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In a year when the Southern Foodways Alliance asks, “Where is the South?”, the Fall 2023 issue of Gravy examines Southern food inside and outside the region. Readers will follow traditional Southern foods as they transcend the region’s historic geographic borders. Meanwhile, newcomers to the South adapt to regional tastes and introduce new flavors to the canon.Mackenzie Martin tells of culinary entrepreneur Annie Fisher, who built a booming catering business at the turn of the twentieth century with her signature beaten biscuits—all without investors or access to a bank loan, as a Black woman in Jim Crow Missouri. In a story by Mikeie Reiland, two professional soccer players of African Muslim ancestry find a taste of home in Nashville, at iftar, the fast-breaking meal of Ramadan. Chris Jay serves up Shreveport stuffed shrimp, a dish perfected by a network of Black chefs in Shreveport, Louisiana, through five generations of restaurant ownership.Gravy columnist Hanna Raskin tracks Bojangles’ expansion into the Midwest, asking: does a fast food biscuit lose its fluff outside the South? Adrian Miller digs into the menu archives at the Carter Center to find out exactly how “Southern” the First Family ate in the White House. SFA oral historian Sarah Rodriguez shares excerpts from the new oral history project, Tapping into Richmond Beer, which chronicles craft brewing in Richmond, Virginia, through the city’s vibrant and diverse beer scene. Poet Reyes Ramirez explores Latino foodways in Texas in verse from his debut collection El Rey of Gold Teeth, forthcoming from Hub City Press. Erika Council talks biscuits and business in a Q&A about her new book, Still We Rise: A Love Letter to the Southern Biscuit with Over 70 Sweet and Savory Recipes.

From J. Drew Lanham, MacArthur "Genius" Grant recipient and author of Sparrow Envy: A Field Guide to Birds and Lesser Beasts, comes a sensuous new collection in his signature mix of poetry and prose.In gorgeous and timely pieces, Joy Is the Justice We Give Ourselves is a lush journey into wildness and Black being. Lanham notices nature through seasonal shifts, societal unrest, and deeply personal reflection and traces a path from bitter history to the present predicament. Drawing canny connections between the precarity of nature and the long arm of racism, the collection offers reconciliation and eco-reparation as hopeful destinations from our current climate of division. In Joy is the Justice We Give Ourselves, Lanham mines the deep connection to ancestors through the living world and tunes his unique voice toward embracing the radical act of joy.

Amidst construction of a federal dam in rural Tennessee, Nathan, an engineer hiding from his past, meets Claire, a small-town housewife struggling to find her footing in the newly-electrified, job-hungry, post-Depression South.As Nathan wrestles with the burdens of a secret guilt and tangled love, Claire struggles to balance motherhood and a newfound freedom that awakens ambitions and a sexuality she hadn't known she possessed. The arrival of electricity in the rural community, where prostitution and dog-fighting are commonplace, thrusts together modern and backcountry values. In an evocative feat of storytelling in the vein of Kent Haruf's Plainsong, and Ron Rash's Serena, Watershed delivers a gripping story of characters whose ambitions and yearnings threaten to overflow the banks of their time and place. As the townspeople embark on a biblical undertaking to harness elemental forces, Nathan and Claire are left to wonder what their lives will look like when the lights come on.

"A breakneck tale of betrayal, loyalty, and unexpected homecoming. Jude Washer wants to run: away from the coal mines where he is destined to work, away from his father's abuse of his little brother, away from the prison-like confines of his village. Whispers of unionizing ripple through the small West Virginia mining town. When the mines take Jude's brother away from him, Jude takes matters into his own hands. With nowhere else to go, Jude joins the Baldwin-Felts Agency, a band of violent men dedicated to stamping out unionizers across the mountains. It is 1922, and the Baldwin-Felts are poised to raid a mining town in Virginia. When the coal miners fight back against the agents, Jude, now twenty-four, and Harvey, a new recruit, take an opportunity to flee amid the bloodshed. With the Baldwin-Felts on their tail, Jude and an injured Harvey make their way down the mountains, where they are intercepted in South Carolina by a ragtag gang of bootleggers who put them to work to pay off a debt. Jude is desperate for a place to call home, but can he find it in these hardscrabble hills among strangers?"--

South Carolina is a state of incredible African American history: from the lunch counter in Rock Hill where the Friendship Nine began their "Jail, No Bail" protests, to the site where the freedom song "We Shall Overcome" was first sung; our nation's very first school for the formerly enslaved, to a monument to the Middle Passage championed by Toni Morrison. Visitors and residents alike will find the Palmetto State rich in remarkable places that played a part in some of our nation's most significant moments. The Green Book of South Carolina, compiled by the WeGOJA Foundation (on behalf of the SC African American Heritage Commission), is a first-of-its-kind travel guide to the most tourist-friendly destinations offering visitors avenues to discover intriguing African American history as they travel the state. Organized by region and illustrated with more than 80 color photographs by Joshua Parks, this guidebook presents a curated selection of over 200 museums, monuments, historic markers, schools, churches, and other public lands. Features a foreword by Dr. Darlene Clark Hine, Distinguished Professor Emerita at Michigan State University where she served as the John A. Hannah Distinguished Professor of History. The South Carolina Green Book is a collaborative release by Hub City Press, the WeGOJA Foundation, and the International African American Museum. Sponsored by the City of Spartanburg and Denny's Corporation.

