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A quiet revolution in painting that seeks to overturn fast-paced art productionBritish curator and writer Martin Herbert brings together in this volume the works of 19 contemporary painters that share a common stance that has come to be identified as "slow painting," referring both to its creation and its apprehension by the viewer. Moving from representation to abstraction, these artists insist on the phenomenological experience, creating works that reveal themselves slowly, as a riposte to the contemporary tendency toward an art that is "fast," quickly made and then consumed. With 50 illustrations, Slow Painting includes an essay and curatorial overview by Martin Herbert and round-table interview with Hettie Judah. Artists include: Darren Almond, Athanasios Argianas, Michael Armitage, Gareth Cadwallader, Varda Caivano, Lubaina Himid, Paul Housley, Merlin James, Allison Katz, Simon Ling, Lucy McKenzie, Mairead O'hEocha, Yelena Popova, Carol Rhodes, Sherman Mern Tat Sam, Benjamin Senior, Michael Simpson, Tim Stoner and Caragh Thuring.

An illustrated introduction to a group of innovative 1960s artists who thoroughly rejected art-world terms through their use of grotesque surrealism, cartoon energy and vivid colorThis compact illustrated introduction to the work of the Chicago Imagists celebrates the grotesque surrealism, cartoon energy and vivid color of a group of innovative 1960s artists who thoroughly rejected art-world terms. These artists--who include those associated with the Hairy Who--are Roger Brown, Sarah Canright, James Falconer, Ed Flood, Art Green, Phil Hanson, Gladys Nilsson, Jim Nutt, Ed Paschke, Christina Ramberg, Suellen Rocca, Barbara Rossi, Karl Wirsum and Ray Yoshida. Together this group made art that spanned painting, drawing, sculpture, prints, comics and zines. With approximately 100 illustrations the book features an introductory essay by curators Rosie Cooper and Sarah McCrory, an essay by art historian and curator Lynne Warren on the importance of the art scene in Chicago and individual texts on each artist.

The Alternative Guide to the Universe surveys work that creates unexpected possibilities in art, science and architecture; possibilities so profound that they suggest an alternate reality. This densely illustrated volume features self-taught architects and artists, photographers and futurists, outsider engineers and scientists--all investigating larger systems of knowledge or developing particular disciplines in idiosyncratic directions. Among the visionaries included here are A.G. Rizzoli, Alfred Jensen, Bodys Isek Kingelez, Emery Blagdon, Eugene von Bruenchenheim, George Widener, Guo Fengyi, James Carter, Jean Perdrizet, Lee Godie, Marcel Storr, Melvin Way, Morton Bartlett, Paul Laffoley, Philip Blackmarr, Rammellzee, Richard Greaves, William Scott and Wu Yulu.

Telling a story of class and taste, aspiration and identity, the tapestry series The Vanity of Small Differences by Turner Prize-winning artist Grayson Perry (born 1960) was conceived up and down the length and breadth of the U.K., as Perry traveled for Channel 4 television "on safari amongst the taste tribes of Britain." The result is a monumental exploration of the "emotional investment we make in the things we choose to live with, wear, eat, read or drive." The six vibrant and highly detailed tapestries presented here bear the influence both of early Renaissance painting and of William Hogarth's "modern moral subjects," literally weaving characters, incidents and objects from Perry's research into a modern-day version of Hogarth's famous A Rake's Progress. This book is an essential companion to one of the key contemporary art works of the last decade.

Major monograph accompanying the first UK exhibition of the Bahamian contemporary artist Tavares Strachan (b. 1979), one of the most urgently compelling, innovative and accomplished artists of his generation. 'Strachan¿s work is filled with astonishments and surprise.' - The best art and architecture shows to visit in 2024, The Guardian This major monograph will focus on the highly inventive ways in which the Bahamian artist Tavares Strachan (b. 1979) has engaged with questions of cultural visibility and social inequity, through painting, sculpture and installation. A new interview with Ralph Rugoff and essays by Ekow Eshun and Maggie Cao will examine three key areas of Tavares¿ work, each of which turns upside down conventional models of knowledge and education: 'Exploration' deals with the artist¿s own role as an explorer as well as works that pay homage to pioneers who navigated unknown ideas and uncharted territories. 'Invisibilty' is centred on Strachan¿s The Encyclopedia of Invisibility ¿ an ongoing, 3,000-page publication and related sculptures and paintings that spotlight figures forgotten by history. 'Remapping' presents recent works that imaginatively remap the lost cultural connections between African diaspora people and traditional African societies. Designed in close collaboration with the artist, the book also includes an Index of Characters, Chronology and Exhibition History.

