Bøger udgivet af Hub City Press

One of our city¿s most creative young artists has captured an extraordinary view of home. During a period of rapid change in this growing post-industrial Southern city, Kavin Bradner quietly moved among us, his drone hovering above. He knew that rooftops tell stories we can¿t see from the ground. Waiting for just the right light and weather conditions, Bradner reframed Spartanburg with photographs both simple and powerful. His images illuminate patterns below we hardly knew existed. From our parks to our parking decks, from our freight trains to the Fr8yard, Above Spartanburg will transform the way you look at this city.

The British Army turned south in 1779, expecting to sweep through the region with their Tory allies, setting the stage for victory in the American in the war for independence. Upon entering the Old Spartan District in northwest South Carolina, however, they ran up against tenacious opposition from locals and their military leaders. In a series of small skirmishes here, the southern Patriots gained confidence and valuable combat experience that led to surprising victories at Kings Mountain and Cowpens, ultimately pushing the British back north toward surrender.In Turning Point: The American Revolution in the Spartan District, historian Katherine Cann tells the compelling story of how inexperienced backcountry militiamen in the Old Spartan District bottled up the British and learned how to defeat a seasoned foe. George F. Fields Jr., a leading military heritage preservationist, provides color commentary as Fields¿ Notes throughout, capturing both the emotion and the commotion of the time.As a bonus, there¿s a handy guide to the Spartanburg Revolutionary War Trail, a driving tour of twelve spots in the Spartan District that were central to the American victory.

Most history books describe the American Revolution as a war between men, but in the Carolinas, heroic women like Martha Bratton played a part in defeating the British and ensuring independence for the thirteen colonies. Fearless Martha: A Daughter of the American Revolution is a fictionalized and illustrated biography of this plucky female patriot for young readers.Each captivating chapter describes this resilient and fearless young mother in her commitment to preserve and protect her family and home in the backcountry of South Carolina. When her husband rides off to join a militia and fight for independence, Martha and her children-four daughters and a rambunctious six-year-old boy-try to hold their lives together. Between blowing up a secret cache of gunpowder before Tories can confiscate it to blowing off a rattlesnake's head, Martha Bratton stands tall as battles wage around her during the summer of 1780.In a riveting scene on the front porch of her home, Martha meets the enemy face to face as a British soldier holds a blade to her neck and her children cower behind her. Recreated through imagination, public records and backcountry traditions, Fearless Martha is a powerful story of bravery in a tumultuous time.

In her debut collection, Tiana Nobile grapples with the history of transnational adoption, both her own from South Korea and the broader, collective experience. In conversation with psychologist Harry Harlow’s monkey experiments and utilizing fragments of a highly personal cache of documents from her own adoption, these poems explore dislocation, familial relationships, and the science of love and attachment.A Rona Jaffe Foundation award winner, Nobile is a glimmering new talent. Cleave attempts to unknot the complexities of adoptee childhood, revealing a nature of opposites—"the child cleaved to her mother / the child cleaved from her mother"—while reckoning with the histories that make us.AbstractFoster Mother The first time I belonged to a woman, my body a fresh bulb broken off at the root. She kept me for six months, watched spit bubble from my pursed lips. I wonder if she ever claimed me,if she rocked me to sleep on her chest, if she wiped my mouth gently saying, There you go, there you are.

The title of J.K. Daniels¿s first book, Wedding Pulls, comes from a Victorian custom that persists in the American South: charms pulled from a wedding cake by the unmarried attendants are said to predict who will marry next and who never, who will be richer and who poorer. Sensual and sonically-charged, these poems interrogate what it means to be wedded, lawfully or not, and to have and hold, or not, until death do us part. In personas from Eurydice to Eve to Alice B. Toklas, the poems complicate the traditional notions, the ¿meager plot,¿ of marriage and family while exploring the enduring pull of intimacy. Inspired by Shakespeare and Stein, Gerard Manley Hopkins and Harryette Mullen, these witty poems riff on art and myth, and the fate that is family.Wedding Pulls is the winner of the 2015 New Southern Voices Poetry Book Prize.