Magic City Gospel is a love song to Birmingham, the Magic City of the South. In traditional forms and free verse poems, 2015 Rona Jaffe Writer's Award-winner Ashley M. Jones takes readers on a historical, geographical, cultural, and personal journey through her life and the life of her home state. This debut poetry collection is an exploration of race, identity, and history through the eyes of a black woman from Alabama. From De Soto's "discovery" of Alabama to George Wallace's infamous stance in the schoolhouse door, to the murders of black men like Trayvon Martin and Eric Garner in modern America, Magic City Gospel weaves its story through time, weaving Jones' personal history with the troubled, triumphant, and complicated history of Birmingham, and of Alabama at large. In Magic City Gospel's pages, you'll find that "gold is laced in Alabama's teeth," but you will also see the dark underbelly of a state and a city with a storied past, and a woman whose history is inextricably linked to that past.

37 Trips for Nature Lovers: South Carolina is a state of great natural beauty and rich biodiversity. From mountainous rainforests to isolated barrier islands, the Palmetto State is a remarkable place to encounter abundant plant and animal life. Wild South Carolina, compiled by a mother-daughter team of naturalists, delves into the most intriguing outdoor destinations, offering advice on how, when, and where to experience the state's ecological treasures.Discover the federally endangered peregrine falcon in the ACE Basin, the breathtaking synchronized displays of fireflies at Congaree National Park, the world's largest showing of rocky shoals spider lilies on the Catawba River, the rare Oconee bells nestled in the Blue Ridge Mountains, the world's oldest cypress-tupelo forest, and many more spectacular sights. Bike, hike, paddle, or even ride a horse while visiting the state's dramatic waterfalls, boardwalk swamp trails, lighthouses, limestone caverns, a Moorish-styled castle, and much more. Observe deceptively-beautiful carnivorous plants in full bloom, tundra swans lounging in former rice paddies, and hundreds of raptors flying en masse along rocky cliffs. Grab a pair of binoculars, a water bottle, and your copy of Wild South Carolina to explore the best of South Carolina's natural areas! Experience the wealth of South Carolina's wonders first hand.

Minnow is an otherworldly story of a small boy who leaves his dying father's bedside hunting a medicine for a mysterious illness. Sent by his mother to a local druggist in their seaside village, Minnow unexpectedly takes a dark and wondrous journey deep into the ancient Sea Islands, seeking the grave dust of a long-dead hoodoo man to buy him a cure. With only a half-feral dog at his side, Minnow's odyssey is haunted at every turn by the agents of Sorry George, a witch doctor who once stirred up a fever that killed fifty-two men. Meanwhile, a tempest brews out at sea, threatening to bring untold devastation to the coastal way of life. Minnow is a remarkable debut novel that evokes the fiction of Karen Russell and Lauren Groffa Lowcountry "Heart of Darkness" about the mysteries of childhood, the sacrifices we make to preserve our families, and the ghosts that linger in the Spanish moss of the South Carolina barrier islands.

McManus's third book, "Punch.," is a call for the claw-hammer, a hymn to the steel toe, and a series of lonely missives from truck cabs and office cubicles. Punch. is a book about work, about the will that rises and the dust that falls. It is about being "lost, hungry, and hopeless, creeping toward the pipelines in a 78 Buick Regal with Big Star on the radio." Sometimes angry, sometimes darkly funny, these lean and muscular poems explore the world of punching in and punching out, the punch-drunk and the sucker-punched. Whether the poems are tightened by the rhythm of a hard hand, or the lines sprawl across the page with swagger, there is real music here. Brute voices, contemplative and haunting, speak to us with unwavering self-conflict and salty confidence. In these poems, life is a struggle and the end is already written, but there's something deeply moving about the resilience and resistance of these voices: "Lunch won't be here / for another hour," one says, "so when the rain / comes, it is welcome."

