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An experiment in hybrid and versatility of voice, these texts stutter around the slipperiness of language and the transience of desire.The first section is an exercise in paradox wherein language as medium breaks free of signification and desire, knowing very well that language is inextricable from desire. The second section concedes that language may be inescapable yet its borders and meanings must and can be moveable, so that through the decomposition of what has been said or written the new may sustain itself on the dregs of the past. The third section is a burlesque reflection on the kaleidoscopic incarnations of Eros as it passes through assorted personalities and neuroses, that is, a chorus of anonymous men, all in various states of confusion about love. Each man is but a different face on the ten-thousand-sided-dice of the same drive wherein gender stereotypes are inflated to show their contours, exposing romantic desire as it is: essential, absurd, random, hideous, and blind.
Easy Peasy assumes nothing, but ass you me severything! Part instruction manual for the comfortably literate, part picture book for the uncommitted spectator, these poems insist upon the simple beautiful error of words and the imaginative potential of miscommunion! If you enjoy spending time outdoors, eating chocolate bars, watching movies, drinking tea with friends, avoiding death, taking baths and understanding the world, then this book most definitely is not for your!
Update Terms of Service: This book will publish unauthorized communications. It will collect content or information using an automated means, employing harvesting bots, robots, spiders and/or scrapers without permission. It will engage in multi-level marketing. It may contain viruses or other malicious code. It may bully, intimidate and harass. It will contain content that is hateful, threatening and pornographic. It may contain nudity or graphic and gratuitous violence. It will have no age-based restrictions. It will be unlawful and misleading, and could disable, overburden or impair the proper workings of literature. It will facilitate and encourage the violation of poetry. It will let the dead speak.
In Generator, poet, musician and performance artist Ian Goodman explores the parameters of bardic cybernetics and robot love. Morphing forms of digital interface with traditional poetic structures, Goodman creates new media out of archaic lyric artifacts. Generator invites us to see the world through the reality-twisted lens of Goodman's eye-pod goggle. The result is a poetics of sensitive observation for the seriously insane. Pretend robots develop fatal crushes on novella-collaborators through lavalife.com, pretend poets seduce potential lovers by imagining poetry out of existence, seagulls suffer from jet-fuel envy, and a comet-girl's sneeze sends "a tsunami/ of dust bunnies towards Mercury." Whether generating interplanetary ballads, cyber chat-room conversation poems or spam-filtered versions of Pale Fire, Goodman's fearless approach to formal experimentation makes the world strange for us again. Ian Goodman is the 21st century's answer to the Martian school of poetry.
Feminist visual poetry that rewrites avant garde poetic history.OO: Typewriter Poems is a book of vispo (visual poetry) glosas (a Spanish poetic form that pays tribute to another poet by incorporating their lines) designed to begin to dismantle the masculinist legacy of avant-garde visual poetics. Avant-garde visual poetics has long been interested in a vanguardism designed to push the genre further using technological advances, and hidden in this vanguardism is a deeply communal, deeply feminist poetics of derivation, homage, and love.OO takes up this communal poetics. The visual poems in this collection merge analog technology (the typewriter) with digital alteration designed to look back, not forward. At once paying homage to the long history of visual poetics and critiquing the progressivist and masculinist ideals that continue to inform the genre, the poems in OO quote uncited lines from visual and concrete poems by some of the major figures of visual poetics (bpNichol, John Riddell, Bob Cobbing) as well as several under-read and understudied female visual poets (Cia Rinne, Mirella Bentivoglio, Paula Claire)."This book is a real gift to vispo, its fans and present and future practitioners."--Helen Hajnoczky, A Teacozy Is a Sometimes"Dani Spinosa's OO pushes buttons, turns keys, and swipes, steals and homages all over poetry... Extravagant, interruptive, declarative and a real kick in the eyeballs."--derek beaulieu
Minimalist poetry for maximalist times.Sheets: Typewriter Works extends the minimalist explorations of Cameron Anstees first collection, Book of Annotations. Prompted by receiving the Olivetti Lettera 30 typewriter that belonged to poet William Hawkins after his death in 2016, the works in this book explore how small poems operate through the freedoms and constraints of the typewriter as both a decaying machine and a mode of composition. Through engagement with writers and artists like Jiri Valoch, Barbara Caruso, Leroy Gorman, Cia Rinne, William Hawkins, Dani Spinosa, Kate Siklosi, and Norman McLaren, Sheets: Typewriter Works re-embeds the minimalist poem in the typewritten page.
