Bøger udgivet af Guernica Editions

From 1980 to around 2000, Dean Brownrout had an uncanny habit of finding himself at the forefront of cultural shifts--from the emergence of new wave and thrash metal music to the dawn of the commercial internet. No Big Deal is a very humorous and nostalgic journey through a seminal time in the music industry, told in a style reminiscent of Bourdain's Kitchen Confidential. Its unfiltered view into this transforming era includes a glimpse at America's technological influence and culture. And, of course, no show business memoir is complete without appearances by The Rolling Stones, Grace Jones, Bob Dylan, the Beastie Boys, models, actors, and countless other fringe characters and luminaries.

After the tragic loss of her son, Abby attempts to escape her grief by taking to the open road, only to find herself in Central Mexico in a hotel that's home to other lost souls. It's the late nineties, when it is still possible to disappear, and Abby is at an impasse between self-destruction and dissolution. Just months after the death of her son, in a last-ditch effort to escape her reality, Abby buys a $500 car, tucks a buck knife in her glove box, and makes one impulsive move: she takes an exit south and keeps driving. It's in a small town in central Mexico that Abby's physical journey comes to an end, and it's there amongst other outcasts and expats that Abby might finally choose to see beyond her own grief.

After witnessing a kidnapping in gritty Piraeus, Greece, a Swiss ex-pat and ex-activist with an energetic five-year-old son vows to put the culprit, his swaggering partner, and the cop protecting them, out of business, relying on home-brew surveillance devices and a loose coalition of allies. All the while, an ethereal narrator -- the spirit of the boy's late father, denied entry to Paradise -- worriedly surveils them. He seeks to unite them with his long-lost brother, but lacks agency. Barely surviving her flash mob's climactic confrontation with the bad guys, our heroine learns that you never know who your friends are until you need them, and even then you still might not know... but that's okay.

Shakespeare Lied is Sky Gilbert's second rumination on Shakespeare to be published by Guernica Editions. It places 'the bard' at the centre of present day debates over 'political correctness.' James Baldwin said Shakespeare's goal was "to defeat all labels and complicate all battles by insisting on the human riddle." Gilbert asserts Shakespeare is not just another dead irrelevant white guy, but that he-- in the tradition of the Greek rhetorician Gorgias, and the scandalous, pornographic poet Ovid -- was a magnificent, and quite intentional, liar. Shakespeare believed the purpose of art was not to teach, but instead to help us transcend traditional notions of truth.

It's an ordinary summer in the twenty-first century. There's a heat wave in Rome, where the poet has just set down her valises. What is she seeking amid the crowds of tourists, she, Italian-born, exiled to America, who speaks the language only haltingly? In the capital's streets, at the railroad station or the museum, an exuberant city life rubs shoulders with a thousand tragedies. Rome is a theatre of recurrent violence, the cinema where you are seated, apprehensive, watching The Double Feature of the Murdered Woman. For six months the poet wanders the city, alert to the phantoms passing by. This book could be the written record of her conversations with ghosts. It's a return to the crime scene, a renewal of vows, face to face with a haunting past: that of Italy, and the blood drenched story of women.

The Sky Above is an engaging book that follows a long and colourful career of an award-winning poet, journalist and photographer intent upon spinning stories, whether they be as momentous as meeting up with Mother Teresa in the basement of a Detroit church or as ordinary as driving through winter storms to watch his sons play hockey.

A corporate worker abruptly quits his job to make the world's greatest mozzarella cheese; a widowed Bed and Breakfast owner dishes out advice along with spoonfuls of his deceased wife's last batch of jam to the suitor who buys a house sight unseen hoping the woman he loves will move in with him. There is the new mother who takes a lover right under her doting husband's nose, the young boy who flees one dangerous country to start a new life in another, and the transgendered son who discovers his mother's clairvoyance. The characters in these stories are not afraid to take tremendous risks. From El Salvador to Cape Cod to Antarctica, from a secluded Italian Snake Festival to a packed subway car to a World War II bomber, in this collection of stories men and women cling to ambitions, thwarted love, and misguided assumptions, as they dream to reinvent themselves, seek revenge, foresee the future, recapture that which has escaped their grasp, or merely survive. Fueled by passions and desires, they must choose between illusion and reality despite all repercussions.

