Bøger udgivet af KNOPF

In the triumphant concluding volume of the trilogy that began with Whistle Guitar and The Spyglass Tree, Albert Murray gives us what is at once an African American coming-of-age novel and a pitch-perfect evocation of a touring jazz band at the height of the Swing era. Murray's hero, Scooter, graduates from an Alabama college and becomes a bass player in an ensemble headed by the legendary Bossman. As Scooter criss-crosses the United States, he and his bandmates find themselves retracing Sherman's march to the sea, the Underground Railroad, and the conquest of the West. The Seven League Boots is nothing less than a jazz epic, so vivid, high-spirited, and infectious that readers will tap their feet to the music of its prose."A work of joy, of celebration...a great work of art, a rich and moving song of the human spirit."--Los Angeles Times"A fictional tale spinner in the grand Southern tradition."--Washington Post Book World

"With searing intelligence and great sensitivity, the final poems of Kelly Caldwell-many addressed to Cass Donish, her partner in the years before her suicide at thirty-one, swim through a complex matrix of transformations: mental illness, divorce, gender transition, and self-discovery. But they wrestle, too, with the poet's painful relationships with her family of Christian missionaries, who refused to affirm her identity. In a sequence of "dear c." poems scattered throughout these pages, Caldwell writes letters to her lover from an out-of-state residential hospital where she is receiving treatment for suicidal depression and mania. In a long poem titled "Self-Portrait as Job," she offers us her lucid gaze and her queer take on the biblical figure-an understated yet powerful testament to her own suffering in a society whose structures may not contain her. Both striking and elusive, both raw and learned, with a delicacy of syntax that challenges us to interrogate becoming itself, Kelly Caldwell asks us from beyond: What kind of fragile agency is at the heart of obliterating change?"--

"Queer writers Cass Donish and Kelly Caldwell were life partners for four years, until Caldwell's suicide in March 2020. Side by side, they wrote poems and explored their evolving gender identities, navigating Caldwell's severe bipolar disorder and rejection by a family that didn't accept her as a woman. In Your Dazzling Death, Donish shares with their absent lover and with the reader an ongoing conversation about the self, intimacy, and an experience of love and loss that transcends time. In this unprecedented collection, Donish elegizes Caldwell and summons the courage to witness their own life, widowed and isolated as a global pandemic began to unfold. With searing honesty and a bravery that refuses to turn away from the traumatic loss, exposing deep humility and vulnerability, they find a fierce new aesthetic for the disorientation and anguish of grief; they recall the joy of Caldwell's becoming, as together they "sounded out" / your new potential names / until we found those syllables ...which tasted, you said, like having / a future". Now that their shared life is forever ended, Donish turns to ritual and natural cycles in order to survive; they find in the words that they once said to Caldwell have a new place on the page. In "Kelly in Violet," the centerpiece of this collection, the story of Caldwell's death emerges, partly in conversation with the work of Uruguayan poet Marosa di Giorgio, whose poetry allowed Donish to access the shattering event and appears here in ghostly traces. Your Dazzling Death memorializes a particular woman, ritualizes the work of grief and love, and subverts linear time, asserting that a future with new love and partnership in it will be informed forever by a monumental love that is still alive in the past"--

"When Jenny St. John was eighteen, she moved to Los Angeles from her rural midwestern hometown and scored the lead role in an independent film called The Divide. She was working with the young auteur Serge Grumet and was on her way to becoming the next indie darling. But then the movie tanked and Jenny never caught a second break. Now, two decades later, after floundering on the fringes of the entertainment industry, she's barely keeping afloat running a low-level grift as a psychic life coach. But when news surfaces that Serge has been murdered, Jenny's life is turned upside down. Unbeknownst to Jenny, Serge's ex-wife, painter Genevieve Santos, looks alarmingly similar to Jenny. So much so, that when Gena goes missing, the cops think Jenny is Gena. Jenny finds herself pulled into Gena's world and manages to somehow leverage both her resemblance to Gena and her ersatz psychic abilities to infiltrate the affluent yet unstable inner circle of friends, which include a Korean pop idol-turned-social media star and an Oscar-winning actress-turned-wellness guru. Soon Jenny's search to find Gena unearths dark secrets about her own past while putting her squarely in the sights of a killer"--

"Every year Jess and Storey have made an annual pilgrimage to northern Maine where they camp, hunt, and hike, leaving much from their long friendship unspoken. Although the state has convulsed all summer with secession mania--a mania that had simultaneously spread across other states--Jess and Storey figure it's a fight reserved for legislators or, worse-case scenario, folks in the capitol. But after two weeks hunting moose off the grid, the men reach a small town and are shocked to find a bridge blown apart, buildings burned to the ground, and bombed-out cars abandoned on the road. Trying to make sense of the sudden destruction all around them, the men set their sights on finding their way home, dragging a wagon across bumpy dirt roads, ransacking boats left in the lakes, and dodging men who are armed--secessionists or military, they cannot tell--as they seek a path to safety. And then, a startling discovery, a child in the cabin of a boat, drastically alters their path and the stakes of their escape."--

