Bøger udgivet af Invisible Publishing

A guide to the music and multifaceted career of Canadian artists and songwriters Tegan and Sara.Through interviews with Tegan and Sara, their collaborators, journalists, and fans, this book explores the multifaceted career of one of musics most celebrated sister duos, from their start as Neil Youngs protgs to Canadian indie-rock purveyors and, making their riskiest transformation yet, into mainstream pop breakouts.Coming up as grunge-loving musicians in the late '90s and early 2000s, Tegan and Sara found themselves awkwardly pushed into categories that didnt quite fit: a novelty twin sister folk act when they wanted to be taken seriously; pop when they wanted to be indie rock; and sellouts when they finally made their bid for mainstream success. As young, queer musicians who didnt see anyone else like themselves growing up (in a time where Internet access hadnt yet formed global spaces and communities for LGBTQ+ people), Tegan and Saras path to pop stardom was filled with familiar hurdles, but no clear instructions on how to navigate things like homophobic press, niche queer audiences that wanted to claim them, or sexism at every turn.Its a journey with ups and downs, but Tegan and Saras perseverancealongside a music industry and journalism world thats had to learn to confront its own biaseshas helped create a musical world today that more readily accepts and embraces queer voices. Featuring continuous sonic transformations, Tegan and Saras story is essential to Canadian music history.

As the children to a single mother who immigrated from the Philippines, Laura and Claire have always been exceptionally close. Told from the perspective of Laura, Living Expenses is about a point of divergence in the sisters' lives: Claire has moved to San Francisco for a startup job in Silicon Valley while Laura and her husband, Joe, remain in Toronto and decide to start a family. Laura quickly encounters issues and begins the slow process of fertility treatments. Meanwhile, Claire gets involved in a venture that taps into the fertility industry. Living Expenses interrogates the strain that can accompany even the strongest of relationships, and captures the inevitable creep of technology into all facets of its characters' lives, from communication to reproduction.

Country Music is a book about the stories the author listened to late at night around kitchen tables or campfires growing up in rural British Columbia. Mining these materials for a rural poetics--a country music--Koss begins to understand his working-class upbringing and academic surroundings through philosophical inquiries into what draws him continually back to these stories. The stories themselves, punctuated by the humour and violence of life in the mountains, offer a means of critiquing "extractiveness"--both the violence of settler-colonial capitalism and the systems of class privilege that devalue rural, working-class experience. It's a book that wants to find a way forward through the imperfect inheritance we're given.Shifting between the poetic inquiries of Lisa Robertson and the vernacular improvisations of Fred Wah, the book offers an investigation of identity, family, and place akin to Kaie Kellough's Magnetic Equator, Kate Siklosi's Selvage, D.M. Bradford's Dream of No One But Myself, or Jordan Abel's Nishga.

Chasing Baseball is a book that provides a snapshot of grassroots baseball in Ireland, Scotland, England, and Wales. Played as it is in the rain and cold, on temporary diamonds that are sometimes less than ideal, baseball is still fragile in these places and an enormous group effort is needed to sustain it. The book is the story of people who love the game, the story of people who believe that baseball can flourish where it's been planted, developing according to the idiosyncrasies of each location.On one hand, baseball is baseball, and what is depicted--despite some idiosyncratic rules and an incredibly wide range of talent and experience--is not dissimilar to what one might see in North America. On the other hand, it feels different. More precarious, yes, but also more communal. This is baseball played for its own sake, played in public parks by people who have somehow fallen in love with the game or are searching for a piece of home.Written in the tradition of Dave Bidini's Tropic of Hockey: My Search for the Game in Unlikely Places, Chasing Baseball provides readers with a vivid picture of baseball as it is played in these places.

Cut Side Down is a textual collage, or a book feasting on books. The title is a metaphor for the sensuous paper cut received when diving face first into the bookcase, and it means to call up the pleasure and pain of contact with so many literary personalities. The poems are collapsing under the weight of influence and the result is a sumptuous, body-and-mind bending landscape. The book is written in three parts, but those parts refuse to remain discrete. In poems that blur the line behind autobiographical lyric and conceptual experiment, Virginia Woolf, Orlando, and their many husbands and wives attend the experimental salons hosted by Clark Coolidge and Renee Gladman. Lorine Niedecker is in the interactive classroom, scolding Charles Olson. The poet is sometimes perceptible too, as a lost boy in rural Prince Edward Island, as a young woman in Montréal la retentissante, as an inventor of worlds and words. Ultimately, through being immersed in the reading life of the poet and spying through the keyholes of fantasy, Cut Side Down is a false autobiographical engagement with desire and memory.

