Bøger udgivet af Knopf Doubleday Publishing Group

In this deeply smart and sneakily poignant collection of essays, the bestselling author of Fraud and Don't Get Too Comfortable makes an inspired case for always assuming the worst-because then you'll never be disappointed. Whether he's taking on pop culture phenomena with Oscar Wilde-worthy wit or dealing with personal tragedy, Rakoff's sharp observations and humorist's flair for the absurd will have you positively reveling in the untapped power of negativity.

The eight stories in this erotic and heartbreaking collection are barometers of difference. They measure the distance between an American expatriate and the Frenchman who tutors him in table manners and rough sex; the gulf between a man dying of AIDS and his uncomprehending relatives.

WINNER OF THE NOBEL PRIZE® IN LITERATURE 2013In these fifteen short stories--her eighth collection of short stories in a long and distinguished career--Alice Munro conjures ordinary lives with an extraordinary vision, displaying the remarkable talent for which she is now widely celebrated. Set on farms, by river marshes, in the lonely towns and new suburbs of western Ontario, these tales are luminous acts of attention to those vivid moments when revelation emerges from the layers of experience that lie behind even the most everyday events and lives."Virtuosity, elemental command, incisive like a diamond, remarkable: all these descriptions fit Alice Munro."--Christian Science Monitor"How does one know when one is in the grip of art--of a major talent?....It is art that speaks from the pages of Alice Munro's stories."--Wall Street Journal

"Why do kids born in the summer get diagnosed more often with A.D.H.D.? How are marathons harmful for your health, even when you're not running? What do surgeons and salesmen have in common? Which annual event made people 30 percent more likely to contract COVID-19? As a University of Chicago-trained economist and Harvard medical school professor and doctor, Anupam Jena is uniquely equipped to answer these questions. And as a critical care doctor at Massachusetts General who researches health care policy, Christopher Worsham confronts its impact on the hospital's sickest patients. In this singular work of science and medicine, Jena and Worsham work together to reveal the hidden side of medicine, and its effect on everyone that touches the health care system. Relying on ingeniously devised natural experiments-random events that unknowingly turn us into experimental subjects-Jena and Worsham do more than offer readers colorful stories. They help us see the way our health is shaped by forces invisible to the untrained eye. Do you choose the veteran doctor or the rookie? Do you take the appointment on Monday or on Friday? Do you get the procedure now or wait a week? These questions are rife with significance; their impact can be life changing. In a style that's animated and enlightening, this book empowers you to see past the white coat and find out what really makes medicine work-and how it could work better"--

"From the moment Ava Carson and her ten-year-old son, Toussaint, arrive at the Glenn Avenue family shelter in Philadelphia 1985, Ava is already plotting a way out. She is repulsed by the shelter's squalid conditions: their cockroach-infested room, the barely edible food, and the shifty night security guard. She is determined to rescue her son from the perils and indignities of that place, and to save herself from the complicated past that led them there. Ava has been estranged from her own mother, Dutchess, since she left her Alabama home as a young woman barely out of her teens. Despite their estrangement and the thousand miles between them, mother and daughter are deeply entwined, but Ava can't forgive her sharp-tounged, larger than life mother whose intractability and bouts of debilitating despair brought young Ava to the outer reaches of neglect and hunger. Ava wants to love her son differently, better. But when Toussaint's father, Cass, reappears, she is swept off course by his charisma, and the intoxicating power of his radical vision to destroy systems of racial injustice and bring about a bold new way of communal living. Meanwhile, in Alabama, Dutchess struggles to keep Bonaparte, once a beacon of Black freedom and self-determination, in the hands of its last five Black residents--families whose lives have been rooted in this stretch of land for generations--and away from rapidly encroaching white developers. She fights against the erasure of Bonaparte's venerable history and the loss of the land itself, which she has so arduously preserved as Ava's inheritance. As Ava becomes more enmeshed with Cass, Toussaint senses the danger simmering all around him--his well-intentioned but erratic mother; the intense, volatile figure of his father who drives his fledgling Philadelphia community toward ever increasing violence and instability. He begins to dream of Dutchess and Bonaparte, his home and birthright, if only he can find his way there"--

In Sleeping Beauty, Lew Archer finds himself the confidant of a wealthy, violent family with a load of trouble on their hands--including an oil spill, a missing girl, a lethal dose of Nembutal, a six-figure ransom, and a stranger afloat, face down, off a private beach. Here is Ross Macdonald's masterful tale of buried memories, the consequences of arrogance, and the anguished relations between parents and their children. Riveting, gritty, tautly written, Sleeping Beauty is crime fiction at its best.If any writer can be said to have inherited the mantle of Dashiell Hammett and Raymond Chandler, it is Ross Macdonald. Between the late 1940s and his death in 1983, he gave the American crime novel a psychological depth and moral complexity that his pre-decessors had only hinted at. And in the character of Lew Archer, Macdonald redefined the private eye as a roving conscience who walks the treacherous frontier between criminal guilt and human sin.

Philip is in love with Alice. As the novel opens, he is beginning to lose her. Not to another man, as he fears, but to, literally, nothing. Alice is a physicist, and a team at the University where both she and Philip work has created a hole, a vacuum, a doorway of nothingness inside the laboratory. They call it "Lack." Alice becomes obsessed with Lack, as Philip is obsessed by Alice. The novel is at the same time an astute and wise portrait of unrequited love (albeit of a very unusual kind) a hilarious academic parody, a novel of ideas and a social satire. It is utterly original, but in the school of Thomas Pynchon, Don DeLillo, Katherine Dunn, and David Foster Wallace. Passion, humor, yearning and knowledge, blended together in a suspenseful love story that could be characterized as "American Magical Realism." "From the Hardcover edition.

Peter Mayle sets his latest irresistible tale in the thyme- and lavender-scented south of France. Bennett, a suave if slightly threadbare English ex-patriot who is fast approaching the end of his credit, advertises his "services" in The International Herald Tribune. In no time, he is being paid handsomely to impersonate the mysterious and very wealthy Julian Poe. "A lark that's perfect for summer reading." --Baltimore Sun.

Barabbas is the acquitted; the man whose life was exchanged for that of Jesus of Nazareth, crucified upon the hill of Golgotha. Barabbas is a man condemned to have no god. "Christos Iesus" is carved on the disk suspended from his neck, but he cannot affirm his faith. He cannot pray. He can only say, "I want to believe."Translated from the Swedish by Alan Blair