Bøger udgivet af Invisible Publishing

Winner of the 2022 ReLit AwardsFinalist for the 2022 Trillium Book AwardA Gothic collection of stories featuring carnivorous beavers, art-eaters, and family intrigue, for fans of Alice Munro and Shirley JacksonThe small southern Ontario town known as The Pump lies at the crossroads of this world's violence?a tainted water supply, an apathetic municipal government, the Gothic decay of rural domesticity?and another's.In Hegele's interconnected stories, no one is immune to The Pump's sacrificial games. Lighthouse dwellers, Boy Scouts, queer church camp leaders, love-sick and sick-sick writers, nine-year-old hunters, art-eaters?each must navigate the swamp of their own morality while living on land that is always slowly (and sometimes very quickly) killing them."An inescapable, ferocious dream of a book. Good luck getting out.??John Elizabeth Stintzi, author of Vanishing Monuments"[The] writing is beautiful... Nightmarish and yet somehow fantastical."?This Magazine

Echoic Mimic is a mixed-genre long poem whose narrative thread follows the tumultuous life of a girl named Ada through a complicated love-hate relationship with her small hometown and its inhabitants, as she leaves to land wide-eyed in a new big city. Cut loose from the comfort and insular world of art school, she tries to figure out who she's become and what to do next. Along the way, she must confront her personal myths by standing up to a confrontational character from her past, who continually inserts herself into Ada's narrative at all the wrong times. A modern epic in four acts, Echoic Mimic uses playful and clever language to explore the creation of a personal mythology, the disjuncture between self-concept and the outer world, exit strategies adopted for self-preservation, and the things we do to alleviate inner emptiness.

Ottawa poet Pearl Pirie's been shed bore, her first trade poetry collection, follows years of a small voice gaining in strength, and in volume, through so much subtle activity and quiet disconnect that by the time she was noticed, she was already everywhere, and already a confident voice. In a poetry built on the strength of play, Pirie's writing moves at the speed of sound, slipping up against silence.

Ghost Pine: All Stories True offers thirteen years worth of sparkling true stories from the life of author Jeff Miller, compiling the best of his long-running zine. From his youth in suburban Ottawa in the late 1990s, to travels across Canada and North America and his current home in Montreal, Miller's stories are equal measures funny and sad, nostalgic and unsentimental, punk rock and grandparents.

Joan is on the brink. Cough drop addict, school bus driver, mixed race daughter of a Maoist English father and Chinese-Canadian mother, Joan struggles for meaning after a friend's death reveals a secret life. Migration Songs is a lost letter from your past, an intimate experience full of humour and grace."A strong debut from a new hopeful voice."--The Coast"Quon writes with a great deal of humour, and she spins a good yarn."--Quill & Quire

In The Lizard and Other Stories, Michael Bryson's third trade paperback, the style is conversational and colloquial; his subjects are usually plainspoken men and confused adolescents. While not exactly gritty or subversive, Bryson's allegiances do seem rooted in the contemporary, urban and working-class.

"Soft Where by Marcus McCann is a hard-hitting cutting edge poetic expose of a world filled with experimentation and valour. This stunning book explores the possibilities of bringing image to life, written in the language of the people and soaked in a heart of sapphire. The jury was intoxicated by this book, and feels this young writer should be encouraged in every and all ways--to the full extent of poetic promise. The language in Soft Where is as stark and meaningful as the images which express a lifestyle hard-lived and yet as delicate as an origami bird."--Gerald Lampert Award jury citation

An earlier, much smaller edition of casemate poems appeared as a limited-edition book produced by Waterloo, Ontario publisher Widows and orphans in 2004 as casemate poems, later translated and published in Belgrade. As Blades himself wrote of that original edition: The two suites of casemate poems were written during two one-week artist-in-residence stints in 2003 in Fredericton, New Brunswick. These were public, interactive, residencies with visitors passing though the casemate workspace with two concurrent artists-in-residence scheduled for any given week. During his residency, Blades had a typewriter set up on a table facing the open doorway of the casemate. It was always primed with a sheet of paper. In the tradition of writers in storefronts, as Blades finished composing each poem, it was attached to the casemate wall. Blades also took photographs inside and from within the casemate looking outward: images of the casemate itself, of his art in progress, photographs of the weaving looms, of the potter and pottery turned. In this volume, Blades poems and photographs are combined to produce a work that reflects the immediacy of their composition while enabling the reader to experience Blades' writing at their own pace.