McCurdle’s front teeth were in the back of his throat. They’d been sent rattling back there by a smoker that’d flown up and in on him. He’d tracked it fine emerging from the pitcher’s hand until sunlight danced off some lustred surface beyond centrefield and the orb went from visible to invisible as though a sash had been pulled down before his eyes. Then the godawful impact, like a kicking horse. He sprawled in the dust, staring up at the tranquil blue sky.Southern Ontario, 1892. The Ashburnham Pine Groves are a semi-professional baseball club in the South Western Ontario Base-Ball Players’ Association, sponsored by the Grafton Brewery, makers of Ashburnham’s Famous Pine Grove Ale. When sober the Ashburnham players are an impressive group, though coarse and occasionally cretinous, and as with any collection of men, not without their peculiarities. Robert James McCurdle is one of their most formidable pitchers, though he understands that his body won’t let him perform at a high level forever. McCurdle’s Arm is an account of a particular man in his particular time, playing a version of baseball devoid of the comforts of the modern game, rife with violence, his employment always precarious. Against this backdrop McCurdle must choose between his love for the game and his desire to be reunited with the woman who loves him.

THRESH: to beat mechanically, to drub to whip. Thresh is a sensual linguistic trip through the daily violence of affluence. Voyeuristic and punishing the language in this collection addresses the unlikely mechanistic rumblings of the sex doll factory floor; the progress of the Stations of the Cross; and the intricacies and polarities of female purification. Each poem lovingly hammers, pounds, teases and scratches at the fallacies of control and ownership. "ready? flail."

“Though the four novellas comprising Dead Writers vary tremendously in style and subject matter, they all evoke a delicious, spine-tingling sense of dread. These tales take readers on a head spinning journey through the inner workings of a cruel colonial school, all the way to a creepy contemporary vacation rental, never losing sight of the selfish, unscrupulous, and inescapable aspects of human behaviour. This is a collection that will keep you turning pages, but that will also make you wonder: Are the pages turning you?”—Allegra Hyde, author of The Last CatastropheIn this collaborative fiction project, four writers navigate the protean concept of the “bargain” in novella-length stories. A biographer surveying the career of a “haunted” literary figure, a lovelorn journalist entering into a diabolic covenant, a tourist attempting to stay sober through her holiday travels, and a doctor’s complicity in a colonial scandal: These horror-inflected offerings of existential dread, tainted pasts, and uncertain futures serve as an unbalancing reminder that there is always a high price to pay for the corruption of the soul.

Raised in a conservative Christian home in the East Coast of Canada, Mag is urged to preserve her purity at all costs. Desperate to secure her place in heaven, she rejects the hyper-sexual youth culture of her small town—until she falls for a magnetic, sophisticated girl while attending a program designed to usher young people into Evangelical Missionary work. Spiraling into shame and regret, Mag breaks away from the Church and launches herself into the world of sex for hire, attempting to shed her repressive past and become an anti-virgin—the antithesis of who she was raised to be.

"Andrew Forbes’s exquisitely rendered prose makes The Diapause both realistic and futuristic, devastating even while it is oddly hopeful. Vast and intimate, the novel absorbs and grips. I cannot shake its central image: the strange little noodles, the mysterious worms who seem to be dancing in the moments before catastrophe."—Liz Harmer, author of Strange LoopsWhen ten-year-old Gabriel and his parents retire to his late grandfather’s disused cabin to wait out a pandemic, the big, dangerous world seems very far away, and Gabriel enjoys the freest summer of his young life. But tensions begin to surface, testing the family unit, and resulting in consequences that he will spend his life attempting to unravel.Spanning nearly a half-century, The Diapause is a literary-speculative-fiction novel about the near future, family, isolation, heartbreak, climate change, how we keep each other safe, and all the things we don’t know about the people we know best. Part White Fang, part Station Eleven, The Diapause is a novel about how the things we seek are often the things we didn’t know we’d lost.

