Bøger udgivet af Indiana University Press

Hired Daughters examines a fading tradition of domestic service in which rural girls familiar to ordinary Moroccan families were placed in their homes until marriage. In this tradition of "e;bringing up,"e; the girls are considered "e;daughters of the house,"e; and part of their role in the family is to help with the housework. Gradually, this tradition is transforming into one in which workers unfamiliar to their host families are paid a wage and may not stay long, but where the Islamic ethics of charity, religious reward, and gratitude still inform expectations on both sides. Mary Montgomery examines why Moroccans so often talk about their domestic workers as daughters, what this means for workers and employers, and how this is changing in contemporary Morocco. Prioritizing the experiences and perspectives of these women, Montgomery charts the tension that has developed between socially embedded, loyal domestic workers who operate within narratives of kinship and obligation and women who seek greater individualization, privacy, and self-empowerment. Hired Daughters offers a nuanced understanding of a world that bridges public and private, morality and money, family and outsiders. In doing so, it provides an intimate consideration of contemporary Moroccan households as economic enterprises and sites of navigation between the traditional and the global.

Arctic Cinemas and the Documentary Ethos is a comprehensive study of the creation of documentary cinema in and about the global Arctic region from Nanook of the North to the present day.

Arctic Cinemas and the Documentary Ethos is a comprehensive study of the creation of documentary cinema in and about the global Arctic region from Nanook of the North to the present day.

When did the Arab-Israeli conflict begin? Some discussions focus on the 1967 war, some go back to the creation of the state of Israel in 1948, and others look to the beginning of the British Mandate in 1922. Alan Dowty, however, traces the earliest roots of the conflict to the Ottoman Empire in the 19th century, arguing that this historical approach highlights constant clashes between religious and ethnic groups in Palestine. He demonstrates that existing Arab residents viewed new Jewish settlers as European and shares evidence of overwhelming hostility to foreigners from European lands. He shows that Jewish settlers had tremendous incentive to minimize all obstacles to settlement, including the inconvenient hostility of the existing population. Dowty's thorough research reveals how events that occurred over 125 years ago shaped the implacable conflict that dominates the Middle East today.

Rivke Zilberg, a 20-year-old Jewish woman, arrives in New York shortly after the Nazi invasion of Poland, her home country. Struggling to learn a new language and cope with a different way of life in the United States, Rivke finds herself keeping a journal about the challenges and opportunities of this new land. In her attempt to find a new life as a Jewish immigrant in the US, Rivke shares the stories of losing her mother to a bombing in Lublin, jilting a fiance who has made his way to Palestine, and a flirtatious relationship with an American "e;allrightnik."e;In this fictionalized journal originally published in Yiddish, author Kadya Molodovsy provides keen insight into the day-to-day activities of the large immigrant Jewish community of New York. By depicting one woman's struggles as a Jewish refugee in the US during WWII, Molodovsky points readers to the social, political, and cultural tensions of that time and place.

Jewish Difference and the Arts in Vienna explores how Jewish writers and composers sought, through their engagement with musical forms and styles, to capture Jewish voices and their dynamic expression of compassion and otherness.

In Jewish Religious Music in Nineteenth-Century America: Restoring the Synagogue Soundtrack, Judah M. Cohen demonstrates that Jews constructed a robust religious musical conversation in the United States during the mid- to late-19th century. While previous studies of American Jewish music history have looked to Europe as a source of innovation during this time, Cohen's careful analysis of primary archival sources tells a different story. Far from seeing a fallow musical landscape, Cohen finds that Central European Jews in the United States spearheaded a major revision of the sounds and traditions of synagogue music during this period of rapid liturgical change.Focusing on the influences of both individuals and texts, Cohen demonstrates how American Jewish musicians sought to balance artistry and group singing, rather than "e;progressing"e; from solo chant to choir and organ. Congregations shifted between musical genres and practices during this period in response to such factors as finances, personnel, and communal cohesiveness. Cohen concludes that the "e;soundtrack"e; of 19th-century Jewish American music heavily shapes how we look at Jewish American music and life in the first part of the 21st-century, arguing that how we see, and especially hear, history plays a key role in our understanding of the contemporary world around us. Supplemented with an interactive website that includes the primary source materials, recordings of the music discussed, and a map that highlights the movement of key individuals, Cohen's research defines more clearly the sound of 19th-century American Jewry.

They're loyal, loving, and big-hearted-dogs are our best friends for a good reason. Yet they have much more to offer than just love and friendship. Let CEO Scott MacDonald and rescue dog Sadie show you how to have a more rewarding life and a more successful career in Think Like a Dog.With whimsy and insight, Scott and Sadie offer important lessons in loyalty, persistence, leaving your mark, and always being a great sniffer. Scott reveals what Sadie and other dogs teach us about successful work habits and organizational strategies for outstanding business success. Want a better, happier, and more satisfying life? Want to be successful? Start by understanding a dog's perspective and applying the lessons learned!