Meet the characters of essayist Philip Gerard¿s world: a misguided sailor and his crew of rowdy teenage boys, an ancient nun, a nurse who believes the government has been secretly spreading the bubonic plague, a park ranger, jaded baseball players, a voice on a VHF radio far out to sea, a family of itinerant Mexicans camping dangerously in a dry riverbed, a famous alcoholic writer, and a few inexplicable ghosts. Gerard¿s true stories are shot through with the uncanny and the mysterious¿they are not quiet interior contemplations but instead are full of public events, remarkable encounters, life-and-death moments that both reveal and deepen the mysteries of our lives.The Patron Saint of Dreams is a collection of fifteen narrative essays that address events in the world through the lens of personal experience, moments when seemingly small decisions have large consequences: enduring the terror of a direct hit by a hurricane, hiking through bear country and suffering a heart attack, hearing a disturbing secret from a old soldier who has kept it for sixty years, discovering an imposter who maintains his dual life long after death. Told by one of the South¿s most acclaimed and masterful nonfiction writers, these are the stories we live, and the lovely and terrible people who live them with us.

Hailed by ZZ Packer as "a master of tone, detail, and imagery," Andrew Siegris's debut collection, We Imagined It Was Rain, is a love song to Tennessee. These loosely connected stories are imbued with tenderness, seriousness, and a deep understanding of the human spirit. A young man moves to the mountains and builds an heirloom chest in the wake of his son’s death; a town official must make the decision to execute a circus elephant; two siblings help their father commit suicide;  a preacher picks up the pieces of his ruined church, and his marriage, after a devastating flood; locals share stories of the girl with eyelashes so long she can braid them. Siegrist demonstrates careful attention to the smallest moments, to the rain on a windowpane, to individual mementos passed down through generations, in this far-reaching and thoughtful collection.We Imagined It Was Rain is the winner of our 2020 C. Michael Curtis Short Story Book Prize.

Set amid the perils of illegal border crossings, The Iguana Tree is the suspenseful saga of Lilia and Hector, who separately make their way from Mexico into the United States, seeking work in the Carolinas and a home for their infant daughter.Michel Stone s harrowing novel meticulously examines the obstacles each faces in pursuing a new life: manipulation, rape, and murder in the perilous commerce of border crossings; betrayal by family and friends; exploitation by corrupt officials and rapacious landowners on the U.S. side; and, finally, the inexorable workings of the U.S. justice system.Hector and Lilia meet Americans willing to help them with legal assistance and offers of responsible employment, but their illegal entry seems certain to prove their undoing. The consequences of their decisions are devastating. In the end, The Iguana Tree is a universal story of loss, grief, and human dignity.

Shortly before daybreak in War, West Virginia, a passing train derails and spills an avalanche of coal over sixteen-year-old Emma Palmisano¿s house, trapping her sleeping family inside. The year is 1924, and the remote mines of Appalachia have filled with families like Emmäs¿poor, immigrant laborers building new lives half a world away from the island of Sicily. Emma awakes in total darkness, to the voice of a railroad man, Caleb Sypher, who is digging her out from the suffocating coal. From his pocket he removes two spotless handkerchiefs and tenderly cleans Emmäs bare feet. Though she knows little else about this railroad man, Emma marries him a week later, and Caleb delivers her from the gritty coal camp to thirty-four acres of pristine Virginia mountain farmland.Winner of the South Carolina First Novel Prize in 2012, In the Garden of Stone is a multi-generational tale about the nature of power and pride, love and loss, and how one impoverished family endures estrangement from their land and each other in order to unearth the rich seams of forgiveness. Emma gives birth to a son, Dean, but the family¿s life is shattered by a hobo¿s bullet at the railroad station; the boy grows up early, becoming a remote man with fierce and unpredictable loyalties. Dean¿s daughter, Hannah, forsakes her heritage and wanders far from home, in the end reconnecting with the Sypher family in the wildest place of all, the human heart. Bleak, harrowing, and beautifully told, In the Garden of Stone, is a haunting saga of endurance and redemption.

Why do writers love dogs? Not always for the same reasons all the rest of us do. Dorothea Benton Frank's dog Henry teaches her about self-righteous indignation every time she leaves on a book tour. Ron Rash learns to appreciate his misanthropic mutt Pepper after he bites his daughter's suitor. For Tommy Hays the dog is something not even a psychic can separate from the family. For some writers, such as Mary Alice Monroe, a Bernese Mountain dog arrives via Swiss Air. For George Singleton, they just wander into his Pickens County yard.The connection between dogs and humans in the geographic region known as South Carolina goes back over 10,000 years. There's even a wild dog in the Lowcountry known as the Carolina Dog, whose ancestors may have accompanied the first Americans across the Bering ice bridge.In Literary Dogs & Their South Carolina Writers twenty-five of the Palmetto State's most beloved authors introduce you to their most memorable dogs. There is Padgett Powell's "Ode to Spode," Josephine Humphreys' paean to a poodle, and Roger Pinckney¿s Daufuskie Dog-ageddon. Meet Marshall Chapman's Impy, Mindy Friddle's Otto, Beth Webb Hart's Bo Peep, and more. From bird dogs to bad dogs, wild dogs to café dogs, get to know these canines and their literary companions.