Barrack Zailaa Rima’s celebrated graphic novel trilogy, gathered together and available in English for the first time.Beirut is an intimate and poetic look at a beloved city that is at once autobiographical, documentary, and fantastic in nature. In Rima’s hands, Beirut is a labyrinth of alleyways and stories, a theater teeming with revolts, and a cenotaph to buried memories. With Rima and her family serving as our guides, and through chance encounters with incongruous figures (a librarian, a garbage collector—or the city's last storyteller), we discover a city that longs for its Golden Age even as it is transformed by neoliberal forces in the aftermath of the Civil War—an evolution whose future remains uncertain.Dreamlike, tender, and ever-attentive to the beauty of the line, Beirut offers a glimpse into Lebanon's past and present, which must be pieced together to form a whole. From the promise of the political activism of its youth in the 1950s and 1960s, to the grating difficulties of the 2015 garbage crisis and the struggle to accommodate and assimilate refugees, this is a journey through a city, and an expedition into the idea of home, that only Rima could shepherd. No matter the detours.

Winner of the 2015 Evelyn Richardson Non-fiction AwardThis is a sex book. It’s a book about fucking yourself, fucking someone you love, fucking strangers. It’s about saying words like cunt and come, and all manner of perverse verbiage. Mostly, it’s about speaking honestly about our bodies and our vulnerability, recognizing we’re all imperfect, worthy, and desirable.In this ten year anniversary edition of Hot, Wet & Shaking, Kaleigh Trace—disabled, queer, sex therapist—chronicles her journey from ignorance to bliss as she shamelessly discusses her sexual exploits and bodily negotiations. Trace’s memoirs and essays generously welcome the reader into her world, modelling a humour and radical self acceptance that can teach us all how to talk about sex, and then some.

"Jay Ritchie's poem's veer and dare new forms to think and feel in. From sonnets to open, more diaristic armatures, Ritchie's vexed interiority scans an ever rich and deeply felt ontology that emerges from a backdrop of wit, wonder, and hopeful bewilderment before the social world and its disarmingly absurd repercussions on language. A sure-footed, mighty feat."-Ocean Vuong, author of Time is a Mother and On Earth We're Briefly GorgeousListening in Many Publics is motivated by the possibility of a future that is fulfilling, luminous, and held in common. The book expresses this vision in three long poems which are themselves composed of individual, interlinked poems. Using a circular structure that resists linear capitalist logics, fragmentation that attunes us to sound over sense, and a hybrid form that traverses both poetics and narrative, the poems speak to the necessity of articulating possible futures, of rehearsing different ways of being, and of returning to material truths, together. Plural, civic, and political, the poems locate themselves in the many publics that constitute our individual and social being, interrogate that which brings the subject into existence, and ultimately convey an open, hopeful sensibility in the face of the structures and systems they critique.

"Widowhood and weirdos, online and off, NORMA is so dark it smarts. It's a terrible freedom to linger unaccounted for. Norma is waking up and cracking up. Decades of marriage, housekeeping, and family responsibility: buried with her husband Hank. Now, she's free, gorging on an online riot of canceled soap operas, message boards, and grocery store focus groups. Transcribing chatter for fifty cents a minute. It's all of humanity--grim, funny, and desperate--wafting into her world, a world reeking with the funk of old fast food wrappers, cold stale recycled air, and desiccated car upholstery. And one where appropriate boundaries are suddenly slipping too, when a voice from one of her transcripts goes from virtual to IRL and just down the block. NORMA is a tart, unhinged flail into widowhood, the parasocial, and some of the more careworn corners of the internet."--

The work of Tang Dynasty Classical Chinese poets such as Li Bai, Du Fu, and Wang Wei has long been celebrated in both China and internationally, and various English translations and mistranslations of their work played a pivotal but often unacknowledged role in shaping the emergence and evolution of modern Anglophone poetry. In The Lantern and the Night Moths, Chinese Canadian poet-translator Yilin Wang has selected and translated poems by five of China’s most innovative modern and contemporary poets: Fei Ming, Qiu Jin, Zhang Qiaohui, Xiao Xi, and Dai Wangshu. Their poetry expands and subverts the long lineage of Classical Chinese poetry that precedes them.Wang’s translations are featured alongside the original Chinese texts, and as well as original essays by Wang that reflect on the key themes and stylistic features of modern Sinophone poetry and on the art and craft of poetry translation. Together, these poems and essays chart the development of a myriad of modernist poetry traditions in China that parallel, diverge from, and sometimes intersect with their Anglophone and Western counterparts.

