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Illuminating the post-industrial underground. Noise Receptor Journal: sound with impact -- analysing the abstract is one of the most well-respected underground zines dealing with post-industrial music, with a particular focus on dark ambient, death industrial, heavy electronics, and power electronics. Archive Volume 2 compiles Noise Receptor issues 4, 5 & 6, originally published 2016-2018. Featured artists and labels: Anemone Tube / Armour Group / Concrete Mascara / Damien Dubrovnik / Detrimental Effect / Hospital Productions / Human Larvae / Inade / Kevlar / John Murphy / Posh Isolation / Trapdoor Tapes / Ulex Xane / Young Hustlers

An essential document of a niche global scene. For almost a decade the zine, Noise Receptor Journal, has been documenting the international post-industrial music underground. Each issue has featured reviews and exclusive interviews on dark ambient, death industrial, heavy electronics, power electronics, and other largely ignored forms of music. Noise Receptor Journal remains a labour of love in the true spirit of the underground. Self-published (out of Melbourne, Australia) it documents a cultural landscape from a unique vantage point, being at once an established and respected voice on that landscape. This book is the first in a series that compiles the long out-of-print, much sought-after early issues, and contains in their entirety Noise Receptor Journal numbers 1, 2 and 3, as well as new material.

Laurel Canyon in the ''60s and early ''70s was a magical place where musicians gathered to create much of the soundtrack to those times. The Doors, the Beach Boys, Frank Zappa, James Taylor, Carole King, Joni Mitchell and more lived and jammed together here. But the scene had a dark side. Many didn''t make it out alive, and many of those deaths remain shrouded in mystery. Far more integrated into the scene than most would like to admit was Charles Manson and his infamous Family. It also seems these colourful characters all coexisted alongside a covert military installation.

From filmmaker, former Fangoria editor-in-chief, and Corman/Poe author Chris Alexander comes ART! TRASH! TERROR! Adventures in Strange Cinema, a treasure trove of in-depth essays and edifying interviews that celebrate some of the most eccentric and unforgettable movies in cult cinema history. From recognized classics (George A. Romero's Dawn Of The Dead, David Lynch's The Elephant Man) to misunderstood masterpieces (Michael Mann's The Keep, Boris Sagal's The Omega Man) to unfairly maligned curios (Kostas Karagiannis' Land Of The Minotaur, Brett Leonard's Hideaway), the author takes an alternately serious and playful but always personal look at several strains of international horror, dark fantasy, and exploitation film -- motion pictures that transform, transgress, challenge, infuriate, shock, and entertain. Connecting these passionate and critical essays are insightful interviews with revered talents, such as John Waters (writer/director, Cecil B. Demented), Michael Winner (director, The Sentinel), Nicolas Cage (actor, Vampire's Kiss), Gene Simmons (co-founder/bassist, KISS), William Crain (director, Blacula), William Lustig (director, Maniac), Werner Herzog (director, Nosferatu: Phantom Der Nacht) and many more, as well as witty, heartfelt memoirs charting the author's oddball experiences on the fringes of Hollywood and beyond. Illustrated with more than 200 startling photographs!

Slumber Party Massacre. Pet Sematary. Near Dark. American Psycho -- These horror movies have heavily contributed to pop culture and are loved by horror fans everywhere. But so many others have been forgotten by history. From the first silent reels to modern independent films, in this book you'll discover the creepy, horrible, grotesque, beautiful, wrong, good, and fantastic -- and the one thing they share in common. This is the true history of women directing horror movies. Having conducted hundreds of interviews and watched thousands of horror films, Heidi Honeycutt defines the political and cultural forces that shape the way modern horror movies are made by women. The women's rights and civil rights movements, new distribution technology, digital cameras, the destruction of the classic studio system, and the abandonment of the Hays code have significantly impacted women directors and their movies. So, too, social media, modern ideas of gender and racial equality, LGBTQ acceptance, and a new generation of provocative, daring films that take shocking risks in the genre. Includes short films, anthologies, documentaries, animated horror, horror pornography, pink films, and experimental horror. I Spit on Your Celluloid is a first-of-its-kind celebration, study, and "a book that needed to be written" (says cult filmmaker Stephanie Rothman). You will never look at horror movies the same way again!

Satan has figured in film since the very birth of cinema. The Satanic Screen documents all of Satan's cinematic incarnations, covering not only the horror genre but also a whole range of sub-genres including hardcore porn, mondo and underground film. Heavily illustrated with rare still photographs, posters and arcana, the book investigates the perennial symbiotic interplay between Satanic cinema and leading occultists, making it essential reading for anyone interested in the Black Arts and their continuing representation in populist culture. Revised and updated since its first acclaimed publication in 2001, Schreck's study of the diabolical in film has since become a widely referenced standard work on the subject, enriched by Schreck's own personal engagement with magic and spiritual practice, which provides cineastes and sorcerers alike a veritable Encyclopedia Satanica of one of the oldest and most culturally profound genres in motion picture history.

