Bøger udgivet af Guernica Editions,Canada

"This book is grounded in W. Strawn Douglas' personal battle with mental illness and his experiences with it at the mental institution where he's lived for almost three decades. Different portions of it were created in different times, with Douglas in a variety of different mindsets, and it concerns itself mainly with the hoops that the government wants people who are mentally ill to jump through in all too often vain hopes of regaining their freedom. Some of the hoops are admittedly linked to reasonable goals and ideals. Unfortunately, too many others only serve the whims of our captors, serving the traditions of abuse in the oxymoron of 'forced care.'"--

Choosing Eleonore tells the story of a one-way friendship, of tragic loneliness. In it, award-winning Quebec author Andrée A. Gratton explores the syndrome of the delusion of being loved. Centred on two young women: Eleonore and Marianne, this is Marianne's story. From the first sentence, we feel that something is wrong in her perception of reality. "Long before we met, Eleonore had been dreaming of me," she says. But who is this Eleonore, whom Marianne had never spoken to? What is so fascinating about her? Neither humiliation and rebuffs nor rejection will disabuse Marianne of her certainty of being loved by Eleonore.

"Libretto form meant to be read or chanted as operatic recitative in a style called sing/speak"--Page 4 of cover.

Long-listed for the 2022 Leacock Medal for HumourWhen King Priam's pregnant daughter was fleeing the sack of Troy, Stan was there. When Jesus of Nazareth was beaten and crucified, Stan was there - one cross over. Stan has been a Hittite warrior, a Roman legionnaire, a mercenary for the caravans of the Silk Road and a Great War German grunt. He's been a toymaker in a time of plague, a reluctant rebel in the Peasants' Revolt of 1381, and an information peddler in the cabarets of post-war Berlin. Stan doesn't die, and he doesn't know why. And now he's being investigated for a horrific crime. As Stan tells his story, from his origins as an Anatolian sheep farmer to his custody in a Toronto police interview room, he brings a wry, anachronistic perspective to three thousand years of Eurasian history. Call Me Stan is the story of a man endlessly struggling to adjust as the world keeps changing around him. It is a Biblical epic from the bleachers, a gender fluid operatic love quadrangle, and a touching exploration of what it is to outlive everyone you love. Or almost everyone.

Ten years after her picture on a magazine cover made her nationally famous as The Darling of Kandahar, Irina moves up North hoping that new experiences would allow old wounds to finally heal. Yet, in the land of darkness and polar bears, she learns that there really is no place to hide from herself. When she meets Constable Liam O'Connor, her past comes out to challenge her once again.

Higher Teaching is divided into two sections: "Practice," which addresses what to teach when you get your first course outline, how to choose strategies and plan lessons, and how to manage your classroom so it is a safe and positive place in which students learn. There are chapters on instructional media, teaching online assessment and evaluation, dealing with difficult students and academic integrity issues, and how to improve your teaching. The second part "Theory and Background," focuses on the theories that inform current higher education teaching and curriculum, adult education, and a very useful chapter of advice extracted from experienced teachers responding to the question, "What's the advice you would give to a brand new teacher?" Also useful to a new teacher are the glossary of academic jargon and a lesson plan template.

"Marrying the precise yet nuanced language of his earlier work with new, invented vocabularies and usages, Nicola Vulpe draws deep into the origins of language to confront what it means to write poetry or attempt any artistic endeavour, or, indeed, continue in a world where so many of us struggle, literally, not to drown. Written to be read aloud, to be heard like a poem in the most ancient oral traditions, Through the Waspmouth I Drew You is a synesthetic work that arouses our senses and our intellect. We come to this poem as to a new language, a language whose details and mechanics are opaque, but which, like a child turning to innate linguistic resources, we nonetheless somehow understand, and into which we are drawn and held in thrall."--

"Drawing on her own experiences as a woman of Iranian and British Isle descent, writer Hollay Ghadery dives into conflicts and uncertainty surrounding the bi-racial female body and identity, especially as it butts up against the disparate expectations of each culture. Painfully and at times, reluctantly, Fuse probes and explores the documented prevalence of mental health issues in bi-racial women."--

Less than an hour after Millington receives his permanent resident visa, he wonders if his husband Jay would now end their marriage. And Jay has multiple reasons to. Millington is an ex-Methodist minister, who once believed he could be celibate. When he fled Caribbean Methodism and came to Montreal, he thought he'd resolved the issues that made him leave, but he comes to understand that psychological trauma, childhood conditioning, parental and community expectations and his own need for community and family valorization are not easily exorcised. The third installment in the No Safeguards quartet of novels.

