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Another collection of beautifully illustrated prayers, including short passages from the Psalms.
A useful guide for the collector of antique sweetmeat and jelly glasses, written and illustrated by an expert in the field.
Meditations on the opportunity that the evening offers for reflection.
The Perfection of Freedom seeks to respond to the impoverished conventional notion of freedom through a recovery of an understanding rich with possibilities yet all but forgotten in contemporary thought. This understanding, developed in different but complementary ways by the German thinkers Schiller, Schelling, and Hegel, connects freedom, not exclusively with power and possibility, but rather, most fundamentally, with completion, wholeness, and actuality. What is unique here is specifically the interpretation of freedom in terms of form, whether it be aesthetic form (Schiller), organic form (Schelling), or social form (Hegel). Although this book presents serious criticisms of the three philosophers, it shows that they open new avenues for reflection on the notion of freedom; avenues that promise to overcome many of the dichotomies that continue to haunt contemporary thought - for example, between freedom and order, freedom and nature, and self and other. The Perfection of Freedom offers not only a significantly new interpretation of Schiller, Schelling, and Hegel, but also proposes a modernity more organically rooted in the ancient and classical Christian worlds.
Kempe offers a radical revaluation of the life, work and reputation of Charles Eamer Kempe (1837-1907), one of the most remarkable and influential figures in late Victorian and Edwardian church art. Kempe’s name became synonymous with a distinctive style of stained glass, furnishing and decoration deriving from late mediaeval and early Renaissance models. To this day, his hand can be seen in churches and cathedrals worldwide. Drawing on newly available archive material, Adrian Barlow evaluates Kempe’s achievement in creating a Studio or School of artists and craftsmen who interpreted his designs and remained fiercely loyal to his aesthetic and religious ideals. He assesses his legacy and reputation today, as well as exploring his networks of patrons and influence, which stretched from the Royal Family and the Church of England hierarchy to the literary and artistic beau monde. These networks intersected at Kempe’s stunning Sussex country house, Old Place, his ‘Palace of Art’. Created to embody his ideals of beauty and history, it holds the key to understanding his contradictory personality, his public and private faces. This book will appeal to everyone interested in Victorian art in general and stained glass in particular. Detailed and wide-ranging, Kempe tells a compelling story.
Combining insight and scholarship, this series of sermons and meditations on the Lord's Prayer offers the promise of seeing the world in a new way, through the power of prayer.
Helmut Thielicke was one of the most read and most listened to theologians of our time. Like few other theologians, he repeatedly came down from the ivory tower of academic religion in order to build bridges between church and world, and between gospel and society. He did not belong to Protestantism alone; his works were - and still are - closely followed by Catholic theology, discussed in dissertations and reviews, and published widely. In this book, written shortly after his 75th birthday, Thielicke sets forth his memoirs from a long and full life. His narrative is filled with deeply thoughtful reflections about suffering, death and the poignancy of life, as well as with a delightful humour that easily makes us part of every story and encounter. Without any pretence or self-promotion, Thielicke introduces us to the figures that he counted among his friends and acquaintances: Karl Barth, Konrad Adenauer, Dietrich Bonhoeffer, Dwight Eisenhower, Helmut Kohl and Jimmy Carter. Thielicke was, moreover, a witness to many of the most significant events of the 20th century; his life history is interwoven with the Kaiser period, the Weimar Republic, the rise of the Third Reich, a divided Germany and the tumultuous 60s. From the perspective of this single life we are afforded a broad and clear vision of the moments that have shaped the generation leading us into the 21st century.
Extensively illustrated, this is an absorbing and insightful study of the life and work of John Tenniel, the Victorian political cartoonist who illustrated Lewis Carroll's 'Alice' books.
Combining scientific understanding and Christian insight, this is a comprehensive and magisterial discussion of the theology of sexual ethics, ranging from sexual relationships and gender equality to birth control and artificial insemination.
A biography of Metropolitan Anthony of Sourozh, based on published and unpublished materials, interviews with surviving contemporaries and the author's own experience as a pupil of Russian emigres, of life in the Soviet Union and of the Russian Patriarchal Church in London.
An introduction to the thought and writings of the Franciscan theologian St Bonaventure, through his insightful commentary on the Gospel of St Luke.
A selection of essays, memoires and poems celebrating the life and thought of the Anglican priest and theologian Donald Allchin, including his wide-ranging ecumenical work and his passion for Wales and for the monastic tradition.
