Bøger udgivet af Hurtwood Press

Artist Rachel Jones's first publication, say cheeeeese, is published to accompany her new commission at Chisenhale Gallery, London, in spring 2022. For her first solo exhibition in an institution, she has developed her chosen materials of oil pastels and oil sticks to produce a new body of paintings on canvas and paper. The publication will feature reproductions of new works by Jones alongside her photo essay and newly commissioned texts by poet and artist Anaïs Duplan; Chisenhale Gallery Senior Curator, Ellen Greig; curator and researcher Aïcha Mehrez; poet, essayist, playwright, and MacArthur Fellow Claudia Rankine; and curator Yates Norton; with a foreword by Chisenhale Gallery Director, Zoé Whitley.

Tyler Hobbs' debut monograph is one of the first to focus on the work of a generative artist. Order / Disorder contextualises Hobbs' groundbreaking art from 2018-2023 and includes works from his 2023 solo exhibitions at Unit, London, and Pace, New York. Tyler Hobbs' debut monograph is one of the first to focus on the work of a generative artist. Contextualising his art from 2018-2023, Order / Disorder includes works from Hobbs' solo exhibitions at Unit, London, and Pace, New York, in 2023. Structured around the concept of dualities, the book explores Hobbs' systematic approaches to artmaking, the creative relationship between man and machine, computer-led aesthetics and the interplay of repetition and emergence across longform generative projects. Order / Disorder features an interview between Hobbs and Hans Ulrich Obrist, artistic director of the Serpentine Galleries, and an essay by Melanie Lenz, curator of digital art at the Victoria & Albert Museum, alongside texts by the artist that introduce each thematically arranged section of plates.

Gilbert & George's London Pictures are their largest group of works, inspired by a collection of 3,712 newspaper posters amassed by the artists. This catalogue documents the 2024-25 exhibition at The Gilbert & George Centre. Gilbert & George's London Pictures, created in 2011, are their largest group of works, inspired by a collection of 3,712 newspaper posters carefully amassed and sorted by the artists over several years. In their words, 'London is the most important part of our inspiration. It is all that surrounds us', and the artworks articulate the magnificence and sordidness of London life. The posters' headlines announce violence, passion, misery and greed, a veritable torrent of human existence. Writer and novelist Michael Bracewell's essay, written in 2011, considers how Gilbert & George came to know London by roaming the streets as Dickens did a century earlier, absorbing the city in exact proportion to the manner the city absorbed them. He depicts the London Pictures as the cumulative force and intensity of the pair's art to date. This catalogue features the twenty-eight London Pictures displayed at The Gilbert & George Centre in their 2024-25 exhibition, alongside a scale model of the show and exhibition views. It has been over a decade since these works were first unveiled on a global tour and many have never been shown in the UK previously.

Indian Summer presents a group of skilful and expressive figurative paintings in oil on canvas and linen by India-born, London-based artist Raghav Babbar (b. 1997), first shown at Nahmad Projects in 2023. Indian Summer presents a group of skillful and expressive figurative paintings in oil on canvas and linen by artist Raghav Babbar (b. 1997) that include intimate portraits as well as large-scale group compositions. Babbar's sitters span friends from his childhood in Rohtak, a city north-west of Delhi, pan-sellers, dancers from the south of India, family members, as well as himself. Indian Summer is the first publication on Babbar, which features reproductions of over forty works created from 2020-23 and views of his 2023 exhibitions at Nahmad Projects, London, and Bevilacqua La Masa, Venice. Lock Kresler, Senior Director at Helly Nahmad Gallery, London, introduces the book, explaining his first encounters with Babbar and his practice. An essay by art historian, broadcaster and commentator Dr Cleo Roberts-Komireddi examines how Babbar uses his materials, treats his subjects and delves into his sources of inspiration, classic Hindi and Tamil cinema and the School of London artists. Babbar celebrates the individual as he showcases the diversity of his country in his textural, rich and joyful portraits that teem with life.