The untold story of the world's most famous X-rated star, who rose to fame as the face of Ivory Snow and the star of Behind the Green Door but struggled to find her true self in a world of sex, scandal, and shattered dreams. Marilyn Chambers was the embodiment of the free-spirited Seventies, the world's most famous X-rated star, and an unappreciated talent whose work in adult films hindered her dreams of becoming a serious actress. Raised in an affluent Connecticut suburb, Marilyn catapulted to fame when it was learned that not only had she starred in the groundbreaking X-rated film, Behind the Green Door but was also the model on the box of Ivory Snow laundry detergent (product tagline: "99 44/100% Pure.") Marilyn was the first woman known primarily for her work in adult films to cross over to mainstream entertainment. She sustained a versatile three-decade career in entertainment, including roles in dramatic plays, a Broadway musical revue, her own television show, and the lead role in David Cronenberg's film Rabid. But her success in adult films also proved to be her undoing. Marred by a violent relationship with her abusive husband-manager, Chuck Traynor, she developed the persona of a twenty-four-hour-a-day sex star. In the process, she lost her sense of self and spent much of her life searching for her true identity. With recollections from family and friends, many of whom have never spoken publicly, along with Marilyn's own words, and never-before-published photos, Jared Stearns vividly captures the revolutionary career of one of the twentieth century's most misunderstood icons.

Following an unexpected discovery during a bout of lockdown-inspired spring cleaning, Duncan McNamara, soon to turn 30, leaves a distinctly average academic career for the Camino de Santiago, an ancient and dangerous trail of 500 miles across Spain's Pyrenees Mountains. He carries only a rucksack of largely useless items, and while not particularly religious, begins to count himself among the saints, sinners and scholars who have hiked the scrubland before him. His sole purpose, like theirs, is to reach the end and kneel before a Saint. Absurd, sensual and deeply poignant, the world of "The Way" provides a fascinatingly personal series of incidents to match Duncan's idiosyncratic path. Readers, who have no idea what they're getting themselves into, will find themselves cheering for this first-person adventure filled with unlikely detours.

An in-depth overview of Nigel Kneale's 1976 Folk Horror anthology television series, Beasts.

Long considered the dead-end of genre cinema, Shot-On-Video (SOV) horror finally gets its due as a serious filmmaking practice. Using classic fanzines, promotional materials, and especially the theories of several important film scholars, Vincent Albarano brings SOV horror into critical focus for the first time in print. Prior to this moment, Video Violence, Twisted Issues, Alien Beasts, and more have never been mentioned in the same breath as Andre Bazin and Siegfried Kracauer, despite their common ground. AESTHETIC DEVIATIONS delves deep into several of the most famous SOV horror titles to give credit for their unique and singular contributions to independent genre cinema. Informed equally by a fan''s passion and the studied approaches of scholarly analysis, Albarano offers the first-ever detailed examination of the SOV horror cycle, proving that this strain of amateur filmmaking is deserving of proper appraisal. Sure to enlighten and provoke thought among fans and converts to the unique charms of SOV cinema, as well as inspire newcomers, Albarano''s book proves an invaluable resource for a neglected area of cinematic inquiry.

The writer, musician and curator Tot Taylor once observed that the word 'ritual' is already present in the word 'spiritual'. That combination of material practice and the transcendent can be found within the strange combination of records discussed in this publication. With music, one can transpose imagination, visions and dreams into 'sacred rites'. 'Heavy conscious creation', the theme of this series, embodies the realization of occult and esoteric ideas through artistic expression, in this case sonic arts. The music discussed here is using elements of ritual to immerse the listener in the experience of a magical rite; it may aid the listener in spiritual enlightenment in some way but might also simply provide entertainment and an engaging listening experience. Ritual is a form of living action and while LP records are encountered as objects mostly on the aural plane, an innovative and surprising use of sound can conjure up all manner of images, places and emotions. About the series: GATHERING OF THE TRIBE is an on-going series about the mysterious power of sound and tone, with each book devoted to reviewing records that reveal divine and cosmic laws, voyages to other worlds or use sound as a tool for transformation. While highly selective, the series offers a practical guide to the ultimate occult record collection. Rare album sleeves complement each review.