Spanning over 50 years of contemporary art, When Forms Come Alive - which accompanies a major exhibition at London's Hayward Gallery - explores the ways in which artists have been inspired by movement, flux and organic growth, from a dancer's gesture to the breaking of a wave, or from a flow of molten metal to the interlacing of a spider's web. It features a range of energetic sculptural forms that seem to ooze, undulate, blossom, erupt and sprawl across gallery spaces. This richly illustrated hardback book explores the artists and their work in detail, and includes essays by Hayward Gallery Director Ralph Rugoff and art historian Natalie Rudd which cite the artists' work within the context of postminimalism, and explore formal and material innovation in sculpture across the past half century. Texts on each artist by a range of writers will accompany a broad-ranging selection of images. Includes the works of 21 international artists, namely Ruth Asawa, Nairy Baghramian, Phyllida Barlow, Lynda Benglis, Michel Blazy, Paloma Bosque, Olaf Brzeski, Choi Jeong Hwa, Tara Donovan, DRIFT, Eva Fabregas, Holly Hendry, EJ Hill, Marguerite Humeau, Jean-Luc Moulene, Senga Nengudi, Ernesto Neto, Martin Puryear, Matthew Ronay, Teresa Solar Abboud and Franz West.

Artists from Agnes Denes to Hito Steyerl address ecology and humanity's new imperative to reenchant the world. Lavishly illustrated, with texts by Rebecca Solnit and Greta Thunberg which explore the role that art and artists can play in climate activism. Dear Earth: Art and Hope in a Time of Crisis is printed on 100% recycled paper that's certified by the Forestry Stewardship Council (FSC), with EU Ecolabel and Blue Angel accreditation. The images are printed using vegetable inks, and the production has been carbon offset. The books have travelled without shrink-wrapping to avoid single use plastic. The essays and 'tapestry' sections are printed in a single colour to reduce the number of times the sheets pass through the press, saving energy in the production. After looking at many books that featured greens and browns, we chose a vibrant blue as a symbol of hope and healing. The book features texts on each artist, and essays by Rachel Thomas, Rebecca Solnit, Maja and Reuben Fowkes, Greta Thunberg and Imani Jacqueline Brown. It also includes a conversion between artist Jenny Kendler and birder J. Drew Lanham, a manifesto by Agnes Denes, poetry by Deena Metzger and an extract from an interview on activism by Andrea Bowers. Dear Earth is designed by Melanie Mues, and the cover features a detail of the drawing Reconciliation (2018) by Otobong Nkanaga. 'I'm telling you there is hope. I have seen it, but it does not come from the governments or corporations. It comes from the people.' Greta Thunberg

A major survey of the influential British artist famed for his psychologically charged labyrinthine installations. Mike Nelson (born 1967) is best known for his carefully assembled large-scale immersive environments that tell multilayered narratives while playing with and pushing the boundaries of space and scale. Although Nelson's extraordinary output has cemented his position internationally, his oeuvre has not previously been explored in a major publication. Designed in close collaboration with the artist, this book juxtaposes new writings with classic texts on seminal works. It includes newly commissioned essays by Yung Ma and Dan Fox and a comprehensive "lexicon" of Nelson's practice by Helen Hughes. The book also features a new interview with Nelson by Katie Guggenheim; a selection of previously published texts on key artworks by Richard Grayson, Jaki Irvine, Jeremy Millar and Mike Nelson; and a full exhibition history and bibliography. Also featured are images and ephemera from Nelson's studio archive, many of which have never been published before.

Published on the occasion of the exhibition British Art Show 8: Leeds Art Gallery, 9 October 2015 - 10 January 2016; Scottish National Gallery of Modern Art, Inverleith House, Royal Botanic Garden Edinburgh and Talbot Rice Gallery, University of Edinburgh, 13 February - 8 May 2016; Norwich University of the Arts and Norwich Castle Museum and Art Gallery, 24 June - 4 September 2016; John Hansard Gallery, University of Southampton and Southampton City Art Gallery, 8 October 2016 - 14 January 2017.

Antony Gormley's (born 1950) celebrated installation Field for the British Isles is made up of 40,000 individual figures, all handcrafted in unglazed terra-cotta by families in and around Humberside, England. This volume is the most comprehensive publication on this work.

Essays by Brian Dillon, Jane Rendell, Ralph Rugoff. Text by Francis McKee, Tumelo Mosaka, Midori Matsui, Brian Dillon, Paulo Herkenhoff, Francesco Manacorda, Tom Morton, Miwon Kwon, David Greene, Iain Sinclair.

This beautiful artist's book accompanies the Hayward Gallery travelling exhibition curated by artist and filmmaker Tacita Dean. Dean approached the task of selecting the works for this exhibition and this book as she does the making of her own work: with intuition as a guide, and a certain openness to coincidences and emerging themes.