A major trade monograph spanning fifty years of work by one of Britain's leading figures working at the interface of ceramics, textiles, sculpture, painting and public art. Showcasing her passion for pattern and colour, the publication documents Poncelet's career survey exhibition organised by Middlesbrough Institute of Modern Art (MIMA) in spring/summer 2024.

Wander features Sean PalfreyâEUR(TM)s beautiful, varied and insightful travel photography and writings, exploring the joy of following a winding course. To wander is to travel without a fixed route or destination, to move idly through the world. Wander, the second volume in Sean PalfreyâEUR(TM)s photography book series, explores the joy of following a winding course. Palfrey is a renowned paediatrician and child health advocate, who travels the world with his work and for pleasure. His fascination with people, places and stories informs both his artistic and professional practices. Wander traces PalfreyâEUR(TM)s journeys across continents and cultures over five decades and features seventy photographs of remarkable places, from the Swartberg mountains in South Africa to the temples of Bali and the deserts of New Mexico, to name a few. In the text accompanying each photo, Palfrey explores the stories and myths of the localities as he recounts his experiences, thoughts and meditations in lyrical narratives. Wander depicts and describes vastness and intimacy, beauty and loss, heritage and change. Palfrey affirms photographyâEUR(TM)s capacity to spark our imaginations: âEUR¿Every photo here has a story, a back story, a then story, and a since story.âEUR(TM)

The first publication on the work of London-based artist Freya Douglas-Morris documents her first solo exhibition with Alexander Berggruen, New York, in autumn 2023. This star I give to you is the first publication on the work of London-based artist Freya Douglas-Morris, presenting a body of paintings exploring the poetry, beauty and magic of landscapes and the natural world. Born in London in 1980, Douglas-Morris spent several of her childhood years in a village near the coast on the Isle of Wight before she and her family moved back to London. These experiences of the land, sea and sky contributed to her fascination with these subjects in her painting practice: `I think my love of being outdoors started then¿ she remarks during her interview with British publisher Matt Price for this publication. The interview, which was held in the artist¿s East-London studio shortly before Douglas-Morris¿s solo exhibition of the same name at Alexander Berggruen, New York, in autumn 2023, explores topics including the artist¿s love of walking, the genesis of the body of work in New York¿s Central Park and the influence of late-nineteenth and early-twentieth century modernist painting on her practice. Featuring the eight large oil paintings on canvas and five oil paintings on copper that were displayed in the exhibition, This star I give to you also includes a foreword by New York-based writer and Associate Director at Alexander Berggruen, Kirsten Cave, along with studio notes by the artist on each of the reproduced works. A graduate of University of Brighton and the Royal College of Art, London, Douglas-Morris has exhibited internationally in China, Taiwan, The Bahamas, Austria, Italy, France and America.

The first publication on British artist Marguerite Horner presents her monochromatic, radiant and accomplished paintings inspired by a trip to Beachwood Canyon, California, and produced in 2023. Numinous presents the monochromatic, radiant and accomplished paintings of British artist Marguerite Horner (b. 1954), inspired by a trip to Beachwood Canyon, California, and produced in 2023. The twenty-one watercolours and two oil paintings which make up the series of the same name depict flat expanses of sand, the sunlit sea, cacti, the silhouettes of distant people seen from above and occasionally American highways. They were first exhibited at the Crypt in St Marylebone Parish Church, London, in October 2023. The first publication on Horner¿s work features a foreword by publisher and writer Matt Price, describing the charged, luminous moments depicted in the Numinous series and the significance of the natural world in the artworks. In his essay, multidisciplinary scholar Dr Matthew Holman discusses the setting of California and Horner¿s painting style within the context of British and American painting and her previous bodies of work. Her 2017 series Keep Me Safe portrayed her experiences of driving the Chiswick Comboni Missionary Sisters to the Calais `Jungle¿ refugee camp while her 2022 exhibition Back to Verve showed small-town life and the eerie quiet of suburbia. Numinous builds on her previous series to further explore ideas of landscape, human behaviour and the metaphysical. Through her watercolours and oil paintings, Horner explores the `numinous¿, a concept defined by Lutheran theologian Rudolf Otto that indicates the presence of divinity. A keen observer, she is interested in the possibility of transcendence in everyday life and places.