Setting out from her house, fondly named Middlewood, in the Piedmont of South Carolina, Helen Correll takes long, wandering walks along Meetinghouse Creek with her dogs to observe and draw the nature of her landscape. From her studio nestled in the forest behind the house, Correll paints and writes of the day¿s journey, its temper and conversation.With a foreword by naturalist Janisse Ray, Middlewood Journal: Drawing Inspiration from Nature gathers Correll¿s illustrations and writings from her hikes and blog by the same name to create a treasury of discoveries, from giant red mushrooms peeking beneath a cover of leaves to hawks on a branch so close you can hear their preening. Season to season, you will discover the miniature beauties of the South, the life that you only find by slowing down, allowing the landscape to inspire: turkey tracks in creek water, persimmon trees that fool the eye, tidy little snow holes hiding the casualties of winter.Correll draws the language and color of life in the South to give breath to a poetry of names: blue darner dragonfly, horse nettle, red-bellied woodpecker, tufted titmouse, heal all, starlings, white wood aster, rue anemone, wild blue phlox. Witness the change of seasons through the blooms, bird songs, and balance of sunlight in Correll¿s delicate prose and drawings in Middlewood Journal.

On Common Ground: The Public Art of Spartanburg features 120 pages of images by local photographer Carroll Foster capturing outdoor works on side streets to college campuses, from public parks to river banks, from corporate headquarters to art centers. In the pages of this collection we also meet the sculptors, the mural painters, and the metal artists who produced this remarkable collection of public art. Some are native to our city; others work in studios farther afield. Here they share the diverse stories of their artwork¿their inspirations, their passions, and their processes.On Common Ground, produced in collaboration with the Johnson Collection, is a vibrant calling card for the robust cultural life of Spartanburg. It is a moment in time in a city on the move, a snapshot of our community¿s eclectic art collection in 2015.

Edited transcripts from the radio show, Rainbow Radio.

Down on his luck, a farmer raffles off a dead mule. While preparing a Sunday dinner, a woman finds her lost diamond in a chicken gizzard. A rural post office closes for bush hogging and dog dipping. Kirk Neely's down-home stories are about his neck of the woods. Just like his blue jeans after an adventure in Dead Horse Canyon, Neely's tales are caked with red clay. These fifty country tales are set in the Blue Ridge Mountains, the rivers of the Piedmont Carolinas, the cotton mills, and the lumberyard.

Jimmy Buffet has his "Coconut Telegraph," but he's got nothing on nature writer John Lane, who sends his musings into the world each week in a popular newspaper column named after the ubiquitous green vine that's swallowing the South. Lane is a champion of the underdog, and what he seeks to protect is the character and the beauty of the place he lives.Lane, a much published poet and essayist, is a soldier for sustainability and a warrior for wildness. Using both wit and wisdom he takes on the environmental issues of our times, often by simply taking us on a walk through the woods or a drive up the highway. Just when he seems to write best about animals in his South Carolina Upcountry backyard-deer, tree frogs, and, yes, coyotes-he captivates us with a river adventure. He writes with as much intensity about old maps or a favorite pickup truck as he does about the socio-political issues that concern him-land use, urban planning, and conservation.These four dozen short essays, published by Community Journals in upstate South Carolina, will make you look more closely at the world around you and also, Lane hopes, will make you look ahead: to take actions, large and small, to protect the place you live.

Kirk Neely's ode to the redemptive power of Christma harkens back to O. Henry's "The Gift of the Magi." Along the way, he introduces us to Sara Williams, a young woman who carries the family legacy of sweetgrass basket making but whose life has gone off track into drugs and prostitution. In the story "Joe's Tree," we follow a Christmas tree on a miraculous journey from a child's grave to a frat house to a children's shelter. And, together with Mary Alice McCall we learn how slaves once used handmade quilts as a beacon of hope. Against all odds, the transformative power of Christmas works its way into the lives of these characters, bringing meaning, insight, and joy. This collection of holiday stories is a powerful reminder of why we celebrate the season of Christmas.

Racine's took him to the Library of Congress and the National Archives and to the homes and offices of many citizens of Spartanburg. Inside the pages of this book are the images of world-renowned photographers Dorothea Lange and Jack Delano and local professionals Alfred T. Willis, Harry White and others. There is a gallery of Spartanburg's mighty men and influential women, her colorful characters and earnest faces, her children at play and citizens at work. There are construction projects and demolitions, local triumphs and tragedies, boom years and hard times. Seeing Spartanburg traces Spartanburg's history from its beginnings during the Colonial period, through the boom years of the early twentieth century and the hard days of war and depression, to the dynamic growth of the present era. Filled with images that are often poignant, sometimes surprising, and always rewarding, Seeing Spartanburg is a visual record of the life of one Southern city.

Daniel Morgan was known as the best horseman, the fastest runner, the fiercest fighter and the strongest wrestler. On a bitter cold day in January 1781, at an upcountry cattle pasture known as "the cow pens," the cantankerous brigadier general led an army of militiamen, Continental soldiers and cavalry in a stunning defeat of the British.Told in both narrative and verse, the Cowpens story is a classic war story from beginning to end.Come to the Cow Pens!, illustrated with numerous maps by John Robertson, includes an introduction by South Carolina's leading historian, Dr. Walter Edgar. "Beginning with the settlement of the backcountry by thousands of Scots-Irish immigrants and continuing through the horrors of the brutal war in the Carolina backcountry.