Walking Leonard and Other Stories, is a short story collection of roughly 30,000 words in the literary fiction genre. The stories depict unspoken pivot points in the lives of ordinary people. Themes include responsibility and violation between parent and child, nature as a protective force, and the shucking off of various selves in the process of a lifetime. The stories spring from the foothills of southern Alberta, specifically Calgary, and some even more specifically from the historic neighborhood of Bowness, once a small town in its own right.

Dripping with nostalgia and awash with humour, Letters From Johnny is set in 1970's Toronto through the eyes of mischievous Johnny Wong, a lonely boy who tries to stickhandle a neighbourhood of immigrants and draft dodgers. Johnny's world unravels after a murder, a betrayal, and the unexpected emergence of a family member, all this as he tries to make sense of the FLQ crisis. His only solace are letters to a penpal, then to Dave Keon, captain of the Toronto Maple Leafs.

Replete and vibrant with detail, the poems of Adele Graf's buckled into the sky transport the reader on physical and emotional journeys, evoking landscapes of Canada with more distant locales of Greece, Latvia and elsewhere. It is also a book of memorial, where the poet conjures the profound stories of her familial history and pays tribute to those unsung relatives now lost to tragedy and time, offering a generous, compassionate hand to the past through her assured, graceful lines.

This book "has a thematic arrangement, with three long chapters: first on finding romance, then on forging integrity, and finally on confronting mortality. An epilogue follows, naturally, brief like the opening section. But the three principal concerns--thoroughly defined in the text--provide solid and coherent building blocks. Each raises an issue closely associated with Naples"--

"South China Sea is a poet's autobiography. Forgoing the props of conventional narrative, the book travels through space and time, revealing the moments in a life that anchor reality and constitute memory. In poems that compel us to remember and to re-evaluate our own personal stories, Norris travels back to a New York City childhood and to his years as a young man in the art and literary scene of Montreal, while moving forward in the present on a soul-changing journey through China. In the pages of South China Sea, memory and experience dance together through the complex maze of existence."--

Making coal patties. Selling liquid soap. Shopping at a glittering shoe mecca. She's done them all living half her life in deprived-post-war-communist-Vietnam-turned-free-market. It's life in a vacuum when strange types of brainwashing happened. Part memoir and part social criticism, Why Do You Look at Me and See a Girl? is a provocative read about a full-fledged bilingual who fights to get free from the dead past and her ancestors' sins.The story starts with her grandmother's prison visit and moves to a journey through the jungle carried out for family reunion. Drawing strength from her, Hoàng completes her transformation in America from an international student to a free naturalized being. As she sheds her adoration for the impeccable American logic, oscillates between languages, and crosses oceans, she confronts the power play and biases, cultural inhibitors and prejudices that condition human behaviors, be it in Vietnam, America or Thailand. All along, she claims justice for her under-appreciated grandma, straightens male and white patronization, tears down tradition and brainwashing, uncovers the Asian submission to western iconography, and resists the attraction of a white guy. In lucid prose and with a hint of quiet humor, Why Do You Look at Me and See a Girl? is an unflinching pursuit of questions about family, finding one's voice, home, and freedom.

The ten essays included in this volume address the themes of immigration, migration, and history in Pasquale Verdicchio's poetry and scholarship. Giuliana Gardellini, Joseph Pivato, Anna Zampieri Pan, Diego Bastianutti, Carmelo Militano, Leonardo Buonomo, Kenneth Scambray, Laura E. Ruberto, and Antonio D'Alfonso discuss Verdicchio's unconventional forms and contents that reveal the difficulties of being considered a marginalized ethnic voice in North American culture. Not conforming to conventional poetic models, Verdicchio writes poetry that presents itself as a puzzle in which for decades he demonstrates the role that politics, history, and culture play in self-analytical writing. The immigrant (or defined as such by conventional terminology) offers as his central theme a "moving" cultural landscape that he must personally inhabit from the moment he leaves his native home. The ever-changing persona in Verdicchio's texts defies linguistic and literary constraints. Verdicchio challenges the conventional role that nostalgia plays in ethnic poetry and contributes in a daring manner to how view immigrant and post-immigrant studies. Pasquale Verdicchio is one of the few poets today to reposition the post-immigrant identity in our growing pluricultural societies.