Photographer Scott Mead showcases the poignant black-and-white photographs from his archive for the first time, documenting his early adulthood in New England, USA, from 1971 to 1976 and exploring discovery, ritual, rural beauty and urban metropolis. Photographer Scott Mead, born in 1954 in Washington, D.C., revisits his formative years spent documenting New England, USA, in Rites of Passage for the first time. Shot over a five-year period between 1971 and 1976, we follow Mead through early adulthood and explore scenes of discovery, ritual, rural beauty and urban metropolis. At a junction between an American road trip and a personal visual diary, Mead¿s images depict a world as it was then, shaped by political upheaval, profound civil changes and the Cold War. The tensions embedded in these photographs resonate now amid a fraught social landscape and increasing polarisation. Recent global events gave Mead the opportunity for intense self-reflection as he delved into his photographic archive. The clothbound hardback book features 100 large-format prints of Mead¿s poignant photographs to be considered in a new context. The 35mm black and white images portray life in a time of transition as the viewer¿s eyes are drawn into the atmospheric imagery, compositions and textures captured within them. Rites of Passage shows Mead with a camera always at hand and presents his delicate, often amusing and sometimes uneasy portraits alongside cityscapes, landscapes and snapshots of the lives of friends and strangers. All of the artist¿s proceeds from Rites of Passage benefit Great Ormond Street Hospital for Children in London.

Tyler Hobbs¿ debut monograph is one of the first to focus on the work of a generative artist. The book contextualises Hobbs¿ groundbreaking output over the past four years in particular and includes works from his 2023 solo exhibitions at Unit London and Pace Gallery, New York. Tyler Hobbs¿ debut monograph is one of the first to focus on the work of a generative artist. Contextualising his output over the past four years in particular, the book includes works from Hobbs¿ solo exhibitions at Unit London and Pace New York in 2023. Structured around the concept of dualities, the monograph explores Hobbs¿ systematic approaches to artmaking that still allow room for the unexpected, the creative relationship between man and machine, computerled aesthetics and the interplay of repetition and variation across longform generative projects. The monograph includes an interview between Hobbs and Hans Ulrich Obrist, artistic director of the Serpentine Galleries, and essays by Melanie Lenz, curator of digital art at the Victoria & Albert Museum, and Jason Bailey, cofounder and CEO of ClubNFT. The book will be released in a limited edition of 999 that mirrors the number of algorithmically generated works in Hobbs¿ renowned Fidenza collection.

Artist and designer Sabina Savage explores the stories behind the exquisite handdrawn illustrations printed on her silk and cashmere scarves. The first book on the eponymous British brand marks its tenth anniversary with over a hundred beautiful illustrations. A Savage Kingdom is the first publication on artist and designer Sabina Savage¿s eponymous luxury brand, marking its tenth anniversary. Sabina creates her own visual world informed by nature, myth and history in exquisite hand-drawn illustrations printed on silk and cashmere scarves. A Savage Kingdom explores the fascinating narratives behind some of her most successful drawings to date, meandering across continents and diving headfirst into the depths of legends. Grouped by collections, A Savage Kingdom guides readers through the details and symbolism contained within each design, presenting largescale images of the pencil drawings and full-colour prints of the scarves. Sabina weaves in stories of the almost life-sized wooden semi-automaton tiger of Tipu Sultan, the 18th century ruler of Mysore in South India; Victorian zoological and botanical illustrators who travelled across the world in the hope of discovering new species; Japanese Noh theatre from the Edo period and the royal beasts, including ostriches, elephants and grizzly and polar bears, who were housed at the Tower of London¿s Menagerie from the 1200s, to name a few. She does not shy from the brutality of nature or her source material, which cast a shadow of unease over many of her works. Writer Zoë Lescaze introduces the book, covering Sabinäs development as an artist and the tensions between humans and other animals at play in her designs. A Savage Kingdom is for devotees of the brand and those new to it alike, who are interested in drawing, craftsmanship and fantastic tales.