Motherhood, trauma, and familial history are woven together into a powerful collection from the award-winning author of What Became My Grieving Ceremony.Beginning with a revelation of familial sexual abuse, Building a Nest from the Bones of My People charts the impact of this revelation on the speaker. From the pain of estrangement to navigating first-time motherhood in the midst of a family crisis, Morgan explores the complexities of generational and secondary abuse, intertwined as they are with the impacts of colonization.

Longlisted for the 2023 Scotiabank Giller PrizeGlobe and Mail 100 Best Book of 2023CBC Books, Best Canadian Fiction 2023Apple Books, Best Canadian Debut 2023 and Best Book of the Month for September 2023"We all lined up for our whipping by the shouting beauty and tender traumas of life. All of us so sensitive, and now this beautiful girl, with soft brown hair that was shot with gold in the sun. Another one of us starting to stumble."Peter plays the trumpet and works in a kitchen, partying; Stasi tries to climb the corporate ladder and lands in therapy. These sensitive siblings struggle to find their place in the world, seeking intimacy and belonging - or trying to escape it.A promising audition, a lost promotion, intriguing strangers, a silent lover, and a grieving neighbour--in rich, sensual scenes and moody brilliance, The Clarion explores rituals of connection and belonging, themes of intimacy and performance, and how far we wander to find, or lose, our sense of self.Alternating between five days in Peter's life and several months of Stasi's, Dunic's debut novel captures the vague if hopeful melancholy of any generation that believes it was never "called" to something great.

Featured on 49th Shelf's Most Anticipated: 2023 Fall Fiction Preview"Things used to be easier, but even in those carefree days, the rules were in place for a reason. And that reason is: so we can all agree. So we can all have the same standard applied across the board. So there is no special treatment, which no one should receive. This is why we need the rules."The stories in Avalanche combine humor with an earnest examination and indictment of white entitlement, guilt, shame, and disorientation in the wake of waking up to the reality of racism. Focusing on the perspective of white, cis, straight, and mostly middle-aged and middle-class characters, this collection shines a light on the obliviousness of white privilege, the violence of polite, quiet racism hiding just under the surface of mundane, everyday situations, and the anguished flailing of "well-intentioned white ladies" desperate to confirm their essential goodness at all costs. Westhead writes with compassion and empathy for both her frustrating and frustrated white protagonists and the racialized characters who encounter them, and uses humour not to comfortably distance white readers from the harmful behaviour of her self-absorbed protagonists, but to pull them in close to recognize—and reckon with—those familiar parts of themselves, and to become more aware of the insidious systems of white supremacy at work behind the scenes.

A novel from the dark heart of early twentieth-century Alberta, featuring a new introduction by Dr. Lily Cho.A bully cattle rancher upends the lives of everyone he encounters and a pandemic makes those lives even more precarious. A full century after its first publication, Cattle remains a story of brutality. A curious Canadian mixture of Hardy and Steinbeck,Cattle is built on the deep contradictions of a settler ideology, asking readers to not look away from the many modes of violence bound up in Canadian history.Our Throwback books also give back: a percentage of each book’s sales will be donated to a designated Canadian cultural organization. Royalties from sales of Cattle benefit Central Alberta Women’s Emergency Shelter.

Prince Edward County is no longer an "up-and-coming" wine region in Canada, having garnered international acclaim for its wineries. Oenophiles across the world should be interested in this book.Prince Edward County is a day trip from upstate New York and an attractive vacation destination for travellers from the northeastern US.

An off-beat examination of the denials that underpin extractive capitalism. From the cratered lake of Chennai, India to the environmental racism of Neon Genesis Evangelion's Tokyo-3, Sunny Ways oscillates between images of environmental collapse and resistance. Standing waist deep in the massive tailing ponds of Alberta's Tar Sands, Sunny Ways wades through the tangled complicities of climate catastrophe. In the process, the book grapples with the failure of political hope and the intransigence of climate change denialism. Fitzpatrick channels his experiences growing up in the big sky economic pragmatism of Calgary, where oil pays the rent and puts food on the table, into an essayistic pair of long poems that echo the ecological poetics of writers like Rita Wong, Stephen Collis, and Juliana Spahr.

