochange the direction of music. In Anatomy of 55 More Songs, based on hiscolumn for the Wall Street Journal, music journalist and historian Marc Myerstells the story behind fifty-five rock, pop, R&B, country, and soul-gospel hitsthrough intimate interviews with the artists who wrote and recorded them. Part oral history, part musical analysis, Anatomy of 55 More Songs rangesfrom Creedence Clearwater Revival’s “Bad Moon Rising” to Dionne Warwick’s“Walk On By,” The Beach Boys’ “Good Vibrations,” and Black Sabbath’s“Paranoid.” Bernie Taupin recalls how he wrote the lyrics to Elton John’s“Rocket Man;” Joan Jett remembers channeling her rage against how she hadbeen unfairly labeled and treated as a female rocker into “Bad Reputation;” andOzzy Osbourne, Elvis Costello, Bob Weir, Sheryl Crow, Alice Cooper, RobertaFlack, John Mellencamp, Keith Richards, Carly Simon, and many others revealthe emotions and technique behind their major works. This new, expanded edition of the book features three new songs: “Go Your Own Way” by Fleetwood Mac, “Why Can’t We Be Friends?” by War, and “Come On Eileen” by Dexys Midnight Runners. Through an absorbing chronological, song-by-song analysis of the mostmemorable post-war hits, Anatomy of 55 More Songs provides a sweeping lookat the evolution of pop music between 1964 and today. This book will changehow you listen to music and evaluate the artists who create it.

“This propulsive and furious book is as fun to read as it is relentless and unsparing. Deranged and faltering America, Jonathan Dee has your number.” —Joshua Ferris, author of The Dinner PartyIn Jonathan Dee’s elegant and explosive new novel, Sugar Street, an unnamed male narrator has hit the road. Rid of any possible identifiers, his possessions amount to $168,548 in cash stashed in an envelope under his car seat. Vigilantly avoiding security cameras, he drives until he hits a city where his past is unlikely to track him down, and finds a room to rent from a less-than-stable landlady whose need for money outweighs her desire to ask questions. He seems to have escaped his former self. But can he?In a story that moves with swift dark humor and insight, Dee takes us through his narrator’s attempt to disavow his former life of privilege and enter a blameless new existence. Having opted out of his material possessions and human connections, the pillars of his new self - simplicity, kindness, above all invisibility - grow shakier as he butts up against the daily lives of his neighbors in their politically divided working-class city. With the suspense of a crime thriller and the grace of our best literary fiction, Dee unspools the details of our unlikely hero’s former life and his developing new one in a drumbeat roll up to a shocking final act.Dee has been compared by the Wall Street Journal to authors such as Jonathan Franzen and Jennifer Egan for his expansive, contemporary, social novels; Sugar Street is a leaner, more personal, but still uncannily timely look at the volatile America of today. A risky, engrossing and surprisingly visceral story about a white man trying to escape his own troubling footprint and start his life over.

Culled from nearly 20 years of the playwright's career, a showcase for Tom Stoppard's dazzling range and virtuosic talent, The Real Inspector Hound and Other Plays is essential reading for fans of modern drama. The plays in this collection reveal Stoppard's sense of fun, his sense of theater, his sense of the absurd, and his gifts for parody and satire. They include The Real Inspector Hound, After Margritte, Dirty Linen, New-Found-Land, Dogg's Hamlet, and Cahoot's Macbeth.

"With insight, humor, formal invention, and lyricism, in A Man of Two Faces Viet Thanh Nguyen rewinds the film of his own life. He expands the genre of personal memoir by acknowledging larger stories of refugeehood, colonization, and ideas about Vietnam and America, writing with his trademark sardonic wit and incisive analysis, as well as a deep emotional openness about his life as a father and a son. At the age of four, Nguyen and his family are forced to flee his hometown of Ban Mãe Thuot and come to the USA as refugees. After being removed from his brother and parents and homed with a family on his own, Nguyen is later allowed to resettle into his own family in suburban San Josâe. But there is violence hidden behind the sunny facade of what he calls AMERICA TM. One Christmas Eve, when Nguyen is nine, while watching cartoons at home, he learns that his parents have been shot while working at their grocery store, the SáaiGáon Moi, a place where he sometimes helps price tins of fruit with a sticker gun. Years later, as a teenager, the blood-stirring drama of the films of the Vietnam War such as Apocalypse Now throw Nguyen into an existential crisis: how can he be both American and Vietnamese, both the killer and the person being killed? When he learns about an adopted sister who has stayed back in Vietnam, and ultimately visits her, he grows to understand just how much his parents have left behind. And as his parents age, he worries increasingly about their comfort and care, and realizes that some of their older wounds are reopening.--

"With Life Ceremony, the incomparable Sayaka Murata, whose Convenience Store Woman has now sold more than a million copies worldwide, returns with a brilliant and wonderfully unsettling collection, her most recent fiction to be published in Japan. In these twelve stories, Murata mixes an unusual cocktail of humor and horror and turns the norms and traditions of society on their head to better question them. In "A First-Rate Material," Nana and Naoki are happily engaged, but Naoki can't stand the conventional use of deceased people's bodies for clothing, accessories, and furniture, and a disagreement around this threatens to derail their perfect wedding day. "Lovers on the Breeze" is told from the perspective of a curtain in a child's bedroom that jealously watches the young girl Naoko as she has her first kiss with a boy from her class and does its best to stop her. "Eating the City" explores the strange norms around food and foraging, while "Hatchling" closes the collection with an extraordinary depiction of the fractured personality of someone who tries too hard to fit in. In these strange and wonderful stories of family and friendship, sex and intimacy, belonging and individuality, Murata asks what it means to be a human in a world that often seems very strange, and offers answers that surprise and linger."--

"When ... Ada Calhoun stumbled upon old cassette tapes of interviews her father, celebrated art critic Peter Schjeldahl, had conducted for his never-completed biography of poet Frank O'Hara, she set out to finish the book her father had started forty years earlier. As a lifelong O'Hara fan who grew up amid his bohemian cohort in the East Village, Calhoun thought the project would be easy, even fun, but the deeper she dove, the more she had to face not just O'Hara's past, but also her father's, and her own. The result is a groundbreaking and kaleidoscopic memoir that weaves ... literary history with a moving, honest, and tender story of a complicated father-daughter bond"--