The first monograph on British artist Ptolemy Mann is a celebration of her unique weaving and painting practice and extraordinary use of colour. Thread Painting is an original exploration of the relationships between dye, thread, paper, paint and time. British artist Ptolemy Mann¿s studio practice bridges weaving and painting, creating distinctive, refined and radiant wall-based work, often on a large scale. Her early work was focused on weaving and she then turned to painting on paper, later combining the two to paint directly onto her handwoven artworks. The results are simultaneously linear and gestural, meditative and vibrant. Focusing on the past decade, Thread Painting features over 300 stunning full-colour images of these three phases in Mann¿s artistic career, and is the first published monograph on the artist. In her introduction, Ann Coxon, curator of international art at Tate Modern, explores the relationships between dye, thread, paper, paint and time in Mann¿s work, while considering her place within the history of textile art. Arts critic and author Chloë Ashby charts a significant period in Mann¿s life when, approaching her forty-fifth birthday, she made the decision to channel her energy into making abstract paintings alongside her weaving practice. A conversation between Mann and childhood friend, artist and stage designer Es Devlin sheds light on Mann¿s early influences, including her family, film and literature, and includes an in-depth discussion of her meticulous process. At the heart of Mann¿s work is a deep respect for the craftsmanship of both weaving and painting. Through her innovative technique of thread painting, she challenges the viewer to consider: What is a painting? Thread Painting is a celebration of Mann¿s unique practice during a fascinating decade of artistic output.

Small Paintings presents the gestural, intimate and hauntingly beautiful paintings by Indian-born British artist Jai Chuhan from her solo exhibition at Qrystal Partners, London. Small Paintings presents the gestural and hauntingly beautiful paintings by Indian-born British artist Jai Chuhan. The book showcases the art created for her solo exhibition of the same name at Qrystal Partners in London in the summer of 2023. Chuhan often depicts lone figures in indistinct, nebulous interiors, exploring love and alienation. In other works, couples are huddled together, potentially locked in an embrace. The paintings evoke the psychological tensions between genders, agency and subjection, the familiar and the unreal. Their small scale creates a sense of voyeurism, reminiscent of what is felt when one looks through a window. Glimpses of bodies are shown in expressive poses that speak to moments of privacy, intimacy and vulnerability. Chuhan emigrated to London with her family in the late 1960s and studied at the Slade School of Fine Art in the 1970s. Her practice engages deeply with histories of painting as she navigates transculturalism and the female gaze. Her influences, such as Frank Auerbach, Lucian Freud and Francis Bacon, are evident in her richly coloured and textured works. But, Chuhan¿s position is distinctly different; her perspective refuses bravado and probes into ideas of empathy. Donald Ryan, co-founder of Qrystal Partners and Small Paintings' curator, contributes a foreword contextualising the exhibition and delineating Chuhan¿s key artistic concerns. In her essay, Hannah Marsh, assistant curator of contemporary British art at the Tate, ruminates on the idea of being seen, holding space and how Chuhan¿s art speaks on its own terms.

Photographer Scott Mead delves into his extensive archive to reflect on family, legacy and what it means to share lessons with future generations. 'Thoughts For My Children took shape over many years, in many places and at many times. Perspectives and insights on life¿s journey would come to me, usually out of the blue and at unexpected times, sometimes on planes far above the clouds, in new places or in familiar surroundings where my mind would wander. At first, I would jot them down on small pieces of paper or in my journal or somewhere else, in a not particularly organised way. Every so often, what I had recalled as a worthwhile thought was lost with the paper it was written on and so eventually the phone became the safest place to store them.' ¿ Scott Mead Over time, this collection of thoughts evolved into a book that explores family, legacy and what it means to share the lessons we learn with future generations. The images that sit alongside the text, part of Mead¿s extensive photographic archive, continue to resonate beyond the pages of the family album and expand the reach of the words into something at once deeply personal and universal. Thoughts For My Children is meant to be picked up and carried with you, the small format inviting moments of contemplation and celebrating the lives unfolding around it. It was made about and for the passing of time ¿ a voice to return to in moments of difficulty and happiness, and a companion for wherever life may take you.