From Syringa Vulgaris, or the lilac tree exploding into life only to expire in its prime, Syringa is a literary thriller set on New Year's Eve in Berlin where the labyrinthine story of a decades-long love affair is retold by an ex-journalist as he awaits his own assassination. The doomed couple's only living link is an AWOL German soldier named Hissel, hired to kill three people connected to the woman's disappearance, but his own disappearance months earlier becomes the missing puzzle piece as the clock ticks down to each character's fateful moments of atonement and brutal revenge.

A beautiful stranger from Italy appears in sleepy Utica, N.Y., carrying a deadly secret that goes back generations. Her movements through the city ensnare a young couple and their extended family, a college professor, a mafia don, and a professional assassin. What unfolds is a story about love and infidelity, the hidden costs of immigration, the rituals of memory, and the types of revenge that can take decades to enact.

A sometimes satirical reflection on hope in a time of hopelessness, the poems in I Dreamed I Was an Afterthought use stubborn humour to grapple with the anxiety of moving forward during late capitalism. While many of the poems are set in Newfoundland, the book also echoes the universal experience of loss, leaving, returns, and never being able to return. The first section of the manuscript, titled "Some Disasters," introduces real and imagined catastrophes. The St. Lawrence tidal wave, the history of resettlement, and the Muskrat Falls debacle stand next to poems that live in an imagined future where the capelin refuse to roll and snow refuses to fall. The second section is titled "I dreamed I was an afterthought." Here, the eclectic poems turn to a more personal perspective of place, my struggles with mental illness, and a feminist exploration of familial relationships. In "Of No Returns," movement through time and space is tinged with the same lurking fear of irreversibility, a fear which has been amplified during the pandemic. There is a yearning for the "before times," a time which may or may not exist.

The Great Gatsby is known for the glitz and glamour of Gilded Age plutocrats; in The Last Green Light, the working people of Fitzgerald's novel get to tell their own, beautifully textured tale. Meet Jon Laine, a Midwesterner who captains one of the rumrunning boats that are the source of Gatsby's great wealth; enter a colorful netherworld of diner cooks, dump scavengers, secretaries, deckhands and car mechanics caught in the increasingly deadly conflict between organized crime syndicates, amid the murderous passions of caste-busting love. From movie stars to dark freighters, Wobblies to Harlem nightclubs The Last Green Light, like a jazz improvisation, riffs on a great American novel, creating its own, unique world in the process.

In this dark comedy taking place over twenty-four hours, a blizzard pummels Toronto as a beloved high school teacher coerces his teenage student to assist in his violent suicide forcing the student, his best friend, the friend's bulimic mom, and a down-low cop to outrun each other, the storm, and the ghosts haunting them. I Met Death & Sex Through My Friend, Tom Meuley is a breathtaking and hilarious novel about the lengths people will take to erase themselves in order to matter.

The dozen stories in this collection chronicle the life of Karl Pringle, a wannabe philosopher who had once been enrolled in the graduate Philosophy program at the University of Toronto where he imagined himself as an Ubermensch, a Superman derived from the German philosopher Friedrich Nietzche. But he was summarily dismissed from the program after punching out his academic supervisor. Now Karl lives in a decrepit apartment above a butcher shop in Toronto's Kensington Market, is unemployed and very much rootless. The stories in The Philosopher Stories follow Karl as he moves from one strange episode to another, none of which end well. Although Karl likes to think of himself as an Ubermensch, in the bleakest moments following his many mishaps, he seems to know better, that perhaps he is only fooling himself with his grandiose dreams. That he is nothing more than one of life's rejects, an out-and-out failure. Nuanced and multilayered, funny and yet achingly sad, these stories depict a young man grappling with life's big questions, including love, finding a place for oneself in an uncaring world, morality, success, and fate.

Howard O'Hagan was one of the first native-born westerners to make a mark on Canadian literature. The purpose of this collection of essays on the works of O'Hagan, edited by Sergiy Yakovenko, is not only to refresh scholarship on his best known work, Tay John, but also to break the vicious circle of ignoring O'Hagan's other works--his later novel The School-Marm Tree (1977) and his short stories and sketches, collected in Wilderness Men (1958) and The Woman Who Got on at Jasper Station and Other Stories (1963). This volume offers two original articles on The School-Marm Tree, by Renée Hulan and Carl Watts, and Albert Braz's profound study of O'Hagan's Wilderness Men. Among the other contributors: Joseph Pivato, D.M.R. Bentley, Kylee-Anne Hingston, Jack Robinson, Sergiy Yakovenko, and something from Howard O'Hagan himself.