There's a Seattle urban legend about something rare and unusual in the snow at 14,000 feet -- not a Sasquatch but a booted, nude woman atop Mt. Rainier. This is the story behind the legend. Paula Engborg is an energetic, 41-year-old divorced mom in search of Prince Charming when one day she finds a new sport: The Climb. Paula has barely ascended a stepladder, so why the desire to climb mountains? Unlike other books about climbing, A WAY UP isn't about the highest mountains, famous climbers, or exotic locations. Instead, it's the experiences of the feisty author, who, in middle age, finds a new rush. Here, the mountains in the Pacific NW and rock walls in the Southwest come alive. You'll feel the bitter cold, the rigours of training, and share Paula's dream of making it to the top. Along the way this self-proclaimed "climb-aholic" defies the odds to become a member of Mountain Rescue, makes and breaks friends, and meets Clint, a man with a penchant for motorcycle rallies who she falls in love with. Paula's story is a literal tale of hard knocks, told with warmth and unflinching detail.

THE FALL OF THE HOUSE OF USHER, THE PIT AND THE PENDULUM, PREMATURE BURIAL, TALES OF TERROR, THE HAUNTED PALACE, THE RAVEN, MASQUE OF THE RED DEATH, THE TOMB OF LIGEIA... Produced on modest budgets for American International Pictures, Roger Corman's adaptations of Edgar Allan Poe stories were popular in their time as escapist horror cinema. Most starred horror icon Vincent Price and were written (and "freely adapted") by the likes of Richard Matheson, Charles Beaumont and Robert Towne. Today the series is recognized as unique and sophisticated, one that delivers decadent Gothic chills while exploring ideas of faith, sexuality, psychology and the supernatural. CORMAN/POE: Interviews and Essays Exploring the Making of Roger Corman's Edgar Allan Poe Films, 1960-1964 is the only book to fully examine this important chapter in horror film history. In-depth conversations with the maverick Roger Corman are book-ended by engaging critical analyses of each of the eight films, which together stand as a fully realized and consistent creative vision. The book is illustrated with dozens of photographs and stills, many of which have never been published before, and features a brand-new foreword from Corman.

"We are all interested in the future for that is where you and I are going to spend the rest of our lives, whether we want to or not!" Jeron Charles Criswell King, better known simply as Criswell, can rightfully be described as one of the first pop celebrity psychics. His bizarre predications -- 87 per cent of which came true, he claimed -- appeared from the 1950s through the 1970s in newspapers and magazines, while the flamboyant showman hosted his own Los Angeles television show, guested on national TV and in Ed Wood movies, including Plan 9 from Outer Space, alongside Vampira, Tor Johnson and Bela Lugosi. Unsuccessful attempts to find fame on Broadway and Tin Pan Alley did not prevent him from co-authoring three books on how to succeed in these fields. A member of the hidden Hollywood gay community, the story of Criswell, his triumphs and defeats, is one of fame and hope in the television era. Facts, Fictions, and the Forbidden Predictions of the Amazing Criswell is the first full-length biography of Criswell. It is the result of 20 years of research by number one fan, Edwin Canfield, and includes interviews, new information, and many startling predictions. "The world as we know it will cease to exist on August 18, 1999!"

The records discussed in GATHERING OF THE TRIBE: ACID explore the key aspects of the acid experience, these being principally the way in which psychedelic drugs intensify sensory impressions (sound and vision); the ability to experience different dimensions simultaneously and mystical dimensions where the individual feels unified with the cosmos. This music also explores aspects of the infamous 'bad trip' or the 'terror that was wrong', where positive feelings are replaced by paranoia, depression, anxiety and disturbing flashbacks, the 'other side of anguish'. About the series: GATHERING OF THE TRIBE is an on-going series about the mysterious power of sound and tone, with each book devoted to reviewing records that reveal divine and cosmic laws, voyages to other worlds or use sound as a tool for transformation. While highly selective, the series offers a practical guide to the ultimate occult record collection. Rare album sleeves complement each review.

It is clear that landscapes have long inspired the consciousness of creative artists. By way of quick introduction to the links between music and territories, the 1977 KPM 1191 library music LP features a suite of pieces with titles such as 'Country Lanes', 'Passing Meadows' and 'Memory Lane' composed by Johnny Pearson to express the different aspects of (mostly rural) landscapes. The pieces are interesting as they try to capture an immersive experience of being in a land by using sound. This is a process by which many of the composers in this volume hope to express the wonder and mystery of landscape through sound. The music has been made to express a variety of landscapes: rural and urban; real and imaginary. About the series: GATHERING OF THE TRIBE is an on-going series about the mysterious power of sound and tone, with each book devoted to reviewing records that reveal divine and cosmic laws, voyages to other worlds or use sound as a tool for transformation. While highly selective, the series offers a practical guide to the ultimate occult record collection. Rare album sleeves complement each review.

