Bøger udgivet af HEADPR

Pop music would be a different beast without the B-Side. Music history is riven with songs deemed throwaway that revolted against their lowly status and refused to be denied. Be it rock'n'roll's national anthem ('Rock Around The Clock'), disco's enduring game-changer ('I Feel Love') or hip-hop's most notorious dis track ('Hit 'Em Up'), all three started life as the so-called 'lesser' track on releases primed for maximum chart impact. But the B-side has done much more than make stars of Bill Haley, Donna Summer and 2Pac. Whether it was the Beatles, the Kinks and the Yardbirds in the 60s, Elton John, the Who and Queen in the 70s, Depeche Mode, the Cure and Prince in the 80s, or Oasis, Pulp and Radiohead in the 90s, the B-side allowed many of the world's greatest artists freedom to experiment with no commercial constraints in an age where physical product ruled the roost. A quickfire A-Z of 500+ flips, B-SIDE is the first serious examination of the format's covert role in pushing the musical envelope. Best read with one eye on YouTube and one ear on a streaming service, its revelations will prick up the ears of music fans of all persuasions.

Late '70s San Francisco. The Summer of Love is a hazy memory, the AIDS crisis is looming, and nearby Silicon Valley is still an obscure place where microchips are made. The City by the Bay is reeling from a string of bizarre tragedies that have earned it a new name: the "kook capital of the world." Yet out of the darkness comes a creative rebirth, instigated by punk and sustained by the steady influx of outsiders who view the city as a place of refuge, a last resort. What ensues is a collision of sounds and ideas that spans the golden age of analog DIY culture, from the dark cabaret of Tuxedomoon and Factrix, the apocalyptic sounds of Minimal Man and Flipper, the conceptual humor of Gregg Turkington's Amarillo Records; through to the subversive pop music of Faith No More, the left-field experimentalism of Caroliner, Mr. Bungle, and Thinking Fellers Union Local 282, and much more. Drawing on extensive research--including interviews with over 100 musicians, artists, and other key players--WHO CARES ANYWAY is the first book to chronicle the wild post-punk San Francisco music scene, courtesy of those who lived it. It's a tale full of existential drama, tragic anti-heroes, dark humor, spectacular failures--and even a few improbable successes.

A rescue dog leads a struggling financial advisor to the wealth he is looking for. Steve, a burnt out banker, has spent a lifetime advising others. He envisages his retirement as "the light at the end of the tunnel of responsibility". But instead of Mai Tais on the beach, motorcycling through Europe, and hiking the Himalayas, he encounters a tornado, a worldwide pandemic and one felonious attempt to seal the deal on a retirement windfall. Saddled with Zeke -- a kill-shelter reject; a hundred-pound dog with a cold wet nose and a death-stare -- and on the verge of losing everything, Steve must reach back to his hardscrabble country roots and the lessons of his kin to try to pick himself up and navigate his way out of looming disaster. Thoughtful, heartbreaking and humorous, LETTING GO THE LEASH is a true story rich in grit and beauty. In quitting his career in the city Steve follows his dog and instincts to the Tennessee mountains.