The question of divine agency in the world remains one important unresolved underlying obstacle in the dialogue between theology and science. Modern notions of divine agency are shown to have developed out of the interaction of three factors in early modernity. Two are well known: late medieval perfect-being theology and the early modern application of the notion of the two books of God's revelation to the understanding of the natural order. It is argued the third is the early modern appropriation of the Augustinian doctrine of inspiration. This assumes the soul's existence and a particular description of divine agency in humans, which became more generally applied to divine agency in nature. Whereas Newton explicitly draws the parallel between divine agency in humans and that in nature, Darwin rejects its supposed perfection and Huxley raises serious questions regarding the traditional understanding of the soul. This book offers an alternative incarnational description of divine agency, freeing consideration of divine agency from being dependent on resolving the complex issues of perfect-being theology and the existence of the soul. In conversation with Barth's pneumatology, this proposal is shown to remain theologically coherent and plausible while resolving or avoiding a range of known difficulties in the science-theology dialogue.
There is growing interest in the relationship between the arts and Christian faith. Much has been written about the arts and theology and the place of the arts in church life. Not as much has been written, however, about how the arts might actually advance spiritual formation in terms of the cumulative effect of religious experience and intentional practices. This book provides a modest step forward in that conversation, a conversation between theological aesthetics and practical theology. Understanding aesthetics as 'the realm of sense perception' and spiritual formation as 'growing capacities to participate in God's purposes', James McCullough suggests how these dynamics can mutually enhance each other, with the arts as an effective catalyst for this relationship. McCullough proposes an analysis of artistic communication and explores exciting examples from music, poetry, and painting, which render theoretical proposals in concrete terms. This book will engage both those new to the arts and those already deeply familiar with them.
As the acknowledged founder and philosopher of the Parents’ National Educational Union (PNEU), Charlotte Mason (1842–1923) was revered by her followers as a saintly Madonna figure. She died in 1923 at the peak of her fame, having achieved mythic status as the Principal of her House of Education and wide recognition after the introduction of her liberal educational programmes into state schools. Yet her early life and heritage remained shrouded in mystery. Drawing upon insubstantiated sources, the official biography released in 1960 confused rather than illuminated Charlotte’s background, contributing to several enduring misapprehensions.In her new and definitive biography, Margaret Coombs draws on years of research to reveal for the first time the hidden backdrop to Charlotte Mason’s life, tracing the lives of her previously undiscovered Quaker ancestors to offer a better understanding of the roots of her personality and ideas. Coombs charts her rise from humble beginnings as an orphaned pupil-teacher to great heights as a lady of culture venerated within prestigious PNEU circles, illustrating how with determination she surmounted rigid Victorian class divisions to achieve her educational vision. A thorough analysis of Charlotte Mason’s educational influences and key friendships challenges longstanding notions about the roots of her philosophy, offering a more realistic picture of her life and work than ever accomplished before.With a growing following in the USA and Australia, Charlotte Mason’s ideas have a clear relevance to the continuing educational debate today. Admirers of her philosophy and scholars of the history of education will find much to enthral and instruct them in these pages.
A collection of essays that re-examine Walter Bauer's thesis on the emergence of Christian orthodoxy from multiple competing Christianities in the light of more recent historical scholarship.
Liminal Reality and Transformational Power explores, draws together, and integrates the many facets of liminality, and informs our understanding of liminal phenomena in the world. Through anthropology, sociology, theology, neurology and psychology, Carson correlates exterior transitions with their corresponding intra-psychic movements and points toward useful methods that contribute to personal and social transformation. In this revised edition, Carson has recognised the resurgence of liminality, and addresses the social transitions that are prevalent today in communities around the world. He examines the identity of the 'liminal' person and highlights the role of ritual leaders and religious professionals as they guide people through liminal time and space. Carson's work greatly contributes to an expanded understanding of the complex dimensions of religious leadership and provides useful insight into our intra-psychic processes during the significant transitional stages in life.
An important analysis of Scottish theologian T.F. Torrance's understanding of the teachings of the Church Fathers and how they intersect with the Reformed tradition.
A critical study of three major errors that have crept into theological thinking in the wake of the Englightenment, offering an alternative understanding rooted in scripture and the insights of Thomas Aquinas and Karl Barth.
A fertile study of convergences in early monastic and ascetic thought in Ireland and Byzantine Greece, revealing theological insights into ecclesiology and the nature of the Trinity.
The story and impact, in the context of peace movement history, of Christian pacifists and conscientious objectors in the First World War, with emphasis on the unlikely and potentially subversive contribution of members of the Established Church.
Are apostles amongst us today? According to a growing section of the church, the answer is yes. This book investigates and appraises the idea, seeking answers to the following questions in the context of the church in Britain and the USA: Is there a robust scriptural justification for the charismatic apostolate (CA) that most charismatic groups are proclaiming? How widespread is this belief and why has it become more commonplace? What kind of apostles are being advocated by influential popular teachers? What does church history and tradition have to offer to this idea? Is there a way to endorse and embrace the CA ecumenically? Does the CA have a future in the universal church? These are important questions to answer for the sake of the church's mission and health.