From the award-winning author of Over the Plain Houses comes a major novel about two young women contending with unplanned pregnancies in different eras.Edie Carrigan didn't plan to "get herself" pregnant, much less end up in a home for unwed mothers. In 1950s North Carolina, illegitimate pregnancy is kept secret, wayward women require psychiatric cures, and adoption is always the best solution. Not even Edie’s closest friend, Luce Waddell, understands what Edie truly wants: to keep and raise the baby.Twenty-five years later, Luce is a successful lawyer, and her daughter Meera now faces the same decision Edie once did. Like Luce, Meera is fiercely independent and plans to handle her unexpected pregnancy herself. Along the way, Meera finds startling secrets about her mother’s past, including the long-ago friendship with Edie. As the three women’s lives intertwine and collide, the story circles age-old questions about female awakening, reproductive choice, motherhood, adoption, sex, and missed connections.For fans of Brit Bennett's The Mothers and Jennifer Weiner's Mrs. Everything, The Say So is a timely novel that asks: how do we contend with the rippling effects of the choices we've made? With equal parts precision and tenderness, Franks has crafted a sweeping epic about the coming of age of the women’s movement that reverberates through the present day.

More than 1,400 neighborhoods in the United States, most of them African-American, were leveled in the name of urban renewal during the mid-twentieth century. South of Main recreates the culture and history of just one of those, the Southside of Spartanburg, South Carolina, founded in the 1860s by a group of ex-slaves who lived together at the end of a dusty road called Liberty Street. This poignant and painful history examines the experiences of the people who called the Southside home and whose lives were affected by the bulldozers of urban renewal. Their story is an American story, a complex chronicle of a people powerless against the whims of progress. This book received an IPPY award in 2006 from Independent Publisher magazine as the best multicultural nonfiction title by an independent press in North America.

Winner of the Thomas Wolfe Award2023 Phillip D. Reed Environmental Writing Award FinalistGeorge Masa's Wild Vision recounts the incredible, overlooked life of the photographer George Masa.Self-taught photographer George Masa (born Masahara Iizuka in Osaka, Japan), arrived in Asheville, North Carolina at the turn of the twentieth century amid a period of great transition in the southern Appalachians.Masa's photographs from the 1920s and early 1930s are stunning windows into an era where railroads hauled out the remaining old-growth timber with impunity, new roads were blasted into hillsides, and an activist community emerged to fight for a new national park. Masa began photographing the nearby mountains and helping to map the Appalachian Trail, capturing this transition like no other photographer of his time. His images, along with his knowledge of the landscape, became a critical piece of the argument for the Great Smoky Mountains National Park, compelling John D. Rockefeller to donate $5 million for initial land purchases. Despite being hailed as the “Ansel Adams of the Smokies,” Masa died, destitute and unknown, in 1933.In George Masa’s Wild Vision: A Japanese Immigrant Imagines Western North Carolina, poet and environmental organizer Brent Martin explores the locations Masa visited, using first-person narratives to contrast, lament, and exalt the condition of the landscape the photographer so loved and worked to interpret and protect. The book includes seventy-five of Masa’s photographs, accompanied by Martin’s reflections on Masa’s life and work.

Marlanda Dekines debut collection is a holy, radical unlearning and reclamation of self. Whatdoes it mean to be a Gullah-Geechee descendant from a rural place where a third of the nations founding wealth was harvested by trafficked West and Central Africans? Dekinespoems travel across age and time, signaling that both the past and future exist in the present. Through erasure and persona, Dekine reimagines and calls to task the Works Progress Administration narratives, modern-day museums, and intergenerational traumas.Beyond gospel music, fear, and the stories of generations past,Thresh & Holdoffers magic, healing, and innovative pathways to manifest intimacy. Dekine remembers, remakes, and brings forth their many selves, traveling far in order to deeply connect to a spiritual home within and all around them, calling: I am listening to Spirit. I am not dying today.Marlanda Dekine is the winner of the 2021 New Southern Voices Poetry Prize.