Three years after earning a full-ride baseball scholarship to Ohio State, "e;Golden"e; Jake Standen has burned out. Working as a furniture mover and bouncing between meaningless relationships, he's convinced that his baseball dreams are over. But after the 1994 Major League Baseball strike prematurely ends the season, the playoffs, and even the World Series, Jake is about to get his lucky break. Strike be damned, the owners will have a team for the '95 season, even if they have to open tryouts and spring training to anyone who can hit or throw the ball.After scoring contracts for the Toronto Blue Jays, Jake, his best friend Brian Sloan, and an unlikely cast of new teammates have just six weeks to learn how to play like never before, amid a slowly building crescendo of public curiosity, media scrutiny, and a labor dispute that could put them on the field come Opening Day-or dash their dreams at any minute. Based on the true stories of the 1994-95 replacement players, Chasing the Big Leagues is an exciting novel about shared dreams and competing interests, best friends and second chances, growing up and finding love.

How did the introduction of recorded music affect the production, viewing experience, and global export of movies? In Movies, Songs, and Electric Sound, Charles O'Brien examines American and European musical films created circa 1930, when the world's sound-equipped theaters screened movies featuring recorded songs and filmmakers in the United States and Europe struggled to meet the artistic and technical challenges of sound production and distribution. The presence of singers in films exerted special pressures on film technique, lending a distinct look and sound to the films' musical sequences. Rather than advancing a film's plot, songs in these films were staged, filmed, and cut to facilitate the singer's engagement with her or his public. Through an examination of the export market for sound films in the early 1930s, when German and American companies used musical films as a vehicle for competing to control the world film trade, this book delineates a new transnational context for understanding the Hollywood musical. Combining archival research with the cinemetric analysis of hundreds of American, German, French, and British films made between 1927 and 1934, O'Brien provides the historical context necessary for making sense of the aesthetic impact of changes in film technology from the past to the present.

Through a study of the contemporary German film movement the Berlin School, Olivia Landry examines how narrative film has responded to our highly digitalized and mediatized age, not with a focus on stasis and realism, but by turning back to movement, spectacle, and performance. She argues that a preoccupation with presence, liveness, and affect-all of which are viewed as critical components of live performance-can be found in many of the films of the Berlin School. Challenging the perception that the Berlin School is a sheer adherent of "e;slow cinema,"e; Landry closely analyzes the use of movement, dynamism, presence, and speed in a broad selection of films to show how filmmakers such as Christian Petzold, Angela Schanelec, Thomas Arslan, and Christoph Hochhausler invoke the pulse of the kinesthetic and the tangibly affective. Her analysis draws on an array of film theories from early materialism to body theories, phenomenology, and contemporary affect theories. Arguing that these theories readily and energetically forge a path from film to performance, Landry traces a trajectory between the two through which live experience, presence, spectacle, intersubjectivity, and the body in motion emerge and powerfully intersect. Ultimately, Movement and Performance in Berlin School Cinema expands the methodological and disciplinary boundaries of film studies by offering new ways of articulating and understanding movement in cinema.

John D. Caputo stretches his project as a radical theologian to new limits in this groundbreaking book. Readers will recognize Caputo's signature themes--hermeneutics, deconstruction, weakness, and the call--as well as his unique voice as he writes about moral life and our strivings for joy against contemporary society and politics.

Talalay reports on the most important collection of figurines (24 figurines and 21 fragments) in southern Greece, recovered during excavations at Franchthi Cave and at the nearby open-air settlement along the present shoreline. She also reexamines the theoretical and methodological foundations of scholarship in the field of figurine studies. Of particular concern is a critical evaluation of the uses of evidence in addressing gender issues.Lauren E. Talalay is Research Associate and Curator Emerita, Kelsey Museum of Archaeology, University of Michigan. She is the coauthor of In the Field: The Archaeological Expeditions of the Kelsey Museum (2006).

Focuses on the more than one million pieces of pottery (and three complete vessels) recovered from Franchthi Cave and Paralia. This fascicle aims to provide an understanding of Neolithic pottery and Neolithic society in southern Greece.

Features the archaeological and paleoenvironmental data from Franchthi Cave that provide a site-specific record of the cultural responses to great environmental changes.

