Bøger udgivet af JRP Ringier

Bradford's figures swim, float and wander through the dark and dreamy landscapes of their canvasesSince the 1970s, painter Katherine Bradford has unapologetically blazed her own path in the art world: painting daily and building a community of like-minded artists in both Maine and New York. Bradford paints with a formal inventiveness and a shifting sense of figure and ground, giving narrative weight to her characters who may appear as heroes or lovers, families or couples, businessmen or isolated individuals. Her chromatic scenes, painted in many transparent layers of acrylic, transmit a light-filled quality and offer metaphorical possibilities as they veer between humor, pathos and abstraction.This reference monograph of her work features an essay by London-based art critic Allie Biswas that reflects on the metaphysical nature of Bradford's work, an interview with fellow artist and writer Daniel Gerwin, a narrative biography text by her children, Laura and Arthur Bradford, that offers a personal look at the artist's life and work, and an overview essay by Austrian curator Sandro Droschl. The book compiles over 100 artworks surveying Bradford's paintings from 2015 until today, focusing on her recent series entitled Swimmers and Mother Paintings dealing with her own vision of motherhood and womanhood.Katherine Bradford (born 1942) lives and works in New York City and Brunswick, Maine. She has exhibited at institutions such as the Brooklyn Museum and most recently in a solo exhibition at the Portland Museum of Art, which traveled to the Frye Museum in Seattle. Bradford was awarded a Guggenheim Fellowship in 2011 and a Joan Mitchell Fellowship in 2012.

Vibrant, colorful and explicit, Iannone's work is a touchstone for 60 years of feminist art and theoryFor more than six decades, Dorothy Iannone (1933-2022) represented ecstatic love, the union of gender, feeling and pleasure. Today, her oeuvre is widely recognized as one of the most provocative and fruitful bodies of work in recent decades in terms of the liberalization of female sexuality, and political and feminist issues. A narrative element fed with personal mythologies, experiences and feelings runs through all of her work, unified by her distinctive colorful and graphic style. As Fluxus artist Robert Filliou declared in 1972, "she is a freedom fighter, and a forceful and dedicated artist, skillfully blending imagery and text, beauty and truth. Her aim is no less than human liberation." This publication sheds new light on the legendary artist's practice by dealing specifically with her idiosyncratic takes on performativity and transdisciplinarity. New essays by Alison Gingeras, Ana Mendoza Aldana and Joanna Zielinska, together with a selection of texts written by Iannone, offer new approaches to celebrate her work and life.

Surveying the decades-long oeuvre of an artist whose multidisciplinary practice is interwoven with the written wordA key representative of conceptual painting, French Swiss artist Agnès Thurnauer (born 1962) incorporates writing into her paintings, sculptures and installations, which investigate the power of language, interrogating how we give form to the act and process of thinking, and questions related to art, politics, the body and self-investigation.

A meditation on consumerism, from an artist known for her longtime engagement with the fashion world Swiss conceptual artist Sylvie Fleury (born 1961) juxtaposes avant-garde garments by designers such as Thierry Mugler, Vivienne Westwood and Jean Paul Gaultier with an iconic work of Minimalism by Walter de Maria. Showcasing them side-by-side in the Bechtler Foundation (Zurich) window, Fleury transforms relics of consumerism into historical objects worthy of display in the art world. It is also an unprecedented insight into the artist's eccentric 1990s fashion collection.

A comprehensive overview of the French artist's investigation into objects, value and art formsParis-based artist Isabelle Cornaro (born 1974) works across mediums such as installation, painting, sculpture, video, wall painting and drawing to investigate themes of representation, perceptual experience and reproduction. Cornaro also explores the translation of forms and languages, for example an old master painting into a 3D installation, a film into a graphic score or the vocabulary of Minimalism into a more emotional language. Informed by her studies of Renaissance and classical aesthetics, Cornaro is often drawn to the still life genre, constructing her objects in a manner that invites a multiplicity of vantage points.Ranging across Cornaro's manifold oeuvre, this monograph includes essays by art critic Tim Griffin and art historian Cécile Debray; interviews with curator Fabrice Stroun and editor Clément Dirié; as well as comprehensive descriptive texts by art critic Benjamin Thorel.