Experimental blending of visual poetry and traditional verse.Visual / experimental poetry by a woman in a field dominated by men.Timely discussions of personhood, belonging, human rights, ancestry, our relationship with / working with the land.By interrogating and plundering the Canadian Charter of Rights and Freedoms, this work forms a feminist interrogation of patriarchal, colonial, and legal scripts of being and personhood.A poetic wrestling with foundational nation-state documents in North America, similar to Tracy K. Smith’s poem “Declaration” (Wade in the Water, Graywolf)  and the United States’ Declaration of Independence.Siklosi asks what humans can stand to learn from listening to the trees talk to one another, from tapping into the languages under our feet and above our heads. Readers are certainly interested in this topic in both fiction and nonfiction, as evidenced by the massive success of books ranging from Finding the Mother Tree and The Hidden Life of Trees to The Overstory and Greenwood.Exploration of the rich history of women's handicraft as a feminist poetic praxis.  Ecocritical and feminist in tone, and with a healthy dollop of social justice, Selvage would appeal to anyone interested in poetry that blurs boundaries across different genres and formats, those who enjoy some politics with their poetry, as well as those who enjoy poems about nature and our precarious place within it.

A collection that careens from Ancient Greece to the Klondike Gold Rush, for readers of A. S. Byatt and Margaret Atwood. "It is the part that is missing that I am drawn to, that I try to pin down. My gaze is always divided by what is here and what is no longer here. That, for me, is where the deepest pleasure lies, where the sweet overcomes the bitter."A couple coping with a recent loss are tasked with taking stock of a late biology enthusiast's hoard. A support worker dedicated to rehabilitating young women suffering from, among other things, a certain unexpected effect of the climate apocalypse faces a truth that shatters the illusion separating her work and her personal life. An archaeologist formerly working in Syria struggles with her decision to flee from unrest, while the people she has left behind face an uncertain fate. In Jennifer Falkner's richly imagined first collection, past and present glancingly converge, making the familiar outlines of myth, history, and everyday life seem suddenly strange. With spare, elegant prose, Falkner introduces the reader to those whose narratives are written in the language of empty space. Above Discovery is a stunning debut collection from an author to watch.

A historical portrait of one woman's quest for happiness amid a lifetime of bad men. There Are Victories is a proto-feminist, anti-Bildungsroman that explores the intersections of misogyny, class, religion, and prejudice within upper class Anglo-Montreal and New York City society before, during, and after WWI. Originally published in 1933, There Are Victories takes up the catastrophe of the home front and the ways in which the life--and happiness--of the novel's protagonist, Ruth Courtney, is continually undermined by the bad behaviour of men. This new edition features a foreword by Scotiabank Giller Prize winner Johanna Skibsrud.

An A-to-Z compendium that finds the wonder in information overload.The Truth About Facts makes intimate the seeming noise of information and facts by using the tradition of the alphabet book to get back to basics: to make room for wonder, devotion, and a reinvigorated role for poetry in both quick and methodological thought. Vautour leads his readers on an info-drenched, abecedarian jaunt that is both tongue-in-cheek and unquestionably earnest. Ranging from topics as assorted as Brazil Nuts and Juggling to meditations on Rememoration and the Zodiac, The Truth About Facts moves between the surety of aphorism and the anxieties of critique."If, like me, you find yourself randomly clicking through Wikipedia articles late into the night, you will love this delightful ramble through the facts."--Sachiko Murakami

A funny and sweet--but not saccharine--jaunt through the back alleys of queer love.Intimate, nostalgic, and surprising, the poems in I Can Hear You, Can You Hear Me? spark connections that alter trajectory and carry lasting resonance. Encounters across phone lines, over drinks, through walkie-talkies, and unspoken recognitions between queer bodies fill this collection with explorations of what it means to be seen.The micro-narratives in I Can Hear You, Can You Hear Me? both celebrate and grieve the connections they illuminate. Nolan Natasha's poetry is plainspoken but lyrical, sweet but frank, nostalgic but unromanticized, combining the atmosphere of Eileen Myles with the musical insight of Helen Humphreys. These poems bring an unflinching examination and a keen sense of humour to moments of human connection and self-exploration."Nolan Natasha's writing is so clear-eyed, funny, tender, and absorbing. I love these poems and this sparkling debut."--Zoe Whittall