Written by a leading authority on Tyndale's theology, this study of the role of Christ's blood sacrifice in Tyndale's thought emphasises the distinctiveness and originality of the great English Reformer.
A rigorous exploration of the scientific background to the destruction of Sodom and Gomorrah, ranging from the geological processes underlying the catastrophe to the ancient economics of the Dead Sea region.
"On the road up to the University, the gleaming new purpose-built Leeds Polytechnic awaited the arrival of the students and staff of the art college. All the latest facilities were in place. The only thing missing was any concept of what to expect." 'Creative License' describes what happened next and the continuum leading up to this moment. In this ground-breaking study, James Charnley reveals the personalities and events that ignited an explosion of radical creativity such that a contemporary observer, Patrick Heron, could describe Leeds College of Art as "an unprecedented inventive powerhouse on the national scene". Between 1963 and 1973, Leeds College of Art and Leeds Polytechnic were at the forefront of an experiment in art and education where "all that was forbidden was to be dull". With Jeff Nuttall, Robin Page, George Brecht, Patrick Hughes and John Fox on the staff, students pushed the freedom and facilities offered further than anything before or since.'Creative License' captures the rebellious trajectory of the 1960s, the emergence of the counter-culture, dissent and later disillusionment. This is a case study of an era when art colleges were well funded and well free and, at Leeds, had a mission to progress the avant-garde project to the next level. Perhaps only now can the consequences of this experiment be assessed and its achievements recognised, and James Charnley sets out to do just that.
Synergetics can be defined as the exploratory strategy of starting with the whole. It was in the 1940s that Buckminster Fuller developed a series of spherical models which embodied the synergetic theory within geometry. This study of Fuller's sacred geometry describes with vigour and in detail how his spherical figures relate both to Nature and to the tenets of synergetics. <CR><CR> The author assesses the legacy of Fuller, a scientist-artist-engineer extraordinaire whose visions were inspired by the American Dream, and portrays with enthusiasm and sympathy the creative and individual science of a man whose character was as multifaceted as the domes he created. Discover the theory behind the idea that the straight lines and boxes of science and maths are inadequate for representing Nature's spherical and cyclical patterns of growth. The ways in which Fuller's synergetics can be seen in the ancient iconographies of the past are also revealed with fresh insight. In addition, Eastham looks to the future artistic applications of Fuller's 'wholes', with the aim of inspiring the reader to think outside of the box themselves. "We sought for years to bring out a brief alternative geometry textbook. [...] It's not easy to produce a round thing in a square world... " Extract from the Introduction
This masterly work aims to restore the literature of the Bible to a general readership, combining insightful commentary with extracts from the Old Testament chosen for their artistic and dramatic interest.
An exposition of Orthodox systematic theology, Gazing on God is written from the point of view of the experience of the faithful, drawing on traditional icons and liturgy. By tracing the depth of some key Christian concepts —salvation, Logos, the Trinity— Andreas Andreopoulos provides a framework for the theology of experience. In the following chapters seven select icons are analyzed, in order to demonstrate the theological ideas and themes that may be revealed by studying Christianity through iconography. The analysis touches on topics such as time (the eternity of God, ‘flat’ liturgical time), space, the Church as the Body of Christ, and the Trinity.Gazing on God offers to all Christian traditions a demonstration that, while our understanding of the development of Christian views and attitudes is guided by the history of theological ideas, Christianity includes from the beginning a strong dimension of meta-linguistic knowledge, which is expressed in its liturgy, as well as in its symbolism.
An illuminating examination of writer and lay theologian Dorothy L. Sayers' Trinitarian understanding of human creativity, and how it offers a theologically authentic basis for a socially-committed Christian life.
The word 'mere' is used in the title of this book in its Middle English sense as an adjective 'nothing less than, complete'. This book is about schooling for a fair and vibrant society; it is about an education of hope, education that completes a person. In 'The Magician's Nephew' (1955), the first in C.S. Lewis’ Chronicles of Narnia series, Digory and Polly are dragged back through time into a world that is "devoid of life and barren of vegetation". Such a world is not a safe place for children and young people. When C.S. Lewis wrote that the task of the modern educator is 'to irrigate deserts' he was making the point that it is teachers who 'inculcate just sentiments' (Lewis 1978/1943, p.13) and enable the moral sense of their students to flourish. Mark A. Pike supports C.S. Lewis’ belief in the role of educators and has written 'Mere Education' to show how we might go about it so that 'the desert shall rejoice, and blossom as the rose' (Isaiah 35:1).
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