"Set in Eastern Europe during the Second World War. When his nation is invaded and occupied by a brutal enemy, a well-intentioned man persuades his wife that they should give temporary shelter to a young girl who is at school with their daughter. He has no idea that the girl belongs to a community against whom the invader intends to commit genocide. Days stretch into weeks and then months while the enemy's pitiless hatred of the girl's community puts all of the family in danger. Nobody outside the family can be trusted with the dangerous secret and the threat from outside unlocks a darkness that threatens to derail them all."--Provided by publisher.

"Jamison Everett, a shy and lonely man with few friends, is a retired high school English teacher. When his artist sister, Monna, who is suffering from Parkinson's Disease, calls and asks for his help, he reluctantly agrees to leave his apartment in Minneapolis and temporarily relocate to her remote Montana town. Perhaps, in caring for his sister, he will find the friendship he longs for. But Monna's fiercely independent husband, Ben, has a different game plan. Parkinson's has robbed Monna of her ability to paint, and if the doctors won't cure her, then by god he'll do it -- by sheer force of will. Jamison, summoning his courage, offers to help, and an alliance is born. Yet neither man can know how much their nascent friendship will ask of them. Only Monna senses what is coming."--

The year is 1950. A brutal racist attack drives Alfie Bagliato's family from their small town to New York City, where, at sixteen, Alfie dreams of escaping his Italian American enclave through a career in music and a romance with his distant cousin, Adeline. Soon enough, disappointment and frustration lead Alfie to join the military, to follow Adeline to San Francisco, and then to become a New York City cop, whose clash with protestors during the 1968 Columbia University student uprising nearly kills him, forcing him to confront his inherited bigotry and fear, as he wrestles with his lingering love for Adeline and need to find a new life.

A young man down on his luck meets the woman of his dreams in an adult education course. But this is no ordinary male fantasy: the man is a Pakistani-Canadian artist with a treatable recurrent cancer; the young lady is an Indigenous princess just returned from art school in Europe to her father's glass summer palace in Muskoka. This romantic comedy, set in mid-Toronto and on Lake Rosseau, plays with the intersection of Indigenous, settler, and immigrant success stories against the background of mortality and the stars.

Things that Cause Inappropriate Happiness is Danila Botha's third collection of short fiction. In these brilliant stories she observes with her signature vulnerability and humour what it's like to struggle to find your place in the world. From the bullied twelve-year-old (Born, Not Made) to the musician saved from sleeping in doorways (Blasting Molly Rockets), to the sculptor who builds a golem and fulfills her Holocaust survivor grandmother's wish to protect her sister (Able to Pass) to a student who overdoses on opiates and meets an adult Anne Frank (Like An Alligator Eyeing a Small Fish), these stories pulse with Botha's signature empathy and originality. Botha also addresses what it means to be Jewish, with characters who rethink their whole identity (Soulmates) to those who hold on at all costs (Dark and Lilac Fairies). As in her previous collection, the Trillium and Vine nominated For All the Men (and Some of the Women) I've Known, Things that Cause Inappropriate Happiness will make you laugh and cry, but above all it will make you feel less alone.

Cities Within Us offers poems that are dense and deep with language that resonates at multiple levels and often startles with its juxtapositions and verbal explosions. From the intimately personal to the dramatically confessional, Peter Taylor's poems capture a purse seine of discordant voices, including a piece of type, a bee, an orang-outang, Franklin, the delusional and the abused in a universe that seems both unlimited and inevitable. Images and emotions move the reader from the disappearance of arctic explorers to the razing and rebirth of the Dresden Frauenkirche to the comic innocence of a child's visit to Mars in poems that explore the inner landscapes of imagination and reality, and the intimate capacity for joy and loss.