Contemporary painting that brings together diverse images and ideasThis catalog brings together 31 painters whose works combine elements from varied traditions, genres, image sources and formal approaches. Exploiting their medium's potential for ambiguity and for creating correspondences between seemingly unrelated elements, these artists make the case that painting may be the most relevant technology for exploring our complex, image-saturated present. Artists include: Tasha Amini, Hurvin Anderson, Alvaro Barrington, Lydia Blakeley, Gabriella Boyd, Lisa Brice, Gareth Cadwallader, Caroline Coon, Somaya Critchlow, Peter Doig, Jadé Fadojutimi, Denzil Forrester, Louise Giovanelli, Andrew Pierre Hart, Sophie von Hellermann, Lubaina Himid, Kudzanai-Violet Hwami, Merlin James, Rachel Jones, Allison Katz, Matthew Krishanu, Graham Little, Oscar Murillo, Mohammed Sami, Samara Scott, Daniel Sinsel, Caragh Thuring, Jonathan Wateridge, Issy Wood, Rose Wylie and Vivien Zhang.

Presented every five years, the British Art Show provides a vital survey of contemporary art in the UK. This, its ninth edition, has been developed at an extraordinary moment in British history, a time during which the UK was in the last throes of Brexit negotiations and, along with the rest of the world, finding ways to cope with a global pandemic. British Art Show 9 is curated by Irene Aristizâabal and Hammad Nasar and is structured around three main themes: healing, care and reparative history; tactics for togetherness; and imagining new futures. The 47 artists in the exhibition look at how we live with and give voice to difference; explore alternative economies; and propose ways of living together that emphasise commonality and collaboration --

The abiding presence of spiritualism in art, from af Klint to Susan HillerBringing together more than 30 international artists from the late 19th century to the present day, Not without My Ghosts surveys work inspired by spiritualism and its rich cultural history. With original essays by art historian Susan L. Aberth and curators Simon Grant and Lars Bang Larsen, this publication explores the anti-authoritarian political agendas of 19th-century spiritualism and the movement's close association to the history of feminism, as well as its continued influence on contemporary practitioners. Spanning diverse artistic approaches, Not without My Ghosts offers a unique insight into the ties that bind spirit and mediumistic art across the centuries.

The first contemporary survey of postwar British women sculptors from modernism to the YBA'sThis publication focuses on postwar British women sculptors, including Tracey Emin, Mona Hatoum, Barbara Hepworth, Kim Lim, Sarah Lucas, Cornelia Parker and Rachel Whiteread.

"Published on the occasion of the exhibition "Kader Attia: The Museum of Emotion" Hayward Gallery, London 13 February - 6 May 2019"--Colophon.

Kiss My Genders celebrates more than 30 international artists whose work explores and challenges traditional gender categories. The book features works from the late 1960s through to the present, and focuses on artists who draw on their own experiences to create content and forms that challenge accepted or stable definitions of gender.

"Published on the occasion of the exhibition "Kader Attia: the museum of emotion", Hayward Gallery, London, 13 February - 6 May 2019".

Published on occasion of the Arts Council Collection exhibition "Criminal Ornamentation: Yinka Shonibare MBE curates the Arts Council Collection. Held at Attenborough Arts Centre, University of Leicester 21 September to 16 December 2018, Royal Albert Memorial Museum, Exeter, 19 January to 16 March 2019, Longside Gallery, Yorkshire Sculpture Park, 5 April to 16 June 2019 and Southampton City Art Gallery, 27 June to 28 September 2019.

Silver and Glass is the first publication to explore the application and influence of photography in the art of the popular British artist Cornelia Parker (born 1956). The book is illustrated by works from across Parker's career, including those which arose from her investigations into the photogravure. Inspired by the 19th-century photographic pioneer William Henry Fox Talbot, Parker combined two of his early techniques--solar prints and the photogravure--to create a new hybrid form of print by exposing translucent three-dimensional objects to ultraviolet light.Presented here are a collection of 20 large-scale prints from three experimental series: Fox Talbot's Articles of Glass (2017), One Day This Glass Will Break (2015) and Thirty Pieces of Silver (Exposed) (2015). A wide range of Parker's sculpture and documentary photography is also included.

Space Shifters features approximately 20 leading international artists whose work addresses the intersections of perception, sculptural space and architecture--among them Leonor Antunes, Larry Bell, Fred Eversley, Jeppe Hein, Ann Veronica Janssens, Alicja Kwade, Daniel Steegmann Mangrané, John McCracken, Helen Pashgian, DeWain Valentine and Richard Wilson. Beginning with the pioneering use of innovative sculptural materials in the 1960s, the book explores the ways in which artworks engage or alter the viewer's perception of the surrounding architecture. The development of these concerns is traced over the course of the past four decades and concludes with artworks from the present day.Comprising a choreographed series of responses to, and interventions in, the Hayward Gallery building, Space Shifters highlights the often contingent, context-sensitive nature of artworks and architecture alike, while probing how this intertwining of identities reshapes the visitor's own perceptual awareness.