The pieces that make up Anne Le Dressay's second poetry collection, Old Winter, are urban poems grounded in the rural past. Understated, direct, ironic, quietly humorous, they reveal a love of the particular, of small daily things which feel more and more fragile in a world overshadowed by big threats. Descriptive or narrative, focussing on the inner world of mind and spirit or the real world outside the narrator, these poems celebrate in close and vivid detail the small moments of ordinary life. They are poems of wonder, transformation, and resurrection.

In a Mist explores longing, loss and isolation. This debut collection of short stories examines the lives of socially isolated individuals with obsessive interests and desires. These lonely protagonists find solace in emotionally evocative forms of cultural expression such as early jazz, classic cinema and renaissance motets. The transcendent potential of music is a recurring theme of this collection.

A Long Continual Argument is the comprehensive statement of an acknowledged poetic master craftsman. It includes all the poems John Newlove chose for his previous Selected Poems with substantial additions from all his major collections: all of his later poetry, as well as previously excluded yet critically acclaimed works such as the long poem Notes From And Among the Wars and many of the cynically lyric poems that established his early reputation. From his first chapbook in 1961 to his final epigrammatic poems of the late 1990s, Newlove's has been a quiet poetry dealing with unquiet themes. A poetry that, in the words of Phyllis Webb, doesn't struggle for meaning. It emerges out of his thinking. "To call him "the voice of prairie poetry" misses the target by as broad a margin as if you called John Milton "the voice of Cromwell's London." ...This was the voice of a man who knew what it was like to almost drown, to gasp for air, to almost drown again. His poetry delivered a blow to the head then, and it does now. ...It will be seen again for what it was, and is: major in its time and place."--Margaret Atwood (from John Newlove and His Works)

Was it a manufactured hologram or the fog rising from a lake? In Nicholas Lea's first collection of poetry, the question coalesces in an obvious yearning toward Surrealism and a supreme interest in aesthetics. Everything is Movies wrestles with the myth-making of mass culture and high art but the collection accidentally? rolls off the bed and onto the floor, a heap of laughing limbs.

Working in the tradition of such previous poetry collections as Daphne Marlatt's Vancouver Poems (1972), George Bowering's Kerrisdale Elegies (1986), Joe Blades' River Suite (1998) and, closer to home, William Hawkins' own Ottawa Poems (1966), rob mclennan's thirteenth trade poetry collection The Ottawa City Project reads like a love song to a city caught between competing identities of local and national. The poems in this collection work to not only reflect the more conservative, even bureaucratic aspects of the city, but the myths of the city, and work through references and concerns that go completely against those myths, into their own stories, and into the realities of the city itself.

With the response to Decalogue: ten Ottawa poets (2006), we decided to follow up with Decalogue 2: ten Ottawa fiction writers. Because we are the capital city, Ottawa as a whole is often accused of having no identity of its own; instead, some of our strength comes from our transient nature, interacting with ideas larger and more multiple than a single base. Edited by rob mclennan, this collection features the work by Emily Falvey, Matthew Firth, Gabriela Goliger, Alison Gresik, John-James Ford, Clare Latremouille, John Lavery, Nadine McInnis, rob mclennan and Ian Roy.

Decalogue: ten Ottawa poets is a poetry anthology edited by rob mclennan.

In several long sequences of precise lyrics, small songs and "narrowed prayers," Reid casts a paleontologist's eye on the accumulations of everyday life, the remains of the near and distant past. Objects, those accretions of memory, are taken down from the shelving and dusted off by a mind hungry for meaning and transcendence. This is a poetry that asks the big questions: What survives, and what may be revealed by listening to the "erotic murmur of material things?" In so many of these moving poems, time is telescoped and small human figures are set against a stark backdrop of barrens, desert places, stones and "an excess of bones." There are meditations on the arrogance of seeking such emptiness, and also on the various places and provisional dwellings we come to call home: a cabin fastened into place "by sticking the chimney into the mist," a crumbling Cuban love hotel and "the faintly luminous tents that have gathered like so many eyes / around the fire in the desert..." Here be wonders.

Meghan Jackson's poems are a series of studies of small moments, like figures of fine glass. Formerly publishing quietly under the name meghan lynch, her movements in jars is a work honed and steeled over an extended period of time, and one that many of her readers have been waiting on with bated breath. Her poems are the alabaster that captures without destroying and explores and displays without diminishing; hers is a sacred, scrying art.

Ruby returns to the scene of a recent heartbreak, only to find the woman her lover left her for around every corner. A soap opera of gleeful rumours and turf wars ensues, and Ruby comes to wonder why a woman she's never spoken to now embodies all of her problems.

Ten emerging Canadian writers explore pace and place in stories where movement is central. Transits is about people who are mobile and things which are transient, (im)migrating, running away, coming home, waiting.