In the early 1980s, video technology forever changed the face of home entertainment. The videocassette - a handy-sized cartridge of magnetic tape inside a plastic shell - domesticated cinema as families across Britain began to consume films in an entirely new way. Demand was high and the result was a video gold rush, with video rental outlets appearing on every high street almost overnight. Without moderation their shelves filled with all manner of films depicting unbridled sex and violence. A backlash was inevitable. Video was soon perceived as a threat to society, a view neatly summed up in the term 'video nasties'. CANNIBAL ERROR chronicles the phenomenal rise of video culture through a tumultuous decade, its impact and its aftermath. Based on extensive research and interviews, the authors provide a first-hand account of Britain in the 1980s, when video became a scapegoat for a variety of social ills. It examines the confusion spawned by the Video Recordings Act 1984, the subsequent witch hunt that culminated in police raids and arrests, and offers insightful commentary on many contentious and 'banned' films that were cited by the media as influential factors in several murder cases. It also investigates the cottage industry in illicit films that developed as a direct result of the 'video nasty' clampdown. CANNIBAL ERROR, a revised and reworked edition of SEE NO EVIL (2000), is an exhaustive and startling overview of Britain's 'video nasty' panic, the ramifications of which are still felt today.

An eye-opening and prophetic look at the true state of American politics and culture today. Is the US a beacon of progress? That''s how the mainstream media want you to see it. But in Myth America, visionary researcher David McGowan presents an index of disturbing facts and ominous trends that illustrate the deep roots of America''s systems of oppression. From mandatory minimum sentencing laws to more liberal search-and-seizure rules, from Three Strikes You''re Out to congressional legislation for a national ID card, McGowan shows how the noose around democracy has been tightening every day for decades - if it ever existed in the US at all.

There is consensus about the merits of Britain''s ''cult films'' but an odd silence around some ''stranger'' classics. OFFBEAT redresses this by exploring Britain''s obscurities and curiosities - from the late fifties leap in film production to the death of popular domestic cinema in the early eighties. Featuring essays, interviews and in-depth reviews, OFFBEAT is a guide through a host of cinematic trends and episodes, including: - ''Anti-swinging sixties'' films - CIA-funded British cartoons - The demise of the short as supporting feature. Now updated with more than 150 pages of new reviews and essays!

Heavy Metal Headbang is a defiant memoir like no other, confronting our celebrity-obsessed culture as well as the social challenges that come with recovering from a life-changing injury.

Tobe Hooper''s The Texas Chain Saw Massacre premiered in October 1974, mere weeks after the resignation and pardon of Richard Nixon. The film had been conceived, written, shot, edited, and produced precisely as Watergate was playing out, and those responsible for Chain Saw unhesitatingly spoke of the horrors of contemporary politics as having directly inspired the ones they created for the film. Leatherface vs. Tricky Dick presents a fascinating minute-by-minute exploration of the many uncanny connections between The Texas Chain Saw Massacre and Watergate, as well as other ways the film comments on contemporary politics via satire and dark humour.

Based on interviews with band members, friends, fans, and roadies, this book is an uncompromising history of an overlooked music scene. Rich Deakin charts the course of grebo via the changing fortunes of Gaye Bykers on Acid and Crazyhead, taking us on the booze-filled tour buses, behind the dodgy deals and onto the international stage and back again. Their careers were short, but the two bands managed to shake up the UK indie scene and along the way became Britain''s unlikely ambassadors of rock following the collapse of Soviet Russia.

The Town Slowly Empties is a mind-travel under the shadow of a global pandemic. It offers a lived perspective on an extraordinary time through art, cinema, literature and politics. This book is a compelling account of the human condition that soars high above the empty streets.

Clint Carrick grew up at the skatepark. Every day of the summer, he and his friends would loaf at the dilapidated park with warped plywood ramps strewn with rusty nails. In this setting they matured from children awestruck of high school kids to bored young men desperate to get out. Clint, now an adult, rekindles these forgotten memories as he drives across the country visiting unremarkable skateparks in America''s small towns and relearning how to skate. Can someone who abandoned skateboarding make the skatepark once again his home?

Crites (as he preferred to be called) had intelligence, wit and a talent for art that earned him respect in the small press world. He self-published much of his work as well as that of others, and it seemed like youth was on his side. What got in the way was the booze. Following another serious accident that he cannot remember (in this instance a face-first fall down a flight of stairs), Crites'' family convince him to seek professional help. He believes his treatment will last only days, but it takes many long months. Through journal entries and correspondence with family and close friends, this is Crites'' story, one that documents the months prior to, during, and immediately following his admission to a clinic for alcohol dependency.