Bøger udgivet af GUERNICA WORLD ED

Frenetic, fervent and musical, Songs of My Surrenders is the follow up to Marc di Saverio's highly acclaimed epic poem Crito Di Volta. Following in the footsteps of great Modernist and Romantic poets, and yet paving a path that is unmistakably his own, contemporary rebel-poet di Saverio offers a deeply romantic and darkly spiritual array of masterful sonnets, senryu and haiku, alongside select translations from Émile Nelligan, Arthur Rimbaud, Charles Baudelaire, and Giacomo Leopardi. At its heart, Songs of My Surrenders offers an overpowering vision of a decaying civilisation, insisting that the cure is found in passionate and unconditional love, and in urgent spiritual renewal. A wind of dust blows my tearsInto the daisies of the jetty where I waitFor you continuously; is it trueWhat they say, that you no longer loveMe? I will wait here, still. I will not move.

A highly readable, intimate story about loss, aging, female friendship, family, and renewal...told with grit and humor. Lexi is a sixty-year-old widow whose solitary life is thrown into turmoil when a desperate young woman moves in with her, soon followed by the unexpected arrival of her best friend, who has separated from her husband of forty years. The mix of these three very different personalities - a powerful omnivore seeking to live life to the fullest; a sweet, self-denying vegan; and Lexi, a thoughtful, still grieving widow - leads to some surprising (sometimes humorous) situations that force Lexi to re-examine her life. In the physics of relationships, Lexi observes that nature abhors a vacuum. She begins to wonder if she herself has somehow manipulated her circumstances to fill that vacuum...simply to imitate the life she had before the death of her husband. "[The Physics of Relationships] was a joy to read. I loved the flow of the writing, the profundity of the observations, and the humor. You have truly sketched a very accurate, forgiving, and endearing picture of a woman at this stage of life. Thank you for writing this book." -Kaiya Cade Smith Blackburn "You did an amazing job writing so truly in the voice of an older woman.... I found Lexi's character appealing from the first page, and her consistent voice made her a very sympathetic, fully realized character. I particularly enjoyed her reflections on all she observed about human nature and the realities and absurdities of aging. She is kind, funny, curious, thoughtful, eager to puzzle out relationships. .... I enjoyed the twists and turns and tensions of the plot, three women living together, and the extra complication of Tasha [her daughter], and romantic partners, and the suspense of whether a myriad of small/large issues will get resolved." - Rosalyn Art

The bilingual Italian-English manuscript Il libro dei primati / The Book of Primates combines prose and poetry to revisit/reimagine the folkloric traditions of two American states where the author spent many years: the state of Maine and that of New York. In his reworking/recreating of these traditions, he looked at traditional poems, ballads, tales, legends, and revisited them through contemporary experimental language and contents. The result is a series of new texts, each the result of a contamination between the original texts and the author's own re-imagining them, in light of modern settings and contents. This work is very far from being just a "re-writing" of traditional materials. Rather, it is an approach in which he re-generates the old tradition.

Blow Up the Ashes, Vol 2 of American Mayhem, reveals the story of Pierre Doucet, a gambler and then a killer for the New Orleans mob during World War 2 who at one time admires from afar a yellow-haired girl. When decades later he travels to New York, he meets KJ again. They discover she was his "yellow-haired girl. " KJ learns Pierre is a killer, but instead of drawing back in horror joins him. KJ and Buckles come together at the novels' end when Buckles wreaks revenge on Big Bill.

In 1967, the Summer of Love, 17-year old 'Buckles' Sinclair runs from her privileged home in Scarsdale to hitchhike to San Francisco, but instead of Flower Power, Peace, and Love she finds herself plunged into the darkest heart of the American nightmare. Her abandoned mother, KJ, rebuilds her identity and life in the company of a "family" of homosexual men--she is Wendy to The Lost Boys of Manhattan.

The anthology, Rudy Wiebe: Essays on His Works, compiled and edited by Bianca Lakoseljac, examines Wiebe's works and his achievements as an author, editor, professor and mentor who helped shape successful authors and encouraged a passion for Canadian literature. Intriguingly, while Wiebe's writing has been labeled as "brilliant" and "magnificent," it has also been seen as "challenging" due in part to his propensity for a rather Faulknerian turn of phrase and his use of multifaceted storymaking approaches, such as intertextual and intratextual dynamics, and the sociopolitical views and religious beliefs they embody. Rudy Wiebe's literary work raises him to the status of a Canadian literary icon whose fiction and nonfiction are seen as major contributions to Canadian literature, and will continue to be enjoyed for generations to come.

