Bøger udgivet af Homestead Lighthouse Press

These short pieces are not quite flash fiction, and not quite prose poetry, though they share the best virtues of both. They wrench narrative and poetry in new directions and fire the synapses in unexpected ways. These pieces are odd and oddly compelling. For that reason, they are also fun.

A Dance Horizontal redefines contemporary poetry. In his first book, Lyon shares over a hundred unique poems that explore a multitude of enthralling themes. His poetry embodies an exhilarating variety of rhythm, rhyme, and form. Some poems are serious, some are humorous, some are both. As said by Robert McDowell, "At a time when many published poets seem unsure about what they have to say, Lyon's humble self-confidence and self-awareness are restorative."Part I contains many poems inspired by Lyon's early years drawn from his childhood in Manhattan, summer camp in the Berkshires, life in the 60s, and numerous escapades. Part II revisits similar motifs using classic and modern poetic forms, including sonnets, sestinas, a glosa, a Golden Shovel, a double acrostic, and a villanelle. In Part III, Lyon expresses the essence of romantic poetry in a voice radiating from his deeply personal perspective, often with an artful touch of humor and a passionate view of love.Throughout this remarkable collection, readers will discover interwoven themes that resonate with their inner world. These poems will surely be read more than once and shared eagerly with friends and family.

The shorelines of these poems are not those of the Atlantic and the Pacific, framing one mighty and dominant land mass, that of the United States, "from sea to shining sea", but rather those of the great continental divide, the two sides of the Atlantic separating "old" Europe from what was once called by some "The New World," two land masses distinct ever since the two tectonic plates began to drift apart. I know both continents intimately. I was born and raised and had my first adult experiences in the United States, on the Eastern Seaboard, and I now divide my time between Switzerland and France, and the poems in this volume shift, or travel, from place to place, residing however temporarily in the city and the country, moving from continent to continent, where exile and homecoming are somehow always one.Bruce Lawder is not a fan of binary divisions. When he first began to write poems - and at the same time to read about what was then called "the new poetry" - he discovered that he had to have two separate anthologies of "contemporary verse", at the very least, each exclusive of the poets in the other: one devoted to people writing in "open" forms and opposed, or "closed", one might say, to rhyme and meter, the other devoted to poets apparently blind and deaf to the varieties of "free verse" of any sort and whose idea of form found expression only in rhyme and meter. He loathed this opposition then, and I still do. In my own work, He vowed that he would let the impulses to create a poem have the freedom to find shape in whatever particular form seemed necessary, and enjoy the variety of language just as we celebrate, and simply by stepping outside, the diversity of the world and all its songs.The darkness and divisions of our day, of war and hatred, of prejudice and political turmoil, are not without response in these poems, but there is also a celebration of something else, something greater, still available to us, a slower, geological time, not only of the earth but of the air, an attentiveness invigorated by the imagination, where the bedrock under our feet supports our wanderings and lets us look, and not alone, at such wonders as the burning nettle and the red admiral butterfly, the fleeting reflections in the rain on the streets of New York and the magnificent stones of Notre Dame in Paris, the peregrinations of the snail and the stained-glass colorings of autumn leaves anywhere.

"It all started in the Garden of Eden,a blissful place at the edge of the universe,a wonderland oasis and paradiseplanted by the Creator."Read the rest of the story, A Tale of Two Souls, inside this book. It is a lyrical narrative about discovering purpose in life. Are we all born with a divine 'mission'? How do we investigate, and where? How do we find purpose and meaning every day through life's surprises and challenges, its advances and reversals? Shai Har-El's artful poetic story navigates these swirling waters and carries us safe home to greater understanding and acceptance.Har-El speaks to all people of every religious and spiritual practice. He is a trustworthy guide, and A Tale of Two Souls is a poignant tale of engaging fully with life.

In Small Sovereign, his second full-length collection, poet Michael Favala Goldman draws on experience as a remodeling carpenter, a jazz musician, a Danish translator, a gardener and a parent, to draw us into greater awareness of life's minute pains and victories from numerous points of view. "We are all sharing atoms, at least/.../like the sea mixes with the sky/words do not keep them apart." The poems explore the paradox of personal power and powerlessness, using everyday experience as a door to the universal. "The organization has its priorities/which do not include delight." Goldman invites the reader to join him in mundane and transformational experiences, such as picking up a hurt elk, walking by a train-car diner, riding an escalator, touring fields of Verona, making soup for a sick friend, gluing a broken table, and choosing flooring. "All that separates you/from your surroundings/is your imagination/of yourself being who you are." The poems of Small Sovereign are short, direct, ironic, touching, and get richer with multiple readings. "don't expect me to stand in the way/I'm small everywhere/except in my little life/where I am a clumsy giant/trying desperately not/to destroy my own city." As a collection, the poems inhabit the space between the material world and emotion-based relationships, placing ourselves starkly in this gap, with the responsibility for bridging it, amid progress and failures: "it's almost too much, growing/a love that consumes everything."

Sweet Wolf collects new poems and poetry from Robert McDowell's previous books, spanning the years 1987 to 2020.

Sampson has long been considered a cherished poet’s poet by his peers. One could add ‘a poetry reader’s poet’ to this rare accolade. It fits because Dennis Sampson has always been the most voracious of poetry readers and talkers. His beloved, wholly assimilated influences include Dante and Theodore Roethke, William Blake and Delmore Schwartz, Elizabeth Bishop and D. H. Lawrence among others.A fierce practitioner and teacher of the art of poetry, Sampson has always lived an independent, rigorous life of principle as he has come to believe in it. Poetry first, Poetry last & Poetry in between might well be his motto. Poetry is his life and his life, in all its strange guises and mazy motions, is in the poetry.The recipient of grants from The Virginia Council on the Arts and The North Carolina Arts Council, Sampson’s poems have appeared in such magazines as The American Scholar, The Ohio Review, The Hudson Review and many others. He has taught as Writer-in-Residence at Sweet Briar College in Virginia, as the Visiting Poet in the M.F.A Program in Creative Writing at UNC Wilmington, and at Wake Forest University. He lives in North Carolina.