In the special edition to celebrate the opening of the Gilbert & George Centre in London, writer, novelist and cultural commentator Michael Bracewell explores the paradise behind The Paradisical Pictures; the thirty-five artworks made by Gilbert & George in 2019. The special edition of The Paradisical Pictures is created to celebrate the opening of the Gilbert & George Centre in East London. It features 11 different metallic foils on the cover and a pink foil edging around the book. Writer, novelist and cultural commentator Michael Bracewell explores the paradise behind The Paradisical Pictures; the thirty-five artworks made by Gilbert & George in 2019. The artists¿ work confounds and rejects all art historical classification or affiliation to other schools or movements in art. As affirmed by The Paradisical Pictures, there is no formalist, aesthetic or conceptual precedent to the ideology and vision they convey with such intensity. The paintings are fantastical, allegorical, narrative, representational, psychedelic, absurdist, modern yet archaic, surrealist-grotesque, inflected with both tragedy and comedy, filled with pathos, touchingly eloquent of human frailty, age and exhaustion. The art of Gilbert & George is a visionary one above all, which reports from a cosmic journey through life that begins on the streets of London. The Paradisical Pictures suggest a chapter in a story that has been unfolding before them and will continue beyond them. This paradise is not a destination but a stage on a longer journey. It is a dream of paradise and an exploration of an archetype that is both secular and sacred. The paradise of these Paradisical Pictures proposes a more ambivalent view ¿ a place of biomorphic mutation, exhaustion, watchfulness and possession.

Ugandan painter Stacey Gillian Abe's first monograph explores ideas of shared memory, matrilineal inheritance and feminine power in her striking indigo-skinned figures. The debut monograph of Stacey Gillian Abe¿s work is created to accompany her first London solo show at Unit London. Featuring works spanning her career to date, the book explores the key themes from Abe¿s work and delves deep into her expressive and symbolic indigo portraits. Abe¿s book includes insightful written contributions from Flavia Frigeri, art historian, lecturer and the Chanel Curator at the National Portrait Gallery and Serubiri Moses, renowned writer and curator, alongside a conversation between the artist and Catherine Mckinley, curator and author of the critically acclaimed Indigo: In Search of the Color That Seduced the World and The Book of Sarahs: A Family in Parts. Abe¿s work reflects her past and her memories, highlighting her personal experiences and her relationships to her community. The autobiographical dimension of her work confronts traditional depictions of the Black body, challenging the colonial lens. Abe creates imaginary spaces that induce a surreal mystical feel while probing unsettling past and present narratives of identity, gender, spirituality and cultural mysticism. Renowned for her indigo skin-tone paintings, the colour has become crucial in reshaping narratives surrounding the black body. Through the colour, she dives into the past to envision an alternative future for the Black race. To Abe, indigo represents a tribe of people that are not limited to social, economic, cultural, political or historic constraints: `it is about being unapologetic¿.

An exploration into Kang¿s mercurial installations, rooted in an enduring concern with the body and the forces that shape it ¿ political, affective and otherwise. The latest title in the Chisehale Books series, Laurie Kang¿s first artist's book, will be developed alongside her Chisenhale commission. The artist's interests lie in unstable, continuously sensitive materials which are functionally and metaphorically in flux. Rooted in an enduring concern with the body and the forces that shape it ¿ political, affective and otherwise ¿ recent works have utilised processes rooted in photographic innovation. Kang references biology, feminist theory and science fiction to stage ambitious, site-specific installations that refer to the formation of the self and the memories imprinted upon us. Chisenhale Gallery will present a major new commission and the first solo exhibition in the UK by Kang ¿ producing her most ambitious site-specific installation yet. Comprising a series of sculptures and architectural interventions, the commission will continue her interest in the body as a process, shaped and reshaped by the structures that surround it.