Earth, 2212: The novel, third in the Against The Machine trilogy, yet free standing on its own, tells of a dystopian society in the midst of catastrophic climate change. Billions have died. The minority of people remaining inhabit the MEGs, former cities transformed by technology into huge protective domes; outside is the MASS living by subsistence. All seems well for those in the CORPORATE. It is not. With worsening climate, the MASS increasingly restive and their AI Silicons becoming sentient, those at the top have concocted a final solution: to leave Earth for Alpha Centauri, destroying the planet in their wake. Four protagonists, each from separate segments of this world, come together to attempt to prevent the plan. By the end they have managed to alter the human/machine interface, so changing human evolution.

Evie knows she must put the good of the community before all else--that is the only way to fix the problems that led to the Great Flood. But when she is sent as a spy to a society less restrictive than her own, she must choose between loyalty to all she knows, and freedom in the world outside. Many years later, Evie's name has become a symbol of revolution. But Bertram uncovers a secret that changes everything he thought he knew. He must decide whether to reveal the truth, or protect the fragile peace of his society. In his journey, he encounters time-travelling historians intent on preventing apocalypse by communicating with Laura, a woman from before the Great Flood. Laura is convinced her newborn baby speaks to her, and must decide whether to trust herself, or the doctors telling her she is crazy. Through these three intertwined stories, The Red Hairband explores the inhumanity that is brought about when we are too certain of our beliefs.

John Young writes with the humor of David Sedaris and the insight and humanity of John Updike.--Aileen Grever This often-comic novel is not 'Christian' or 'religious, ' although the narrator is a 7-foot-tall minister ... who becomes obsessed with growing the world's largest pumpkin. John Crackstone is cracking under the pressure of working with the wrong people in the wrong place. And he's aching for success.What begins as backyard lark swells into a hilarious and absurd idea to build a pumpkin empire by making everything from snacks to toilet paper. It becomes his chance to flip the tables on his affluent and perpetually disappointed deacons.Getting Huge resonates deeply with readers, showing how the pursuit of other people's goals and ideas of success can cloud judgment. Follow John Crackstone's humorous--and touching--pursuit of success and sense of belonging, which culminates on an unforgettable Christmas evening.

Coal Boy, is a human fiction that builds on the premise: love is universal; so is racism--the same mold as Colson Whitehead, James Hannaham, and Robert Dugoni. Geocultural attributes set my story apart from their works. The United States of America stages their stories, where Black Americans and slavery have long been one of the major human rights issues intensely debated in sociopolitical arenas. My story focuses on people of mixed racial heritage: namely, Black-Japanese--the children of Black Americans and Japanese women born in Japan during the post-World War II Occupation.

In 2005, after four months in hospitals, Dick Rayburn returns home with a limp, a disfigured face, and pain. Around tense conversations between him and his wife, Valerie, concerning their absent son, Jamie, the narrative weaves memories triggered by objects in the house. An old self-portrait draws him back to his childhood and the studio of his father, who trained Dick to be an artist, while an article critical of the Iraq War, by the journalist to whom he was engaged when they were graduate students, resurrects the person he was and the woman he loved. Dick relives his evolution from a young artist and left-wing university student to the war profiteer Valerie blames for Jamie being in Iraq, and cannot stop reliving the horror that he witnessed the day he flew into Fallujah and was shot down as his helicopter left the city. To cope with the memories that haunt him, Dick returns to his passion for painting. He paints what he saw in Fallujah, the person he feels he has become, and the loved ones he has lost. The images emerge from a deep, dark background, the principal ingredient of which is ivory black.

""Once Our Lives" is the true story of four generations of Chinese women and how their lives were threatened by powerful and cruel ancient traditions, historic upheavals, and a man whose fate-cursed by an ancient superstition--dramatically altered their destinies. The book takes the reader on an exotic journey filled with luxurious banquets, lost jewels, babies sold in opium dens, kidnappings by pirates, and a desperate flight from death in the desert--seen through the eyes of a man for whom the truth would spell disaster and a lonely, beautiful girl with three identities."--