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The author came to live by Forrestdale Lake in southwestern Australia in 1986. Based in part on a nature journal he kept for several years, this book traces the life of the plants and animals of the surrounding area through the seasons. It provides a cultural and natural history of this place.
Open Roads, Closed Borders is the first collection of essays about French-language road movies, a particularly rich yet critically neglected cinematic category. These films, the contributors argue, offer important perspectives on contemporary French ideas about national identity, France's former colonies, Europe and the rest of the world. Taken together, the essays illustrate how travel and road motifs have enabled directors of various national origins and backgrounds to reimagine space and move beyond simple oppositions such as Islam and secularism, local and global, home and away, France and Africa and East and West.
Offers an overview of sustainability and communication issues - including community mobilization, information technologies, gender and social norms, mass media, interpersonal communication, and integrated communication approaches - from a development and social change perspective.
A study of New Zealand film history that begins in the 1920s with the creation of the Auckland Film Society. Rather than focusing on the work of individual filmmakers, it studies the cinema as a form of social practice.
Theatre and Performance in Small Nations features an array of case studies that examine the relationships between theatre, performance, identity and the nation.
Taking an inclusive approach to South African film history, this volume represents an ambitious attempt to analyze and place in appropriate sociopolitical context the aesthetic highlights of South African cinema from 1896 to the present.
Investigates pornography and activist media cultures on the Chinese internet. This book gives an overview of Chinese porn cultures and political controversies. By looking at tendencies in pornography, erotic subcultures, and digital citizenship, it contributes to studies of Chinese media, internet culture, sexuality and surveillance society.
An interdisciplinary collection of essays on the medical and social articulation of death, this anthology considers to what extent a subject as elusive as death can be examined.
A study of the place of visuality and literacy in specific nations around the world, and includes essays on the value accorded to the visual and the verbal in Japan, Poland, China, Russia, Ireland, and Slovenia. It also raises and explores issues of national identity, and provides information for future research.
The identity of European cinema, like the identity of Europe itself, is multiple, complex, and fascinating. Providing both a general survey of contemporary European cinema production, distribution and exhibition and detailed critical analysis of specific films, directors, and national cinemas, this volume offers a stimulating and thought-provoki...
A study of the structural transformations taking place in Irish broadcasting. It focuses on the broadcasting section generally, but primarily on RTE, as it adjusts to a number of radical changes in the field of forces whose impact began to accelerate in the mid-1990s.
This collection of new essays addresses a topic of established and expanding critical interest throughout the humanities. It demonstrates that genre matters in a manner not constrained by disciplinary boundaries and includes new work on Genre Theory and applications of thinking about genre. Essays focus on topics such as genre as media form.
The Howff Project is an exploration of artist Tim Knowles's network of hidden, site-specific shelters across the Scottish landscape. The book also features an essay on shelter by anthropologist Tim Ingold, a survey of existing alternative, hidden or secret shelters and a text by Claudia Zieske examining issues around land use, ownership and access.
In Field Notes on the Visual Arts, 75 scholars, curators and artists traverse chronology and geography to reveal the meanings and dilemmas of art.
Writing Belonging at the Millennium brings together two pressing and interrelated matters: the global environmental impacts of post-industrial economies and the politics of place in settler-colonial societies.
The first offering in Intellect's new Global Punk series, The Punk Reader: Research Transmissions from the Local and the Global is the first edited volume to explore and critically interrogate punk culture in relation to contemporary, radicalized globalization.
This volume explores the lives of women in Iran through the social, political and aesthetic contexts of veiling, unveiling and re-veiling. Through poetic writings and photographs, Azadeh Fatehrad responds to the legacy of the Iranian Revolution via the representation of women in photography, literature and film.
The eleven short, linked essays in Morality by Design represent a culmination of two decades of research and writing on the topic of moral realism. Wade Rowland first introduces readers to the basic ideas of leading moral thinkers from Plato to Leibniz to Putnam, and then, he explores the subject through today''s political, economic, and environmental conundrums. The collection presents a strong argument against postmodern moral relativism and the idea that only science can claim a body of reliable fact; challenges currently fashionable notions of the perfectibility of human individuals-and even the human species-through technology; and argues for the validity of common sense. In guiding the reader through Enlightenment-era rationalist thought as it pertained to human nature and the foundations of morality, Rowland provides a coherent, intellectually sound, and intuitively appealing alternative to the nihilistic views popularized by contemporary radical relativism. Morality by Design ultimately seeks to convince readers that there is such a thing as moral fact, and that they do indeed have what it takes to make robust and durable moral judgments. The eleven short, linked essays in Morality by Design represent a culmination of two decades of research and writing on the topic of moral realism. Wade Rowland first introduces readers to the basic ideas of leading moral thinkers from Plato to Leibniz to Putnam, and then explores the subject through today''s political, economic and environmental conundrums. The collection presents a strong argument against postmodern moral relativism and the idea that only science can claim a body of reliable fact; challenges currently fashionable notions of the perfectibility of human individuals - and even the human species - through technology; and argues for the validity of common sense. In guiding the reader through Enlightenment-era rationalist thought as it pertained to human nature and the foundations of morality, Rowland provides a coherent, intellectually sound and intuitively appealing alternative to the nihilistic views popularised by contemporary radical relativism. Morality by Design ultimately seeks to convince readers that there is such a thing as moral fact, and that they do indeed have what it takes to make robust and durable moral judgments.