Beautiful artist's book about Tin Drum's MR installation, Medusa. A meditation on emergent technologies, nature and architecture amidst the climate crisis with contributions from celebrated writers, academics and thinkers. The mixed reality Medusa installation began with the questions: is there even such a thing as non-physical architecture? What is the function of architecture without physical form? Directed by Yoyo Munk and produced by Tin Drum, it headlined the 2021 London Design Festival at the Victoria & Albert Museum. Yoyo Munk's first book is an exploration into Medusa's themes, reflecting on our changing relationship with architecture within the context of rapidly advancing technology and ongoing mass extinction. Featuring original artwork by Tin Drum, Medusa is a timely and moving artist's book about climate grief. Medusa includes fascinating conversations between Munk and Sou Fujimoto, the renowned architect and Medusa collaborator, James Bridle, author of Ways of Being; Veronica Strang, cultural anthropologist; and Seirian Sumner, author of Endless Forms: The Secret World of Wasps. A dazzling poetic contribution from Octavia Bright, author of This Ragged Grace: A Memoir of Recovery and Renewal is interspersed throughout the book. Medusa is an art object to be treasured, employing multiple inks, foils, papers and processes.

Walead Beshty is a carefully curated guide to key bodies of work by the acclaimed conceptual artist presented in collaboration with Thomas Dane Gallery in London, Turin and Naples. One of today‿s leading conceptual artists, Los Angeles-based Walead Beshty (b. 1976, London) works across photography, sculpture and words. Beshty‿s art is expansive and best described as an ongoing conversation, to which this monograph is his next articulation. Through a deconstructing lens, Walead Beshty explores every exhibition and project the artist has presented in collaboration with Thomas Dane Gallery in London, Turin and Naples. The monograph offers a guide to some of the artist‿s key bodies of work. Uncovering processes is central to Beshty‿s art. He deliberately incorporated marks made by oxidation and human touch into his FedEx copper works and Copper Surrogate works, as well as photographing the many individuals involved in his exhibitions in Industrial Portraits. The work that has gone into this substantial new monograph, which features contributions from publisher Francis Atterbury, book designer Billie Temple and Thomas Dane partner Francois Chantala, is, quite literally, laid bare. Also presented is an insightful essay by leading professor of Juridical Sociology at Univer¬sity of Campania Luigi Vanvitelli, Carlo De Rita. Adopting a semiotic approach to books as ‿not just a thing you hold, but something held in common‿, Walead Beshty embraces the archetypal format, tropes and conventions of a traditional ‿ if unorthodox ‿ book, employing printing and publishing practices seldom seen in contemporary bookmaking. It reflects on what an artist‿s monograph might represent as it explores the contingencies that allow art to function. Walead Beshty is itself another carefully curated exhibition of his work.

In Home, Palfrey shares his beautiful images and stories of the many people and places he has encountered around the world in his work as a paediatrician and travels over the past 45 years. Polymath Sean Palfrey's work as a paediatrician and natural scientist informs this fascinating first entry, Home, into his forthcoming series of photography books. In Home, Palfrey shares his beautiful images and stories of the many people and places he has encountered around the world in his work and travels over the past 45 years. A lifetime of observation and experience with children is channelled into his lyrical image-making and poetic text. Home ruminates on the variety of human and animal experiences across the globe, taking us from North and South America, to East Africa and South Asia, among other places. The result is a joyous and moving book that leaves us with a poignant message: that all living creatures need to have safe places that they consider 'home', where they can be protected, loved, sheltered, preserved, fed and surrounded by communities of adults.

In the special edition to celebrate the opening of the Gilbert & George Centre in London, writer, novelist and cultural commentator Michael Bracewell explores the paradise behind THE PARADISICAL PICTURES; the thirty-five artworks made by Gilbert & George in 2019. Gilbert & GeorgeâEUR(TM)s work confounds and rejects all art historical classification or affiliation to other schools or movements in art. As affirmed by THE PARADISICAL PICTURES, there is no formalist, aesthetic or conceptual precedent to the ideology and vision they convey with such intensity. The paintings are fantastical, allegorical, narrative, representational, psychedelic, absurdist, modern yet archaic, surrealist-grotesque, inflected with both tragedy and comedy, filled with pathos, touchingly eloquent of human frailty, age and exhaustion. THE PARADISICAL PICTURES suggest a chapter in a story that has been unfolding before them and will continue beyond them. This âEUR¿paradiseâEUR(TM) is not a destination but a stage on a longer journey. It is a dream of paradise and the exploration of an archetype that is both secular and sacred. The special edition brings the fantasy of the paintings to the hardback book. It showcases the original artwork by Gilbert & George, as well as 11 different metallic foils on the cover and a painted red edge.