With the long-awaited publication of these three volumes we have the first thorough documentation of one of the most important prehistoric sites in the Mediterranean, that of Franchthi Cave in the Argolid Peninsula of Greece."e; -American Anthropologist... an exceptional contribution to the hitherto very inadequate knowledge of this period in Greece."e; -Antiquity... the archaeological and paleoenvironmental data from Franchthi Cave are unique in providing a site-specific record of the cultural responses to great environmental changes."e; -Quarterly ResearchPerls's study is impressive in the systematic application of a well-thought-out methodology."e; -`w`This study of the thousands of chipped/flaked stone tools found in the excavations at Franchthi Cave is the first of its kind in Greek archaeology, if not in the whole of southeastern European prehistory.This is the second of three comprehensive reports on the flaked stone industries from the site, focusing on the Mesolithic.Catherine Perls is Emeritus Professor at the University of Nanterre and holds an honorary degree from Indiana University. She is author of several books, including The Early Neolithic in Greece and Ornaments and Other Ambiguous Artifacts from Franchthi: Volume 1, The Palaeolithic and the Mesolithic (IUP, 2018)

With the long-awaited publication of these three volumes we have the first thorough documentation of one of the most important prehistoric sites in the Mediterranean, that of Franchthi Cave in the Argolid Peninsula of Greece."e; -American Anthropologist... an exceptional contribution to the hitherto very inadequate knowledge of this period in Greece."e; -Antiquity... the archaeological and paleoenvironmental data from Franchthi Cave are unique in providing a site-specific record of the cultural responses to great environmental changes."e; -Quarterly ResearchPerls's study is impressive in the systematic application of a well-thought-out methodology."e; -`w`This study of the thousands of chipped/flaked stone tools found in the excavations at Franchthi Cave is the first of its kind in Greek archaeology, if not in the whole of southeastern European prehistory.This is the third of three comprehensive reports on the flaked stone industries from the site, focusing on the Neolithic.Catherine Perls is Emeritus Professor at the University of Nanterre and holds an honorary degree from Indiana University. She is author of several books, including The Early Neolithic in Greece and Ornaments and Other Ambiguous Artifacts from Franchthi: Volume 1, The Palaeolithic and the Mesolithic (IUP, 2018)

Modern problems and Talmudic texts in mutual illumination.

In this never before published diary, 29-year-old surgeon James Fulton transports readers into the harsh and deadly conditions of the Civil War, as he struggles to save the lives of the wounded and diseased under his care.

The works collected in The Lure of Authoritarianism consider the normative appeal of authoritarianism in light of the 2011 popular uprisings in the Middle East. Despite what seemed to be a popular revolution in favor of more democratic politics, there has instead been a slide back toward authoritarian regimes that merely gesture toward notions of democracy. In the chaos that followed the Arab Spring, societies were lured by the prospect of strong leaders with firm guiding hands. The shift toward normalizing these regimes seems sudden, but the works collected in this volume document a gradual shift toward support for authoritarianism over democracy that stretches back decades in North Africa. Contributors consider the ideological, socioeconomic, and security-based justifications of authoritarianism as well as the surprising and vigorous reestablishment of authoritarianism in these regions. With careful attention to local variations and differences in political strategies, the volume provides a nuanced and sweeping consideration of the changes in the Middle East in the past and what they mean for the future.

Enables readers to discover how at the age of twenty-seven 'the most popular man in the world' wished to be viewed by a public who knew him almost exclusively as the indefatigable Tramp. This title covers the period of Chaplin's life from his obscure birth to his signing, in 1916, of a $670,000 contract with the Mutual Film Corporation.

The works collected in The Lure of Authoritarianism consider the normative appeal of authoritarianism in light of the 2011 popular uprisings in the Middle East. Despite what seemed to be a popular revolution in favor of more democratic politics, there has instead been a slide back toward authoritarian regimes that merely gesture toward notions of democracy. In the chaos that followed the Arab Spring, societies were lured by the prospect of strong leaders with firm guiding hands. The shift toward normalizing these regimes seems sudden, but the works collected in this volume document a gradual shift toward support for authoritarianism over democracy that stretches back decades in North Africa. Contributors consider the ideological, socioeconomic, and security-based justifications of authoritarianism as well as the surprising and vigorous reestablishment of authoritarianism in these regions. With careful attention to local variations and differences in political strategies, the volume provides a nuanced and sweeping consideration of the changes in the Middle East in the past and what they mean for the future.

Though the testimonies of Egyptian women who participated in the revolution, Women of the Midan foregrounds the role of the gendered body as an agent of collective action and transformation--a practice and process that challenges traditional notions of how women are represented in the Middle East.

Beyond Versailles considers how, in the wake of the Paris Peace Treaties, national and regional leaders sought to remake their states in accordance with international agreements while still responding to local preferences and needs.

A bold, contemporary assessment of Hermann Cohen's philosophical and religious commitments as a way to challenge today's political and social disenchantment with liberalism.

David Bergelson's Strange New World explores the work of one of the most highly regarded Yiddish writers of the 20th and his untimely world of characters who live ahead and behind the times in the Eastern European shtetl.

A remarkable history of one of the most legendary Senators of our time, Birch Bayh: Making a Difference reveals a life and career dedicated to the important issues facing Indiana and the nation, including civil rights and equal rights for women.

The ideas presented in The Phenomenology of Internal Time-Consciousness were origionally presented as lectures that were given between 1904-1910 during which Husserl explored the terrain of consciousness in light of its temporality.

Focusing on the character and personality of Menachem Begin, Gerald Steinberg and Ziv Rubinovitz offer a new look into the peace negotiations between Israel and Egypt in the 1970s.