This full color book details fifty iconic stories in the twenty-five year history of the Hub City Writers Project, founded in 1995 in Spartanburg, South Carolina. Each includes a double page illustrated spread. The book features short essays by local and regional writers about moments like the Lawson¿s Fork Festival in 2000, the Out Loud campaign against academic censorship, all the way to the introduction of our signature event, Delicious Reads. This book celebrates the first twenty-five years and details how the Hub City Writers Project grew from an idea hatched in a downtown coffee shop among three local writers to now being one of the South¿s most robust literary organizations.

In rural north Georgia two decades after the Civil War, thirteen-year-old Lulu Hurst reaches high into her father's bookshelf and pulls out an obscure book, The Truth of Mesmeric Influence. Deemed gangly and undesirable, Lulu wants more than a lifetime of caring for her disabled baby brother, Leo, with whom she shares a profound and supernatural mental connection.';I only wanted to be Lulu Hurst, the girl who captivated her brother until he could walk and talk and stand tall on his own. Then I would be the girl who could leave.'Lulu begins to ';captivate' her friends and family, controlling their thoughts and actions for brief moments at a time. After Lulu convinces a cousin she conducts electricity with her touch, her father sees a unique opportunity. He grooms his tall and indelicate daughter into an electrifying new woman: The Magnetic Girl. Lulu travels the Eastern seaboard, captivating enthusiastic crowds by lifting grown men in parlor chairs and throwing them across the stage with her ';electrical charge.'While adjusting to life on the vaudeville stage, Lulu harbors a secret belief that she can use her newfound gifts, as well as her growing notoriety, to heal her brother. As she delves into the mysterious book's pages, she discovers keys to her father's past and her own future--but how will she harness its secrets to heal her family?Gorgeously envisioned, The Magnetic Girl is set at a time when the emerging presence of electricity raised suspicions about the other-worldly gospel of Spiritualism, and when women's desire for political, cultural, and sexual presence electrified the country. Squarely in the realm of Emma Donoghue's The Wonder and Leslie Parry's Church of Marvels, The Magnetic Girl is a unique portrait of a forgotten period in history, seen through the story of one young woman's power over her family, her community, and ultimately, herself.

A New York Times Books New & Noteworthy book • A Most-Anticipated Book from BookPage, Atlanta Journal-Constitution, and Paperback Paris • Glowing reviews and features in Garden & Gun, CNN Philippines, Chapter16, Kirkus Reviews, Atlanta Journal-Constitution, and more This fierce collection celebrates the incredible diversity in the contemporary South by featuring essays by twenty-one of the finest young writers of color living and working in the region today, who all address a central question: Who is welcome?Kiese Laymon navigates the racial politics of publishing while recording his audiobook in Mississippi. Regina Bradley moves to Indiana and grapples with a landscape devoid of her Southern cultural touchstones, like Popeyes and OutKast. Aruni Kashyap apartment hunts in Athens and encounters a minefield of invasive questions. Frederick McKindra delves into the particularly Southern history of Beyonce's black majorettes.Assembled by editor and essayist Cinelle Barnes, essays in A Measure of Belonging: Twenty-One Writers of Color on the New American South acknowledge that from the DMV to the college basketball court to doctors’ offices, there are no shortage of places of tension in the American South. Urgent, necessary, funny, and poignant, these essays from new and established voices confront the complexities of the South's relationship with race, uncovering the particular difficulties and profound joys of being a Southerner in the 21st century.

For fans of The Mothers Leesa Cross-Smith's anticipated novel following a contemporary African American family caught in the wake of a tragic police shooting

A fishing anthology about friendship, family, love and loss, and everything in between from New York Times Bestselling Authors like Ron Rash, Jill McCorkle, Leigh Ann Henion, Eric Rickstad, M.O. Walsh, and #1 Bestseller C.J. Box.

With a keen eye, gentle humor, and great empathy, Rodr'guez's debut collection explores the lives of the generations who have made their homes in a landscape too often neglected and forgotten. Like the region they portray--relentless, unsympathetic, singed with uncertainty--these poems are marked with a visceral beauty.visceral beauty.

These twelve deeply metaphorical essays are both intensely personal and vitally concerned with the larger world, including the kingdom beyond our ken. Exploring subjects as diverse as her father's suicide, the great migration that changed the racial composition of Chicago's south side, the nature of light, the geology of the Grand Canyon, or the landscape of writers' desks and offices, Lee Zacharias writes with grace, precision, and candor about the experiences that shape our humanity and our relationships, to our parents, to our children, and to past, present, and future.