Gilbert & George created Dark Shadow in 1974 as a 'living sculpture book', featuring original text and artwork by the pair. Hurtwood's limited re-edition celebrates its fiftieth anniversary.

Anthony de Rothschild: Banker and Philanthropist tells the story of the man who influenced modern history. De Rothschild was at the helm of international banking, steering the system from the chaos after the First World War into the modern world. In this evocative new book, historian David Kynaston tells the fascinating story of Anthony de Rothschild (1887âEUR"1961). Through access to never previously consulted diaries and letters, a three-dimensional picture emerges of a complex and thoughtful man guiding the CityâEUR(TM)s most famous merchant bank through the turbulent years between the 1920s and 1950s. In politics he was open-minded and constructive whilst in his philanthropy, not least through his leading role in helping Jewish refugees (especially children) to leave Nazi Germany for England, he was thoughtful and generous. Austere on the surface but warm beneath, impatient equally of fools and idealogues, always searching for how he could contribute to make a better world âEUR" Anthony de Rothschild deserves, arguably more than almost anyone else in the twentieth-century City, to be known properly by later generations.

Chisenhale Gallery launches the second title in its Chisenhale Books series, Nikita Gale: IN A DREAM YOU CLIMB THE STAIRS. Marking the finale of Gale¿s Chisenhale exhibition, her first artist¿s book contains an intergenerational conversation with conceptual artist Barbara Kruger and a short meditation by Pulitzer Prize-winning writer Hilton Als. These feature alongside contributions by artist and Chisenhale Gallery alum P. Staff and Dr. Bénédicte Boisseron, author of Afro-Dog: Blackness and the Animal Question. Through the lens of a multifaceted practice, Gale examines themes of invisibility and audibility, interrogating the dynamic between performer and spectator, structure, and decay. Produced with great care, this extraordinary book is reflective of the artist¿s practice. Four visual essays, hand-annotated by Gale ¿ `Absence¿, `Ruin¿, `Silence¿, `Dog¿ ¿ explore themes central to the work. Nikita Gale: IN A DREAM YOU CLIMB THE STAIRS deploys throw-outs, gatefolds, five different types of papers, and a subtly disruptive design to delve into Nikita Gale¿s art. Text by Zoé Whitley, P.Staff, Hilton Als, Barbara Kruger and Dr. Bénédicte Boisseron. Book Design & Creative Direction by Billie Temple.

Dear Ana is about Leticia's journey back to her grandmother's motherland, Portugal. It is a collaborative project with the people she encountered in her village of Mundao who were invited to write a postcard to her now dead grandmother. In doing this they became the fictional friends she believed she had whilst dying with Alzheimer's in Brazil.

The Meaning of the Earth describes an almost unknown revolution that took place in London the 1970s. A revolution where a bloody power struggle raged for many years before its decisive battle ended with a tremendous sacrifice. But no lives were lost in this revolution, just as it was unmarked by rebellious pathos and public calls to violence. Nor did it intervene in contemporary society. Instead it toppled a regime internalised in western individuals. It led to the death of the decrepit and irretrievably dialectically animated spirit that had set the historical revolutions in motion, inspired them and drove them on. It ended too the Christian-influenced and increasingly secular salvation history, and opened a new evolutionary chapter. Its two revolutionaries, Gilbert & George, emerge not unscathed but nonetheless victorious from this inner power struggle. Wolf Jahn¿s text tells of their world revolution of the soul in the twentieth century and its fruitful results in the form of a new creation and anthropogenesis.

An illustrated story of Lockdown in the UK for a mother and her young child. Balancing work and play in an uncertain world.