Dispatches from modern motherhood by a reluctant suburbaniteSend Me Into The Woods Alone is an honest, heartfelt, and often hilarious collection of essays on the joys, struggles, and complexities of motherhood.These essays touch on the major milestones of raising children, from giving birth (and having approximately a million hands in your vagina) and taking your beautiful newborn home (and feeling like youve stolen your baby from the hospital), to lying to kids about the Tooth Fairy and mastering the subtle art of beating children at board games. Plus the pitfalls of online culture and the #winemom phenomenon, and the unattainable expectations placed on mothers today.Written from the perspective of an always tired, often anxious, and reluctant suburbanite who is doing her damn best, these essays articulate one womans experience in order to help mothers of all kinds process the wildly variable, deeply different ways in which being a mom changes our lives.Easily the most validating book youll read this year.Ann Douglas, author of Happy Parents, Happy Kids and The Mother of All Pregnancy Books

For fans of Chuck Palahniuk, Joyce Carol Oates, and Karen Russell, the stories in Francine Cunninghams debut collection God Isnt Here Today ricochet between form and genre, taking readers on a dark, irreverent, yet poignant journey led by a unique and powerful new voice.Driven by desperation into moments of transformation, Cunninghams characters are presented with moments of choicesome for the better and some for the worse. A young man goes to Gods office downtown for advice; a woman discovers she is the last human on Earth; an ice cream vendor is driven insane by his trucks song; an ageing stripper uses undergarments to enact her escape plan; an incubus tires of his professional grind; and a young woman inherits a power that has survived genocide, but comes with a burden of its own.Even as they flirt with the fantastic, Cunninghams stories unfold with the innate elegance of a spring fern, reminding us of the inherent dualities in human natureand that redemption can arise where we least expect it.

A visually and lyrically beautiful debut that celebrates the landscapes we take for granted. Harbour Grids is a long poem in four parts that investigates ideas of community and belonging. Beginning as a meditation on the surface of New York Harbor, the poem radiates outward through issues of labour, location, history, belonging, and subjectivity. How do we experience our complex relations to the world we live in? Harbour Grids seeks to answer this question by combining Stephen Ratcliffes attention to daily observation and formal repetition, Lyn Hejinians investigations of the linguistic structures, Larry Eigners textural sense of language and compositional space of the page, and Juliana Spahrs ethical attention to the ways we inhabit the world.

Lyrical realism meets family drama meets sparkling global folktale.Joan, a half-Chinese English conversation teacher unmoored in Europe, flees Budapest for a fresh start. Stepping off the train in Bratislava, she meets Milan, a proud Roma teenager, and they strike up a friendship. Milan helps Joan settle into the city, and in turn, Joan introduces him to Adriana, who has traveled to lay the memory of her dead mother to rest. They form an unlikely trio, bound by love and luck into something like family.At the crossroads of the power of youthful hope and the startling magic of coincidence,Where the Silver River Endsdelves deep into mixed-race identity, systemic oppression, family reconciliation, and what happens when we gather the courage to slip out of the current and make our own way in the world.

A grossly inaccurate "e;memoir"e; about Canadian folk legends.Henry Adam Svec has been pushing boundaries in Canadian folklore since he unearthed songs by CFL players in Library and Archives Canada, thereby thrusting himself into the scene-and the media spotlight. Those spartan poems are finally included in this anthology, in addition to the fruits of his subsequent expeditions, but there is much more besides, including honest accounts of the folklorist's myriad trials and tribulations. This experimental and genre-defying book mixes the adventurous energies of Alan Lomax and Stompin' Tom, the intertextual conceptualism of Vladimir Nabokov and Mark Z. Danielewski, and the searing intensity of Elizabeth Smart and Chris Kraus."e;Comically entertaining, presented with 'performative verve', as novelist Jacob Wren puts it."e;-Atlantic Books Today"e;This book is cracking me up-and I don't even like football-but it is just so well written."e;-Robert Dayton, author of The Canadian Romantic

From the original dust jacket: Here is that rarity, a detective novel with an original setting. A miracle is expected at Port Fletcher, Connecticut. Mrs. Agatha Weir, priestess of a strange new cult of "Assumptionism," is to be some day recieved up into heave as were Enoch and Elijah; and her bedroom in the temple has been specially constructed for such an eventuality. A medium prophesies the date, publicity gets to work, and all America hums with anticipation. The lady disappears. Mortimer Hood, the scientist who was called in to vouch for the miracle, finds himself with a very pretty problem to investigate. The priestess has indubitably disappeared. But how? Had her disciples faked the miracle? If so, why? Why was there a stain of egg nog on the bedspread? And why was Mrs. Weir's old mother so sure she was dead? This is a first-rate and most thrilling thriller.