A GLOBE AND MAIL BEST BOOK OF 2022A reclamation of female rage and a horrifyingly deformed Bildungsroman.Frances is quiet and reclusive, so much so that her upstairs roommates sometimes forget she exists. Isolated in the basement, and on the brink of graduating from university, Frances herself starts to question the realities of her own existence. She cant remember there being a lock on the door at the top of the basement stairsand yet, when she turns the knob, the door wont open. She cant tell the difference between her childhood memories, which bloom like flowers in the dark basement, and herdreams. Worse still, she cant ignore the very real tapping sound nowcominginsistently, violentlythreatening to break through her bedroom wall.With the thematic considerations of Mary Shelley and Shirley Jacksons work, and in the style of Herta Mller and Daisy Johnson, Tearis both a horrifyingly deformed Bildungsroman and a bristling reclamation of female rage. Blurring the real and the imagined, this lyric debut novel unflinchingly engages with contemporary feminist issues and explores the detrimental effects of false narratives, gaslighting, and manipulation on young women.
The perfect marriage of literary and speculative fiction for readers of Kazuo Ishiguro and NK Jemisin.When Freya Tanangco was ten, she dreamed of her mother's death right before it happened. That's when she realized she was a veker, someone with enhanced mental abilities and who is scorned as a result. Freya's adult life has been spent in hiding: from the troubled literary legacy created by her author father, and from the scrutiny of a society in which vekers often meet with violence.When her prophetic dreams take a dangerous turn, Freya finds herself increasingly forced to sacrifice her own anonymity-and the fragile safety that comes with it-in order to protect those around her.Interwoven with themes of Filipino Canadian and mixed-race identity, fantastical elements from Norse and Filipino mythology, and tarot card symbolism, The Quiet Is Loud is an intergenerational tale of familial love and betrayal, and what happens when we refuse to let others tell our stories for us.
Flower and flour. Coral and choral. Lashes and luscious.Frost & Pollen is a poetry collection in two acts: "e;Bloom & Martyr"e; is a sensuous walk through a menacing garden of flowers and desire, while "e;Foliage"e; retells the Arthurian legend of Sir Gawain and the Green Knight from the point of view of the Green Knight, the mysterious figure who teases and torments Gawain. By turns earthy and lush, and punctuated by dark and unsettling undercurrents, these poems converge into an engaging yet evasive feminine exploration of nature and sexuality.
A GLOBE AND MAIL BEST BOOK OF 2022For readers who love Mark Haddon, Miriam Toews, and Sally RooneyPaisley Ratchford is trying to keep it together, but in eight weeks, the Toronto apartment building she lives in will be demolished. A last-ditch effort to reclaim her abandoned childhood home on Amherst Island plunges Paisley into memories of growing up in the tight-knit community, and into the obsessive compulsive disorder that has only ever offered a semblance of control. Her compulsion to count in sets of eight had little effect on thwarting bullies, her fathers bad luck, and her mothers mental illnessall of which return to haunt her.When help arrives in the form of Paisleys old classmate and tormentor Garnet Mulligan, her predicament only worsens. For a shot at a future, Paisley needs to stare down her past, including all the habits that have stopped her from thriving. At Last Countis a wise and often laugh-out-loud funny tale that proves we dont always need to believe everything our brain tells us.
A howl into the void, a ghost story, and a bit of a metaphysical hellride.A misanthropic ghostwriter roams an island off the Kenyan coast. An Arizona teenager awaits the next stage in a secretive covenant. A renowned poet retraces her past amid a baffling netherworld. An international arms dealer's son drifts through time, atoning for the death of the man he loved.For readers who take their contemporary fiction with a tinge of the otherworldly, Bleeding Light is about mystical experiences, the symbolic fabric connecting us all, and desperate people seeking affirmationthrough religious, cosmic, chemical and other meansof a world beyond their own. It's a grimly funny and often trippy take on transcendence in a hypercommodified age."e;A darkly gleaming marvel. Searing, creepy and mysticalas if Don DeLillo had set out to steal Paulo Coelho's flock."e;Sean Michaels, Scotiabank Giller Prize winner and author of The Wagers
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