This book explores the experience and value of dancing for people living with the neurodegenerative disorder Parkinson''s disease. Linking aesthetic values to wellbeing, Sara Houston articulates the importance of the dancing experience for those with Parkinson''s, and argues that the benefits of participatory dance are best understood through the experiences, lives, needs, and challenges of people living with Parkinson''s who have chosen to dance. Presenting personal narratives from a study that investigates the experience of people with Parkinson''s who dance, intertwined with the social and political contexts in which the dancers live, this volume examines the personal and systemic issues as well as the attitudes and identities that shape people''s relationship to dance. Taking this new primary research as a starting point, Dancing with Parkinson''s builds an argument for how dance becomes a way of helping people live well with Parkinson''s. This book explores the experience and value of dancing for people living with the neurodegenerative disorder Parkinson''s disease. Linking aesthetic values to wellbeing, Sara Houston articulates the importance of the dancing experience for those with Parkinson''s, and argues that the benefits of participatory dance are best understood through the experiences, lives, needs and challenges of people living with Parkinson''s who have chosen to dance. Presenting personal narratives from a study that investigates the experience of people with Parkinson''s who dance, intertwined with the social and political contexts in which the dancers live, this volume examines the personal and systemic issues as well as the attitudes and identities that shape people''s relationship to dance. Taking this new primary research as a starting point, Dancing with Parkinson''s builds an argument for how dance becomes a way of helping people live well with Parkinson''s.
Culture, Technology and the Image focuses on the technologies deployed when images are archived, accessed and presented. The chapters discuss the way that the habits and techniques used in learning and communicating knowledge about images are affected by technological developments.
This interdisciplinary anthology explores the complex relationships in an artist's life between fact and fiction, presentation and existence, and critique and creation, and examines the work that ultimately results from these tensions.
This book provides a comprehensive overview of the influential architect Giuseppe Pagano and his contribution to the development of modern architecture. With chapters by Tim Benton, Noa Steimatsky, Cesare de Seta, Caterina Franchini and Claudia Cagneschi.
Ron Athey is one of the most important, prolific and influential performance artists of the past four decades. Queer Communion, an exploration of Athey's career, refuses the linear narratives of art discourse and instead pays homage to the intensities of each mode of Athey's performative practice and each community he engages.
The first volume of The Idea of the Avant Garde - And What It Means Today provided a lively forum on radical art theory and partisan practices. This second volume presents the work of another 50 artists and writers, exploring the diverse ways that avant-gardism develops reflexive and experimental combinations of aesthetic and political praxis.
Joshua Sofaer works across boundaries, borders and disciplines to create artworks that engage with all levels of society. In cultural institutions or on the street, for art galleries or personal homes, staged as operas or cast as golden sculptures, Sofaer's work weaves with and through social fabric to consider the ideas that hold us together.Co-published with the Live Art Development Agency, this lavishly illustrated volume is the first in-depth study of the artist's work, featuring discussions with producers and participants, documentary images and a new photographic essay, interviews with the artist himself, and thirteen commissioned essays by scholars, curators and artists from the perspectives of performance studies, archaeology and opera criticism. With a mixture of intellect, humour and striking design,Joshua Sofaer: Performance | Objects | Participationanalyses the artist's oeuvre in the contexts of liveness, visual art and participatory practices. It explores the binding aesthetics of his approach as a model for contemporary practice, and it considers the impact of his work on audiences, institutions and pedagogy, as well as on fine art and performance ecologies as a whole.
This is a collection of works by internationally recognised women leading the field of dance research and spirituality across the globe. Building on current soulful research scholarship in the discipline, these authors offer extensive and detailed research into spirituality, dance, gender, religion, somatics and women-centred dance research.
Experience the interdisciplinary performance scene of the 1980s and beyond through the eyes of one of its most compelling witnesses. Jacki Apple's Performance / Media / Art / Culture traces performance art, multimedia theater, audio arts, and dance in the United States from 1983 to the present. Showcasing thirty-five years of Apple's critical essays and reviews, the collection explores the rise and diversification of intermedia performance; how new technologies (or rehashed old technologies) influence American culture and contemporary life; the interdependence of pop and performance culture; and the politics of art and the performance of politics. Apple writes with a journalist's attention to the immediacy of account and a historian's attention to structural aesthetic and personal networks, resulting in a volume brimming with big ideas but grounded in concentrated reviews of individual performances. Many of the pieces featured in this collection originally appeared in small press journals and magazines that have now gone out of print. Preserved and republished here for current and future readers, they offer a rich portrait of performance at the end of the millennium.
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