"By way of H.G. Wells and Rebecca West's affair through 1930s nuclear physics to Flanagan's father working as a slave labourer near Hiroshima when the atom bomb is dropped, this daisy chain of events reaches fission when Flanagan as a young man finds himself trapped in a rapid on a wild river not knowing if he is to live or to die. At once a love song to his island home and to his parents, this hypnotic melding of dream, history, place, and memory is about how our lives so often arise out of the stories of others and the stories we invent about ourselves"--

"Calabria, 1960. Francesca Loftfield, a twenty-seven-year-old starry-eyed American, arrives in the isolated mountain village of Santa Chionia tasked with opening a nursery school. There is no road, no doctor, no running water or electricity. And thanks to a recent flood that swept away the post office, there's no mail, either. Most troubling, though, is the human skeleton that surfaced after the flood waters receded. Who is it? And why don't the police come and investigate? When an old woman begs Francesca to help determine if the remains are those of her long-missing son, Francesca begins to ask a lot of inconvenient questions"--

"In Navola, a bustling city-state dominated by a handful of influential families, business is power, and power is everything. For generations, the di Regulai family-merchant bankers with a vast empire-has nurtured tendrils that stretch to the farthest reaches of the known world. And though they claim not to be political, their staggering wealth has bought cities and toppled kingdoms. Soon, Davico di Regulai will be expected to take the reins of power from his father and demonstrate his mastery of the games of Navolese diplomacy: knowing who to trust and who to doubt, and how to read what lies hidden behind a smile. But in Navola, strange and ancient undercurrents lurk behind the gilt and grandeur-like the fossilized dragon eye in the family's possession, a potent symbol of their raw power and a talisman that seems to be summoning Davico to act. As tensions rise and the events unfold, Davico will be tested to his limits. His fate depends on the eldritch dragon relic and on what lies buried in the heart of his adopted sister, Celia di Balcosi, whose own family was destroyed by Nalova's twisted politics. With echoes of Renaissance Italy, The Godfather, and Game of Thrones, Navola is a stunning feat of world-building and a mesmerizing depiction of drive and will"--]cProvided by publisher.

"A memoir by American businessman and Chairman and Senior Executive of IAC and Expedia Group, and founder of the Fox Broadcasting Company and USA Broadcasting"--

"A book of elegy, loss, and what binds us to life, by a towering poetic talent. "We sleep long, / if not sound," Young writes early on in this exquisite gathering of poems, "Till the end/ we sing / into the wind." In scenes and settings that circle family and the generations in the American South--one poem, "Kith," exploring that strange bedfellow of "kin"--the speaker and his young son wander among the stones of their ancestors. "Like heat he seeks them, / my son, thirsting / to learn those / he don't know / are his dead." Whether it's the Louisiana summer's fireflies in a mason jar (doomed by their collection), or his grandmother, Mama Annie, who latches the screen door when someone steps out for just a moment, all that comprises our flickering precarious joy, all that we want to protect, is lifted into the light in this moving book. Stones becomes an ode to Young's home places and his dear departed, and to what of them--of us--poetry can save"--

"An intimate history of the most important month of World War II, as experienced by the people who lived through it, completely based on their diaries, letters, and memoirs"--

"From the Pulitzer Prize-winning poet: a stunning meditation on ritual and collectiveness that explores how older forms of inquiry-from song to prayer to ways of public gathering-might help us all survive violent times and address America's shared history"--

"Based on a documentary film by Ken Burns"--Title page.

"A stunning history of the first national anti-terrorist campaign waged on American soil-when Ulysses S. Grant wielded the power of the federal government in an attempt to dismantle the Ku Klux Klan. The Ku Klux Klan, which celebrated historian Fergus Bordewich defines as "the first organized terrorist movement in American history," rose from the ashes of the Civil War. At its peak in the early 1870s, the Klan boasted many tens of thousands of members, no small number of them landowners, lawmen, doctors, journalists, and churchmen, as well as future governors and congressmen. And their mission was to obliterate the muscular democratic power of newly emancipated Black Americans and their white allies, often by the most horrifying means imaginable. To repel the virulent tidal wave of violence, President Ulysses S. Grant waged a two-term battle against both armed southern enemies of Reconstruction and northerners seduced by visions of post-war conciliation, testing for the first time the limits of the federal government in determining the extent of states' rights. In this book, Bordewich transports us to the front lines, in the hamlets of the former Confederate States and in the marble corridors of Congress, reviving an unsung generation of grassroots Black leaders and key figures such as crusading Missouri Senator Carl Schurz and the ruthless former slave trader Nathan Bedford Forrest. Klan War is a bold and bracing record of American's past that reveals the bloody, Reconstruction-era roots of present-day battles to protect the ballot box and to stamp out resurgent white supremacist ideologies"--