Featuring a formidable list of writers, and encapsulating the eclectic range of art that has delighted and inspired audiences throughout Hayward Gallery's history, Fifty Years of Great Art Writing ranges from painting and photography to sculpture, choreography and architecture, and takes in a huge diversity of subjects, from Paul Klee to the art of the Harlem Renaissance, from David Shrigley's drawings to David Hockney's photographs, from Francis Bacon's take on the human body to Africa Remix, from Pipilotti Rist's installations to Afro-Asian artists in postwar Britain. With intriguing combinations and connections between artists and writers, the book presents seminal essays that will appeal to art enthusiasts and students alike. Texts include Leon Kossoff on Frank Auerbach, Ali Smith on Tracey Emin, Dore Ashton on Agnes Martin, Will Self on George Condo, Geoff Dyer on Dayanita Singh, Adrian Forty on Le Corbusier and Stuart Hall on Jeremy Deller.

The New Concrete is a long-overdue survey of the rise of concrete poetry in the digital age. The accessibility of digital text and image manipulation, modern print techniques and the rise of self-publishing have invigorated a movement that first emerged in an explosion of literary creativity during the 1950s and 1960s. This new volume is a highly illustrated overview of contemporary artists and poets working at the intersection of visual art and literature, producing some of the most engaging and challenging work in either medium. Edited by poets Victoria Bean and Chris McCabe, with an introductory essay by renowned poet Kenneth Goldsmith, The New Concrete is an indispensable introduction to the breadth of concrete poetry being produced today. The New Concrete features new works by poets and artists including Vito Acconci, Augusto de Campos, Henri Chopin, Paula Claire, Bob Cobbing, Ian Hamilton Finlay, John Furnival, Ilse Garnier, Pierre Garnier, Eugen Gomringer, Hansjorg Mayer, Franz Mon, Edwin Morgan and Décio Pignatari, as well as new work by Jordan Abel, Fiona Banner, Michael Basinski, Erica Baum, Caroline Bergvall, Derek Beaulieu, Jaap Blonk, Christian Bök, Sean Bonney, Pavel Büchler, Simon Cutts, Alec Finlay, John Giorno, James Hoff, Jenny Holzer, Geof Huth, Leandro Katz, John Kinsella, Anatol Knotek, Christopher Knowles, Richard Kostelanetz, Liliane Lijn, Tony Lopez, Steve McCaffery, Donato Mancini, Stuart Mills, Gustave Morin, Tom Phillips, Jörg Piringer, Colin Sackett, Sue Tompkins, Andrew Topel, Cecil Touchon, Nick Thurston, Barrie Tullett, André Vallias, Nico Vassilakis, Emmanuelle Waecklerlé, Sam Winston and others.

A beautifully accessible and diverse collection of key works in British printmaking from Walter Sickert to Tracey Emin.A Century of Prints in Britain is a highly illustrated volume providing a long-overdue, affordable and engaging selection of over 200 print works from masters of the medium alongside lesser-known practitioners. Using the Arts Council Collection as a platform, A Century of Prints in Britain spans a broad selection of styles and movements, from the geometric lines of Kenneth Martin and the striking graphics of Michael Craig-Martin to the arresting and abstract work of Howard Hodgkin. This attractive compendium of highlights includes an essay by Julia Beaumont-Jones, who gives an informative overview of the growth of the medium from the 1930s to today. Artists represented include Patrick Caulfield, Peter Blake, Fiona Banner, Helen Chadwick, Lucien Freud, Richard Hamilton, Damien Hirst, David Hockney, Gary Hume, Tess Jaray, R.B. Kitaj, John Minton, Chris Ofili, Julian Opie, Eduardo Paolozzi, Cornelia Parker, Ken Price, Paula Rego, Bridget Riley, Rachael Whiteread and many more.

Published on the occasion of the Hayward touring exhibition.

Featuring two print series by one of the most influential artists of recent decades, Louise Bourgeois: Autobiographical Prints presents highly personal, dreamlike expressions of this formidable figure. A prolific printmaker, Louise Bourgeois (1911-2010) created the Autobiographical series in 1994, capturing her deepest thoughts and memories. The accompanying collection of 11 Drypoints, which were created in 1999, offers a more abstract perspective, using motifs and themes to conjure representations of her past. Intriguing and highly immersive, both sets of prints open a window into the mind of the artist. All of the prints are reproduced with arresting clarity, accompanied by a text exploring the prints in the context of Bourgeois' psychological biography, by celebrated psychoanalyst Juliet Mitchell. These works from the end of the artist's life are a crucial expression of her vulnerability, and an exploration of the themes that form the crux of her practice: memory, childhood trauma and sexuality.

Published on the occasion of the Arts Council Collection exhibition.