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A major resource for new music theory and practice in the twenty-first century, the acclaimed Arcana series looks at the inner workings of the artistic process through manifestoes, scores, interviews, notes and critical papers written by the practitioners themselves, providing insight into the work, mind and methodologies of some of the most remarkable creative minds of our time. Contributors to this volume include Duck Baker, Eve Beglarian, Karl Berger, Chuck Bettis, Claire Chase, Anna Clyne, John Corigliano, Jeremiah Cymerman, David Fulmer, Jeff Gauthier, Alan Gilbert, Judd Greenstein, Mary Halvorson, Hillary Hahn, Jesse Harris, David Lang, Mary Jane Leach, Steve Lehman, Steve Mackey, Rudresh Mahanthappa, Denman Maroney, Brad Mehldau, Jessica Pavone, Toby Picker, Gyan Riley, Jon Rose, Steve Schick, Jen Shyu, Dave Taylor, Richard Teitelbaum, Julia Wolfe, Kenny Wollesen, Nate Wooley and Charles Wuorinen.

John Zorn's acclaimed Arcana series, now in its seventh installment, is a major source on new music theory and practice in the twenty-first century. The most varied collection to date, Arcana VII includes personal essays by New Music luminaries Pat Metheny, Bryce Dessner, Irvine Arditti, Thurston Moore, Kenny Werner, Eugene Chadbourne and David Krakauer alongside articles on musical theory and practice by veterans Joe Morris, Matt Shipp, Ben Goldberg, Ches Smith, George Steel, Billy Martin, Hilda Paredes and Gloria Coates and insightful new views by younger musicians Chris Otto, James Moore, Theresa Wong, Shanir Blumenkranz, Jay Campbell, Du Yun, James Ilgenfritz, Chuck Bettis, Aya Nishina and many others. A kaleidoscope of manifestoes, scores, interviews, critical papers, musical studies, rants and more, Arcana VII is a fascinating compendium from first word to last.

This special anniversary edition presents writings spanning classical music, jazz, rock, improvisation, world music, film soundtracks and more by exciting young artists, established masters and visionary mavericks, including Jad Atoui, Steve Beresford, Per Bloland, Brian Chase, Kris Davis, Robert Dick, Rinde Eckert, Wendy Eisenberg, Harris Eisenstadt, Suzanne Farrin, Dave Fiuczynski, David Garland, Michael Gordon, Simon Hanes, Barbara Hannigan, John Hollenbeck, Matt Hollenberg, Jon Irabagon, Julian Lage, Ava Mendoza, Matt Mitchell, Nicole Mitchell, Vadim Neselovskyi, Linda May Han Oh, Shane Parish, Chris Pitsiokos, Sofia Rei, Ted Reichman, Sara Serpa, Marc Urselli, Ken Vandermark and Dan Weiss.

Now in its fourth installment, with a fifth in preparation, John Zorn's acclaimed Arcana series provides insight into the work and methodologies of some of the most creative musical minds of our time. Rather than an attempt to distill or define a musician's work, Arcana IV illuminates directly via personal vision and experience, through the undiluted words and thoughts of the practitioners themselves, elucidating through manifestos, scores, interviews, notes and critical papers, composer/performers address composing, improvising, teaching, living, touring and thinking in and through music. Essential for composers, musicians, students and fans alike, this challenging and original series has now become the major source on new music theory and practice in the twenty-first century. Among Arcana IV's contributors are the late Derek Bailey, Nels Cline, Chris Cutler, Paul Dresher, Kenneth Gaburo, Shelley Hirsch, Wayne Horvitz, Vijay Iyer, Gordon Mumma, Matana Roberts, Katherine Supové and Carolyn Yarnell.

Arcana III is the third groundbreaking collection of critical writings on avant-garde and experimental music put together by editor (and experimental music legend) John Zorn. In this volume, 30 distinguished composer/performers illuminate and speculate upon method and practice in the process of making, experiencing and thinking about music. Comprised of essays, scores, manifestoes and interviews both real and imaginary, Arcana III gives voice to a new generation of brave musical explorers who live outside of the mainstream academy. Contributors include John Zorn, Maryanne Amacher, Derek Bermel, Steven Bernstein, Theo Bleckmann, Gavin Bryars, Greg Cohen, Jacques Coursil, Mario Diaz de Leon, Timb Harris, Scott Hull, Jerry Hunt, Henry Kaiser, Ha-Yang Kim, Makigami Koichi, Pamelia Kurstin, Okkyung Lee, Sean Lennon, Frank London, Brad Lubman, Christian Marclay, Kaffe Matthews, Olga Neuwirth, Buzz Osbourne, William Parker, Paola Prestini, Jamie Saft, Eric Singer, Wadada Leo Smith, Laeticia Sonami and Hal Willner. John Zorn has created an influential body of work that defies academic categories. A native of New York City, he has been a central figure in the downtown scene since 1975, incorporating a wide range of musicians in various compositional formats.

Edited by John Zorn. Texts by Yamataka Eye, J. G. Thirlwell, Butch Morris, Evan Parker, Marina Rosenfeld, Ned Rothenberg, Sylvie Courvoisier, Steve Coleman, Dave Douglas, Annie Gosfield, Jim O'Rourke, Milford Graves, Zeena Parkins, Bill Laswell and Uri Caine, et. al.

Reviled, rioted over and banned as pornographic even as it was recognized by many as an unprecedented visionary masterpiece, Jack Smith's Flaming Creatures is one of the most important and influential underground movies ever released in America. J. Hoberman's monograph details the creative making--and legal unmaking--of this extraordinary film, a source of inspiration for artists as disparate as Andy Warhol, Federico Fellini and John Waters. Described by its maker as "a comedy set in a haunted music studio," the story of Flaming Creatures is here augmented with a dossier of personal recollections, relevant documents and remarkable, previously unpublished on-set photographs by Norman Solomon. Expanding on notes originally prepared for the 1997 retrospective on Jack Smith at the American Museum of the Moving Image, the monograph includes further material on his unfinished features Normal Love and No President, as well as shorter film fragments.

Answering a need for critical attention towards experimental and avant-garde music, Arcana is a ground-breaking work--as far-ranging and dynamic as the current generation of musicians. Through manifestoes, scores, interviews, notes and critical papers, performer/composers address composing, playing, improvising, teaching and thinking in and through music, Rather than an attempt to distill or define musicans' work, Arcana is a remarkable book--challenging and original--essential for composers, musicians, theorists and fans alike. Edited by John Zorn, it includes contributions from Bill Frisell, Marc Ribot (on earplugs), Ikue Mori (on drum machines), Bob Ostertag (on a string quartet) There's a discussion on plunderphonics with John Oswald, an overview from Elliott Sharp on his group Carbon, and David Mahler expounds his responses to a set of nine questions posed by Pauline Oliveros. The writings range from brief 2 or 3 page entries (Mike Patton's "How We Eat Our Young," Marilyn Crispell's "Elements of Improvisation") to long and elaborate essays (Scott Johnson's "Counterpoint," David Rosenboom's "Propositional Music"). Some of the contributions are more unusual, such as Zorn's "Treatment for a Film in Fifteen Scenes," Fred Frith's notebook extracts, or Peter Garland's journal of his trip to Australia's Northern Territory. All of them provide for inspiring and thought-provoking reading, making this an invaluable book for both fans of these artists and aspiring musicians of the avant garde. An appendix of brief bios for each artist ends the book, along with short lists of recommended listenings.