Sculptural and photographic transformations of the domestic, the industrial, the functional and the decorativeRenowned for her particular take on what contemporary sculpture can be and express, Magali Reus (born 1981) draws on a vast range of formal influences and references, from the domestic to the industrial, the functional to the decorative, creating works that evolve as a fascinating accumulation and layering of visual details. Designed by Irma Boom, this artist's book offers a unique approach to art making through the unveiling of the sources, visual imagery and connections that gave birth to the realization of three emblematic series by Magali Reus: Dearest (2018); Empty Every Night (2019); and Settings (2019-21). Conceived as a space where the viewer can take their time to get a closer, more intimate connection to her work, the publication alternates views of the works, close-up details and various materials--from a 3D technical rendering and production calculations to mock ups, samples and research photography. Sharing her production, process and research archive, Reus allows the reader to decipher the circulation of motifs from one medium to another, her specific take on the ideas of hierarchy, representation and systems of production, and how she explores the tensions between nature, technology and the impact of postindustrial human activity. The book gives full credit to her ongoing thinking on objecthood and how the objects and forms she creates take on a strange, disobedient agency. Made of three separate volumes. featuring different paper and taped together, this collectible publication is itself a powerful object.

Ericka Beckman (born 1951) makes films without plots in a conventional sense, constituting them instead from themes: socialization, acculturation, competition and the organization of thoughts and memory. Since they are largely structured like games, they do not have characters; they have players. Like everything else about the films--the scenery, the props, the animation--the players are representatives, stand-ins contributing to Beckman's abstract ruminations on culture in a time-based medium. This lavishly illustrated reference monographs documents every film Ericka Beckman has made since her days as a CalArts graduate in the 1970s, and includes storyboards, production stills and notes, the librettos of her musicals, as well as a thorough photo-documentation of her multimedia installations. Together with an anthology of critical writing on the artist's work, the book features an interview encompassing the artist's entire career by Lionel Bovier and Fabrice Stroun, as well as new contributions by Vera Dika, John Beeson, Jeanne Graff, Geraldine Tedder and renowned game theorist Eric Zimmerman.

The first comprehensive monograph dedicated to the American artist Sue Williams (born 1954), this book follows her work from the early 1980s to her most recent paintings. Over the course of her 40-year career, Williams has made an array of artwork, from modest paintings of mostly representational scenes in a cartoonish style to large-scale abstract paintings erupting in brilliant colors. In her newest works, figuration and abstraction are mixed anew, for although the images are abstract, the beholder comes across recognizable details--individual body parts or formations reminiscent of human organs. Williams has continuously explored and challenged the fantasies of feminism, sexuality, gender and culture in her work. Throughout her practice she has explored the ambiguous boundary between a secure place and an insecure one, between the real and the imagined, drawing the viewer into her world of provocative sexual politics.

Swiss artist Florian Germann (born 1978) deploys sculptures, objects and scientific apparatus for his elaborate grand narratives, many of which deal with occult themes such as poltergeists and werewolves.

After David Robbins achieved art-world success with his photographic work Talent (1986)--in which he depicted Cindy Sherman, Jeff Koons, Jenny Holzer and 15 other contemporary artists as entertainers--he became progressively disenchanted with the art world, and in 1996 returned to his hometown of Milwaukee, Wisconsin to pursue what he termed "alternatives to art." The first of these was The Ice Cream Social (1993-2008), which had premiered in a Manhattan Baskin-Robbins ice cream shop in 1993 and then, over the next 15 years, gradually expanded to include (in Ice Cream Socials in Chicago, Paris, Tokyo, London and Des Moines) performance, installation, poetry, painting, a 2002 TV pilot for the Sundance Channel, fridge magnets, ceramic bowls and a novella. In this witty novella, originally published in 1998 and here re-issued by JRP/Ringier, Robbins recounts the generative 1993 Manhattan event, embedding it within a larger fiction that also includes the blueprint for the TV pilot realized later. Updating the traditional small-town American social ritual for contemporary audiences, Robbins' Ice Cream Social shared many of the strategies of those artists associated with Relational Aesthetics, while at the same time pioneering what curator Hans Ulrich Obrist lauded as "an expanded exhibition model."

The Measuring of Time. Published on the occasion of her long-deserved retrospective organized by Muzeum Susch from June to December 2021, this book testifies to the singularity and innovative vision of Italian artist Laura Grisi within contemporary art history. Although her work has mostly been reduced to Italian Pop art if not entirely overlooked from the outset Grisi worked beyond that category, pertinently intercepting various lines of international artistic research Conceptual art, Optical art and Kinetic-Programmed art, Minimal art and applying them in her own original synthesis. Within an activity whose fundamental motif is the