This flip book is comprised of two novellas: In Sickness and In Health - Lily had epilepsy as a child, so her most cherished goal has always been to be "normal". By age 45 she has a "normal" life, including a family, friends, and an artistic career, and no one, not even her husband, knows the truth about her past. But now some cartoons she drew threaten to reveal her childhood secret and destroy her marriage and everything she has worked so hard for. A moving novella about shame, secrets, disabilities, and the limits and power of love. Yom Kippur in a Gym - Five strangers at a Yom Kippur service in a gym are struggling with personal crises. Lucy can't accept her husband's Parkinson's diagnosis. Ira, rejected by his lover, is planning suicide. Rachel worries about losing her job. Ezra is tormented by a mistake that ruined his career. Tom contemplates severing contact with his sisters. Then a medical emergency unexpectedly throws these five strangers together, and in one hour all their lives are changed in ways they would never have believed possible.

"Editor: Sonia di Placido"--Title page verso.

A Blueprint for Survival begins in wildfire season, charting a long-distance relationship against the increasing urgency of climate change in the boreal, then shifts to a long sequence, "Seeds," which thinks about forms of resistance, survival, and emergence in the context of the sixth mass extinction. Each seed functions as blueprint, whether simple human-made tool or complex organism driven by its DNA to adapt to and respond to our current existential threat, each showing a different way of being in the world: lentil, snowdrop, chinook salmon, codex, tardigrade, honeybee, "the beautiful cell."

"In experimental lit veteran Brian Dedora's third novel, prose fragments and narrative threads come in and out of focus as, on a winter's night, a reveller in an upscale Toronto restaurant begins the most dangerous of things: a journey into memory. Is he a narcissist or is he among the wounded? What is it to be gay in a small desert town and in the heart of a sprawling city? The Apple in the Orchard navigates the truths and half-truths of a traveller, a loner plunging through city streets and into the woods, a Canadian wrapped in the myths of the North and tangled in the snare-traps of the urban. As this layered, undulating novel explores class tensions, a family in disintegration, and how the effects of sexual abuse wind through generations, and while cameos by voyageurs, cowboys, Black Robe, and Grey Owl flicker to life and vanish again, the tragic story of the unnamed Her emerges in verbal snapshots."--

"Should chief investigator James Wiley Redding of the Norwegian Police suspect that any of the doctors working in the small rural hospital of Godshus, located where a fjord meets the North Sea, might be linked to the gruesome discovery made on a December morning after their annual Julebord (holiday party)? Much more whodunit than a diversified nordic noir novel, JULEBORD is laced with what life is like to work in a small rural hospital, where things and humans occasionally get dirty. Not merely a piece of - at times - a bit upmarket crime fiction, the story brings to the realization that in today's small global village we are linked to each other in some way - whether we want to be or not and cannot hide from the events that affect us all."--

Beginning in Saigon during the Vietnam War and ending in present day New York, Catinat Boulevard tells the story of two friends Mai and Mai Ly. While Mai flirts with American GIs in rowdy bars along Catinat Boulevard, Mai Ly joins the communist resistance in the jungle. The story also follows Nat, Mai's half Vietnamese-half African-American son abandoned in a Saigon orphanage.

A young Croatian woman travels to Medugorje in Bosnia and Herzegovina, site of apparitions of the Virgin Mary, where she meets an angel and witnesses a miracle. Twenty years later, after living in a cloistered convent, she travels to Rome where her habit of prayer transforms the lives of seven strangers. Their stories intertwine and connect in this portrayal of several Roman churches, the art of Bernini, Caravaggio, and Borromini, and Rome's rich architectural history.

"The photographs in this volume are evocations made visible through reflection, observation, exploration, and expression...the embodiment of memory, renderings of personal emotional truth...recollections of the photographer's life during the 1970s, spanning the decade he underwent basic art training and developed as a professional image-maker. Few frames from this collection were printed at the time, and the negatives resided untouched for decades in an old cardboard box that inhabited the basements and attics of his transitory world. In 2017, 40 years later, he opened that box, and discovered history anew, awakening long dormant feelings and perceptions. Through the prism of time, reminiscence sometimes brings clarity, but just as often, the residue of the past can be complex and blurry. The metaphors in these contemporaneous visual musings are both non-verbal and evocative, as well as testament to the veracity and longevity of ocular fragments, the reverberations of a long process."--

In What If Zen Gardens, Henry Beissel, often considered the master of the long poem, turns to the time-honoured tradition of the haiku to help bring to light what he calls "the world's hidden affairs." Included in the collection are a series of black-and-white illustrations by Arlette Franci?re, themselves polished gems that highlight, reflect and enhance the poems.

Blood of My Blood eaves together the history, sociology and psychology of first, second, and third-generation Italian Americans."--